David T. Little

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David T. Little
Born New Jersey
Residence Weehawken, New Jersey
Nationality American
Alma mater University of Michigan, Princeton
Occupation composer
Notable work Dog Days, Soldier Songs, JFK

David T. Little (born October 25, 1978) is an American composer and drummer known for his orchestral and operatic works, most notably his opera Dog Days which was named a standout opera of recent decades by The New York Times.[1] He is the artistic director of Newspeak, an eight-piece amplified ensemble that explores the boundaries between rock and classical music,[2] and is a member of the composition faculty at Shenandoah University.[3]

Biography

David T. Little's music has been performed throughout the world—including in Dresden, London, Edinburgh, LA, Montreal, and at the Tanglewood, Aspen, MATA Festival and Cabrillo Festival—by such performers as the London Sinfonietta, eighth blackbird, So Percussion, ensemble courage, Dither, NOW Ensemble, PRISM Quartet, the New World Symphony, American Opera Projects, the New York City Opera, the Grand Rapids Symphony and the Baltimore Symphony Orchestra under Marin Alsop. He has received awards and recognition from The American Academy of Arts and Letters, the Mid Atlantic Arts Foundation, Meet The Composer, the American Music Center, the Harvey Gaul Competition, BMI, and ASCAP, and has received commissions from Carnegie Hall, the Baltimore Symphony, the Albany Symphony, the New World Symphony, Pittsburgh New Music Ensemble, the University of Michigan, and Dawn Upshaw’s Vocal Arts program at the Bard Conservatory.

Recent and upcoming projects include the opera Dog Days (Robert Woodruff, director; Royce Vavrek, librettist),[4] Haunt of Last Nightfall for Third Coast Percussion, RADIANT CHiLD for the New World Symphony, Conspiracy Theory for Darcy James Argue’e Secret Society–a new music big band–and new works for Nadia Sirota, Kathleen Supové, Lisa Moore/Ashley Bathgate, and the Baltimore Symphony under Marin Alsop. His and the sky was still there was recently released Todd Reynold’s Outerborough, on Innova records.

In 2004, Little founded the amplified octet Newspeak, for which he is also the drummer and artistic director. Hailed as “potent” (TheRestIsNoise.com), “innovative” (New York Magazine), and “fierce” (Time Out New York), Newspeak explores the relationship of music and politics, while confronting head-on the boundaries between the classical and the rock traditions. A New Amsterdam Records artist, Newspeak released its first CD of commissioned works in November 2010, to critical acclaim. “You could call this punk classical,” one critic proclaimed, noting that the disc is “fearlessly aware, insightfully political (and) resolutely defiant.”

Little holds degrees from Susquehanna University (2001), The University of Michigan (2002) and Princeton University (PhD, 2011), and his primary teachers have included Osvaldo Golijov, Paul Lansky, Steven Mackey, William Bolcom, and Michael Daugherty. He has taught music in New York City through Carnegie Hall’s Musical Connections program, served as the inaugural Digital Composer-in-Residence for the UK-based DilettanteMusic.com, and was recently appointed as the Executive Director of New York’s MATA Festival.[5][6]

Opera and Oratorio

JFK

Little's follow-up to Dog Days with librettist Royce Vavrek is a grand opera commissioned by Fort Worth Opera and American Lyric Theater that focuses on the night before John F. Kennedy's assassination in 1963. The work, titled JFK, is scheduled to premiere in Fort Worth, Texas, in April 2016.[7]

Dog Days

The first full-length collaboration with Royce Vavrek yielded the three-act opera Dog Days which premiered at Peak Performances @ Montclair State in association with Beth Morrison Projects on September 29, 2012, in a staging by director Robert Woodruff. The work starred Lauren Worsham as Lisa, a 13-year-old girl who befriends a man in a dog suit begging for scraps during a post-apocalyptic wartime scenario. Ronni Reich of The Star-Ledger wrote of Little's score: "Little’s music thrashes, with dark, epic, chaotic heavy rock inspiration meeting lurching, bellowed vocal lines. … [it’s] stylistically diverse but cogent, fusing impeccable classical vocal writing, heavy metal, and musical theater.”[8]

The piece began as a commission from Carnegie Hall when Little was chosen to compose a 20-minute work of music theater as part of Dawn Upshaw and Osvaldo Golijov's workshop in collaboration with singers from Bard Conservatory.[9] Alan Pierson, the conductor of the performance at Zankel Hall returned to conduct Newspeak for the world premiere production in New Jersey.[10]

Vinkensport, or The Finch Opera

Commissioned and premiered by Bard Conservatory, Vinkensport, or The Finch Opera is a one-act operatic comedy about the Flemish folk-sport of finch-sitting. The piece was subsequently featured in New York City Opera's VOX: Contemporary Opera Lab,[11] and was staged by soprano Lauren Flanigan at Shenandoah Conservatory.[12]

Am I Born

The 30-minute work for soprano, children's chorus and orchestra, Am I Born, premiered as part of "Brooklyn Village," a multi-media concert co-produced and presented by the Brooklyn Philharmonic, Brooklyn Youth Chorus and Roulette. Alan Pierson conducted the Brooklyn Philharmonic, soprano Mellissa Hughes and members of both the Brooklyn Youth Chorus and BYCA's Young Men's Ensemble.[13]

Soldier Songs

An evening-length multimedia work that explores the perceptions versus the realities of a soldier, the exploration of loss and exploitation of innocence, and the difficulty of expressing the truth of war.[14]

References

  1. http://www.nytimes.com/2014/01/05/arts/music/critics-weigh-in-on-standout-operas-of-recent-decades.html?_r=0
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  4. http://www.bethmorrisonprojects.org/index.php/site/projects/category/in_development/
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  11. http://www.nycopera.com/calendar/view.aspx?id=13617
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