Adam Faith
| Adam Faith | |
|---|---|
 |
|
| Background information | |
| Birth name | Terence Nelhams-Wright |
| Also known as | Terry Nelhams |
| Born | 23 June 1940 Acton, London, England |
| Origin | London, England |
| Died | Script error: The function "death_date_and_age" does not exist. Stoke-on-Trent, Staffordshire, England |
| Genres | Rock and roll, pop |
| Occupation(s) | Musician, actor, journalist |
| Instruments | Vocals |
| Years active | 1957–2003 |
| Labels | Parlophone, Top Rank International, HMV, Warner |
| Associated acts | The Worried Men (1957), The Roulettes, Bobby Vee, Cliff Richard, Billy Fury, Lonnie Donegan, Buddy Holly |
Terence "Terry" Nelhams-Wright (23 June 1940 – 8 March 2003), known as Adam Faith, was a British teen idol, singer, actor, and financial journalist. He was one of the most charted acts of the 1960s.[1] He became the first UK artist to lodge his initial seven hits in the Top 5.[1] He was also one of the first UK acts to record original songs regularly.[1]
Contents
Early life and education
Terence Nelhams-Wright was born at 4 Churchfield Road, Acton, London, England. Known as Terry Nelhams, he was unaware his surname was Nelhams-Wright until he applied for a passport and obtained his birth certificate. The third in a family of five children, Nelhams grew up in a council house in a working class area of London, where he attended John Perryn Junior School. He started work at 12, delivering and selling newspapers while still at school. His first full-time job was odd-job boy for a silk screen printer.
Music career
Faith became one of Britain's significant early pop stars. At the time, he was distinctive for his hiccupping glottal stops and exaggerated pronunciation. He did not write his own material, and much of his early success was through partnership with songwriters Les Vandyke and John Barry, whose arrangements were inspired by the pizzicato arrangements for Buddy Holly's "It Doesn't Matter Anymore".
Faith began his musical career in 1957, while working as a film cutter in London in the hope of becoming an actor, singing with and managing a skiffle group, the Worried Men. The group played in Soho coffee bars after work, and became the resident band at The 2i's Coffee Bar, where they appeared on the BBC Television live music programme Six-Five Special. The producer, Jack Good, was impressed by the singer and arranged a solo recording contract with HMV under the name Adam Faith.
His debut record "(Got a) Heartsick Feeling" and "Brother Heartache and Sister Tears", in January 1958, failed to make the charts. Good gave him a part in the stage show of Six-Five Special, along with the John Barry Seven but the show folded after four performances. His second release later that year was a cover of Jerry Lee Lewis's "High School Confidential", backed with the Burt Bacharach and Hal David penned "Country Music Holiday", but this also failed.
Faith returned to work as a film cutter at National Studios at Elstree until March 1959, when Barry invited him to audition for a BBC TV rock and roll show, Drumbeat. The producer, Stewart Morris, gave him a contract for three shows, extended to the full 22-week run. His contract with HMV had ended, and he sang one track, "I Vibrate", on a six-track EP released by the Fontana record label. Barry's manager, Eve Taylor, got him a contract with Top Rank, but his only record there, "Ah, Poor Little Baby"/"Runk Bunk" produced by Tony Hatch, failed to chart due to a lack of publicity caused by a national printing strike.
Despite the failure, Faith was becoming popular through television appearances. He became an actor by taking drama and elocution lessons, and appeared in the film Beat Girl. The script called for Faith to sing songs and as Barry was arranging Faith's recordings and live Drumbeat material, the film company asked him to write the score. This was the beginning of Barry's career in film music.
Faith's success on Drumbeat enabled another recording contract, with Parlophone. His next record in 1959, "What Do You Want?", written by Les Vandyke and produced by Barry and John Burgess, received good reviews in the NME and other papers, as well as being voted a hit on Juke Box Jury. This became his first number one hit in the UK Singles Chart,[1] and his pronunciation of the word 'baby' as 'bay-beh' became a catchphrase.[2]
"What Do You Want?" was the first number one hit for Parlophone, Faith the only pop act on the label.[2]
With songs like "Poor Me" (another chart topper), "Someone Else's Baby" (a UK No. 2) and "Don't That Beat All", he established himself as a rival to Cliff Richard in British popular music.
A UK variety tour was followed by a 12-week season at Blackpool Hippodrome and an appearance on the Royal Variety Show.
His next release was a double A-side single, "Made You"/"When Johnny Comes Marching Home". Both made the Top Ten, despite a BBC ban for "Made You" for 'a lewd and salacious lyric'. His 1960 novelty record "Lonely Pup (In a Christmas Shop"), to coincide with his Christmas pantomime, gained a silver disc.
His début album Adam was released on 4 November 1960 to critical acclaim for the inventiveness of Barry's arrangements and Faith's own performances. The material ranged from standards such as "Summertime", "Hit The Road to Dreamland" and "Singin' in the Rain" to more contemporary songs, such as Doc Pomus and Mort Shuman's "I'm a Man", Johnny Worth's "Fare Thee Well My Pretty Maid", and Howard Guyton's "Wonderful Time".
Still 20 and living with his parents, he bought a house in Hampton Court for £6,000, where he moved with his family from their house in Acton. In December 1960, he became the first pop artist to appear on the TV interview series Face to Face with John Freeman.
Faith made six further albums and 35 singles, with a total of 24 chart entries, of which 11 made the UK Top Ten, including his two No. 1's. Ten of the eleven singles that made the Top Ten actually also made the Top Five. Faith managed to lodge twenty consecutive single releases on the UK Singles Chart, starting with "What Do You Want?" in November 1959 and culminating with "I Love Being in Love With You" in mid-1964; this was quite a feat for a British artist of Faith's era.
Faith's last Top Ten hit in the UK (in October 1963) was "The First Time" (UK No. 5), which was also his first single with his backing group in 1963 and 1964, the Roulettes, acquired to give Faith's music a harder 'beat group' edge more in keeping with the Merseybeat sound at that time sweeping the British charts. His 1974 single "I Survive" made the Top 30 of the "Capital Countdown" on London's Capital Radio.
Benefitting from the enthusiasm of American audiences for all artists British at the height of the British Invasion in 1964-5, Faith managed to register one single in the Top 40 of the US Billboard Hot 100, "It's Alright" (which was not released as a single in his native UK).
In 1967, he recorded "Cowman, Milk Your Cow" which was written by Barry Gibb and Robin Gibb and released as a single in September that same year.
Film and television career
In 1961, Faith made What a Whopper, with Sid James, Spike Milligan, Wilfrid Brambell, Carole Lesley and others well known at the time. A film about a writer, a group of Englishmen and the Loch Ness "monster", it was written by Terry Nation, and had music by John Barry; Faith sang the title song and "The Time Has Come". Faith's teen pop became less popular in the mid-1960s in competition with The Beatles. After a final single in 1968 he parted company with EMI and concentrated on acting. While a musician he had appeared in films such as Beat Girl (1960), Never Let Go (1960), and television dramas such as the Rediffusion/ITV series No Hiding Place but now he concentrated on repertory theatre. After a number of small parts, he was given a more substantial role in the play Night Must Fall, playing opposite Dame Sybil Thorndike. In 1962 he co-starred opposite Donald Sinden and Anne Baxter in the film Mix Me a Person, a thriller which was rated X-certificate (the modern equivalent would be a UK 18-certificate) by the British Board of Film Censors. In autumn 1969, he took the lead in a touring production of Billy Liar.
In the 1970s, he went into music management, managing Leo Sayer among others. Sayer claimed in an interview with British newspaper The Daily Telegraph that "He handled everything for me, but although he was a very good mentor, he was less trustworthy with my money. In the end, Adam Faith made more out of Leo Sayer than I did."
He starred as the eponymous hero in the 1970s television series Budgie (LWT/ITV), about an ex-convict, but his career declined after a motor car accident in which he almost lost a leg. He restarted with a role as the manipulative manager of rock star David Essex, in Stardust. He was nominated for a BAFTA award. In 1980 he starred with Roger Daltrey in McVicar and appeared with Jodie Foster in Foxes.
He played the role of James Crane in the 1985 TV movie Minder on the Orient Express – part of the Minder franchise.
From 1992 to 1994, he appeared in another TV series, Love Hurts, starring with Zoë Wanamaker, and in 2002 he appeared in the BBC series The House That Jack Built. In 2003, he appeared in an episode of Murder in Mind.
Later years and death
Faith married Jackie Irving in 1967 and they had one daughter, Katya Faith, who became a television producer.
By the 1980s, Faith had become an investor and financial adviser.[3] In 1986, he was hired as a financial journalist by the Daily Mail and its sister paper The Mail on Sunday. Faith and partner Paul Killik were the principal investors behind UK television station Money Channel. When the channel closed in June 2002, Faith was declared bankrupt, owing a reported £32 million. English film director and producer Michael Winner stated that Faith was his investment adviser, leading to significant losses on two different investments.[4]
In 1986, Faith had open heart surgery. In 2003, he became ill after his evening stage performance in the touring production of Love And Marriage at Stoke-on-Trent, and died of a heart attack early the next morning, 8 March 2003, at North Staffordshire Hospital. His last words reportedly were "Channel 5 is all shit, isn't it? Christ, the crap they put on there. It's a waste of space."[5]
Discography
Singles
| Year | Title | UK Singles Chart[1] |
|---|---|---|
| 1958 | "(Got A) Heartsick Feeling" | – |
| 1958 | "Country Music Holiday" | – |
| 1959 | "Ah, Poor Little Baby!" | – |
| 1959 | "What Do You Want?" | 1 |
| 1960 | "Poor Me" | 1 |
| 1960 | "Someone Else's Baby" | 2 |
| 1960 | "When Johnny Comes Marching Home"/ "Made You" |
5 |
| 1960 | "How About That!" | 4 |
| 1960 | "Lonely Pup (In a Christmas Shop)" | 4 |
| 1961 | "Who Am I!" / "This is It!" | 5 |
| 1961 | "Easy Going Me" | 12 |
| 1961 | "Don't You Know It?" | 12 |
| 1961 | "The Time Has Come" | 4 |
| 1962 | "Lonesome" | 12 |
| 1962 | "As You Like It" | 5 |
| 1962 | "Don't That Beat All" | 8 |
| 1962 | "Baby Take a Bow" | 22 |
| 1963 | "What Now" | 31 |
| 1963 | "Walkin' Tall" | 23 |
| 1963 | "The First Time" | 5 |
| 1963 | "We Are in Love" | 11 |
| 1964 | "If He Tells You" | 25 |
| 1964 | "I Love Being in Love with You" | 33 |
| 1964 | "Only One Such as You" | – |
| 1964 | "A Message to Martha (Kentucky Bluebird)" | 12 |
| 1965 | "Stop Feeling Sorry For Yourself" | 23 |
| 1965 | "Hand Me Down Things" | – |
| 1965 | "Someone's Taken Maria Away" | 34 |
| 1965 | "I Don't Need that Kind of Lovin'" | – |
| 1966 | "Idle Gossip" | – |
| 1966 | "To Make a Big Man Cry" | – |
| 1966 | "Cheryl's Goin' Home" | 46 |
| 1967 | "What More Can Anyone Do?" | – |
| 1967 | "Cowman, Milk Your Cow" | – |
| 1967 | "To Hell With Love" | – |
| 1968 | "You Make My Life Worth While" | – |
| 1974 | "I Survive" | – |
| 1974 | "Maybe" | – |
| 1974 | "I Believe in Love" | – |
| 1975 | "Strung Out Again"/ "Steppin' Stone" |
– |
| 1976 | "Vindictive Attack" | – |
| 1978 | "What Do You Want?"/ "Poor Me" |
– |
| 1983 | "What Do You Want?"/ "How About That!" |
– |
| 1993 | "Stuck in the Middle"[6] (with Roger Daltrey) |
– |
Albums
- Adam (Parlophone) (1960) – UK Number 6
- Beat Girl (film soundtrack) (Columbia) (1961) – UK Number 11
- Adam Faith (Parlophone) (1962) – UK Number 20
- From Adam with Love (Parlophone) (1963)
- For You – Love Adam (Parlophone) (1963)
- On the Move (Parlophone) (1964)
- It's Alright (Capitol Canada 6000 Series) March 1965
- Faith Alive (Parlophone) (1965) – UK Number 19
- I Survived (Warner Bros.) (1974)
- Midnight Postcards (PolyGram) (1993) – UK Number 43
EPs
- Adam Faith (Parlophone GEP 8851)
- The Time Has Come (Vandyke), Watch Your Step (Parker), I've Just Fallen for Someone (Askew) and I'm Coming Home (Johnson-Rado). Produced and conducted by John Barry 1961
- Adam Faith (Parlophone GEP 8852)
- All These Things (Vandyke), It's All Over Now (Whyton), Second Time (Vandyke), Come To Me (Cenci-Carr), If I Had a Hammer (Hays-Seeger, I'm Going To Love you Too (Mauldin-Sullivan-Petty). Produced and conducted by John Barry 1961
Compilation albums
- The Best of Adam Faith (Starline) (1966)
- The Best of Adam Faith (MFP) (1971)
- 24 Golden Greats (Warwick) (1981) – UK Number 61
- Not Just A Memory (Amy Records) (1983)
- The Best of Adam Faith (re-issue) (MFP) (1985)
- The Best of Adam Faith (second re-issue) (MFP) (1989)
- The Singles Collection (Greatest Hits) (1990)
- The Best of EMI Years (1994)
- The Very Best of Adam Faith (MFP/EMI) (1997)
- Greatest Hits (EMI Gold) (1998)
- The Very Best of Adam Faith (EMI) (2005)
- All The Hits (EMI Gold) (2009)
US singles
- "What Do You Want?" / "From Now Until Forever" (Cub 9061)
- "Poor Me" / "The Reason" (Cub 9068)
- "I Did What You Told Me" / "Johnny Comes Marching Home" (Cub 9074)
- "Don't That Beat All" / "Mix Me A Person" (Dot 16405)
- "So Long, Baby" / "The First Time" (Amy 895)
- "We Are in Love" / "What Now?" (Amy 899)
- "It's Alright" / "I Just Don't Know" (Amy 913) (#31)
- "Talk About Love" / "Stop Feeling Sorry For Yourself" (Amy 922) (#97)
- "I Don't Need That Kind of Lovin'" / "I'm Used To Losing You" (Capitol 5543)
- "Here's Another Day" / "To Make a Big Man Cry" (Capitol 5699)
US albums
- England's Top Singer (MGM E/SE 3951)
- Adam Faith (Amy 8005/S-8005)
References
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