| Image |
Name |
Years |
Summary |
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L.P. Aakjær |
1883–1959 |
Employed by architect H.W. Schmidt in Hamburg, he became an independent architect and master builder in Rødding from 1909, where the majority of his works are,[1] including Rødding School (1912). Between 1920 and 1933 he designed 26 villas which were built in Rødding and Gram and 2 in Haderslev. |
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Charles Abrahams |
1838–1893 |
He worked within the framework of historicism. He studied under Nebelong, and began designing manor houses with French Renaissance influences. He exhibited at Charlottenborg Spring Exhibition in 1864 and 1870. Amongst his works are Næstved Station (1870)[2] (since rebuilt at least three times), Tureby Station, and numerous other railway stations and buildings. |
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Eggert Achen |
1853–1913 |
Chairman of the Danish Architects' Association between 1910 and 1914, he was a Freemason and member of the Danish Masonic Order. He designed several lodges for the Freemasons including one in Randers in 1881, together with Frits Uldall, and in Aarhus in 1908. He collaborated frequently with the Aarhus architect Thorkel Møller, mainly in Central and South Jutland in the restorations of manors and hotel conversions. Varna Palæet, a restaurant, and the Technical School in Hobro can also be counted amongst his works.[3] |
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Vilhelm Ahlmann |
1852–1928 |
Father of Marie Ahlmann,[4] amongst his works are restorations of Stubbekøbing Church, St. Peter's Church in Næstved, Kolding Church (1875), Holstebro Church (1907) and Næstved Technical College. Many of his designs were for buildings in Aarhus such as the Port Warehouse and Aarhus Katedralskole (1894) and many others.[4] He exhibited at Charlottenborg Spring Exhibition in 1879 and the Nordic Industrial, Agricultural and Art Exhibition in Copenhagen in 1888. He contributed his architectural expertise to books such as Danske Tufstens-Kirker (1894), Grenaa Egnens Kridtstenskirker (1896), Jydske Granitkirker (1903) and Ældre nordisk Architektur.
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Merete Ahnfeldt-Mollerup |
born 1963 |
An architect, university professor and writer about architecture, she is an associate professor of Kunstakademiets Arkitektskole. She has authored numerous articles, papers and books.[5][6][7][8] She is a member of the Danish Royal Academy and the Danish Centre for Design Research.[9] |
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Svend Albinus |
1901–1995 |
From 1930 to 1939, he worked at Kaj Gottlob design studio. Albinus received the Neuhausen Prize in 1927 and the Prize of the City of Frederiksberg in 1943.[10] He was the leader of KABS architect department from 1939 to 1954, head of the SBI building research committee from 1954 to 1956 and was then chief architect of the Ministry of Housing from 1956 to 1971.[11] |
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Gregers Algreen-Ussing |
born 1938 |
An architect and professor emeritus at the Kunstakademiets Arkitektskole he became a Knight of the Order of the Dannebrog in 1994 and in 2006 he received the NL Høyen medal. He has been married to psycho-analylist Judy Gammelgaard since 1982.[12] |
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Cornelis Altenau |
died 1558 |
Danish-German builder. He was employed by Christian III of Denmark as a bricklayer and carpenter, and was responsible for building the King's fortress in Holstein. He was also known as the king's architect and helped design Copenhagen Castle shortly before his death. |
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Hans Christian Amberg |
1837–1919 |
Amberg exhibited at Charlottenborg Spring Exhibition (1863–1884), in Exposition Universelle (1878) in Paris, the Nordic Industrial, Agricultural and Art Exhibition (1888) in Copenhagen, and Copenhagen's City Hall exhibition (1901). Amberg won a competition to design Christiansborg Palace in 1887. He worked on Ribe Cathedral from 1882 to 1904. Amberg's design was used in the replacement building in Højbro Plads after St Nicholas Church was destroyed in the Copenhagen Fire of 1795.[13] H |
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Einar Ambt |
1877–1928 |
He won the New residential property Year of award in 1915.[10] |
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C.T. Andersen |
1835–1916 |
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Carl Andersen |
1879–1967 |
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Einar Andersen |
1881–1957 |
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H.C. Andersen |
1871–1941 |
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Ib Andersen |
born 1954 |
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John Andersen |
born 1943 |
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Ludvig Andersen |
1861–1927 |
Works include the City and Environs Savings Bank, Løgstør (1891) and Pilegården, Pilestræde, Copenhagen (1897–98). |
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Marinus Andersen |
1895–1985 |
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Rigmor Andersen |
1903–1995 |
A versatile Danish designer, educator and author, above all she is remembered for maintaining the traditions of Kaare Klint's furniture school at the Royal Danish Academy of Fine Arts. |
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Thorvald Andersen |
1883–1935 |
He was supervisory architect and consultant of the Ministry of Justice buildings.[14] |
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Stig L. Andersson |
born 1957 |
A landscape architect, founder and Creative Director of Copenhagen-based SLA, Anderson is also an adjunct professor at University of Copenhagen and was visiting professor at Aarhus School of Architecture in 2009. He is a frequent collaborator with leading Danish architectural firms such as Henning Larsen Architects, C. F. Møller Architects and Lundgaard & Tranberg. Buildings include Glostrup Rådhuspark (1997–2000), Hillerød Bibliotek og Videnscenter (1999–2001), Valby Idrætspark (2005–06) and Elephant House (with Foster and partners) of Copenhagen Zoo.
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Hans von Andorf |
1570–1600 |
Supervised reconstruction works at Kronborg. |
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Georg David Anthon |
1714–1781 |
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Ernst Antoft |
1901–1985 |
Works include Tjæreby Parish School. |
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Fredrik Appel |
1884–1962 |
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Thomas Arboe |
1837–1917 |
He designed train stations in cities such as Aarhus, Odense, and Kolding.[15] |
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Philip Arctander |
1916–1994 |
He exhibited at the Charlottenborg Spring Exhibition in 1942. Later, he served as director of the Danish Building Research Institute.[16] |
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Jens Thomas Arnfred |
born 1947 |
He has been external examiner at the School of Architecture since 1981 and Professor of at Chalmers University of Technology, Gothenburg, since 1986. |
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Christian Arntzen |
1852–1911 |
He designed villas and commercial buildings, such as the customs house in Copenhagen Freeport. |
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Niels Arp-Nielsen |
1887–1970 |
Buildings include the Nordisk Film Company's office and factory in Copenhagen Freeport (1915) and the Trade and Agriculture Bank in Slagelse (1922). |
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Erik Asmussen |
1913–1998 |
Buildings include Kulturhuset i Ytterjärna, Kristofferskolan i Bromma, Stockholm, and Örjanskolan i Järna |
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Feodor Asmussen |
1887–1961 |
His works ranged from villas, to bank buildings and factories. He designed the City Hall in Hjorring in 1919 winning 3rd prize in a competition. |
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Svend Axelsson |
born 1937 |
A modernist architect, for many years he was a partner in KHR Architects along with Knud Holscher.[17] Axelsson has won numerous projects and architectural competitions in Copenhagen and the Danish Pavilion for the World Exhibition Expo 92 ' in Seville in 1992, for which he won the Nykredit Architecture Prize. He also won a prize in 1989 for his design of Terminal B in Copenhagen Airport. He is a member of the Federation of Danish Architects. |
| Image |
Name |
Years |
Summary |
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Domenicus Badiaz |
fl. 1607 |
He was an architect, probably of Italian origin, in Renaissance Denmark. His name can be attached to various castles in Denmark including Lykkesholm Castle and Nyborg Castle (1607). |
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Julius Bagger |
1856–1934 |
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Jacob E. Bang |
1899–1965 |
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Niels Banner Mathiesen |
1696–1771 |
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Jean-Jacques Baruël |
1923–2010 |
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Nicolai Basse |
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Nicolaus Sigismund Bauer |
1720–1777 |
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Povl Baumann |
1878–1963 |
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Thor Beenfeldt |
1878–1954 |
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Kristian von Bengtson |
born 1974 |
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Andreas Bentsen |
1839–1914 |
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Ivar Bentsen |
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Axel Berg |
1856–1926 |
Historicist architect, renovated Bregentved in the Rococo style and Vemmetofte Convent in Early Baroque. He also designed a number of banks and office buildings, including Privatbanken's headquarters in various styles. |
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Richard Bergmann |
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Jens Bertelsen |
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Hans Dahlerup Berthelsen |
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Mathias Bidstrup |
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Curt Bie |
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Gottlieb Bindesbøll |
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Thorvald Bindesbøll |
1846–1908 |
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Valdemar Birkmand |
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Holger Bisgaard |
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Claus Bjarrum |
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Theo Bjerg |
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Acton Bjørn |
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Knud Blach Petersen |
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Mogens Black-Petersen |
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Leonhard Blasius |
died 1644 |
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Jacob Blegvad |
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Emil Blichfeldt |
1849–1908 |
He worked in the Historicist style. He studied at the Royal Danish Academy of Fine Arts from 1864 to 1871 while at the same time working as an assistant for Ferdinand Meldahl. He won the Academy's small gold medal in 1876 and the large gold medal in 1878 with a project for a national museum.[18] Works in Copenhagen include Frederiksgade Housing fringe, Frederiksstaden (1876–94), Main entrance, Tivoli Gardens, (1889–90), Great Northern Telegraph Company, Kongens Nytorv, (1890–94), Messen Department Store, Købmagergade, (1895) and 12-16 Halmtorvet (1897–98). |
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Andreas Blinkenberg |
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Kay Boeck-Hansen |
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Christian August Bohlsmann |
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Helge Bojsen-Møller |
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Ove Boldt |
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Ole Ejnar Bonding |
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Caspar Leuning Borch |
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Christen Borch |
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Martin Borch |
1852–1907 |
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Gehrdt Bornebusch |
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Knud Borring |
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Ole Boye |
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Ellen Braae |
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Jean Brahe |
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Johan Henrich Brandemann |
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Ernst Brandenburger |
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Philip Brandin |
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Christian Brandstrup |
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Alfred Brandt |
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G.N. Brandt |
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Peter Bredsdorff |
1913–1981 |
Urban planner remembered for his Finger Plan for the development of Copenhagen |
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David Bretton-Meyer |
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Mogens Breyen |
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H.V. Brinkopff |
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Carl Brummer |
1864–1953 |
He became one of the leading Danish architects for designing private homes between the beginning of the 20th century and the First World War. After attending the Danish Academy from 1888 to 1896, he worked for Ferdinand Meldahl and Hermann Baagøe Storck. He initially became known for Ellestuen, a freely designed country home which was quite different from conventional houses in Denmark. Other homes include Svanemøllevej 56 (1904) and Lundevangsvej 12 (1908), both in Copenhagen. He also drew on architecture from the late 18th century, for example in designing Heymans Villa in 1907 before adopting the Neoclassical style and experimenting with other approaches including simplified Functional designs which can be seen in Gurre Church (1918) and his own home (1920).[19][20] |
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Max Brüel |
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Cosmus Bræstrup |
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Aage Bugge |
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Ole Buhl |
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Axel Bundsen |
1768–1832 |
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Andreas Burmeister |
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Ernst Burmeister |
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Jørgen Buschardt |
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Martin Bussert |
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P.C. Bønecke |
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Frederik Bøttger |
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| Image |
Name |
Years |
Summary |
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Jens Eckersberg |
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Gert Edstrand |
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Nicolai Eigtved |
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Axel Ekberg |
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Knud V. Engelhardt |
1882–1931 |
Denmark's first industrial designer, developing street signs for Gentofte and electric trams for Copenhagen. |
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Hans Henrik Engqvist |
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Johan Conrad Ernst |
1666–1750 |
Ernst was a royal architect and master builder. He was the son of Johan Adolf Ernst, a successful linen merchant who had immigrated from Nuremberg and had a luxurious residence on Amagertorv in Copenhagen.[22] In 1696, as royal master builder, he was sent to Stockholm to assist Tessin in completing a wooden model and plans for a new residential palace for Christian V. The king intended to have it built on the Amalienborg site but nothing came of the venture. After the Great Fire in Bergen, Norway, on 19 May 1702, Ernst was among the architects drawn upon for the rebuilding of the city. He designed the Manufakturhuset and Hagerupgården, both completed in 1705. His early work also included Elers' Kollegium (1705) and a chapel in the Church of Holmen (1708). Ernst became responsible for extending the Frederiksberg Palace (1708–1709) and Fredensborg Palace, and together with J.C. Krieger, he designed the fourth Copenhagen City Hall which was completed in 1728 but burned down in 1795.[23] |
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Troels Erstad |
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Erik Erstad-Jørgensen |
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Hector Estrup |
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Marco Evaristti |
born 1963 |
After studying at the Royal Danish Academy of Fine Arts, Evaristti gained notoriety for a museum display entitled Helena in 2000 that featured ten functional blenders containing live goldfish. The display, at the Trapholt Art Museum in Kolding, Denmark, invited guests to turn on the blenders. This led to museum director Peter Meyers being charged with and, later, acquitted of animal cruelty.[24] Evaristti's next major work, in 2004, entitled Ice Cube Project, was to paint the exposed tip of a small iceberg red. This took place on 24 March, in Kangia fjord near Ilullissat, Greenland. With two icebreakers and a twenty-man crew, Evaristti used three fire hoses and 3,000 litres (790 US gallons) of paint to color the iceberg blood-red. On 27 January 2010, Evaristti exhibited his artwork "Rolexgate" which is a model of the entrance gate to the Auschwitz-Birkenau concentration camp. |
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Inger and Johannes Exner |
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