Knights Templar Seal

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The Grand Masters of the Knights Templar during the later 12th and the 13th century used a double-sided seal which showed a representation of The Dome of the Rock (or a circular dome of the Church of the Holy Sepulchre) on one side, and the Order's symbol of two knights on one horse on the other side. This design is first attested as in use by Bertrand de Blanquefort, the order's sixth Grand Master, in 1158, forty years after its foundation, and it remained in use until the dissolution of the order in 1312.

There was also a smaller, single-sided seal, which showed the Dome of the Rock (or the Holy Sepulchre), only.^{[citation needed]}

Different seals were used by provincial masters of the order. According to a papal bull issued by Innocent IV in 1251, it was customary for successive provincial masters to use the same seal. The master of Provence continued to use an Agnus Dei seal, while the seal of the Aragonese master William of Cardona and his successors depicted a knight on horseback, carrying a lance and shield, on which was a cross bearing the legend: S. MINISTRI TEMPLI 1 ARAGON 7 CATALON ("Seal of the minister of the Temple in Aragon and Catalonia").

Templars Seal Themes

Dome of the Rock and Al Aksa

MILITIE TEMPLI SALMO Artistic representation

The reverse of Bertrand de Blancafort's seal, Master of the Temple 1168 in Staatsarchiv Amberg

The reverse of Grand Master William de Chartres seal from 1214 also depicts the Dome of the Rock.

Agnus Dei

In heraldry, a Lamb of God (or paschal lamb, or agnus Dei) is a lamb passant proper, with a halo or charged with a cross gules, and the dexter forelimb reflexed over a cross staff from which a pennon of St. George (Argent a cross gules) is flotant. The seals of the Masters of the Temple in England: of Aimery de St Maur, 1200, Robert of Sandford, 1241, Richard of Hastings, 1160–85, and William de la More, 1304, showed the agnus Dei.

SIGILLVM TEMPLI The obverse of a seal used by William de la More, master, 1304, resembles the above text . The reverse, a small oval counter-seal, with beaded borders, shows on the right a couped bust of a bearded man wearing a cap. and have the legend:— TESTIS SUM AGNI ("I am a witness to the Lamb") William de la More, styled frater Willelmus de la More miliciae. The seal is called commune sigillum capituli. The seal symbolic of their vow of poverty, showing two knights riding on one horse appears only to have been used by the order in France; there is no example of its use in England.

Some of the seals of the English Templars were a semi-typical Pascal lamb bearing sometimes, not the flag of St George (or the cross), but the Beauseant, the battle banner of the order.

Seal of Robert of Sandford, the Master of the Temple in 1241 in the British Library
L'Agnus Dei, seal used by Roncelin de Foz. Second part of the 13th century. Departmental Archives of Marseilles -Bouches du Rhône.

Other seals: Durham Cathedral Muniments, Medieval Seal G&B reference number: 3388 Knights of the Temple 1304 Description: Round. The Holy Lamb with banner.

The Two Riders

The symbol

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A Knights Templar seal^[1]

The Templar Seal showing two knights (perhaps Hugues de Payens and Godfrey de Saint-Omer) on one horse. There are many interpretations of the symbolism of this seal.

Contemporary legend held that the symbol represented the initial poverty of the order; that they could afford only a single horse for every two men.^{[citation needed]} Still, the Rule of the Order from the outset permitted three horses and no more for each knight, as well as no Templars sharing the same horse.^{[citation needed]}

Several masters adopted this seal from the beginning of the order until at least 1298. It is known to have been in use since 1167.^{[citation needed]} The Rule forbids two riders on the same beast.^{[citation needed]}

According to legend, Hugues de Payens (the first Grand-Master of the Templars) and Godfrey were so poor that between the two of them they had only one horse, and this gave rise to the famous image on the seal of the Templars, of two men riding a single horse.

The image of two knights on the horse was widely used:

Matthew Paris in Chronica Majora ca 1250
An English monk and chronicler from St. Albans in Historia Anglorum
At least as early as 1158 as the seal of the Grand Master of the Temple, Bertrand de Blanchefort. This is the earliest known seal for the Grand Master of the Temple forty years after the Order was formed.
Use of this symbol continued under subsequent Grand Masters for as long as the Order survived, however the seal went through more than one incarnation. The Reynaut de Vichiers, who was Master of the Temple from 1255-1259 depict same images, but it is obviously not the same seal.

The Legend

Regarding the text of the seal differences can be clearly seen between the seals of the Grand Masters:

Blanchefort's seal: SIGILLUM MILITUM obverse; CHRISTI DE TEMPLO reverse
Vichiers' seal: SIGILLUM MILITUM XPISTI. Although the phrase is written using the Latin alphabet, the first two letters of Christ's name are the Greek XP (Chi Rho) rather than the Latin CHR. The XP symbol's origin lies in the early roots of Christianity, but came into popular use after the Emperor Constantine had a vision of it and, according to legend, converted to Christianity in the early 4th century. From the time of Constantine, it became one of the most significant symbols of Christianity, surpassed only by the cross itself. Its early associations with the military make it the more apt of the two symbols for the Templars. In fact the Chi Rho can also be seen on the shields of the knights on de Vichiers' seal.

The Eagle

The Double-Headed Eagle is more commonly associated with the highest rank earned by a Scottish Right Mason... Bertram von Esbeck, Master of the Temple in Germany, 1296 depicts an eagle with two six-pointed stars.

Double Headed Eagle

The eagle is an heraldic bird of the first order symbolising courage, determination, soaring toward great heights, power, grandeur. It is one of the most common charges on medieval heraldic shields, often denoting imperial sovereignty. The eagle is generally borne displayed; that is, upright, breast to the front, and legs, tail and wings expanded (commonly called a "spread eagle"). It signifies one eager or hot in the pursuit of an object much desired.

A Double Eagle and Eagle signifies a man of action, ever more occupied in high and weighty affairs, and one of lofty spirit, ingenious, speedy in apprehension and judicious in matters of ambiguity.

Emblematical of fortitude and magnanimity of mind. The Romans used the figure of an eagle for their ensign, and their example has been often followed. It is the Device of the Russian Empire, the Austrian Empire, the German Reichs, the United States of America and the Emperors of the French. In Blazon, when the talons, or claws and beak, are of a different tincture to the other part, it is said to be armed of such a colour. When the claws or talons are borne in arms, they should be turned towards the dexter side of the escutcheon, unless expressed to the contrary. An eagle displayed with two heads is commonly called a Spread Eagle, symbolical of the Eastern and Western Roman Empire. An eagle's leg erased at the thigh is termed á la quise.

Paris Temple

Cross

Aragon;Tortosa; Late 13th century. Depicting a cross. Legend: SIGILLUM MILICIE TEMPLI IN DERTOSA Aragon; Alfambra; 1248. Brown wax, round, 30 mm. in diameter, depicting a cross. Legend:......LUM CASTRI....

Cross pattée

A cross having arms narrow at the inner center, and very broad at the other end.

Fra Arnaude de Banyuls seal; Aragon; Gardeny; Yellow wax, round, 27 mm. in diameter, depicting a cross, with stars in two angles and shields with crosses in the other two. Legend: S. AR..........GARDENNI.
Fra Bernard de Montlor 1248 seal
The Masters of Poitou used this seal. It has been used from the middle of the 12th century to the end of the Order.

Cross pattée and fleur-de-lis

A seal from Provence: the Templars from Roaix, Sérignan ... This knight, Giraud de Chamaret, hoists the templar cross and the "fleur-de-lis". 1234.

Brother Hugues de Rochefort (Hughs from "ROCAFORTI") 1204 seal. With a star and a "fleur-de-lis", this cross, hart bounded, was the Preceptor's Temple seal.
The seal of the preceptor of Poitou Legend = S PRECEPTORIS TEMPLI VALECE. Year: 1287. Appears on a charter from Saint Victor lès Valence. Seal can be found at the Archives of the City of Marseille and a moulding at the National Archives of Paris.
Brother Giraud de Chamaret 1234

Knight on the Horse

The seal of Brother Roustan de Comps, commander of the Order of the Temple at Richerenches, 1232, shows a single knight on horseback, bearing a shield with a cross: probably St. George.

Brother Roustan de Comps 1232 seal

Head

Seals of Brother Widekind, Master of the Temple in Germany, 1271, and Brother Frederick Wildergrave, 1289, showed Christ's head (or John the Baptist's head by other opinions)

Tower or Castle

The seal of Templar officials in Yorkshire c.1300 shows a tower with a pointed roof.

Brother Arnau Despug 1308 seal

Aragon; Monzón; Early 14th century. Round, depicting a castle with three towers, with a griffin on each side. Legend: S. CASTELL........ONI. Aragon; Huesca; Round, depicting a castle. Legend: S. DOM. TEMPLI DE OSCA Aragon; Barbará; Early 14th century. Yellow wax, round, 29 mm. in diameter, depicting a castle between two fishes. Legend: S. COMMAND.....BARBERA

Chateau de Guilleragues

Here is a Templar cross found in the oldest tower of Château de Guilleragues in the Aquitaine region of France.

Templar Cross in oldest tower of Guilleragues Castle

Abraxas

The word Abraxas (or Abrasax or Abracax) was engraved on certain antique stones, called Abraxas stones, which were used as amulets or charms by Gnostic sects. Amulets and seals bearing the figure of Abraxas were popular in the 2nd century, and were used also in the 13th century in some of the seals of the Knights Templar. By medieval times, Abraxas was relegated to the ranks of demons. The image most associated with Abraxas is that of a composite creature with the head of a rooster, the body of a man, and legs made of serpents or scorpions. He carries a whip and shield, called wisdom and power. Occasionally Abraxas is depicted driving a chariot drawn by four horses, probably representing the elements.

Tertullian, talking about of Basilides' description of Abraxas:

"Afterwards broke out the heretic Basilides. He affirms that there is a supreme Deity, by name Abraxas, by whom was created Mind, which in Greek he calls Nous; that thence sprang the Word; that of Him issued Providence, Virtue, and Wisdom; that out of these subsequently were made Principalities, powers, and Angels; that there ensued infinite issues and processions of angels; that by these angels 365 heavens were formed, and the world, in honour of Abraxas, whose name, if computed, has in itself this number. Now, among the last of the angels, those who made this world, he places the God of the Jews latest, that is, the God of the Law and of the Prophets, whom he denies to be a God, but affirms to be an angel."

The Dove

Used on the Seal of Etienne de Til-Chatel, lord of Pichanges, Preceptor of La Fontenotte. Representation of a dove, facing backwards and grasping an olive branch within its beak.

Sun and Moon

Frater Robert from the land of Retz. Seal from English 13th century. This seal was discovered in the 19th century, in the city of St Père en Retz, at Biais, Loire Atlantique, on the site of a templar Commandery.

Lion

Seals of Brother Otto of Brunswich, commander of Supplingenburg, shows a lion; A seal of one Knight Templar, England, 1303 is showing the Lion of England and the cross pattée and the crescent moon of the Mother Goddess with stars. Aragon; Miravet; 1278, 1287. Depicting a lion

Griffon

William, Master of the Temple in Hungary and Slovenia, 1297, depicts a winged griffon

Unusual uncertified early Templar insignia

From Hugues de Payens period. Hand carved Grand Seal. Alike wax imprints were found on official documents addressed to Hugues de Payens.

References

↑ as reproduced in T. A. Archer, The Crusades: The Story of the Latin Kingdom of Jerusalem (1894), p. 176. The design with the two knights on a horse and the inscription SIGILLVM MILITVM XRISTI is attested in 1191, see Jochen Burgtorf, The central convent of Hospitallers and Templars: history, organization, and personnel (1099/1120-1310), Volume 50 of History of warfare (2008), ISBN 978-90-04-16660-8, pp. 545-546.

Hopkins, M, Simmans, G. & Wallace-Murphy, T., Rex Deus, Element, Shaftesbury, Dorset, 2000, 177
F. de Sagarra, Sigillografía catalana, iii (Barcelona, 1932), 473
R. de Huesca, Teatro histórico de las iglesias del reino de Aragón, vii (Pamplona, 1797), 121
The Templars in the Corona de Aragón, Alan John Forey [1]

[1] s reproduced in T. A. Archer, The Crusades: The Story of the Latin Kingdom of Jerusalem (1894), p. 176. The design with the two knights on a horse and the inscription SIGILLVM MILITVM XRISTI is attested in 1191, see Jochen Burgtorf, The central convent of Hospitallers and Templars: history, organization, and personnel (1099/1120-1310), Volume 50 of History of warfare (2008), ISBN 978-90-04-16660-8, pp. 545-546.

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Knights Templar Seal

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