Hail Mary

"Ave Maria" redirects here. For other uses, see Ave Maria (disambiguation).

For other uses, see Hail Mary pass and Hail Mary (disambiguation).

Madonna and Child by Taddeo di Bartolo, 1400, an example of Marian art

The Annunciation, by Fra Angelico

The Hail Mary, also commonly called the Ave Maria (Latin) or Angelic Salutation, is a traditional Catholic prayer asking for the intercession of the Blessed Virgin Mary, the mother of Jesus. In Roman Catholicism, the prayer forms the basis of the Rosary and the Angelus prayers. In the Eastern Orthodox and Eastern Catholic Churches, a similar prayer is used in formal liturgies, both in Greek and in translations. It is also used by many other groups within the Catholic tradition of Christianity including Anglicans, Independent Catholics, and Old Catholics. Some Protestant denominations, such as Lutherans, also make use of a form of the prayer.

Based on the greeting of the archangel Gabriel to the Virgin Mary in the Gospel of Luke, the prayer takes different forms in various traditions. It has often been set to music, although the most famous musical expression of the words Ave Maria — that by Franz Schubert — does not actually contain the Hail Mary prayer.

Biblical source

The prayer incorporates two passages from Saint Luke's Gospel: "Hail, full of grace, the Lord is with thee," and "Blessed art thou amongst women and blessed is the fruit of thy womb." In mid-13th-century Western Europe the prayer consisted only of these words with the single addition of the name "Mary" after the word "Hail," as is evident from the commentary of Saint Thomas Aquinas on the prayer.

The first of the two passages from Saint Luke's Gospel is the greeting of the Angel Gabriel to Mary, originally written in Koine Greek. The opening word of greeting, χαῖρε, chaíre, here translated "Hail," literally has the meaning "rejoice" or "be glad." This was the normal greeting in the language in which Saint Luke's Gospel is written and continues to be used in the same sense in Modern Greek. Accordingly, both "Hail" and "Rejoice" are valid English translations of the word ("Hail" reflecting the Latin translation, and "Rejoice" reflecting the original Greek).

The word κεχαριτωμένη, (kecharitōménē), here translated as "full of grace," admits of various translations. Grammatically, the word is the feminine present perfect passive voice participle of the verb χαριτόω, charitóō, which means "to show, or bestow with, grace" and, in the passive voice, "to have grace shown, or bestowed upon, one.".

The text also appears in the account of the annunciation contained in the apocryphal Infancy Gospel of Matthew, in chapter 9.

In Greek tradition

The Hail Mary prayer of the Eastern Orthodox Church and Eastern Catholic Churches is in the form:

Θεοτόκε Παρθένε, χαῖρε, κεχαριτωμένη Μαρία, ὁ Κύριος μετὰ σοῦ. εὐλογημένη σὺ ἐν γυναιξί, καὶ εὐλογημένος ὁ καρπὸς τῆς κοιλίας σου, ὅτι Σωτῆρα ἔτεκες τῶν ψυχῶν ἡμῶν.

God-bearing Maid, rejoice, grace-filled Mary, the Lord with thee. Praised thou among women, and praised the fruit of thy womb, because it was the Saviour of our souls that thou barest.

Another English rendering of the same text reads:

Mother of God and Virgin, rejoice, Mary full of grace, the Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast given birth to the Saviour of our souls.

To the Biblical texts this adds the opening invocation "Theotokos Virgin," the name "Mary" and the concluding "because it was the Saviour of our souls that thou barest."

In Western (Latin) tradition

After considering the use of similar words in Syriac, Greek and Latin in the 6th century, Herbert Thurston, writing in the Catholic Encyclopedia concludes that "there is little or no trace of the Hail Mary as an accepted devotional formula before about 1050," (though a later pious tale attributed to Ildephonsus of Toledo (fl. 7th century) the use of the first part, namely the angel's greeting Mary, without that of Elizabeth, as a prayer). All the evidence suggests that it took its rise from certain versicles and responsories occurring in the Little Office or Cursus of the Blessed Virgin which just at that time was coming into favour among the monastic orders.

Saint Thomas Aquinas spoke of the name "Mary," which served to indicate who was the "full of grace" person mentioned, as the only word added at his time to the Biblical text. But at about the same time the name "Jesus" was also added, to specify who was meant by the phrase "the fruit of thy womb."

The Western version of the prayer is thus not derived from the Greek version: even the earliest Western forms have no trace of the Greek version's phrases: "Mother of God and Virgin" and "for thou hast given birth to the Saviour of our souls."

To the greeting and praise of Mary of which the prayer thus consisted, a petition "Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen," was added later. The petition first appeared in print in 1495 in Girolamo Savonarola's "Esposizione sopra l’Ave Maria." The "Hail Mary" prayer in Savonarola's exposition reads:

• Hail Mary, full of grace, the Lord is with thee; blessed art thou amongst women, and blessed is the fruit of thy womb, Jesus. Holy Mary, Mother of God, pray for us sinners, now and at the hour of death. Amen

The petition was commonly added around the time of the Council of Trent. The Dutch Jesuit St. Petrus Canisius is credited with adding in 1555 in his Catechism the sentence:

• Holy Mary, Mother of God, pray for us sinners.

Eleven years later, the sentence was included in the Catechism of the Council of Trent of 1566. The "Catechism of the Council of Trent" says that to the first part of the Hail Mary, by which "we render to God the highest praise and return Him most gracious thanks, because He has bestowed all His heavenly gifts on the most holy Virgin ... the Church of God has wisely added prayers and an invocation addressed to the most holy Mother of God ... we should earnestly implore her help and assistance; for that she possesses exalted merits with God, and that she is most desirous to assist us by her prayers, no one can doubt without impiety and wickedness."

The current Latin version is thus as follows, with accents added to indicate how the prayer is said in the current ecclesiastical pronunciation of Latin:

Áve María, grátia pléna,

Dóminus técum.

Benedícta tu in muliéribus,

et benedíctus frúctus véntris túi, Iésus.

Sáncta María, Máter Déi,

óra pro nóbis peccatóribus,

nunc et in hóra mórtis nóstrae. Ámen.

In English:

Hail Mary, full of grace,

the Lord is with thee;

blessed art thou amongst women,

and blessed is the fruit of thy womb, Jesus.

Holy Mary, Mother of God,

pray for us sinners,

now and at the hour of our death. Amen.

For translations from the Latin into various languages, see Wikisource.

Eastern Christian use

In the Eastern Orthodox and Byzantine Rite Eastern Catholic churches, the prayer is very common in the Greek form indicated above, or in translations from it. Although it is not said quite as often as in the West, it is well known and often used and appears in several canons of prayer. It is typically sung thrice at the end of Vespers during an All-Night Vigil, as well as occurring many times in the course of daily prayer.

Slavonic versions

There exist two variant versions in Church Slavonic:

Cyrillic	Romanization	English Translation
Богородице дѣво радѹйсѧ ѡбрадованнаѧ Марїе Господь съ тобою благословена ты въ женахъ, и благословенъ плодъ чрева твоегѡ, Якѡ родила еси Христа Спаса, Избавителѧ дѹшамъ нашимъ.	Bogoroditse Djevo, raduisya, Obradovannaya Marie, Gospodh s' toboyu. Blagoslovena tyh v' zhenach, Y blagosloven plod chreva Tvoego, Yako rodila esi Christa Spasa, Izbavitelya dusham nashim.	Theotokos Virgin, rejoice, (or: Rejoice, O Virgin Theotokos) Mary full of grace, the Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast borne Christ the Saviour, the Deliverer of our souls.
Богородице дѣво, радѹйсѧ, Благодатнаѧ Марїе, Господь съ тобою: благословена Ты въ женахъ, и благословенъ плодъ чрева Твоегѡ; якѡ Спаса родила еси дѹшъ нашихъ.	Bogoroditse Djevo, raduisya, Blagodatnaya Marie, Gospod s' toboyu: Blagoslovyena tyh v' zhenakh, Y blagoslovyen plod chreva Tvoyego, yako Spasa rodila yesi dush nashikh.	Theotokos Virgin, rejoice, (or: Rejoice, O Virgin Theotokos) Mary full of grace, The Lord is with thee. Blessed art thou amongst women, and blessed is the fruit of thy womb, for thou hast borne the Saviour of our souls.

Church Slavonic Bogorodice děvo in traditional calligraphy

The first is the older, and remains in use by the Old Believers as well as those who follow the Ruthenian recension (among them the Ukrainian Greek-Catholic Church and the Ruthenian Catholic Church). The second, corresponding more closely to the Greek, appeared in 1656 under the liturgical reforms of Patriarch Nikon of Moscow, and is in use by the Russian Orthodox Church, the Serbian Orthodox Church, the Bulgarian Orthodox Church and the Ukrainian Orthodox Church).

Roman Catholic use

The Hail Mary is the essential element of the Rosary, a prayer method in use especially among Latin Rite (Western) Catholics. The Eastern Catholic Churches say a similar version of the Hail Mary. The Rosary consists traditionally of three sets of five Mysteries, each mystery consisting of one "decade" or ten Ave Marias. The 150 Ave Marias of the Rosary thus echo the 150 psalms. These meditate upon events of Jesus' life during his childhood (Joyful Mysteries), Passion (Sorrowful Mysteries), and from his Resurrection onwards (Glorious Mysteries). Another set, the Luminous Mysteries, is of comparatively recent origin, having been proposed by Pope John Paul II in 2002. Each of these Mysteries is prayed as a decade (a unit of ten), consisting of one Our Father (Pater Noster or The Lord's Prayer), ten Hail Marys, and one 'Glory Be' (Gloria Patri) (Doxology).The repetition of the "Our Father," "Hail Mary," and "Glory Be" is conducive to meditation, as several Popes have pointed out, especially Pope Leo XIII. The restatement of the prayers locks one into fixed language, having the effect of freeing the conscious mind so that the recitation may come more from the heart and not the head. During the apparitions at Fatima, Mary placed singular emphasis on the importance of praying the Rosary every day to bring the world to conversion. Pope Paul V said that "the Rosary is a treasure of graces" and Sister Lucia of Fatima explained "the Rosary helps to preserve that flickering flame of faith that has not yet been completely extinguished from many consciences. Even for those souls who pray without meditating, the simple act of taking the beads in hand to pray is already a remembrance of God - of the supernatural". Sister Lucia of Fatima also said "there is no problem, no matter how difficult it is, whether temporal or above all spiritual, in the personal life of each one of us, of our families, of the families in the world, or of the religious communities, or even of the life of peoples and nations that cannot be solved by the Rosary".

The Hail Mary is also the central part of the Angelus, a devotion generally recited thrice daily by many Catholics, as well as some Anglicans and Lutherans.

Anglican use

Anglo-Catholics also employ the Hail Mary in devotional practice. Traditional Anglo-Catholics use the prayer in much the same way as the Roman Catholics, including use of the Rosary and the recitation of the Angelus. Many Anglican churches contain statues of the Virgin Mary, and the faithful use devotional prayers including the Hail Mary.

Lutheran use

Martin Luther, the founder of Lutheranism, believed that Mary should be held in highest reverence. Although he did not agree in Mary's veneration, he did advocate the use of the first half of the Hail Mary (that is, "Hail Mary, full of grace, the Lord is with thee. Blessed art thou amongst women and blessed is the fruit of thy womb, Jesus.") as a sign of reverence for and devotion to the Virgin.

Musical settings

See also: Roman Catholic Marian music

The Hail Mary, or Ave Maria in Latin, has been set to music numerous times. Among the most famous settings is the version by Charles Gounod (1859), adding melody and words to Johann Sebastian Bach's first prelude from the Well-Tempered Clavier.
Franz Schubert composed Ave Maria (Ellens Gesang III, D839, Op 52 no 6, 1825), Ellen's third song in English, as part of his Opus 25, a setting of seven songs from Walter Scott's popular epic poem "The Lady of the Lake," loosely translated into German. It has become one of Schubert's most popular works under the title of Ave Maria, but is not a setting of the prayer.
Anton Bruckner wrote three different settings, the best known being a motet for seven voices. Antonín Dvořák's version was composed in 1877. Another setting of Ave Maria was written by Giuseppe Verdi for his 1887 opera Otello. Russian composer César Cui, who was raised Roman Catholic, set the text at least three times: as the "Ave Maria," op. 34, for 1 or 2 women's voices with piano or harmonium (1886), and as part of two of his operas: Le Flibustier (premiered 1894) and Mateo Falcone (1907).
Settings also exist by Mozart, Liszt, Byrd, Elgar, Saint-Saëns, Rossini, Brahms, Stravinsky, Lauridsen, Franz Biebl, David Conte and Perosi as well as numerous versions by less well-known composers, such as J. B. Tresch, Ninel Samokhvalova, .

In Slavonic, the text was also a popular subject for setting to music by Eastern European composers. These include Rachmaninov, Stravinsky, Bortniansky, Vavilov (his version often misattributed to Caccini), Mikhail Shukh, Lyudmyla Hodzyumakha and others.

This text was also very often set by composers in the Renaissance, including Josquin des Prez, Orlando di Lasso, and Giovanni Pierluigi da Palestrina. Before the Council of Trent there were actually different versions of the text, so the earlier composers in the period sometimes set versions of the text different from the ones shown above. Josquin des Prez, for example, himself set more than one version of the Ave Maria. Here is the text of his motet Ave Maria ... Virgo serena, which begins with the first six words above and continues with a poem in rhymed couplets.

Hail Mary (Annunciation), Les Très Riches Heures du duc de Berry, Chantilly Museum

Ave Maria, gratia plena,
Dominus tecum, Virgo serena.

Ave cuius conceptio,
solemni plena gaudio,
celestia, terrestria,
nova replet letitia.
Ave cuius nativitas,
nostra fuit solemnitas,
ut lucifer lux oriens
verum solem preveniens.
Ave pia humilitas,
sine viro fecunditas,
cuius annunciatio
nostra fuit salvatio.
Ave vera virginitas,
immaculata castitas,
cuius purificatio
nostra fuit purgatio.
Ave preclara omnibus
angelicis virtutibus,
cuius fuit assumptio
nostra glorificatio.

O Mater Dei, memento mei. Amen.

The much anthologized Ave Maria 'by' Jacques Arcadelt is actually a 19th-century arrangement by Pierre-Louis Dietsch, loosely based on Arcadelt's three part madrigal Nous voyons que les hommes.

Franz Schubert's Ellens dritter Gesang (D839, Op 52 no 6, 1825) is often performed with the Ave Maria prayer sung in place of the original text; this is misidentified as "Schubert's Ave Maria." The original text of Schubert's song is from Sir Walter Scott's The Lady of the Lake and was translated into German by Adam Storck; it opens with the greeting "Ave Maria" ("Hail Mary"), but is not a setting of the traditional Ave Maria prayer. In Walt Disney's Fantasia, the tune is used with yet another text beginning with the phrase.

Even though Protestant Christianity generally avoids any special veneration of Mary, access to the beautiful and culturally significant tradition of Marian music is facilitated by substitution texts. These texts are intended to replace the words of the standard "Ave Maria," preserving word boundaries and syllable stresses, so that music written for the former text can be sung with the latter. An example is the Christ-centric Ave Redemptor:

	English translation
Ave redemptor, Domine Jesus: Cuius ob opus Superatur mors, enim salvatio Nunc inundavit super universam terram. Sancte redemptor, reputata Fides est nobis peccatoribus, Nunc et in morte, ad iustitiam.	Hail the Redeemer, Lord Jesus, By whose work Death is defeated, for salvation Has now overflowed upon all of the world. Holy redeemer, our faith Is reckoned to us sinners, Now and in death, as righteousness.

A famous setting for the Orthodox version of the prayer in Church Slavonic (Bogoroditsye Djevo) was composed by Sergei Rachmaninoff in his All-Night Vigil.

See also

• Devotion of the Three Hail Marys
• Hail Mary pass
• Hymns to Mary
• Marian apparitions
• Marian devotions
• Marian shrine
• Mariology, theological study of Mary
• Mary, the mother of Jesus
• Prayer beads
• Rosary
• The Glories of Mary
• Theotokos

External links

• University of Dayton Hail Mary in various languages