Le Marais

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The Hôtel de Saint-Aignan, housing the Museum of Jewish Art and History
Entrance of the Hôtel d'Albret.
The Hôtel de Sully's Gardens, near the Place des Vosges.
Street artist reproducing Vermeer's Girl with a Pearl Earring on the sidewalk (2005).
The courtyard of the Hôtel Carnavalet.
Right view of the Rue des Francs-Bourgeois in direction of the Place des Vosges.

Le Marais ("The Marsh", French pronunciation: ​[maʁɛ]) is a historic district in Paris, France. Long the aristocratic district of Paris, it hosts many outstanding buildings of historic and architectural importance. It spreads across parts of the 3rd and 4th arrondissements in Paris (on the Rive Droite, or Right Bank, of the Seine).

History

Paris aristocratic district

Lua error in package.lua at line 80: module 'strict' not found. In 1240 the Order of the Temple built its fortified church just outside the walls of Paris, in the northern part of the Marais. The Temple turned this district into an attractive area, which became known as the Temple Quarter, and many religious institutions were built nearby: the des Blancs-Manteaux, de Sainte-Croix-de-la-Bretonnerie and des Carmes-Billettes convents, as well as the church of Sainte-Catherine-du-Val-des-Écoliers.

During the mid-13th century, Charles I of Anjou, King of Naples and Sicily, and brother of King Louis IX of France built his residence near the current n°7 rue de Sévigné.[citation needed][1] In 1361 the King Charles V built a mansion known as the Hôtel Saint-Pol in which the Royal Court settled during his reign as well as his son's.

From that time to the 17th century and especially after the Royal Square (Place Royale, current place des Vosges) was designed under King Henri IV in 1605, the Marais was the French nobility's favorite place of residence. French nobles built their urban mansions there—hôtels particuliers, in French—such as the Hôtel de Sens, the Hôtel de Sully, the Hôtel de Beauvais, the Hôtel Carnavalet, the Hôtel de Guénégaud and the Hôtel de Soubise.

Jewish community

People

After the nobility started to move to the Faubourg Saint-Germain about this date,[when?] the district became a popular and active commercial area, hosting one of Paris' main Jewish communities.[citation needed] At the end of the 19th century and during the first half of the 20th,[ambiguous] the district around the rue des Rosiers, referred to as the "Pletzl", welcomed many Eastern European Jews (Ashkenazi) who reinforced the district's clothing specialization.[clarification needed][citation needed] During World War II the Jewish community was targeted by the Nazis who were occupying France.[clarification needed][citation needed] As of this date,[when?] the rue des Rosiers remains a major centre of the Paris Jewish community, which has made a comeback since the 1990s.[citation needed] Public notices announce Jewish events, bookshops specialize in Jewish books, and numerous restaurants and other outlets sell kosher food.[citation needed]

Institutions

The synagogue on 10 rue Pavée is not far from rue des Rosiers.[citation needed] It was designed in 1913 by Art Nouveau architect Hector Guimard, who designed several Paris Metro stations.[citation needed] Le Marais houses the Museum of Jewish Art and History, which traces the history of the Jewish world through its artistic and cultural heritage.[2]

Historic events

In 1982, Palestinan terrorists murdered six people and injured 22 at a Jewish restaurant in Le Marais, Chez Jo Goldenberg, an attack which evidence ties to the Abu Nidal Organization.[3][4][5]

Post-war rehabilitation

Lua error in package.lua at line 80: module 'strict' not found. By the 1950s, the district had become a working-class area and most of its architectural masterpieces were in a bad state of repair. In 1964, General de Gaulle's Culture Minister Andre Malraux made the Marais the first secteur sauvegardé (literally safeguarded sector). These were meant to protect and conserve places of special cultural significance. In the following decades the government and the Parisian municipality have led an active restoration and Rehabilitation Policy.

The main Hôtels particuliers have been restored and turned into museums: the Hôtel Salé hosts the Picasso Museum, the Hôtel Carnavalet hosts the Paris Historical Museum, the Hôtel Donon hosts the Cognacq-Jay Museum, etc. The site of Beaubourg, the western part of Marais, was chosen for the Centre Georges Pompidou, France's national Museum of Modern Art and one of the world's most important cultural institutions. The building was completed in 1977 with revolutionary architecture by Renzo Piano and Richard Rogers.

Today's Marais

Lua error in package.lua at line 80: module 'strict' not found. The Marais is now one of Paris' main localities for art galleries. Following its rehabilitation, the Marais has become a fashionable district, home to many trendy restaurants, fashion houses, and hip galleries.

The Marais is also known for the Chinese community it hosts. The community began to appear during World War I. At that time, France needed workers to replace its at-war soldiers and China decided to send a few thousand of its citizens on the condition that they would not take part in the war. After the 1918 victory, some of them decided to stay in Paris, specifically living around the current rue au Maire. Today, most work in jewelry and leather-related products. The Marais' Chinese community has settled in the north of the district, particularly in the surrounding of Place de la République. Next to it, on the rue du Temple, is the Chinese Church of Paris.

Other features of the neighbourhood include the Musée Picasso, the house of Nicolas Flamel, the Musée Cognacq-Jay, the Musée Carnavalet and the new and very popular Café Charlot.

LGBT culture

Lua error in package.lua at line 80: module 'strict' not found. Le Marais became a center of LGBT culture, beginning in the 1980s.[citation needed] As of today,[when?] 40% of the LGBT businesses in Paris are in Le Marais.[citation needed] Florence Tamagne, author of "Paris: 'Resting on its Laurels'?", wrote that Le Marais "is less a 'village' where one lives and works than an entrance to a pleasure area" and that this differentiates it from Anglo-American gay villages.[6] Tamagne added that like U.S. gay villages, Le Marais has "an emphasis on 'commercialism, gay pride and coming-out of the closet'".[6]Le Dépôt, one of the largest cruising bar in Europe as of 2014 (per Tamagne), is in the Le Marais area.[6]

Notable residents

According to sources,[clarification needed] the following are places and monuments of note:[citation needed] Lua error in package.lua at line 80: module 'strict' not found.

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Places and monuments of note

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See also

References

  1. This hôtel remained until 1868, and the rue du Roi-de-Sicile is named after it.[citation needed]
  2. Godet, Jean-Christophe (2011). "Musée d'Art et d'Histoire du Judaïsme," TimeOut Paris (online, September 13), see [1], accessed 15 November 2015.
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  6. 6.0 6.1 6.2 Tamagne, Florence (2014). "Paris: 'Resting on its Laurels'?" (Chapter 12). In: Evans, Jennifer V. and Matt Cook. Queer Cities, Queer Cultures: Europe since 1945, pp. 240, 250, London, ENG: Bloomsbury Publishing, ISBN 144114840X, 9781441148407, see 240 and [2], accessed 15 November 2015.
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Further reading

External links

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