Daredevil (season 2)

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Daredevil (season 2)
File:Daredevil season 2.jpg
Promotional poster
Starring <templatestyles src="Plainlist/styles.css"/>
Country of origin United States
No. of episodes 13
Release
Original network Netflix
Original release March 18, 2016 (2016-03-18)
Season chronology
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Season 1
List of Daredevil episodes

The second season of the American web television series Daredevil, which is based on the Marvel Comics character of the same name, follows Matt Murdock / Daredevil, a blind lawyer-by-day who fights crime at night, crossing paths with the deadly Frank Castle / Punisher along with the return of an old girlfriend–Elektra Natchios. It is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films and other television series of the franchise. The season is produced by Marvel Television in association with ABC Studios, with Doug Petrie and Marco Ramirez serving as showrunners, and series creator Drew Goddard acting as consultant.

Charlie Cox stars as Murdock, while Jon Bernthal and Élodie Yung are introduced as Castle and Natchios. Deborah Ann Woll, Elden Henson, Rosario Dawson, and Vincent D'Onofrio also return from the first season, with Stephen Rider joining them. The season was ordered in April 2015 after the successful release of the first, with Petrie and Ramirez replacing the season one showrunner Steven S. DeKnight. Production on the season began in July 2015 and continued through December, with the season focusing on the nature of heroism through comparison of Murdock to Castle and Natchios, and showing how the latter two affect Murdock's life.

The first two episodes of the season premiered in Paris on March 7, 2016, with the full season of 13 episodes released on Netflix on March 18. Critics praised the introduction of Castle and Natchios, and Bernthal's performance in particular, as well as the season's action and storylines. However, many missed the presence of Vondie Curtis-Hall's Ben Urich and D'Onofrio's Wilson Fisk from the first season, particularly in the first half of the second season.

Episodes

No.
overall
No. in
season
Title Directed by Written by Original release date
14 1 "Bang" Phil Abraham Douglas Petrie & Marco Ramirez March 18, 2016 (2016-03-18)
Following the downfall of Wilson Fisk and the Russian mafia, and the disappearance of the Chinese and Yakuza, various gangs attempt to take control of Hell's Kitchen, including the Irish Mob and Cartels. When a group of Irish are gunned down by an apparent "army", the sole survivor, Elliot "Grotto" Grote, seeks out the firm of Nelson and Murdock for protection. Karen Page, Nelson and Murdock's assistant—who is struggling to manage their financial troubles given that the firm's clientele often cannot afford legal fees—takes the wounded Grotto to the hospital, while Foggy Nelson learns from the Dogs of Hell biker gang that a group of their own was murdered by the same "army" as the Irish. Matt Murdock, as his secret vigilante persona Daredevil, investigates the cartels, who he learns had all of their high-power weapons stolen by a single man. At the hospital, Grotto and Page are attacked by this man and barely escape alive. Daredevil confronts the new vigilante in the rooftops near the hospital, and is shot in the head at point blank range.
15 2 "Dogs to a Gunfight" Phil Abraham Marco Ramirez & Douglas Petrie March 18, 2016 (2016-03-18)
Nelson finds Murdock the next morning. Though his body armor saved his life, Murdock's head and heightened senses are damaged and impaired, and Nelson insists that he rest and recover. Nelson attempts to get Grotto into witness protection, but since all of his mob contacts were murdered, District Attorney Samantha Reyes only agrees if Grotto wears a wire to a meeting with a high-level drug lord. After his senses improve, Murdock asks his armorer, Melvin Potter, for a new, improved mask, before investigating the hideout where the Irish where murdered. Realizing that they had a now missing dog, Murdock tracks it to a nearby apartment, where the other vigilante—nicknamed "The Punisher" by the DA's office—had been listening to the DA's operation with Grotto on a police radio. When the Punisher attacks the operation, Nelson and Page realize that Reyes had always meant it as a trap. Police snipers fire at the Punisher as Daredevil arrives and attacks him. Grotto escapes in the chaos, while Murdock is injured and loses consciousness.
16 3 "New York's Finest" Marc Jobst Mark Verheiden March 18, 2016 (2016-03-18)
Daredevil wakes up as the Punisher's captive, and pleads with him to stop killing, feeling that there is goodness within anyone, and that no criminal is beyond redemption. The Punisher insists that what he does is necessary, that by murdering criminals he stops them from doing wrong ever again, while Daredevil merely delays the inevitable by injuring them. Their debate culminates in Punisher bringing out Grotto, whom he caught stealing a car in an attempt to flee the city, and strapping a gun with a single bullet to Daredevil's hand, offering him the choice of killing Grotto, killing the Punisher before he kills Grotto, or doing nothing and living with the fact that his actions caused someone's death anyway. Daredevil shoots the chains holding him and breaks free, but in doing so gives the Punisher time to fatally shoot Grotto. As the dying Grotto asks why Daredevil allowed him to die, the Punisher attacks a nearby Dogs of Hell group. Daredevil manages to knock the Punisher unconscious, and then fights his way through the angry gang members to safety.
17 4 "Penny and Dime" Peter Hoar John C. Kelley March 18, 2016 (2016-03-18)
Finn Cooley, a high-profile member of the Irish mafia whose son was killed by the Punisher, arrives in New York seeking revenge, and tracks the dog Punisher took to his apartment, where he realizes who the Punisher is. Page begins investigating the Punisher herself, using files slipped to her by assistant DA Blake Tower. She learns that he is Frank Castle, once a husband and father who was hospitalized with a bullet in his head. Barely surviving, Castle escaped an apparent cover up of some kind, potentially of Reyes's doing. The Irish confront Castle at a family carousel and take him hostage. Cooley violently tortures him, until Castle escapes and brutally murders Cooley and several of the other Irish. Daredevil finds them and stops Castle from murdering anyone else, helping him escape. Castle tells Daredevil about his family, who were murdered, before allowing himself to be arrested, with Daredevil giving credit for his capture to Sergeant Brett Mahoney in hopes of restoring the public's faith in the police rather than in vigilante justice.
18 5 "Kinbaku" Floria Sigismondi Lauren Schmidt Hissrich March 18, 2016 (2016-03-18)
10 years ago, Murdock met Elektra Natchios, the bored daughter of a wealthy Greek ambassador. The two bonded over their shared thrill-seeking nature and skills, with Murdock eventually revealing his abilities and the nature of his father's death at the hands of Roscoe Sweeney. When Natchios manipulated Murdock into confronting Sweeney, hoping to have Murdock kill him, Murdock refused to do so, and Natchios left. In the present day, Natchios returns to New York asking for Murdock's help in with the Japanese arm of the Roxxon Energy Corporation, with whom her late father had dealings. Murdock refuses, but spies on her business meeting with the company, where she plants a bug in their system. Murdock later confronts Natchios about Sweeney, and she claims that she knows Murdock's true nature, which she believes is the same as hers. To prove it, she has manipulated him once again, revealing that she has his Daredevil costume for him as what appears to be remnants of the Yakuza track the bug to her apartment.
19 6 "Regrets Only" Andy Goddard Sneha Koorse March 18, 2016 (2016-03-18)
Murdock and Natchios defeat the Yakuza assailants. Natchios believes that the Yakuza are up to something big in New York, and Murdock reluctantly agrees to continue helping her when she promises to leave the city once they are done. Murdock, Nelson, and Page are visited by the public defender on the Punisher case, who reveals that Reyes intends to link Castle to other Dogs of Hell murders outside of New York, making the death penalty a option. Murdock and Page convince Nelson that they should be helping Castle themselves, to protect him from Reyes and learn what really happened to him and his family. While Murdock and Natchios attend a Roxxon gala and steal a valuable Yakuza ledger, Page reveals to Castle what she has learned of his past, eventually earning his cooperation. However, in front of Reyes and the judge, Castle refuses a plea deal that would give him life in prison and instead pleads not guilty. An angered Reyes has the trial fast tracked, with The People v. Frank Castle set to begin within a week.
20 7 "Semper Fidelis" Ken Girotti Luke Kalteux March 18, 2016 (2016-03-18)
Castle's trial begins. Murdock neglects his work on Castle's case to continue moonlighting with Natchios. The two then raid a train car and get into an extended fight with the Yakuza, only for Natchios to be severely wounded when Daredevil keeps her from killing an attacker. After, Murdock tends to her wounds and asks why she left him, only to be told he "deserves better". The next morning, Murdock is late to make his opening statement at Castle's trial and a reluctant Nelson is forced to take over for him. Murdock's relationships with Page and Nelson now continue to deteriorate. Murdock reveals his work with Natchios to Nelson. Nelson, who assumes Murdock is having an affair with Natchios, suggests Murdock leaves the case. That night, Daredevil and Natchios force a local corrupt professor to decrypt the Yakuza's ledger. It leads them to an abandoned warehouse where they discover the Yakuza are digging a giant hole.
21 8 "Guilty as Sin" Michael Uppendahl Whit Anderson March 18, 2016 (2016-03-18)
Daredevil and Natchios are attacked by ninjas and saved by Stick. Natchios is cut by a poisoned sword and rushed back to Murdock's apartment so Stick can save her. Stick reveals that Natchios works for him, then tells Murdock about the Hand and their purpose in New York. In court, Nelson begins to sway the jury in Castle's favor. Murdock offers to take Natchios back if she will leave Stick and swear not to kill anymore. Page comes by and is devastated to see a recovering Natchios in Murdock's bed. In court the next day, Castle takes the stand and purposefully wrecks his own defense. Page and Nelson berate Murdock for allowing them to lose. Natchios tells Stick that she is leaving him to be with Murdock; Murdock and her share a close moment before he is attacked by an assassin. They subdue him and discover he is only a teenager. Natchios impulsively slits the young man's throat, much to Murdock's horror. Castle enters prison and is led by a guard to a meeting with Fisk.
22 9 "Seven Minutes in Heaven" Stephen Surjik Marco Ramirez & Lauren Schmidt Hissrich March 18, 2016 (2016-03-18)
Fisk arranges a meeting with Castle, who reluctantly agrees to a deal which involves killing Fisk's rival in the prison who is able to provide information on the massacre of Castle's family. Betrayed by Fisk, Castle singlehandedly slaughters a swarm of henchmen of the man he had just killed, and is placed in solitary. After an intense brawl with Fisk, Castle is smuggled out of prison, now able to find the Blacksmith, the mastermind behind his family's massacre. Frank also threatens Fisk that he will kill him the next time they meet. Murdock and Natchios fall out for good over her indifference to killing. Nelson and Murdock reluctantly agree to part ways after Nelson and Murdock collapses. Page confirms a John Doe at the carousel where the Castles died was really an undercover cop, knowledge Castle learned from his cell block victim. Daredevil learns the accountant's son is one of several children held for a medical experiment by Nobu, the now resurrected Yakuza leader. Nobu manages to escape with a device to which the children were hooked. Murdock wonders whether Stick's claim that the Hand has discovered immortality can be true.
23 10 "The Man in the Box" Peter Hoar Story by: John C. Kelley
Teleplay by: Whit Anderson & Sneha Koorse
March 18, 2016 (2016-03-18)
Daredevil arranges hospital treatment for the children who had been hooked up to Nobu's blood extractor. Reyes calls on Nelson and Murdock to get information on Castle that may keep her family alive. Nelson and Murdock refuse to break attorney-client privilege, forcing Reyes to tell the whole story of the carousel massacre—a major drug deal gone awry when Blacksmith, its mastermind, failed to show, and tensions spilled into the gun fight that killed an undercover cop and Castle's family. Reyes admits to covering the entire matter up for fear of ruining her career. A firestorm of bullets riddles Reyes' office, killing her and injuring Nelson. Murdock learns Castle was taken to Fisk's cellblock and visits Fisk, where Murdock fails to blackmail Fisk into revealing his involvement. Page learns that Castle was not involved in the attack on Reyes' office, as a similar attack happens at her apartment while Castle himself saves her. Natchios kills an assassin sent by Stick to kill her. Murdock on the hospital roof prepares to confront a horde of the Hand.
24 11 ".380" Stephen Surjik Mark Verheiden March 18, 2016 (2016-03-18)
Daredevil takes on the ninjas assaulting the hospital. He explains to Claire Temple about the ninjas. An attempted autopsy on one of the slain Ninjas shows the scars of a prior autopsy. The hospital board chief opts to cover it up, compelling Temple to quit after Nelson's release. Nelson ponders an offer from his occasional girlfriend to join her law firm. Page lies to a detective about the attack on her apartment but accepts police protection. Murdock confronts her and she tells him she does not think Castle was behind the D.A.'s and medical examiner's deaths. Page slips her police protection to meet Castle. He admits to using her as bait to lure those he thinks are following her. Murdock thinks Madame Gao is Blacksmith's competitor and she reluctantly sends him to the pier. He talks Castle out of killing a man claiming to be Blacksmith. Stick learns Natchios survived the hit. Blacksmith's men arrive and shoot up the boat, detonating gunpowder and exploding the ship.
25 12 "The Dark at the End of the Tunnel" Euros Lyn Lauren Schmidt Hissrich & Douglas Petrie March 18, 2016 (2016-03-18)
Murdock stops Natchios from killing Stick as ninjas descend on them and they must fight together, but Murdock and Natchios cannot stop the Hand from taking Stick. Murdock vows to find him, while Natchios vows to kill him. Police clean up the pier mess and Page insists Castle is not dead. She tracks down Castle's commander in Afghanistan, Ray Schoonover, discovering his identity as the Blacksmith and his involvement in the drug ring that led to the slaughter of Castle's family. Castle arrives and kills Schoonover, where he discovers a room full of advanced weapons. Daredevil and Natchios track the Hand and find Stick bound and tortured. Soon, Nobu reveals himself and the Hand's true motive is disclosed, as is the missing link in Natchios' haunted past, with Nobu revealing her to be the Black Sky. A fight ensues that eventually ends with Natchios saving Stick, while Daredevil escapes the Hand with Nobu determined to stop him.
26 13 "A Cold Day in Hell's Kitchen" Peter Hoar Douglas Petrie & Marco Ramirez March 18, 2016 (2016-03-18)
Nelson meets with Jeri Hogarth to discuss joining her firm. With Stick safe at Murdock's apartment, the Hand raids a police station for information on people Daredevil has helped. When Murdock learns of it, he fears especially for Page. Murdock and Natchios use a police transmission to find the beneficiaries the Hand rounded up. The hostages are freed, exposing a trap intended for Daredevil. Murdock and Natchios make a pact to stay together after defeating the Hand with Murdock agreeing to leave New York with Elektra. Nobu arrives and attacks Daredevil, but Natchios sacrifices herself for him. An enraged Daredevil takes on the remaining ninjas with unexpected help from Castle, who shoots the ninjas from another rooftop. Stick returns to finish off Nobu by cutting his head off, then mourns the death of Natchios with Murdock. Nelson accepts the offer from Hogarth's firm, formally ending Nelson and Murdock, and has a last drink with Page before having a final talk with Murdock. Castle burns down his family's home, after taking a CD labelled "Micro". Murdock reveals to Page that he is Daredevil, while the Hand recovers Elektra's dead body.

Cast and characters

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Recurring

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Guest

Production

Development

When asked about the future of the series following the first season, showrunner Steven S. DeKnight said, "On this show, I honestly have no idea. That’s so far above my pay grade. Making it even more complicated is the fact that [Daredevil] is one part of the bigger plan—Jessica Jones, Luke Cage, Iron Fist, and then The Defenders. How that all fits together, and whether or not there will be a second season of this show—or if it will fold into the others—are questions nobody really has answers to yet... I can say we’ve been talking about some very cool stuff for Season Two that, good God, I can’t even hint at! It’s something that would be just fantastic to work on!"[18] In November 2014, DeKnight said that there "probably will be more" seasons of Daredevil following the first.[19] In January 2015, Netflix COO Ted Sarandos stated the series was "eligible to go into multiple seasons for sure" and Netflix would look at "how well [they] are addressing both the Marvel fanbase but also the broader fanbase" to determine if additional seasons would be appropriate.[20]

On April 21, 2015, Marvel and Netflix announced that the series had been renewed for a second season, with Doug Petrie and Marco Ramirez replacing DeKnight as showrunners as well as acting as executive producers; both served as writers in the first season and worked closely with DeKnight and series creator Drew Goddard.[21] The season introduces the Punisher, whom DeKnight and the writers had wanted to introduce in a post-credits scene during the first season finale but were unable due to the way that Netflix begins the next episode during the credits of the current one. DeKnight felt that this "was the right decision. I think there’s a better, more organic way to introduce him to the world."[22] Ramirez referred to the second season internally as "Daredevil vs. the Punisher".[23] In September 2015, Goddard explained that he was still involved with the season as an executive producer, consulting with Petrie and Ramirez when asked to.[24] The season consists of 13 hour-long episodes.[3]

Writing

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What's fantastic about the story is, is that it's created this enormous division in his life, because the woman that he once loved has returned, and she certainly has some issues with morality, and how you get the job done, and going on the other end of the spectrum is Frank Castle, who believes that justice needs to be served in a particular way. For Matt, who believes in the law, the question of whether or not he is a vigilante, and whether or not that makes him the same as these people, is something that will drive the story, and will drive Matt.

Jeph Loeb on how the season explores "what it is to be a hero".[25]

Ramirez talked about how the second season would be different from the first, saying "A lot of what we did last season was wonder if there was a place for dark and gritty content in superheroes, and because of the fan reaction, which was overwhelming, we got a loud answer of 'yes.' Now that we know that exists, you wanted grounded and wanted dark, here’s Elektra and Punisher. You asked for it." Petrie, talking about the potential use of flashbacks in the season, said that sometimes you want to "peel back the layer of the onion through flashback, or two people in a room talking can have all the power in the world. That’s something we get to pick and choose."[26]

On including the Punisher specifically in the season, where he is introduced to the Marvel Cinematic Universe, Goddard felt television was the best fit for the character, as the writers are "able to do things on the small screen that fit that character better than if we had to water him down for the movies."[27] Goddard stated that the season's approach to the characters and their actions would be to do what makes sense for the characters rather than "pushing the boundary" or looking to shock the audience, though he noted that this could still go in a more "adult...darker, dirtier" way due to the freedom of Netflix and the presence of characters such as the Punisher.[28] Petrie stated that the writers hoped to "stir the pot" and "get people to think" with the inclusion of the Punisher and his lethal methods, adding, "Taking lethal justice into your own hands in America in 2015 is tricky shit. We have not shied away from the rich complicated reality of Now. If you've got a gun and you're not the police you're going to incite strong feelings."[29] Ramirez added that Castle was not referred to as "Punisher" in the writer's room, similarly to Wilson Fisk not being called "Kingpin" for season one, as it allowed the writers to think "about [Castle] as a man with a vendetta, who made an oath to his dead family. The more specific it got, the less it became about issues outside of Hell’s Kitchen or other things."[30] In the series, the moniker of "The Punisher" is given to Castle by the media due to his aggressive actions.[31]

For the timing of introducing the new characters, the showrunners decided to introduce the Punisher immediately and hold back on Elektra briefly, with Ramirez explaining, "We wanted to mix in one ingredient at a time. I think one of the pitfalls when we have this many great characters to play with is wanting to throw them at the wall at the same time and say, like, ‘Look at all of the fun stuff we have’. I mean, it was an exercise in patience, surely, as two huge fans, to actually try to hold back and say, ‘Let's be very careful about this. Let's make sure that even people who aren't aware of who Elektra and Punisher are will be with us on this journey.’ So it's mostly about finding the strongest journey for Matt Murdock to go on and then letting these two characters get into the water with him at the right time for his journey."[32] Elaborating on the aim to keep the story focused on Murdock, Petrie revealed that the writers would often come up with "amazing stuff" for the season, but then realize that they had forgotten about Murdock and had to "completely turn it over and look at how this affects Matt and filter it through that prism." Ramirez added,

It could easily become The Punisher story or the Elektra story that Matt cameos in, and not vice versa. So, we built it like a Matt story, in terms of what we wanted to put him through, where we wanted to get him, by the end of the season, and what we wanted to have him learn about himself, and we used an Elektra and Frank story throughout, to get him there... we talked about when we watch shows in 13 episode stretches, how do we watch them? What is an exciting structure that we would like to think about here? Do we divide it right down the middle? Do we do a three-act structure?...If you were to sit and watch 13 episodes, you would absolutely feel a structure, much like in the comics. That’s what we did this season.[33]

Charlie Cox explained that with Wilson Fisk imprisoned following the first season, season two picks up with "the crime rate [having] plummeted. Things have returned to normal, if not better than normal", which is when Punisher is introduced, who makes Matt Murdock "question everything. Matt has to reevaluate who is and what he does".[34] Head of Marvel Television Jeph Loeb said that "If season one was really about Matt’s decision to become a hero, then season two really became about what is it to be a hero. In introducing the characters of Frank Castle and the character of Elektra, it was to be able to push and pull on Matt. It wasn’t just to have those characters join the ongoing ensemble cast. It actually was to have Frank on the one hand who sees justice in a very black-and-white kind of way, whereas Elektra lives more in the gray or says she lives more in the gray." On Elektra in particular, Loeb said, "She challenges Matt’s quest for justice. Who are you doing this for? Why are you doing this? What’s the end goal that you’re trying to achieve? Because she has a very clear agenda in terms of what she’s trying to achieve and it’s very self-motivated. That’s something that should continually push in the audience. The audience should continually be going, ‘No, she’s right. No, he’s right. No, she’s right. No, he’s right.’ If we can do that, then we’ve really achieved something."[35]

Casting

Charlie Cox, Deborah Ann Woll, Elden Henson, Rosario Dawson, and Vincent D'Onofrio return from the first season as Matt Murdock / Daredevil, Karen Page, Franklin "Foggy" Nelson, Claire Temple, and Wilson Fisk / Kingpin, respectively.[1][5][6][36] In June 2015, Jon Bernthal was cast as Frank Castle / Punisher,[1] and Élodie Yung was cast as Elektra a month later.[2] In September, Stephen Rider joined the cast as Blake Tower.[4]

Also returning from season one are Royce Johnson as Brett Mahoney,[7] Susan Varon as Josie, Geoffrey Cantor as Mitchell Ellison,[9] Scott Glenn as Stick,[10] Peter Shinkoda as Nobu Yoshioka,[11] Rob Morgan as Turk Barrett,[12][13] Matt Gerald as Melvin Potter,[13] Peter McRobbie as Lantom,[14][15] Amy Rutberg as Marci Stahl,[16] Kevin Nagle as Roscoe Sweeney,[8] Wai Ching Ho as Gao,[17] and Suzanne H. Smart as Shirley Benson. Ron Nakahara, John Pirkis, and Marilyn Torres have recurring roles as Hirochi,[8] Stan Gibson, and Louisa Delgado, respectively, while Michelle Hurd and Carrie-Anne Moss reprise their Jessica Jones roles of Samantha Reyes and Jeri Hogarth.[8][17]

Design

Joshua Shaw designed costumes for characters in the season.[26] Petrie stated that more layers were added to the series' atmosphere to keep the season dark but provide more clarity to the viewer, an issue that occurred in the first season.[29] Petrie also talked about the costumes for characters such as Elektra, saying, "What we were thinking first and foremost were two questions. One was, what looks cool? We love the comics… and can we do that? And then, also, in terms of bringing Elodie in and kind of her martial arts training, which is so evident in what she does and who she is as a character, what would you really fight in? What would protect you?" Ramirez continued, "Anything like a comic book costume, to us...the fun part of the challenge is making it organically feel part of the world; part of the tapestry of the world that exists already in Season 1. So will people be wearing kick ass costumes in this show? At some point, everybody does. We promise. But, that said, we want to make them feel as organic and grounded as possible."[32]

Lorraine Calvert joined the series as costume designer for the season. On adapting Elektra's costume for the season, which in the comics usually consists of impractically "strappy" red cloth, Calvert decided to make it utilitarian and appealing, while still being faithful to the comics. Originally starting out opposite of the eventual sleek design for both her fighting and daytime attire, Calvert said, "Ideas were tossed around about how she was possibly bohemian, [because] she was a free spirit who traveled all over the world with as much money as she possibly could.” This was eventually lead to creating the sleeker design, because Elektra "really needs a very simple, elegant line because too much cloth is overwhelming." The costume consisted of "black moto pants, a one-piece zippered body suit, a sleeveless vest, and red cloth to provide the highlights and the hood covering Elektra’s face." The color of the red used for Elektra throughout the season was chosen so it would not clash with the red in Daredevil's costume, as well as to match the darker tone of the series. Daredevil's costume was also upgraded in the season, with Calvert calling it "a much more fluid suit and much more tactical in a way.” The costume department "streamlined" the suit to make it simpler, using less material on the gauntlets and boots.[37]

Filming

Production on the season began in July 2015 in East Harlem, with the working title Ringside,[38] and a nine-day-per-episode schedule.[39] Filming ended in December 2015.[40] Martin Ahlgren joined the series as director of photography for the season,[41] deciding to "go in a slightly different direction" than the first season, but retaining "the yellowish street light color that gave season one a very distinct style". Ahlgren filmed season two in 4K resolution on RED Dragon cameras, and tried to use in-shot lighting such as lamps and car headlights, as well as "4×4 Light Blankets—flexible sheets of LED that was small enough to fit into tight locations and light enough that it could be taped to a wall, yet outputs a very nice soft light that can be adjusted from daylight to tungsten color".[39]

Ahlgren highlighted the car chase at the beginning of "Guilty as Sin" as a challenge, noting the many ninjas chasing the car, and the one that "jumps up on the car and travels on the roof for a block", with all the stunts filmed on location. An Ultimate Arm, "a motorized crane mounted on a Porsche Cayenne", was used for the sequence, a break from the series' usual handheld and steadicam operations. The chase was shot over two nights in Greenpoint, Brooklyn, with the interior of the car then filmed on a green screen stage, a rarity for the series, "to give the actors a better environment to act in".[39]

On the season's fight sequences and choreography, Bernthal said, "The genius of Phil Silvera, the fight coordinator and stunt coordinator who choreographs these fights, is the fights are all character-driven and the fights tell a story." Cox said that "There is absolutely an attempt to make sure every punch or kick that is thrown is like a line of dialogue; there is motive behind it, there is reason behind it, it means something. I think the writers do a really, really good job to kind of find these sequences so that they fit the story and so they don't stick out like a sore thumb."[42] Cox's stunt double, Chris Brewster, explained how the series' fight choreography has evolved, with the first season having shown Murdock "just starting out as a vigilante. He fought with all heart and soul, but wasn't a polished fighter. He was more raw and gritty. This season takes place after he has had time and experience. He is a very smart character, and he learns from his mistakes. His style is more defined and thought out now, but he will always fight with the Daredevil flair." As for the fighting styles of Punisher and Elektra, Brewster said, "Punisher is a war veteran with crazy combat experience. His military background makes him very versed in weapons and his hand to hand style is more of a close quarter combat nature. Elektra, was trained by Stick and the Hand. Stick's mentorship gives her a similar movement to Daredevil, since he was also trained by Stick. However, the Hand are trained assassins who are all about stealth takeouts and quick kills. Her style shows elements of all of that."[43] The season uses multiple different martial art styles, including kali, Chinese kung fu, wing chun, kenjutsu, and boxing.[44]

The one-take fight in "New York's Finest" in which Daredevil fights gang members down a staircase was described by Cox as "kind of like an homage" to the first season's well received one-take hallway fight scene, and "almost like that scene on crack". Silvera noted that it is a metaphorical "descent into Hell" rather than a "test of will" like the first season's scene.[42][45] The stunt team had three days to prepare the fight, and the final sequence was filmed in a day and a half. The season includes another homage to the hallway scene in "Seven Minutes in Heaven", where the Punisher has his own hallway fight. Silvera noted that this "full-blown", murdering Punisher was "a strong contrast to Daredevil". For all the season's fights, the stunt team filmed a previs version using stunt doubles,[45] with the actors, such as Cox, then shown this in sections on the day of filming, and allowed to make adjustments where necessary. Though the actors completed the majority of the fights, doubles were used for flips and other major stunts[44]

Visual effects

Shade VFX returns from the first season to work on the visual effects for the series.[46]

Music

In September 2015, John Paesano revealed that he had begun composing music for the season.[47] On working with the season's new showrunners, Paesano said, "They really were true to what we were trying to do in season one. There were just elements in season two that we had to acknowledge [such as] The Punisher and Elektra....there’s definitely differences, but it’s not like we all of the sudden went into John Williams territory, you know? It’s definitely still dark, still gritty, it’s definitely a very grounded show but it definitely jumps up a couple levels." When approaching the characters of Punisher and Elektra, whom Paesano was familiar with from the comics and previous adaptations, the composer "took all those preconceived notions I had with a grain of salt" and waited to see what the season's interpretation of the characters is. Paesano worked closely with the series' sound design team, spotting episodes with them to coordinate where "we were going to hit what" and "maintain that definable aspect of New York" and its sound.[48]

Marvel Cinematic Universe tie-ins

On references to the larger MCU, Ramirez said, "Our characters are so interesting, we don’t have to exist in that shadow, in order for them to be interesting. Those little Easter eggs that come along the way are fun, but there have been times when we had the opportunity and we thought, “No, we shouldn’t do it. This is too distraction [sic]. It’s not the right time for that.”" Petrie stated that the writers "want to keep it in Hell’s Kitchen. The example that we used a lot is that the air conditioner doesn’t work at Nelson and Murdock. That’s really what we’re interested in. New York is a city that has a larger than life presence. There are celebrities that live there. There are baseball stars that live there. They walk the streets. They’re everywhere. If you see Derek Jeter walking down the street, that’s great, but then you turn the corner and you get into an argument with the guy who overcharged you for a pretzel. We want our guys to be real New Yorkers."[33]

The season features the motorcycle gang Dogs of Hell, who were first introduced through their Nevada chapter in the Agents of S.H.I.E.L.D. episode "Yes Men",[13][49] and Roxxon Energy Corporation, a company featured throughout the MCU.[8][50] It also mentions the vigilantes Jessica Jones and Luke Cage, the death of Oscar Clemons, and the law firm Hogarth, Chao, and Benowitz, which are all references to the first season of Jessica Jones.[8][13][51]

Release

The second season of Daredevil was released on March 18, 2016 on the streaming service Netflix, in all territories where it is available,[3][21] in Ultra HD 4K.[52] Preparing for the release, Netflix created eight different images to use as cover art for the season on its site. The images were randomly distributed among select subscribers, with Netflix tracking to see which one was the best-performing to eventually use for all subscribers. Netflix also debuted a countdown timer to a percentage of its users worldwide, allowing them to see how long it was until the season would debut.[53]

Marketing

Footage from the season was shown at New York Comic Con in October 2015,[26] and at Comic Con Experience in December.[54] On February 15, 2016, the first part of the season trailer was released focusing on the Punisher, while the second part focusing on Elektra was released 10 days later, on February 25.[7][49] Scott Mendelson of Forbes felt the first part is "clearly going for a vibe similar to that first full-length Dark Knight teaser back in December of 2007, with Castle being framed as a natural byproduct of/reaction to Daredevil’s own vigilantism". He also appreciated that it appeared Castle would be presented as a villain, as the previous film adaptions of the character always had Castle "still a hero at the end." Mendelson's one drawback to the trailer was when Castle starts "monologue-ing" in the last third, feeling Bernthal "casts such an imposing and grim shadow as a near-silent angel of death that the [haunting and mythological] mood is almost broken".[55] Joanna Robinson at Vanity Fair felt that the premise of the trailer, with Daredevil facing the Punisher, is "right in line with the big superhero trend this spring", comparing it to Captain America: Civil War and Batman v Superman: Dawn of Justice, which feature Captain America fighting Iron Man and Batman fighting Superman, respectively. Robinson wondered if, like those films, the season also has a separate, "bigger bad waiting in the wings to unite our vigilantes" that the trailer is hiding.[56]

On March 7, 2016, the first two episodes of the season premiered in Paris,[57] with a premiere in New York City on March 10.[58] Also in early March, billboards were erected in Toronto featuring character posters for Daredevil, Punisher and Elektra.[59] The series' Twitter account encouraged users to vote for which character was their favorite, with the other two receiving blood and bruises added to their billboards.[60]

Reception

Jon Bernthal's performance as Frank Castle / Punisher was one of the highlights of the series for critics.[61][62][63][64]

The review aggregator website Rotten Tomatoes reported a 74% approval rating with an average rating of 7.1/10 based on 31 reviews. The website's critical consensus reads, "Bolstered by some impressive action, Daredevil keeps its footing in season two, even if the additions of Punisher and Elektra can't quite fill the void left by Wilson Fisk."[65] Metacritic, which uses a weighted average, assigned a score of 68 out of 100, based on 12 critics, indicating "generally favorable reviews".[66]

Reviewing the first seven episodes, Brian Lowry of Variety said, the season begins "on an uneven note, occasionally feeling as if [Daredevil has] taken a detour from dark and gritty into the realm of Sam Peckinpah movies, complete with slow-motion bullets and blood sprays. Stick with it, though, and the show blossoms, featuring a few terrific action sequences while introducing into this grim world seminal characters the Punisher and Elektra".[67] Kevin Fitzpatrick of Screen Crush felt the first seven episodes of the season seemed "to have learned the best of both" from season one and Jessica Jones, "placing its most compelling imagery front and center straightaway, but still taking time to pick apart the characters beneath them, rather than shout platitudes about saving the city." He also praised the castings of Bernthal and Yung as Punisher and Elektra, respectively, and enjoyed "the improved spotlight" for Foggy and Karen, given the reduction of Dawson saying, "So many superhero series struggle to draw its supporting characters as compellingly as the action, and Daredevil's particular blend of set piece and legal thriller feels inescapably original." However, Fitzpatrick did note the series lacked the presence Vondie Curtis-Hall brought as Ben Urich in the first season. He concluded, "The progression [of the season] feels much cleaner this time around, moving almost in acts more than back and forth victories between Matt and Fisk (with the odd Stick diversion). Even the aim feels that much more cohesive, to start in a place of Matt, Foggy and Karen all confident in their new roles, but wrestling with the consequence of their choice to always help the helpless."[61] Merrill Barr of Forbes said, "Daredevil season two is very much the same excellent show Daredevil season one was...but in the places it isn’t, it’s also very much improved". Barr praised Bernthal as the Punisher, and noted the reduction in the amount of "thick blacks" in the cinematography that the first season was criticized for.[62]

Collider.com's Chris Cabin also praised the first seven episodes of the season, giving it four stars, and saying "the series finds overwhelmingly sincere and effective traces of humanity in a genre that has been hard-pressed to feel overtly pre-conceived in its political, societal, and philosophical ideas. In contrast, Daredevil, like the similarly sensational Jessica Jones, feels like a show that is constantly evolving, and consistently searching for challenges". Cabin also felt that "the show’s use of sound and image to infer or suggest as much as any line of dialogue... continues to set this series apart from its half-measured kin." He added that the season "goes to great lengths to make the stakes of" the moral and ethical issues, as seen by pitting Daredevil's methods against the Punisher, "intensely involving and thrilling," while also praising the action sequences of the season and the "streamlined focus on character in the writing", claiming that "none of the [MCU] films have even an iota of the seductive intimacy and heart of this show."[31] Dennis Perkins writing for The A.V. Club awarded the season a "B+", saying, "Vincent D’Onofrio’s towering menace as Wilson Fisk is definitely missed... but Bernthal and Yung make Castle and Elektra an effective season-long two-pronged assault on Matt Murdock’s heroic identity, which gives Daredevil's supporting characters a clearer purpose as well."[50] IGN reviewer Matt Fowler, after reviewing all the episodes of season two individually, gave the season a 9.3 out of 10, saying "Season 2 of Marvel's Daredevil excelled at both action and story while giving us a more complex and layered season than the first. One devoted to testing Matt's own ideas about the sanctity of human life and the possibility of true redemption. Gone was a notable 'main villain', but instead we were given fantastic performances by not only the main cast but by newcomers Jon Bernthal and Elodie Yung."[68]

Jack Shepherd of The Independent was slightly more critical of the early episodes of the season, saying the ideological battle between Murdock and Castle "is the crux of these first few episodes and also highlights the main problem with Daredevil" pointing out that "there is no real bad guy here" and there "is only so many times you can watch an episode end with Daredevil and Punisher beating each other up before you start thinking there is a glitch in the Matrix." He also agreed with Fitzpatick regarding Curtis-Hall's presence as Ben Urich not being filled in the season. Despite this, Shepherd added that the season began to pick up by the fourth episode, with the introduction of Elektra, capping with episodes six and seven, which he called "by far the season’s best, laying the foundation for an exciting story ahead", while also praising Cox, Henson, Woll, Bernthal and Yung for their performances.[63] Daniel Fienberg, reviewing the first seven episodes for The Hollywood Reporter, expressed similar sentiments as Shepherd, feeling the episodes missed what Vincent D'Onofrio brought as Wilson Fisk in the first season "or at least it misses the through-line threat that he presented. In Fisk's place, Matt Murdock and Daredevil's shared insecurities are being piqued by a pair of antiheroes who represent a funhouse mirror version of The Devil of Hell's Kitchen. Fortunately, the two new characters are vividly realized and the action is still visceral and brutal and maybe the big picture will emerge in the season's second half." Because Elektra and the Punisher were so "vividly realized", he felt "that there's a challenge to remain wholly invested in plotlines that don't involve them". Despite being "right on the edge of desensitization" regarding the fight scenes, Fienberg still praised them, highlighting the different styles Elektra and the Punisher used "vary[ing] the dynamic enough".[69]

Entertainment Weekly's Jeff Jensen award the season a "C", calling it "a straight-up disappointment." Calling the early episodes with Daredevil's face-off with the Punisher "skimpy and sluggish from the get-go", Jensen also added that they were "a flatline of inert drama, with long scenes of windy exposition or dull skulking interrupted by the occasional well-staged if ridiculously gory fight sequence." Jensen added that "hope for improvement" came with the introduction of Elektra, and that the sixth episode should be a template for the rest of the season, which ultimately, he felt was "stiff and silly."[70] Daniel D'Addario for Time was also disappointed with the season, saying, "it’s hard not to feel that one is being taken for a long, and not particularly enjoyable, ride... Daredevil just wants to dole out fun doses of extreme gore on the path to an endpoint on a business plan. Any viewer committed to story is left searching in the dark."[71] Vulture's Abraham Riesman joined the criticism, calling the seven episodes reviewed "a dour parade of one cliché after another, recycling themes, images, and rhetoric that audiences have seen countless times before. It’s not exactly bad, but in a year with six superhero movies, at least five superhero shows on broadcast TV, and three superhero Netflix original series, it feels woefully unnecessary." However, he did praise Bernthal's performance, saying it was "another excitingly sympathetic antagonist" after D'Onofrio's "standout performance" as Fisk in the first season, but was "nowhere near as fun". In contrast to the first season of Jessica Jones, which Riseman called Marvel's "first attempt to depict sex in any kind of realistic way", he called the second season of Daredevil "astoundingly un-sexy."[64]

References

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External links