Fritz Kreisler

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Fritz Kreisler
Fritz Kreisler 1.jpg
Background information
Birth name Friedrich Kreisler
Born (1875-02-02)February 2, 1875
Vienna, Austria-Hungary
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New York City, New York, U.S.
Genres Classical
Occupation(s) Composer, violinist
Instruments Violin
Years active 1903–1950
Notable instruments
Violin
Kreisler Guarnerius 1707
Earl of Plymouth Stradivarius 1711
Greville-Kreisler-Adams Stradivarius 1726
Kreisler Guarneri del Gesù 1730c
Kreisler-Nachez Guarneri del Gesù 1732
Huberman-Kreisler Stradivarius 1733
Lord Amherst of Hackney Stradivarius 1734
Kreisler Guarneri del Gesù 1734
Mary Portman Guarneri del Gesù 1735c
Hart-Kreisler Guarneri del Gesù 1737
Giuseppe Guarneri del Gesù 1740c
Kreisler Bergonzi 1740c
Jean-Baptiste Vuillaume 1860
Fritz Kreisler, Harold Bauer, Pablo Casals, and Walter Damrosch at Carnegie Hall on March 13, 1917

Friedrich "Fritz" Kreisler (February 2, 1875 – January 29, 1962) was an Austrian-born violinist and composer.[1] One of the most famous violin masters of his or any other day, and regarded as one of the greatest violinists of all time, he was known for his sweet tone and expressive phrasing. Like many great violinists of his generation, he produced a characteristic sound which was immediately recognizable as his own. Although he derived in many respects from the Franco-Belgian school, his style is nonetheless reminiscent of the gemütlich (cozy) lifestyle of pre-war Vienna.

Life and career

Kreisler was born in Vienna, the son of Anna (née Reaches) and Samuel Kreisler, a doctor.[2][3] Of Jewish heritage, he was baptised at age twelve. He studied at the Vienna Conservatory and in Paris, where his teachers included Anton Bruckner, Léo Delibes, Jakob Dont, Joseph Hellmesberger, Jr., Joseph Massart, and Jules Massenet. While there, he won the "Premier Grand Prix de Rome" gold medal, competing against 40 other players, all of whom were at least 20 years of age.[4]

He made his United States debut at Steinway Hall in New York City on November 10, 1888, and his first tour of the United States in 1888–1889 with Moriz Rosenthal, then returned to Austria and applied for a position in the Vienna Philharmonic. He was turned down by the concertmaster Arnold Rosé. As a result, he left music to study medicine. He spent a brief time in the army before returning to the violin in 1899, giving a concert with the Berlin Philharmonic conducted by Arthur Nikisch. It was this concert and a series of American tours from 1901 to 1903 that brought him real acclaim.

Kreisler in October 1930 with dog on board Europa travelling to New York

In 1910, Kreisler gave the premiere of Sir Edward Elgar's Violin Concerto, a work commissioned by and dedicated to him. He served briefly in the Austrian Army in World War I before being honourably discharged after he was wounded. He arrived in New York on November 24, 1914,[5] and spent the remainder of the war in America. He returned to Europe in 1924, living first in Berlin, then moving to France in 1938. Shortly thereafter, at the outbreak of World War II, he settled once again in the United States, becoming a naturalized citizen in 1943. He lived there for the rest of his life, giving his last public concert in 1947 and broadcast performances for a few years after that.

On April 26, 1941, he was involved in a serious traffic accident. Struck by a truck while crossing a street in New York, he suffered a fractured skull and was in a coma for over a week.[6]

In his later years, he suffered from not only some hearing loss but also sight deterioration due to cataracts.[7]

Kreisler died of a heart condition aggravated by old age in New York City in 1962.[1] He was interred in a private mausoleum in Woodlawn Cemetery, Bronx, New York.

Legacy

Kreisler wrote a number of pieces for the violin, including solos for encores, such as "Liebesleid" and "Liebesfreud". Some of Kreisler's compositions were pastiches in an ostensible style of other composers, originally ascribed to earlier composers such as Gaetano Pugnani, Giuseppe Tartini, and Antonio Vivaldi. Then, in 1935, Kreisler revealed that he actually wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: "The name changes, the value remains," he said. He also wrote operettas including Apple Blossoms in 1919 and Sissy in 1932, a string quartet and cadenzas, including ones for the Brahms D major violin concerto, the Paganini D major violin concerto, and the Beethoven D major violin concerto. His cadenzas for the Beethoven concerto are the ones most often employed by violinists today.

He performed and recorded his own version of the first movement of the Paganini D major violin concerto. This version is rescored and in some places reharmonised. The orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.

The mausoleum of Fritz Kreisler in Woodlawn Cemetery

Kreisler owned several antique violins crafted by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name.

He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin,[8] and which he often loaned to the young prodigy Josef Hassid.

On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.

A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.

Work

Compositions

See: List of compositions by Fritz Kreisler
See also: "Musical Hoax"

Recordings

Kreisler's work has been reasonably well represented on both LP and CD reissues. Original masters were made on RCA Victor and HMV. His final recordings were made in 1950.

Broadway

  • Apple Blossoms (1919) – operetta – co-composer;
  • Continental Varieties (1934) – revue – featured composer for "Caprice Viennois" and "La Gitana";
  • Reunion in New York (1940) – revue – featured composer for "Stars in Your Eyes";
  • Rhapsody (1944) – musical – composer.

Autobiography

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References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ [1]
  3. ↑ [2]
  4. ↑ AllMusic
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Life magazine, May 12, 1941 (pp. 32–33)
  7. ↑ Fritz Kreisler: Love's Sorrow, Love's Joy, by Amy Biancolli (Amadeus Press, 1998)
  8. ↑ Second Fiddle by Philip Kass

Further sources

  • Lua error in package.lua at line 80: module 'strict' not found.open access publication - free to read

External links

Awards and achievements
Preceded by Cover of Time Magazine
February 2, 1925		 Succeeded by
William Mackenzie King
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