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The Haugean movement, or Haugeanism (Norwegian: haugianere), was a pietistic state church reform movement intended to bring new life and vitality into the Church of Norway which had been often characterized by formalism and lethargy.
The Haugean movement took its name from the lay evangelist Hans Nielsen Hauge. It played an important part in nurturing the democratic folk movement of the time, and stimulating the entrance into politics of representatives of the rural population. It increased tensions between the more privileged classes and the common people, as well as between the clergy and the laity.
Hans Nielsen Hauge worked as a lay preacher at a time when such activity was forbidden by law. The Conventicle Act of 1741 prohibited any religious meetings not authorized by the state church: a response to radical Pietism within Norwegian cities. The act decreed that religious gatherings could be held only under the supervision of a state approved minister. The pastor was thought to be the only person who could correctly interpret the teachings of the Norwegian State Church. The ministers had the sole right to administer the sacraments, and as a public official he was accountable to the state for the Christian indoctrination of his flock.
Hauge came to feel that he had a divine call which made it mandatory for him to break this law and proclaim the word of God directly among his fellowmen. He advocated a Priesthood of all believers. He felt that people had to be awakened to a consciousness of their sins before they could begin to gain salvation through the grace of God. According to Hauge’s views, the State Church failed to provide parishioners with a personal religious experience. Hauge’s religious teachings were therefore viewed as attacks on the state church and its ministers.
The teachings of Hauge had considerable influence with Norway. Within commerce, many Haugeans launched industry initiatives, such as mills, shipyards, paper mills, textile industry and printing house. Within political activities, three Haugeans were in attendance at the National Assembly at Eidsvoll in 1814. 
Within popular culture, the character Solveig in Peer Gynt (1876) by Henrik Ibsen is presented as a member of a Haugean family, and this religious affiliation is clearly related to her purity and steadfast love for the play's protagonist. Bjørnstjerne Bjørnson's work Synnøve Solbakken (1857) also presents the heroine as a Haugean with similar purity and commitment to her eventual betrothed, Thorbjørn. A vivid picture of Haugeans appears in the novels of Alexander Kielland. Adolph Tidemand portrayed Hauge and his followers in the painting Haugianere (1852).
The influence of Hans Nielsen Hauge within Norway coincided with the years during which many Norwegians were immigrating to North America. The Haugean influence on Lutheranism in America has been considerable. The Lutheran Church in America had a Hauge Synod, Eielsen Synod and Lutheran Free Church all indicative of that influence. Hauge is remembered on the liturgical calendar of the Evangelical Lutheran Church in America on March 29th as one of the Renewers of the Church.
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- Amundsen, Arne Bugge (1997) The Haugean Heritage – a Symbol of National History (from "In Search of Symbols. An Explorative Study" Jens Braarvig & Thomas Krogh,editors, pp. 214–233. Department of Cultural Studies, University of Oslo)
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