Bookman (typeface)

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BookmanSpec.svg
Category Serif
Classification Transitional
Designer(s) Alexander Phemister
Chauncey H. Griffith
Ed Benguiat
Foundry Bruce Type Foundry
American Type Founders
Lanston Monotype
Date created 1858
Design based on Old Style Antique
Shown here Bookman Oldstyle by Monotype Imaging

Bookman or Bookman Old Style is a serif typeface. It is derived from the design Old Style Antique, created by Alexander Phemister in 1858 for Miller and Richard foundry.[1]

Bookman (as it became) was designed as an alternative to Caslon, with straighter serifs and a wide structure, making it suitable for display and small-print applications although less ideal for body text. It maintains its legibility at small sizes, and has been used extensively for headlines and in advertising. It is particularly associated with the graphic design of the 1960s and 70s, when revivals of it were very popular.[2]

History

Several American foundries copied the Miller and Richard design, including the Bruce Type Foundry of New York, and issued it under various names. In 1901, Bruce refitted their design, made a few other improvements, and rechristened it Bartlett Oldstyle. When Bruce was taken over by American Type Founders shortly thereafter, they changed the name to Bookman Oldstyle.

A tradition dating to the ATF version is that many releases do not have an italic, instead featuring an oblique in which the letters are simply slanted. Serif typefaces which use an oblique are now very rare but a number were developed in the nineteenth and early twentieth centuries. At the time of its creation, Bookman was part of a wide range of American revivals of the Caslon design concept, visible in the wide-spreading arms of the T and the sharp half-arrow serifs on many letters; Ronaldson Old Style by Alexander Kay (1884) was another.[3] In 1936, Chauncey H. Griffith of the American Linotype foundry developed a revival, and Monotype also offered one.[4][5] (Linotype's has been digitised in its period form, making it one of the few digital versions not based on post-war versions.[6])

Many Bookman revivals appeared in the 1960s and 70s, often adding an extensive repertoire of swash characters, meaning that the design is commonly associated with the graphic design of the period.[2] These large character repertoires took advantage of the new phototypesetting technology, which allowed characters to be stored on film or glass phototype master disks, rather than bulky metal type.[7] Letraset's is one of the revivals of this period.[8]

Mark Simonson, who has designed a revival of the Bookmans of this period, has commented:

I have so far been unable to find out who designed and produced [the original]. I think of it as the “Sixties Bookman.”...It’s closest to the larger sizes of ATF Bookman Oldstyle, but significantly bolder, with more contrast between the thicks and thins than other Bookmans and with smaller serifs...I’ve yet to see a credit for the designer or maker of this version. The best theory I have is that it was a custom font created for an ad campaign in the mid-sixties. Someone who had access to it made copies. And before long, every typesetting shop had it. Whatever the story is, this version of Bookman was everywhere. I had Sixties Bookman on rub-down type sheets when I was in high school in the early Seventies discovering type.[9]

One of the most famous results of this period is the 1975 ITC's revival from which many modern versions are descended.

Typographer Matthew Butterick has written that as a result of its use in this period Bookman 'evokes the Ford administration. If fonts were clothing, this would be the corduroy suit.'[2]

ITC Bookman

ITC Bookman is a revival designed by Ed Benguiat in 1975, for the International Typeface Corporation. Benguiat developed a full family of four weights plus complementary cursive designs. Benguiat also drew a suite of swash and alternate characters for each of the members of the family. This version adds a large x-height and moderate stroke contrast to improve legibility. The high x-height (tall lower-case letters) was a common feature of ITC revivals and of 70s graphic design generally.

Fonts for swash and alternate characters were eventually released in OpenType versions of the fonts,[10] or separately as ITC Bookman Swash.

ITC licensed the design to Adobe and Apple, guaranteeing its importance in digital printing by making it one of the core fonts of the PostScript page description language as part of the Adobe PostScript 3 Font Set.[9] (The weights licensed were Light, Light Italic, Demi, Demi Italic.)

Derivatives of the ITC design

To provide compatibility with the Postscript standard, many modern Bookman revivals and variants have been designed to harmonise with the ITC version, or copy it due to its popularity. These include 'Revival 711' by Bitstream, and 'BM' by Itek.

URW++ donated their version, known as URW Bookman L, to the Ghostscript project as a free software replacement for the ITC version. It was further enhanced by the Polish GUST foundry as part of their TeX Gyre project and named Bonum.[11][12]

Most digitisations of Bookman are based on the Bookman revivals of the 1960s and 70s. An exception is Bitstream's digitisation of the Linotype Bookman of the 1930s.[6]

Monotype version

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Monotype Bookman (inner lines) compared to samples of the original ATF Bookman (the top one from a larger point size) scaled to the same same cap height. It can be seen that the modern Bookman revival has generally wider characters than the original, a somewhat higher x-height (taller lower-case letters) and several detail differences. (The metal type Bookman was not always consistent in style between sizes itself: compare the ‘a’. The larger-size top sample is also somewhat more condensed.)
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Comparison between Monotype Bookman (above in the samples) and its ancestor Caslon (below), scaled to matching cap height. The caps are quite similar but the lower-case letters of this Bookman revival are wider and higher (a higher x-height).

The current Monotype version of Bookman is called Monotype Bookman Old Style or marketed as Bookman Old Style. It was designed by Ong Chong Wah. It is based on earlier Lanston Monotype and ATF models, but again was redesigned to match the ITC version. It is bundled with many Microsoft products, making it one of the most commonly-used versions of Bookman. [13]

In Monotype Bookman the italic was redrawn following the style of the Old style Antique italics of Miller and Richard, but also incorporates the italic features from ITC Bookman. Though the face's title includes the word 'Old Style,' the near vertical stress of the face places it more in the transitional classification. This version include support of Cyrillic, Greek, extended Latin characters.

It was bundled with Microsoft Office products since version 4.3, except in Windows 7 Starter, and in TrueType Font Pack. Retail version of the font was released in 2005 via Linotype.

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Revivals of Bookman Old Style with swashes were often seen in 1970s graphic design, often quite tightly spaced.

Jukebox Bookman

It is a revival of the original Bookman family by Alexander C. Phemister and Chauncey H. Griffith, designed by Jason Walcott and published by Veer.[14]

This family includes 6 fonts, with complementary italic, and 2 swash designs for each of the roman and italic fonts.

Bookmania (2011)

It is a revival of Bookman Oldstyle and the Bookmans of the 1960s, designed by Mark Simonson of Mark Simonson Studio. The design was started from a custom font designed by Mark Simonson back in 2006, which was based on Bookman Bold Italic with Swash, and a Bookman Bold with Swash font designed by Miller & Richard (as credited by Letraset). The italic fonts were redesigned to include optical correction. Unlike the ITC and Monotype revivals, Simonson chose to use the obliques preferred by ATF, offering true italic characters as an alternate.

This family includes 10 fonts in 5 weights, each with complementary oblique. OpenType features include small caps, 680 swash characters, 35 optional (discretionary) ligatures, lining and old style figures (both proportional and tabular), full f-ligature set, alternate characters, automatic fractions, automatic ordinals, 6 stylistic sets (Cursive Forms, Roman/Italic Alternates, Commoncase Caps, Jenson 'e', Traditional Old Style Figure One, Wavy Crossbars).

References

  1. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ 2.0 2.1 2.2 Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ 6.0 6.1 Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ 9.0 9.1 Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ What's Hot From ITC: January 2006
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ http://www.gust.org.pl/projects/e-foundry/tex-gyre/
  13. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ Lua error in package.lua at line 80: module 'strict' not found.

External links

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