1934 Stürmer special issue, image shows Jews extracting blood from Christian children for use in religious rituals (an example of the blood libel against Jews)
|Founded||April 20, 1923|
|Political alignment||National Socialism, propaganda, far-right|
Der Stürmer (pronounced [deːɐ̯ ˈʃtʏʁmɐ], lit. "the Attacker") was a weekly tabloid-format Nazi newspaper published by Julius Streicher (a prominent official in the Nazi Party) from 1923 to the end of World War II, with brief suspensions in publication due to legal difficulties. It was a significant part of Nazi propaganda and was vehemently anti-Semitic. Unlike the Völkischer Beobachter (translatable as The People's Observer), the official party paper which gave itself an outwardly serious appearance, Der Stürmer often ran obscene material such as antisemitic caricatures of Jews and accusations of blood libel, as well as sexually explicit, anti-Catholic, anti-Communist, anti-capitalist and anti-monarchist propaganda.
The newspaper originated at Nuremberg during Adolf Hitler's attempt to establish power and control. During that struggle, Streicher was accused by the opposition of the Nazi party as being "a liar, a coward, of having unsavory friends, mistreating his wife and of flirting with women". Despite the accusations, the first copy of Der Stürmer was published on April 20, 1923. Der Stürmer’s circulation grew over time, distributing to a large percentage of the German population as well as Argentina, Brazil, Canada and the United States.
As early as 1933, Streicher was calling for the extermination of the Jews in Der Stürmer. During the war, Streicher regularly authorized articles demanding the annihilation and extermination of the Jewish race. After the war, he was convicted of crimes against humanity and executed.
Der Stürmer was best known for its effective antisemitic caricatures, which depicted Jews as ugly characters with exaggerated facial features and misshapen bodies. In his propaganda work, Streicher furthered old myths from the Middle Ages, e.g., that Jews killed children, sacrificed them and drank their blood. The large majority of these drawings were the work of Philipp Rupprecht, known as Fips, who was one of the best-known anti-Semitic cartoonists of the "Third Reich". Through the adaptation and amalgamation of almost every existing anti-Semitic stereotype, myth and tradition, Rupprecht's virulent attacks aimed predominantly at the dehumanization and demonization of Jews.
At the bottom of the title page there was always the motto "Die Juden sind unser Unglück!" ("The Jews are our misfortune!"), coined by Heinrich von Treitschke in the 1880s. In the nameplate was the motto "Deutsches Wochenblatt zum Kampfe um die Wahrheit" ("German Weekly Newspaper in the Fight for Truth").
Most of its readers were young people and people from the lowest strata of German society. Copies of Der Stürmer were displayed in prominent cases throughout the Reich; as well as advertising the publication, these cases also allowed its articles to reach those readers who either did not have time to buy and read a daily newspaper in depth, or could not afford the expense. In 1927, it sold about 27,000 copies every week; by 1935, its circulation had increased to around 480,000.
Hermann Göring forbade Der Stürmer in all of his departments, and Baldur von Schirach banned it as a means of education in the Hitler Youth hostels and other education facilities by a "Reichsbefehl" ("Reich command"). However, other senior Nazi officials, including Heinrich Himmler (head of the SS), Robert Ley (leader of the German Labour Front), and Max Amann (proprietor of the Zentral Verlag (Central Press), comprising 80% of the German press in 1942), endorsed the publication, and their statements were often published in the paper. Albert Forster, Gauleiter of Danzig (now Gdańsk), wrote in 1937:
"With pleasure I say that the Stürmer, more than any other daily or weekly newspaper, has made clear to the people in simple ways the danger of Jewry. Without Julius Streicher and his Stürmer, the importance of a solution to the Jewish question would not be seen to be as critical as it actually is by many citizens. It is therefore to be hoped that those who want to learn [the] unvarnished truth about the Jewish question will read the Stürmer." 
Hitler considered Streicher's "primitive methods" to be effective in influencing "the man in the street."  In December 1941 he stated: "Streicher is reproached for his Stürmer. The truth is the opposite of what people say: he idealised the Jew. The Jew is baser, fiercer, more diabolical than Streicher depicted him." In February 1942, he praised the newspaper: "One must never forget the services rendered by the Stürmer ... Now that Jews are known for what they are, nobody any longer thinks that Streicher libelled them."
Hermann Rauschning, who claimed to be Hitler's 'confidant', said in the mid-1930s:
"Anti-Semitism ... was beyond question the most important weapon in [Hitler's] propagandist arsenal, and almost everywhere it was of deadly efficiency. That was why he had allowed Streicher, for example, a free hand. The man's stuff, too, was amusing, and very cleverly done. Wherever, he wondered, did Streicher get his constant supply of new material? He, Hitler, was simply on thorns to see each new issue of the Stürmer. It was the one periodical that he always read with pleasure, from the first page to the last".
During the war, the paper's circulation dropped because of paper shortages, as well as Streicher's exile from Nuremberg for corruption. More ominously, because of the Holocaust, the people it targeted had begun to disappear from everyday life, which diminished the paper's relevance. Hitler, however, insisted that Streicher receive sufficient support to continue publishing Der Stürmer.
After the war, Streicher was tried at the Nuremberg trials. His publishing and speaking activities were a major part of the evidence presented against him. In essence, the prosecutors took the line that Streicher's role in inciting Germans to exterminate Jews, made him an accessory to murder, and thus as culpable as those who actually carried out the killing. Prosecutors also introduced evidence that Streicher continued his incendiary articles and speeches when he was well aware that Jews were being slaughtered. Streicher was found guilty of crimes against humanity and hanged.
According to the American writer Dennis Showalter, "a major challenge of political anti-Semitism involves overcoming the images of the 'Jew next door' — the living, breathing acquaintance or associate whose simple existence appears to deny the validity of that negative stereotype." Der Stürmer's lurid content appealed to a large spectrum of readers who were lower class and less-sophisticated. Der Stürmer was known for its use of simple themes that took little thought. Streicher attacks the Jews in three categories:
Stories of Jewish men and German women having sex were staples of Der Stürmer but many were creations of Streicher's imagination, derived from little fact, or random occurrences. Streicher described Jews as sex offenders who were "violators of the innocent", "perpetrators of bizarre sex crimes", and "ritual murderers" performed in religious ceremonies using blood of other humans, usually Christians. Streicher also frequently reported attempts of child molestation by Jews. Der Stürmer never lacked details about sex, names, and crimes in order to keep readers aroused and entertained. These accusations, articles and crimes printed in Der Stürmer were often inaccurate and rarely investigated by staff members.
In the newspaper's opinion, if a German girl became pregnant by a Jew, the Jew would deny paternity, offer to pay for an abortion, fail to pay child support, or simply leave for the U.S. Within Der Stürmer it was not uncommon to hear reports of German women killing their children because they did not want to bring a "Jewish bastard into the world".
"For Julius Streicher the Jews hatred for Christianity was concealed only for one reason: Business." Jewish businessmen were often portrayed as doing almost anything to obtain financial wealth which included, in his words, "become a usurer, a traitor, a murderer". In the summer of 1931, Streicher focused much of the paper's attention on a Jewish owned butchery. One philanthropic merchant operated a soup kitchen; Der Stürmer ran articles accusing the business of poisoning the food served. Der Stürmer criticized and twisted every single price increase and decrease in Jewish shops, as well as their charitable donations as a further form of financial greed. This attack on Jewish benevolence received the most public criticism out of all of Der Stürmer's antisemitic propaganda.
Der Stürmer often gave descriptions of how to know a Jew when one sees one. The paper often included racist political cartoons, including caricatures. Besides the graphic depictions, articles often focused on imaginary fears, exaggerations and behavioral differences between Jews and other German citizens.
Its "Letter Box" encouraged the reporting of Jewish acts; the unofficial style helped prevent suspicion of propaganda, and lent it an air of authenticity.
- Claudia Koonz, The Nazi Conscience, p 228 ISBN 0-674-01172-4
- Holocaust Education and Archive Research Team.Holocaust Research Project. 2009. Web. 21 Oct. 2009.
- Streicher, Julius (1933). Die Geheimpläne gegen Deutschland enthüllt (in German). Der Stürmer. <templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Linsler, Carl-Eric. Stürmer-Karikaturen, in: Handbuch des Antisemitismus. Judenfeindschaft in Geschichte und Gegenwart, Bd. 7: Literatur, Film, Theater und Kunst, hrsg. von Wolfgang Benz, Berlin 2015, p. 477.
- Ben-Sasson, H.H., ed. (1976): A History of the Jewish People. (Harvard University Press, Cambridge). ISBN 0-674-39730-4, p.875
- IMT vol. XIII/XIV[clarification needed]
- Allan Thompson, The media and the Rwanda genocide, IDRC, 2007, p. 334
- Hitler's Table Talk 1941-1944, pp. 154, 331-332
- Hermann Rauschning, Hitler Speaks (London: Thornton Buttersworth, 1939), pp. 233–34
- Showalter, Dennis E. Little Man What Now? Der Stürmer in the Weimer Republic. Hamden, Connecticut: Archon Book, 1982. Print.
- "The End"
- Claudia Koonz, The Nazi Conscience, p 230–1 ISBN 0-674-01172-4
- Bytwerk, R.L. Julius Streicher (New York: Cooper Square, 2001), p 59.
- Imbleau, Martin. "Der Stürmer." Encyclopedia of Genocide and Crimes Against Humanity. Ed. Dinah Shelton. Vol. 1. Detroit: Macmillan Reference USA, 2005. 247-249. 3 vols. Gale Virtual Reference Library. Thomson Gale.
- Keysers, Ralph. Der Stürmer: Instrument de l'idéologie nazie: Une analyse des caricatures d'intoxication. L'Harmattan, Paris 2012. ISBN 978-2-296-96258-3.
- Keysers, Ralph. L'intoxication nazie de la jeunesse allemande. L'Harmattan, Paris 2010. ISBN 978-2-296-55133-6.
- Linsler, Carl-Eric. Stürmer-Karikaturen, in: Handbuch des Antisemitismus. Judenfeindschaft in Geschichte und Gegenwart, Bd. 7: Literatur, Film, Theater und Kunst, hrsg. von Wolfgang Benz, Berlin 2015, p. 477-480.
- Wistrich, Robert. Who's Who in Nazi Germany (Routledge, New York, 1995), q.v. Streicher, Julius.
|Wikimedia Commons has media related to Der Stürmer.|