File:Double-sided Leaf from a Chandana Malayaqiri Varta Series Ascribed to the artists Karam and Mahata Chandji.jpg

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Summary

Whereas most manuscript paintings made in Rajasthan in the eighteenth century were commissioned by Hindu rulers, this painting was made for a practitioner of the Jain religion, probably a wealthy merchant. The image illustrates a Jain text (though the precise subject is difficult to identify) and includes a small shrine with an icon of a Jain savior, known as a Jina or Tirthankara, on the right. The icon sits cross-legged in a meditative posture, and the temple has two white towers of the classic North Indian form. In a nice detail, a small pool in front of the temple reflects the surrounding architecture.

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Date/TimeThumbnailDimensionsUserComment
current18:37, 3 January 2017Thumbnail for version as of 18:37, 3 January 2017430 × 614 (120 KB)127.0.0.1 (talk)<div class="description"> Whereas most manuscript paintings made in Rajasthan in the eighteenth century were commissioned by Hindu rulers, this painting was made for a practitioner of the Jain religion, probably a wealthy merchant. The image illustrates a Jain text (though the precise subject is difficult to identify) and includes a small shrine with an icon of a Jain savior, known as a Jina or Tirthankara, on the right. The icon sits cross-legged in a meditative posture, and the temple has two white towers of the classic North Indian form. In a nice detail, a small pool in front of the temple reflects the surrounding architecture.</div>
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