Amrutesvara Temple, Amruthapura
Amrutesvara Temple, Amruthapura | |
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village | |
Ekakuta (singly shrined), Amruteshvara temple, 1196, Chikkamagaluru district
Ekakuta (singly shrined), Amruteshvara temple, 1196, Chikkamagaluru district
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Location in Karnataka, India | |
Coordinates: Lua error in package.lua at line 80: module 'strict' not found. | |
Country | India |
State | Karnataka |
District | Chikkamagaluru District |
Languages | |
• Official | Kannada |
Time zone | IST (UTC+5:30) |
The Amruteshvara temple (Kannada: ಅಮೃತೇಶ್ವರ ದೇವಸ್ಥಾನ) also spelt "Amrutesvara" or "Amruteshwara", is located in the village of Amruthapura, 67 km north of Chikmagalur town in the Chikkamagaluru district of the Karnataka state, India. Located 110 km from Hassan and 35 km from Shimoga on NH 206, Amruthapura is known for the Amruteshvara temple . The temple was built in 1196 C.E. by Amrutheshwara Dandanayaka (lit, "commander") under Hoysala King Veera Ballala II.
Amrutesvara temple
The temple is a built according to Hoysala architecture with a wide open mantapa (hall).[1] The temple has a original outer wall with enique equally spaced circular carvings. The temple has one vimana (shrine and tower) and therefore is a ekakuta design,[2] and has a closed mantapa (hall) that connects the sanctum to the large open mantapa.
It is medium-sized Hoysala temple with certain vastu features similar to the Veera Narayana Temple, Belavadi in mantapa structure and size. The open mantapa has twenty nine bays,[3] and the closed mantapa has nine bays with a side porch that leads to a separate shrine on the south side. The shrine is square in shape has the original superstructure (shikhara) which is adorned with sculptures of Kirtimukhas (demon faces), miniature decorative towers (aedicule). Below the superstructure, the usually seen panel of Hindu deities is absent. The base of the wall has five mouldings which according to art critic Foekema is an "older Hoysala style".[4] The Sukanasi, the tower on top of the vestibule that connects the sanctum to the closed mantapa (the Sukanasi appears like the nose of the superstructure),[5] has the original Hoysala emblem of "Sala" fighting the lion.[6][7]
The rows of shining lathe turned pillars that support the ceiling of the mantapa is a Hoysala-Chalukya decorative idiom.[8] The mantapa has many deeply domed inner ceiling structures adorned with floral designs. The outer parapet wall of the open mantapa has a total of hundred and forty panel sculptures with depictions from the Hindu epics. Unlike many Hoysala temples where the panels are small and carvings in miniature, these panels are comparatively larger. The Ramayana is sculpted on the south side wall on seventy panels, with the story proceeding quite unusually, in anti-clockwise direction. On the north side wall, all depictions are clockwise, a norm in Hoysala architectural articulation. Twenty five panels depict the life of the Hindu god Krishna and the remaining forty five panels depict scenes from the epic Mahabharata.[8]
Ruvari Mallitamma, the well known sculptor and architect is known to have started his career here working on the domed ceilings in the main mantapa.[9] The large stone inscription near the porch contains poems composed by medieval Kannada poet Janna who had the hororific Kavichakravarti (lit, "emperor amobg poets") .[10]
Gallery
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Profile of shrine in Amrutesvara temple at Amruthapura.JPG
Profile of shrine outer wall with Shikara (tower) at Amrutesvara temple, Amruthapura
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Mantapa outer wall articulation in Amrutesvara temple at Amruthapura.JPG
Close up of mantapa wall with miniature decorative towers, swirls and flourish in relief at Amrutesvara temple, Amruthapura
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Shrine wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG
Mantapa wall with miniature decorative towers (aedicule) in relief at Amrutesvara temple, Amruthapura
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Outer wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG
Wall relief at Amrutesvara temple, Amruthapura
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Wall decoration in relief in Amrutesvara temple at Amruthapura.JPG
Wall relief at Amrutesvara temple, Amruthapura
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Close up of outer wall relief at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG
Close up of wall relief at Amrutesvara temple, Amruthapura
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Wall Carving at Amrutesvara Temple in Chikkamagaluru district.jpg
Wall relief sculpture of the Amrutesvara temple
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Mythological scene from the Hindu legend in relief in the Amrutesvara temple at Amruthapura.JPG
Wall relief sculpture at Amrutesvara temple, Amruthapura
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Scene from the Hindu legend in relief in the Amrutesvara temple at Amruthapura.JPG
Wall relief sculpture at Amrutesvara temple, Amruthapura
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Perforated window art at mantapa entrance in Amrutesvara temple at Amruthapura.JPG
Perforated window art at Amrutesvara temple, Amruthapura
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Hindu deity sculpture in the Amrutesvara temple at Amruthapura 1.JPG
Hindu deity sculpture at Amrutesvara temple, Amruthapura
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Domical ceiling art in Amrutesvara temple at Amruthapura.JPG
Domical ceiling art at Amrutesvara temple, Amruthapura
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Domical ceiling art in Amrutesvara temple at Amruthapura 1.JPG
Domical ceiling art at Amrutesvara temple, Amruthapura
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Domical ceiling art in Amrutesvara temple at Amruthapura 6.JPG
Domical ceiling art at Amrutesvara temple, Amruthapura
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Decorative swirls on mantapa wall at Amruteshvara temple in Amruthapura, Chikkamagaluru district.JPG
Decorative swirls in bas-relief on mantapa outer wall at Amrutesvara temple, Amruthapura
Notes
- ↑ Foekema (1996), p37
- ↑ Quote:"Depending on the number of towers, temples are classified as ekakuta (one), dvikuta (two), trikuta (three), chatushkuta (four) and panchakuta (five). The last two types are rare. Sometimes a trikuta temple is literally not trikuta as only the central of three shrines may have a superstructure", Foekema (1996), p25
- ↑ Quote:"A bay is a square or rectangular compartment in the hall, Foekema (1996) p36, p93
- ↑ Quote:"In a typical "older style" that was popular throughout most of the 12th century Hoysala temples, there is one set of eaves where the tower meets the wall of the shrine. The eaves runs all around the temple. Eaves is a projecting roof overhanging the temple wall. Below the eaves are decorated miniature towers on pilasters. Below these towers are the wall panels of Hindu Gods, Goddesses and their attendants. Below these panels are the five mouldings", Foekema (1996), p28
- ↑ Foekema(1996), p22
- ↑ Foekema (1996), p22
- ↑ According to Kamath, Sala fights a tiger. According to historians such as C. Hayavadhana Rao, J. D. M. Derrett and B. R Joshi, "Sala" was the mythical founder of the empire, Kamath (2001), p123
- ↑ 8.0 8.1 Quote:"a common feature of Western Chalukya-Hoysala temples", Kamath (2001), p117
- ↑ Architectural marvel by P.B.Premkumar, Spectrum, Tuesday, January 20, 2004 [1]
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
See also
References
- Gerard Foekema, A Complete Guide to Hoysala Temples, Abhinav, 1996 ISBN 978-81-7017-345-8
- Suryanath U. Kamath, A Concise history of Karnataka from pre-historic times to the present, Jupiter books, 2001, MCC, Bangalore (Reprinted 2002) LCCN:80905179, OCLC:7796041.
External links
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