John Lee Hooker

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

For other people named John Hooker, see John Hooker (disambiguation).
John Lee Hooker
JohnLeeHooker1997.jpg
John Lee Hooker performing at the Long Beach Blues Festival, California, August 31, 1997
Background information
Born (1917-08-22)August 22, 1917
Coahoma County, Mississippi, United States[1]
Died Script error: The function "death_date_and_age" does not exist.
Los Altos, California, United States
Genres Blues
Occupation(s) Musician
Instruments Guitar, vocals
Years active 1943–2001[2]
Labels Modern, Vee-Jay, Chess, Savoy, Atlantic, Verve, Bluesway, Atco, King, Specialty, Impulse!, Point Blank,
Associated acts Canned Heat
Website www.johnleehooker.com
Notable instruments
Epiphone Sheraton

John Lee Hooker (August 22, 1917 – June 21, 2001) was an American blues singer, songwriter and guitarist. He was born in Mississippi, the son of a sharecropper, and rose to prominence performing an electric guitar-style adaptation of Delta blues. Hooker often incorporated other elements, including talking blues and early North Mississippi Hill country blues. He developed his own driving-rhythm boogie style, distinct from the 1930s–1940s piano-derived boogie-woogie style. Some of his best known songs include "Boogie Chillen'" (1948), "Crawling King Snake" (1949), "Dimples" (1956), "Boom Boom" (1962), and "One Bourbon, One Scotch, One Beer" (1966) – the first being the most popular race record of 1949.

Early life

There is some debate as to the year of Hooker's birth[3][4] in Coahoma County, Mississippi,[5] the youngest of the eleven children of William Hooker (1871–1923),[6] a sharecropper and Baptist preacher, and Minnie Ramsey (born 1875, date of death unknown);[7] according to his official website, he was born on August 22, 1917.

Hooker and his siblings were home-schooled. They were permitted to listen only to religious songs, with his earliest exposure being the spirituals sung in church. In 1921, his parents separated. The next year, his mother married William Moore, a blues singer who provided Hooker with his first introduction to the guitar (and whom John would later credit for his distinctive playing style).[8] John's stepfather was his first significant blues influence. William Moore was a local blues guitarist who learned in Shreveport, Louisiana to play a droning, one-chord blues that was strikingly different from the Delta blues of the time.[5] Around 1923 his biological father died. At the age of 14, John Lee Hooker ran away from home, reportedly never seeing his mother or stepfather again.[9]

Throughout the 1930s, Hooker lived in Memphis, Tennessee where he worked on Beale Street at the New Daisy Theatre and occasionally performed at house parties.[5] He worked in factories in various cities during World War II, drifting until he found himself in Detroit in 1948 working at the Ford Motor Company. He felt right at home near the blues venues and saloons on Hastings Street, the heart of black entertainment on Detroit's east side. In a city noted for its pianists, guitar players were scarce. Performing in Detroit clubs, his popularity grew quickly and, seeking a louder instrument than his acoustic guitar, he bought his first electric guitar.[10]

Career

Hooker playing Massey Hall, Toronto. Photo: Jean-Luc Ourlin

Hooker's recording career began in 1948 when his agent placed a demo, made by Hooker, with the Bihari brothers, owners of the Modern Records label. The company initially released an up-tempo number, "Boogie Chillen'", which became Hooker's first hit single.[5] Though they were not songwriters, the Biharis often purchased or claimed co-authorship of songs that appeared on their labels, thus securing songwriting royalties for themselves, in addition to their own streams of income.

Sometimes these songs were older tunes that Hooker renamed, as with B.B. King's "Rock Me Baby", anonymous jams "B.B.'s Boogie", or songs by employees (bandleader Vince Weaver). The Biharis used a number of pseudonyms for songwriting credits: Jules was credited as Jules Taub; Joe as Joe Josea; and Sam as Sam Ling. One song by John Lee Hooker, "Down Child", is solely credited to Taub, with Hooker receiving no credit. Another, "Turn Over a New Leaf" is credited to Hooker and Ling.

In 1949, Hooker was recorded performing in an informal setting for Detroit jazz enthusiasts. His repertoire included down-home and spiritual tunes that he would not record commercially.[11] The recorded set has been made available in the album Jack O'Diamonds.[12]

Despite being illiterate, Hooker was a prolific lyricist. In addition to adapting the occasionally traditional blues lyric (such as "if I was chief of police, I would run her right out of town..."), he freely invented many songs from scratch. Recording studios in the 1950s rarely paid black musicians more than a pittance, so Hooker would spend the night wandering from studio to studio, coming up with new songs or variations on his songs for each studio. Because of his recording contract, he would record these songs under obvious pseudonyms such as John Lee Booker, notably for Chess Records and Chance Records in 1951/52,[13] as Johnny Lee for De Luxe Records in 1953/54[13] as John Lee, and even John Lee Cooker,[14] or as Texas Slim, Delta John, Birmingham Sam and his Magic Guitar, Johnny Williams, or The Boogie Man.[15]

His early solo songs were recorded under Bernie Besman. John Lee Hooker rarely played on a standard beat, changing tempo to fit the needs of the song. This often made it difficult to use backing musicians who were not accustomed to Hooker's musical vagaries. As a result, Besman would record Hooker, in addition to playing guitar and singing, stomping along with the music on a wooden pallet.[16] For much of this time period he recorded and toured with Eddie Kirkland, who was still performing until his death in a car accident in 2011. Later sessions for the VeeJay label in Chicago used studio musicians on most of his recordings, including Eddie Taylor, who could handle his musical idiosyncrasies very well. His biggest UK hit, "Boom Boom", (originally released on VeeJay) was recorded with a horn section.

Later life

Toronto, August 20, 1978

He appeared and sang in the 1980 film The Blues Brothers. Due to Hooker's improvisational style, his performance was filmed and sound-recorded live at the scene at Chicago's Maxwell Street Market, in contrast to the usual "playback" technique used in most film musicals.[17] Hooker was also a direct influence in the look of John Belushi's character Jake Blues.

In 1989, he joined with a number of musicians, including Carlos Santana and Bonnie Raitt to record the album The Healer, for which he and Santana won a Grammy Award. Hooker recorded several songs with Van Morrison, including "Never Get Out of These Blues Alive", "The Healing Game", and "I Cover the Waterfront". He also appeared on stage with Van Morrison several times, some of which was released on the live album A Night in San Francisco. The same year he appeared as the title character on Pete Townshend's The Iron Man: The Musical by Pete Townshend.

On December 19, 1989, Hooker appeared with the Rolling Stones and Eric Clapton to perform "Boogie Chillen'"in Atlantic City, N.J., as part of the Rolling Stones' Steel Wheels tour. The show was broadcast live on cable television on a pay-per-view basis.

Hooker recorded over 100 albums. He lived the last years of his life in Long Beach, California.[18] In 1997, he opened a nightclub in San Francisco's Fillmore District called John Lee Hooker's Boom Boom Room, after one of his hits.[19]

Death

Hooker fell ill just before a tour of Europe in 2001 and died in his sleep on June 21 at the age of 83, two months before his 84th birthday. He was interred at the Chapel of the Chimes in Oakland, California.[20]

His last live in the studio recording on guitar and vocal was of a song he wrote with Pete Sears called "Elizebeth", featuring members of his Coast to Coast Blues Band with Sears on piano. It was recorded on January 14, 1998 at Bayview Studios in Richmond, California. The last song Hooker recorded before his death was "Ali D'Oro", a collaboration with the Italian soul singer Zucchero, in which Hooker sang the chorus "I lay down with an angel." He is survived by eight children, nineteen grandchildren, eighteen great-grandchildren, a nephew and fiance Sidora Dazi. He has two children that followed in his footsteps, Zakiya Hooker and John Lee Hooker, Jr.

Among his many awards, Hooker has a star on the Hollywood Walk of Fame and in 1991 he was inducted into the Rock and Roll Hall of Fame. Two of his songs, "Boogie Chillen" and "Boom Boom" were included in the list of the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. "Boogie Chillen" was included as one of the Songs of the Century. He was also inducted in 1980 into the Blues Hall of Fame. In 2000, Hooker was awarded the Grammy Lifetime Achievement Award.

Music and legacy

Hooker's guitar playing is closely aligned with piano boogie-woogie. He would play the walking bass pattern with his thumb, stopping to emphasize the end of a line with a series of trills, done by rapid hammer-ons and pull-offs. The songs that most epitomize his early sound are "Boogie Chillen", about being 17 and wanting to go out to dance at the Boogie clubs, "Baby, Please Don't Go", a blues standard first recorded by Big Joe Williams, and "Tupelo Blues",[21] a song about the flooding of Tupelo, Mississippi, in April 1936.

He maintained a solo career, popular with blues and folk music fans of the early 1960s and crossed over to white audiences, giving an early opportunity to the young Bob Dylan. As he got older, he added increasingly more people to his band, changing his live show from simply Hooker with his guitar to a large band, with Hooker singing.

His vocal phrasing was less closely tied to specific bars than most blues singers. This casual, rambling style had been gradually diminishing with the onset of electric blues bands from Chicago but, even when not playing solo, Hooker retained it in his sound.

Though Hooker lived in Detroit during most of his career, he is not associated with the Chicago-style blues prevalent in large northern cities, as much as he is with the southern rural blues styles, known as delta blues, country blues, folk blues, or front porch blues. His use of an electric guitar tied together the Delta blues with the emerging post-war electric blues.[22]

His songs have been covered by Buddy Guy, Cream, AC/DC, ZZ Top, Led Zeppelin, Tom Jones, Bruce Springsteen, Jimi Hendrix, Eric Clapton, Nick Cave and the Bad Seeds, Van Morrison, the Yardbirds, the Animals, the Doors, the White Stripes, MC5, George Thorogood, R. L. Burnside, the J. Geils Band, Big Head Todd and the Monsters, the Gories, Cat Power and the Jon Spencer Blues Explosion.

Awards and recognition

Grammy Awards:

Discography

Singles

Hooker issued a large number of singles, with almost a hundred releases by 1960.[23]
Here are ten of his early classic recordings:

  • Detroit September 1948 – Boogie Chillen' – Modern 627 (11/48) R&B #1 (Crown LP The Blues)
  • Detroit September 1948 – Hobo Blues – Modern 663 (3/49) R&B #5 (Crown LP The Blues)
  • Detroit September 1948 – Crawling King Snake – Modern 714 (10/49) R&B #6 (Crown LP The Blues)
  • Detroit August 7, 1951 – I'm In the Mood – Modern 835 (9/51) R&B #1 (Crown LP The Blues)
  • Detroit Early 1955 – The Syndicator b/w Hug And Squeeze – Modern 966 (8/55) (Crown LP Sings The Blues)
  • Chicago March 17, 1956 – Dimples – Vee-Jay 205 (8/56) (VJ LP I'm John Lee Hooker)
  • Chicago June 10, 1958 – I Love You Honey – Vee-Jay 293 (9/58) R&B #29 (VJ LP I'm John Lee Hooker)
  • Chicago March 1, 1960 – No Shoes – Vee-Jay 349 (4/60) R&B#21 (VJ LP Travelin')
  • Chicago Late 1961 – Boom Boom – Vee-Jay 438 (4/62) R&B #16 (VJ LP Burnin')
  • Chicago Mid 1964 – It Serves You Right (To Suffer) – Vee-Jay 708 (11/65) (VJ/Dynasty LP In Person)

Albums

Listed below are the original albums with notable reissues.
The Detroit Years (recordings 1948–1955)

  • 1959 – House Of The Blues (Chess)
  • 1960 – The Blues (Crown) early Modern tracks
  • 1961 – Sings The Blues (Crown) – Modern tracks
  • 1961 – Plays And Sings The Blues (Chess) 1950–52 tracks
  • 1961 – Sings Blues (King)- reissued as Moanin' and Stompin', and Don't You Remember Me, Texas Slim 1948–50 tracks
  • 1962 – Folk Blues (Crown) – Modern tracks
  • 1963 – The Great John Lee Hooker (Crown) – Modern tracks
  • 1963 – Don't Turn Me from Your Door (Atco) 1953 and 1961 recordings
  • 1963 – John Lee Hooker & Big Maceo Merriweather (Fortune)
  • 1964 – Original Folk Blues (Kent)
  • 1966 – John Lee Hooker & his Guitar (Advent)
  • 1969 – No Friend Around (Advent/Red Lightnin')
  • 1970 – Alone (Specialty)
  • 1971 – Goin' Down Highway 51 (Specialty)
  • 1971 – Coast to Coast Blues Band (United Artists)
  • 1972 – Johnny Lee (GreeneBottle 2-LP)
  • 1973 – John Lee Hooker's Detroit (United Artists 3-LP)
  • 1973 – Mad Man Blues (Chess 2-LP compilation)
  • 1973 – Hooker, Hopkins, Hogg (Specialty-Sonet)
  • 1973 – Slim's Stomp (Polydor) – King tracks
  • 1979 – Southern Blues (Savoy)
  • 1981 – Blues For Big Town (Chess) – v.a. compilation featuring unissued early 1950s
  • 1987 – Gotham Golden Classics – Rare Recordings (Collectables)
  • 1987 – Detroit Blues (Krazy Kat)
  • 1989 – 40th Anniversary Album (DCC) – reissued on Eiropean Demon as Detroit Lion
  • 1990 – Boogie Awhile (Krazy Kat 2-LP)
  • 1999 – Savoy Blues Legends, 1948–1949 (SavoyJazz/Atlantic) – reissued on Savoy
  • 2000 – The Unknown John Lee Hooker (Krazy Kat) – 1951 tracks, reissued as Jack 0'Diamonds (Eagle, 2004)

The Chicago Years (recordings 1955–1964)

  • 1959 – I'm John Lee Hooker (Vee-Jay)
  • 1960 – Travelin (Vee-Jay)
  • 1961 – The Folk Lore of John Lee Hooker (Vee-Jay)
  • 1962 – Burnin' (Vee-Jay)
  • 1962 – The Big Soul of John Lee Hooker (Vee Jay)
  • 1962 – The Best of John Lee Hooker (Vee Jay) – compilation
  • 1963 – John Lee Hooker On Campus (Vee Jay) – (I Want To Shout The Blues on European Stateside) – reissued as Big Band Blues (Buddah Records)
  • 1965 – … And Seven Nights (Verve-Folkways) British recordings of 1964 (re-issued with brass overdub as On The Waterfront on Wand) – and reissued in several versions later
  • 1965 – Is He The World's Greatest Blues Singer? (Vee Jay) compilation – reissued on Exodus
  • 1974 – Gold (Vee Jay) – compilation comprisising I'm John Lee Hooker and The Big Soul of
  • 1974 – In Person (VeeJay/Dynasty) late Vee-Jay tracks
  • 1989 – The Hook – 20 Years of Hits & Hot Boogie (Chameleon) Vee-Jay license compilation
  • 1993 – John Lee Hooker on Vee-Jay 1955–1958 (VeeJay) compilation
  • 2014 – I'm Going Home (Devils Tunes) the June 10, 1958 Vee-Jay "rehearsal" session with rare recordings

The Folk Years (recordings 1959–1963)

  • 1959 – The Country Blues of John Lee Hooker (Riverside) – reissued as How Long Blues (Battle, 1963)
  • 1960 – That's My Story – JLH Sings the Blues (Riverside) – reissued as The Blues Man (Battle, 1963)
  • 1962 – John Lee Hooker (Galaxy) – reissued as The King of Folk Blues (America)
  • 1963 – Live At Sugar Hill (Galaxy)
  • 1964 – Burning Hell (Riverside) recorded 1959
  • 1964 – Concert At Newport (Vee Jay) – reissued with bonus tracks as Live At Newport (Fantasy)
  • 1966 – Teachin' The Blues (Guest Star) half an LP of recordings from 1961
  • 1969 – That's Where It's At! (Stax) recordings of 1961
  • 1971 – Detroit Special (Atlantic) compilation (Don't Turn Me From Your Door plus bonus tracks)
  • 1972 – Boogie Chillun (Fantasy) (Live at Sugar Hill plus bonus tracks) – reissued on Ace as Live at Sugar Hill Vol. 1 & 2
  • 1972 – Black Snake (Fantasy 2-set) – reissue of Riverside's "The Country Blues and That's My Story
  • 1979 – Sittin' Here Thinkin (Muse) – reissued as Sad And Lonesome (Savoy recordings of 1961)
  • 2002 – Live At Sugar Hill, Vol. 2 (Fantasy) unissued recordings from 1961 (featuring a "third session")

The ABC Years (recordings 1965–1974)

  • 1965 – It Serves You Right to Suffer (Impulse! Records)
  • 1966 – The Real Folk Blues (Chess) new Chicago recordings
  • 1967 – Live at the Café Au Go-Go (Bluesway)
  • 1967 – Urban Blues (Bluesway)
  • 1968 – On The Waterfront (Wand) (… And Seven Nights with brass overdub)
  • 1969 – Simply The Truth (Bluesway)
  • 1969 – If You Miss 'Im … I Got 'Im (Bluesway)
  • 1970 – I Wanna Dance All Night (America) Europe recordings – reissued with the next as Black Rhythm 'n' Blues (Festival)
  • 1970 – I Feel Good (Carson) Europe recordings – reissued on Jewel (1972)
  • 1971 – Get Back Home In The USA (Black & Blue) Europe recordings – reissued with bonus tracks as Get Back Home
  • 1971 – Hooker 'n Heat (Liberty) – reissued as Infinite Boogie (Rhino)
  • 1971 – Endless Boogie (ABC)
  • 1972 – Never Get Out of These Blues Alive (ABC)
  • 1972 – Live at Kabuki Wuki (Bluesway)
  • 1973 – Live At Soledad Prison (ABC)
  • 1973 – Born In Mississippi, Raised Up In Tennessee (ABC)
  • 1974 – Free Beer And Chicken (ABC)
  • 1991 – More Real Folk Blues – The Missing Album (Chess) – also issued with The Real Folk Blues as The Complete Chess Folk Blues Sessions

The Rosebud Years (recordings 1975–2001)

  • 1976 – Alone Vol 1 (Labor) live – reissued on Tomato
  • 1976 – Alone – Live in New York Vol 2 (MMG) – reissued on Tomato
  • 1978 – Live + Well (Ornament)
  • 1978 – The Cream (Tomato) live recordings – reissued with bonus tracks on Charly
  • 1979 – Live in 1978 (Lunar)
  • 1981 – Hooker 'n' Heat Recorded Live at the Fox Venice Theatre (Rhino, various artists)
  • 1986 – Jealous (Pulsa) – reissued on Pointblank 1996 – and on Shout! Factory with bonus tracks
  • 1989 – The Healer (Chameleon)
  • 1990 – The Hot Spot (Featuring Miles Davis)
  • 1991 – Mr. Lucky (Pointblank)
  • 1992 – Boom Boom (Pointblank) – reissued on Shout!Factory with bonus tracks
  • 1995 – Chill Out (Pointblank) – reissued on Shout!Factory with bonus tracks
  • 1997 – Don't Look Back (Pointblank/Virgin) – reissued on Shout!Factory with bonus tracks
  • 1998 – The Best of Friends (Pointblank) compilation 1986–1998 incl one new track – reissued on Shout!Factory download with bonus track
  • 2003 – Face to Face (Eagle) new recordings

CD compilations

  • 1990 – That's My Story/The Folk Blues of (Ace) – the two original Riverside LPs on one CD
  • 1990 – That's Where It's At (Stax) reissue of Florida recordings from 1961
  • 1991 – The Ultimate Collection 1948–1990 (Rhino 2CDbox)
  • 1991 – Half A Stranger (Mainstream) Modern tracks 1948–1955 incl unedited masters
  • 1991 – Free Beer And Chicken (BeatGoesOn/MCA) recorded 1974
  • 1991 – Don't Turn Me From Your Door (Atlantic/Atco) 1953 and 1961 (incl the bonus tracks)
  • 1991 – Introducing...John Lee Hooker (MCA)
  • 1992 – Graveyard Blues (Specialty/Ace) 1948–1950 Besman/Sensation tracks
  • 1992 – The Best of John Lee Hooker 1965 to 1974 (Universal) Impulse and ABC/Bluesway recordings
  • 1993 – Everybody's Blues (Specialty/Ace) Besman tracks of 1950–51 plus two 1954 sessions direct for Specialty
  • 1993 – The Legendary Modern Recordings 1948–1954 (Flair/Ace) the original singles
  • 1994 – The Boogie Man (Charly DIG 5) anthology box featuring 1948–1966 (excluding Modern)
  • 1995 – Alternative Boogie – Early Studio Recordings, 1948–1952 (Capitol 3CD) Besman alternates
  • 1995 – The Gold Collection – 40 Classic Performances (Retro) 2-CD set Made in Italy by Phonocomp
  • 1995 – '2 – Jazz & Blues Collection ' 1 CD Editions Atlas
  • 1995 – 'John Lee Hooker ' K-Bok 345 A 3CD
  • 1996 – Live at the Café Au Go-Go (and Soledad Prison) (Universal) 1966 with Muddy Waters' band and 1972
  • 1998 – The Complete 50's Chess Recordings (Chess 2CD) anthology featuring the tracks from House of the Blues and Plays and Sings the Blues (1951–52) plus several bonus tracks from Fortune 1954 incl Blues For Big Town
  • 2000 – The Complete 1964 recordings (RPM) last Vee-Jay session 1964 plus British London recordings – the British tracks reissued with brass overdubs as The London 1965 Sessions on Sequel
  • 2000 – I'm John Lee Hooker (Charly -with bonus tracks) his very first LP, 1955–1959 recordings – reissued on SNAP in 2003 and without bonus tracks on Shout!Factory in 2007
  • 2000 – Travelin' (Charly -with bonus tracks) the great LP session of 1960- reissued on SNAP in 2003
  • 2000 – The Folk Lore of John Lee Hooker (Charly – with bonus tracks) his third VJ LP – reissued on SNAP in 2003
  • 2000 – Burnin' (Charly -with bonus tracks) the fourth VJ LP, 1962 – reissued on SNAP in 2003
  • 2000 – The Complete – Vol. 1 1948–49 [Body & Soul 2CD]
  • 2000 – The Complete – Vol. 2 1949 [Body & Soul 2CD]
  • 2001 – The Complete – Vol. 3 1949–50 [Body & Soul 2CD]
  • 2001 – House Rent Boogie (Ace) Modern compilation of rare early 1950s recordings
  • 2001 – Testament – 3CDbox featuring some of the very best Vee-Jay recordings (Charly/Snapper)
  • 2002 – The Complete – Vol. 4 1950–51 [Body & Soul 2CD]
  • 2002 – The Real Folk Blues/More Real Folk Blues (Chess) 1966 recordings; reissue of the 1991 CD The Complete Chess Folk Blues Sessions
  • 2002 – Giant of Blues (FruitTree 2CD) Charly license featuring 20 of the Testament tracks
  • 2003 – Boogie Chillen' (Audio Fidelity) 1949–1952 Besman and Siracuse (engineer) compilation
  • 2003 – Blues Kingpins – Blues Immortal (Virgin) 1948–1955 Modern anthology
  • 2004 – Early Years – The Classic Savoy Sessions (Metro Doubles 2CD) recorded 1948 and 1961 – comprising the tracks from Savoy Blues Legends (Savoy in 1999 and 2003) and the 1961 Savoy recordings from Sittin' Here Thinkin' (32Blues in 2004 with the bonus track)
  • 2004 – I'm A Boogie Man (Varèse Sarabande) Vintage 1948–1953 Texas Slim and John Lee Booker (King/De Luxe tracks featuring all the King singles)
  • 2004 – The Complete – Vol. 5 1951–53 [Body & Soul 2CD]
  • 2005 – The Complete – Vol. 6 1953–54 [Body & Soul 2CD]
  • 2005 – Blues Is The Healer (Membran), 149 songs from the early years in a German 10-CD box set
  • 2006 – Hooker (4 disc chronological anthology covering his entire career) (Shout!Factory)
  • 2006 – The Boogie Man 1948–1955 (Charly 4 CDBox) – not identical to Charly's rare CD DIG 5 (but this time also featuring Modern recordings)
  • 2007 – Gold (Hip-O Select 2CD) 1948–2001 chronological anthology
  • 2009 – John Lee Hooker Anthology: 50 Years (Shout! Factory 2CD) 1948–1998 chronological anthology
  • 2009 – From Detroit to Chicago 1954–1958 (SagaBues46) Modern, Battle, and early Vee-Jay singles
  • 2010 – At His Very Best (MetroUnionSquare 2CD) Vee-Jay compilation and some live recordings
  • 2010 – Blues In Transition (Jasmine 2CD) Vee-Jay 1956–1959 plus the two Riverside sessions 1959 (50 tracks)

Film

Notes

  1. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ 1915, 1917, 1920, and 1923 have all been cited (Boogie Man, p. 22). 1917 is the one most commonly cited, though Hooker himself claimed, at times, 1920, which would have made him "...the same age as the recorded blues." (p. 59)
  4. ↑ In the 1920 federal census, series T625/Roll 895/page 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet #29 A, line 25, enumerated February 3, 1920, John Hooker is one of nine children living with William and Minnie Hooker. John is listed as 7 years of age at his last birthday. If accurate – and if his birthday is August 22 as he claims - John Lee Hooker was born August 22, 1912. Most of his other known siblings (cited in Boogie Man, p. 23) – Daniel, Minnie, Isaac, Archie, Alice, Sarah, Sam, and Mary – are included in the census record (along with their proper relative ages) as well as parents William and Minnie's relative ages, possibly giving greater credibility to the 1912 birthdate.
  5. ↑ 5.0 5.1 5.2 5.3 Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ According to Boogie Man, pg. 24, "In 1928, Will Hooker Sr. and Jr. made a profit of twenty-eight dollars" from farming, making his death in 1923 impossible
  7. ↑ According to the 1920 federal census, series T625/Roll 895/page 235, in the city of Tutwiler, Tallahatchie County, Mississippi, Supervisor's District 2, Enumeration District 87, Sheet #29 A, lines 18-19, enumerated February 3, 1920, William and Minnie were 48 and 39 years of age, respectively. Given this information, Minnie's year of birth is ca. 1880, not 1875. Minnie was thought a "decade or so younger" than husband William (Boogie Man, p. 23), again giving further credibility to this census record as corroborative evidence concerning John Lee Hooker's origins.
  8. ↑ Conversation with the Blues by Paul Oliver, p. 188
    See also: Guitar Facts by Bennett Joe, Trevor Curwen, Cliff Douse, Joe Bennett, p. 76
  9. ↑ Boogie Man p. 43.
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ 13.0 13.1 Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ Liner notes to Alternative Boogie: Early Studio Recordings, 1948-1952.
  15. ↑ Leadbitter, M. and Slaven, N. (1987). Blues Records 1943-1970: a selective discography. London: Record Information Services, pp. 579-595
  16. ↑ Boogie Man p. 121.
  17. ↑ The Blues Brothers (1980) - Trivia.
  18. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ Discovering the Blues of John Lee Hooker Adapted from: Blues For Dummies, by Lonnie Brooks, Cub Koda, Wayne Baker Brooks, Dan Aykroyd, ISBN 0-7645-5080-2, August 1998.
  20. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ John Lee Hooker - 'Tupelo' (1995) on YouTube.
  22. ↑ Rhino - John Lee Hooker (1917-2001) - Rzine #203.
  23. ↑ John Lee Hooker – The World´s Greatest Blues Singer – cont´d (page 1).

References

External links

Retrieved from "https://infogalactic.com/w/index.php?title=John_Lee_Hooker&oldid=10153"