File:Characteristic rock and disco drum patterns.png
Summary
Characteristic <a href="https://en.wikipedia.org/wiki/rock_and_roll" class="extiw" title="en:rock and roll">rock</a> and <a href="https://en.wikipedia.org/wiki/funk" class="extiw" title="en:funk">funk</a> (Bolton, Ross (2001). Funk Guitar: The Essential Guide, p.5. <a href="//commons.wikimedia.org/wiki/Special:BookSources/0634011685" class="internal mw-magiclink-isbn">ISBN 0-634-01168-5</a>.) drum pattern followed by <a href="https://en.wikipedia.org/wiki/disco" class="extiw" title="en:disco">disco</a> <a href="https://en.wikipedia.org/wiki/drum" class="extiw" title="en:drum">drum</a> pattern.
Schroedl, Scott (2001). Play Drums Today!, p.15. Hal Leonard. <a href="//commons.wikimedia.org/wiki/Special:BookSources/0634021850" class="internal mw-magiclink-isbn">ISBN 0-634-02185-0</a>. notates the "basic [rock] beat" using half notes on the bass drum and a quarter note ride cymbal pattern while "four to the floor" (p.15) features steady quarter notes on the bass drum.
Morton, James (1990). You Can Teach Yourself Drums, p.32. Mel Bay. <a href="//commons.wikimedia.org/wiki/Special:BookSources/1562220330" class="internal mw-magiclink-isbn">ISBN 1-56222-033-0</a>. gives as the first, "commmonly used rock beats," featuring, "an eighth-note ride pattern," as the above pattern but riding the <a href="https://en.wikipedia.org/wiki/hi-hat" class="extiw" title="en:hi-hat">hi-hat</a>, not the ride cymbal. Rock groups such as U2 and INXS have used the second beat, notated with one hand for the hi-hat/snare pattern and one for the bass (p.55).
"Basic" beats in Mattingly, Rick (2006). All About Drums, p.42. Hal Leonard. <a href="//commons.wikimedia.org/wiki/Special:BookSources/1423408187" class="internal mw-magiclink-isbn">ISBN 1-4234-0818-7</a>. include four to the floor with quarter note hi-hat ride, described as appropriate for "hard rock", with eighth-note ride pattern appropriate for a "pop song", with swung eighths on the backbeat of the ride pattern for a "jazz feel", and second notated pattern above, descried as "basic 4/4 'beat'...[with] a sixteenth-note feel" with hi-hat ride.
Marshall, Wayne (2006). "Giving Up Hip-hop's Firstborn
A Quest for the Real after the Death of Sampling", Callaloo 29.3: 868-892. ISSN 0161-2492. "The funk-derived breaks that have long served as hip-hop's rhythmic bedrock" are also characterized by, "their common features [which] tend to include a kick drum on the downbeats...snares on the off beats...and a hi-hat dividing each measure at the level of the eighth or sixteenth note. Finally, a tempo of anywhere between 80 and 110 beats per minute will evoke the recognizable feel of a hip-hop beat."
Licensing
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 15:27, 5 January 2017 | | 1,364 × 200 (6 KB) | 127.0.0.1 (talk) | Characteristic <a href="https://en.wikipedia.org/wiki/rock_and_roll" class="extiw" title="en:rock and roll">rock</a> and <a href="https://en.wikipedia.org/wiki/funk" class="extiw" title="en:funk">funk</a> (Bolton, Ross (2001). <i>Funk Guitar: The Essential Guide</i>, p.5. <a href="//commons.wikimedia.org/wiki/Special:BookSources/0634011685" class="internal mw-magiclink-isbn">ISBN 0-634-01168-5</a>.) drum pattern followed by <a href="https://en.wikipedia.org/wiki/disco" class="extiw" title="en:disco">disco</a> <a href="https://en.wikipedia.org/wiki/drum" class="extiw" title="en:drum">drum</a> pattern. <p>Schroedl, Scott (2001). <i>Play Drums Today!</i>, p.15. Hal Leonard. <a href="//commons.wikimedia.org/wiki/Special:BookSources/0634021850" class="internal mw-magiclink-isbn">ISBN 0-634-02185-0</a>. notates the "basic [rock] beat" using half notes on the bass drum and a quarter note ride cymbal pattern while "four to the floor" (p.15) features steady quarter notes on the bass drum. </p> <p>Morton, James (1990). <i>You Can Teach Yourself Drums</i>, p.32. Mel Bay. <a href="//commons.wikimedia.org/wiki/Special:BookSources/1562220330" class="internal mw-magiclink-isbn">ISBN 1-56222-033-0</a>. gives as the first, "commmonly used rock beats," featuring, "an eighth-note ride pattern," as the above pattern but riding the <a href="https://en.wikipedia.org/wiki/hi-hat" class="extiw" title="en:hi-hat">hi-hat</a>, not the ride cymbal. Rock groups such as U2 and INXS have used the second beat, notated with one hand for the hi-hat/snare pattern and one for the bass (p.55). </p> <p>"Basic" beats in Mattingly, Rick (2006). <i>All About Drums</i>, p.42. Hal Leonard. <a href="//commons.wikimedia.org/wiki/Special:BookSources/1423408187" class="internal mw-magiclink-isbn">ISBN 1-4234-0818-7</a>. include four to the floor with quarter note hi-hat ride, described as appropriate for "hard rock", with eighth-note ride pattern appropriate for a "pop song", with swung eighths on the backbeat of the ride pattern for a "jazz feel", and second notated pattern above, descried as "basic 4/4 'beat'...[with] a sixteenth-note feel" with hi-hat ride. </p> <p>Marshall, Wayne (2006). "Giving Up Hip-hop's Firstborn </p> A Quest for the Real after the Death of Sampling", <i>Callaloo</i> 29.3: 868-892. ISSN 0161-2492. "The funk-derived breaks that have long served as hip-hop's rhythmic bedrock" are also characterized by, "their common features [which] tend to include a kick drum on the downbeats...snares on the off beats...and a hi-hat dividing each measure at the level of the eighth or sixteenth note. Finally, a tempo of anywhere between 80 and 110 beats per minute will evoke the recognizable feel of a hip-hop beat." |
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