List of works by Leonardo da Vinci
The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists. Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist, The Virgin and Child with Saint Anne and the Mona Lisa—are universally attributed to him, and have aroused little or no controversy in the past. Ten additional works are now widely attributed to his oeuvre, though most have previously incited considerable controversy or doubt: the Annunciation, Madonna of the Carnation, The Baptism of Christ (with his teacher, Verrocchio), Ginevra de' Benci, the Benois Madonna, the Portrait of a Musician (with possible studio assistance), the Lady with an Ermine, La Belle Ferronnière, the London Virgin of the Rocks (with studio assistance), the Portrait of Isabella d'Este and Saint John the Baptist.
Other attributions are more complicated. La Scapigliata appears to be attributed by most scholars, but some prominent specialists are silent on the issue. Salvator Mundi's attribution remains extremely controversial, though it can be attributed somewhat securely in part to Leonardo, as the dispute primarily centers around whether Leonardo created the majority of the work, or merely assisted a member of his studio. The small number of surviving paintings is due in part to Leonardo's frequently disastrous experimentation with new techniques and his chronic procrastination, resulting in many incomplete works. Additionally, it is thought that Leonardo created many more works that are now lost, though records and copies have survived for some.
There are eleven surviving manuscripts of his notes and drawings, amounting to thousands of pages. There are numerous other works with disputed attributions to Leonardo, none of which have yet to achieve thorough scholarly approval.
Contents
Major extant works
Key: Collaborative work · Possibly collaborative work
Universally accepted | Unanimously accepted works |
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Widely accepted | Accepted by large majority of modern scholars; controversial in the past |
Generally accepted | Accepted by most modern scholars; still controversial |
Title and image | Date | Medium | Dimensions[1] | Location[1] |
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1472–1476[d 1] | c.Oil and tempera on poplar panel | 98 cm × 217 cm 39 in × 85 in |
Uffizi, Florence | |
180x180px | ||||
Madonna of the Carnation | 1472–1478[d 2] | c.Oil on poplar panel | 62 cm × 47.5 cm 24.4 in × 18.7 in |
Alte Pinakothek, Munich |
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1474–1478[d 3] | c.Oil and tempera on poplar panel | 177 cm × 151 cm 70 in × 59 in |
Uffizi, Florence | |
180x180px |
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Ginevra de' Benci | 1474–1480[d 4] | c.Oil and tempera on poplar panel | 38.8 cm × 36.7 cm 15.3 in × 14.4 in |
National Gallery of Art, Washington, D.C. |
180x180px |
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Benois Madonna | 1478–1481[d 5] | c.Oil on wood panel, transferred to canvas | 49.5 cm × 33 cm 19.5 in × 13.0 in |
Hermitage, Saint Petersburg |
180x180px |
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The Adoration of the Magi |
1478–1482[d 6] | c.Oil (underpainting) on wood panel | 240 cm × 250 cm 94 in × 98 in |
Uffizi, Florence |
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Saint Jerome in the Wilderness (unfinished) |
1480–1490[d 7] | c.Tempera and oil on walnut panel | 103 cm × 75 cm 41 in × 30 in |
Vatican Museums |
180x180px |
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Madonna Litta | 1481–1495[d 8] | c.Tempera (and oil) on poplar panel | 42 cm × 33 cm 17 in × 13 in |
Hermitage, Saint Petersburg |
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Virgin of the Rocks (Louvre version) |
1483–1493[d 9] | c.Oil on wood panel, transferred to canvas | 199 cm × 122 cm 78 in × 48 in |
Louvre, Paris |
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Portrait of a Musician (unfinished) |
1483–1487[d 10] | c.Oil (and tempera?) on walnut panel | 45 cm × 32 cm 18 in × 13 in |
Pinacoteca Ambrosiana, Milan |
180x180px |
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Lady with an Ermine | 1489–1491[d 11] | c.Oil on walnut panel | 54 cm × 39 cm 21 in × 15 in |
Czartoryski Museum, Kraków |
180x180px |
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La Belle Ferronnière | 1490–1498[d 12] | c.Oil on walnut panel | 62 cm × 44 cm 24 in × 17 in |
Louvre, Paris |
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Virgin of the Rocks (London version) |
1491–1508[d 13] | c.Oil on parqueted poplar panel | 189.5 cm × 120 cm 74.6 in × 47.2 in |
National Gallery, London |
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1492–1498[d 14] | c.Tempera on gesso, pitch and mastic | 460 cm × 880 cm 180 in × 350 in |
Convent of Santa Maria delle Grazie, Milan | |
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Sala delle Asse | 1497–1499[d 15] | c.Tempera on plaster | Castello Sforzesco, Milan | |
180x180px |
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The Virgin and Child with Saint Anne and Saint John the Baptist |
1499–1508[d 16] | c.Charcoal, black and white chalk on tinted paper, mounted on canvas | 142 cm × 105 cm 56 in × 41 in |
National Gallery, London |
180x180px |
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Portrait of Isabella d'Este | 1499–1500[d 17] | c.Black and red chalk, yellow pastel chalk on paper | 61 cm × 46.5 cm 24.0 in × 18.3 in |
Louvre, Paris |
180x180px |
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Madonna of the Yarnwinder (The Buccleuch Madonna) |
1499–1508[d 18] | c.Oil on walnut panel | 48.9 cm × 36.8 cm 19.3 in × 14.5 in |
Scottish National Gallery, Edinburgh[lower-alpha 2] |
180x180px |
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Salvator Mundi | 1499–1510[d 19] | c.Oil on wood panel | 65.6 cm × 45.4 cm 25.8 in × 17.9 in |
Unknown |
180x180px |
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Madonna of the Yarnwinder (The Lansdowne Madonna) |
1501–1508[d 20] | c.Oil on wood panel (transferred to canvas and later re-laid on panel) | 50.2 cm × 36.4 cm 19.8 in × 14.3 in |
Private collection, New York City |
180x180px |
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1501–1519[d 21] | c.Oil on wood panel | 168 cm × 112 cm 66 in × 44 in |
Louvre, Paris | |
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Mona Lisa (unfinished) |
1502–1516[d 22] | c.Oil on cottonwood (poplar) panel | 76.8 cm × 53 cm 30.2 in × 20.9 in |
Louvre, Paris |
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La Scapigliata (unfinished) |
1506–1508[d 23] | c.Earth, amber and white lead on wood panel | 24.7 cm × 21 cm 9.7 in × 8.3 in |
Galleria Nazionale, Parma |
Saint John the Baptist | 1507–1516[d 24] | c.Oil on walnut panel | 69 cm × 57 cm 27 in × 22 in |
Louvre, Paris |
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Manuscripts
Title and sample image | Dates | Abbreviation(s)[35] | Pages | Location |
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Codex Atlanticus | 1478–1519 | C.A. | 1,119 | Pinacoteca Ambrosiana, Milan |
140x140px |
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Codex Windsor | 1478–1518 | W. | 153 | Royal Collection, Windsor |
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Codex Arundel | 1480–1518 | B.L., Arundel MS. or Br.M. | 283 | British Library, London |
Codex Trivulzianus | c. 1487–1490 | Triv. | 55 (originally 62) |
Biblioteca Trivulziana, Castello Sforzesco, Milan |
Codex Forster | 1487–1505 | Forster I, II and III (including I1, I2 and II2); formerly known as S.K.M.I, II and III | 354 | Victoria and Albert Museum, London |
140x140px |
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Paris Manuscripts | 1488–1505 | A, B, C, D, E, F, G, H (including H1, H2 and H3), I (including I1 and I2), K (including K1, K2 and K3), L and M | more than 2,500 | Bibliothèque de l'Institut de France, Paris |
140x140px |
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Codex Madrid | 1490s–1504 | Madrid I and Madrid II | Biblioteca Nacional de España, Madrid | |
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Codex Ashburnham | c. 1492 | Ash.I. or B.N.2037 (formerly part of MS.B.); Ash.II or B.N.2038 (formerly part of MS.A.) | Bibliothèque de l'Institut de France, Paris | |
140x140px |
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Codex on the Flight of Birds | dated 1505 | Turin | 18 | Biblioteca Reale, Turin |
140x140px |
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Codex Leicester | 1506–1510 | Leic. | 72 | Private collection, United States |
140x140px |
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Codex Urbinas and libro A | c. 1530 | Urb. and L°A. | Biblioteca Apostolica Vaticana | |
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Lost works
Title, and image of derivative work[54] |
Date[54] | Type[54] | Last known location[54] |
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Adam and Eve (unfinished) |
c. mid 1460s – early 1470s | Watercolor cartoon for a tapestry | In the collection of Ottaviano de' Medici during Vasari's lifetime (1511–1574) |
150x150px |
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Dragon shield | c. 1472 | Painted shield | Unknown |
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The Head of Medusa | Youthful work | Oil on panel | In the collection of Cosimo I de' Medici during Vasari's lifetime (1511–1574) |
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San Bernardo Altarpiece (unfinished) |
Commissioned 10 January 1478 | Oil on panel | Unknown |
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The Battle of Anghiari | Commissioned 4 May 1504 | Mural painting | Still visible in 1549 |
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Leda and the Swan | c. 1504–1508 | Oil painting | Recorded by Cassiano dal Pozzo as being at the Palace of Fontainebleau in 1625. |
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Angel of the Annunciation | c. 1510–1513 | Oil painting | In Duke Cosimo I de' Medici's palace during Vasari's lifetime (1511–1574) |
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Disputed works
Key: Supposedly collaborative work
Title and image | Date | Medium | Dimensions | Location |
---|---|---|---|---|
Madonna and Child with a Pomegranate (The Dreyfus Madonna) |
probably c. 1469[62] | Oil on wood | 15.7 cm × 12.8 cm 6.2 in × 5.0 in |
National Gallery of Art, Washington, D.C. |
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Tobias and the Angel | c. 1473[64] | Egg tempera on poplar | 83.6 cm × 66 cm 32.9 in × 26.0 in |
National Gallery, London |
180x180px |
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The Holy Infants Embracing | c. 1486–1490 | |||
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Portrait of a Lady in Profile | c. 1493–1495[65] | Tempera and oil on panel | 51 cm × 34 cm 20 in × 13 in |
Pinacoteca Ambrosiana, Milan[66] |
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La Bella Principessa | 1495–1496 (Kemp) | Bodycolour (pastel) on vellum | 33 cm × 22 cm 13.0 in × 8.7 in |
Private collection, Switzerland |
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Virgin of the Rocks Chéramy | c. 1495–1497 (Pedretti) | Oil on wood panel, transferred to canvas | 154.5 cm × 122 cm 60.8 in × 48.0 in |
Private collection, Switzerland |
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Madonna and Child with St Joseph or Adoration of the Christ Child | between 1495 and 1500 | Tempera on panel | Diam. 87 cm (34 in) | Galleria Borghese, Rome[70] |
Young Christ | c. 1496 | Terracotta | Private collection | |
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Portrait of Luca Pacioli | c. 1495–1500 | Tempera on panel | 99 cm × 120 cm 39 in × 47 in |
Museo di Capodimonte, Naples |
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Christ Carrying the Cross | c. 1500 | Oil on poplar | Private collection, San Francisco | |
180x180px |
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Isleworth Mona Lisa | Oil on canvas | 84.5 cm × 64.5 cm 33.3 in × 25.4 in |
Private collection, Switzerland | |
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Horse and Rider | Beeswax | Private collection, London | ||
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Lucan portrait of Leonardo da Vinci | c. 1505–1510 | Tempera grassa on poplar | 40 cm × 60 cm 16 in × 24 in |
Museo delle Antiche Genti di Lucania, Vaglio Basilicata |
180x180px |
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Portrait of a Man in Red Chalk | c. 1512 | Red chalk on paper | 33.3 cm × 21.6 cm 13.1 in × 8.5 in |
Biblioteca Reale, Turin |
Bacchus | Oil on walnut panel transferred to canvas | 177 cm × 115 cm 70 in × 45 in |
Louvre, Paris | |
180x180px | ||||
Mary Magdalene | 1515 | 58 cm × 45 cm 23 in × 18 in |
Private collection, Switzerland | |
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See also
Notes
- ↑ Far to the right, partially visible, is Salome with the Head of St. John the Baptist by Bernardino Luini (a follower of Leonardo) and Bacchus, a disputed painting that is sometimes attributed to Leonardo.
- ↑ On long-term loan from the Duke of Buccleuch collection[17]
- ↑ Leonardo da Vinci and an anonymous 16th-century painter Syson (2011, p. 294); Workshop of Leonardo after a design by Leonardo Zöllner (2019, p. 239)
- ↑ Salaì after a design by Leonardo Zöllner (2019, p. 238)
- ↑ Identified via its similarity to Leonardo's presumed self-portrait[28]
- ↑ "... Messer Lunardo Vinci [sic] ... an old graybeard of more than 70 years ... showed His Excellency three pictures ... fand a drawingand, one could not expect any more good work." [29]
- ↑ Follower of Leonardo Syson (2011, p. 198, n. 9); "ascribed today to Leonardo" Marani (2003, p. 140)
- ↑ Kemp (2004, p. 247)
- ↑ Kemp 2004, p. 251; attributed there to "[Leonardo,] probably with his studio", but this work does not appear in a later edition (Kemp 2011).
- ↑ Kemp 2004, p. 252; described there as "probably by Leonardo"
Sources for dating
- ↑ The Annunciation
- Kemp (2019, p. 6): c. 1473–1474
- Marani (2003, p. 338): c. 1472–1475
- Syson (2011, p. 15): c. 1472–1476
- Zöllner (2019, p. 216): c. 1473–1475
- ↑ Madonna of the Carnation
- Kemp (2019, p. 15): c. 1475
- Marani (2003, p. 338): between 1473 and 1478
- Syson (2011, p. 16): c. 1477–1478
- Zöllner (2019, p. 214): c. 1472–1478
- ↑ The Baptism of Christ
- Covi (2005, p. 186): c. 1469–1472 by Verrocchio, then resumed by Leonardo perhaps mid-1470s
- Kemp (2019, p. 3): Leonardo c. 1474–1476
- Marani (2003, p. 338): Leonardo c. 1475–1478
- Syson (2011, p. 184): Verrocchio and Leonardo c. 1468–1477
- Zöllner (2019, p. 215): Verrocchio c. 1470–1472, Leonardo c. 1475
- ↑ Ginevra de' Benci
- Kemp (2019, p. 17): c. 1478
- Marani (2003, p. 338): c. 1474/1475–1476
- Syson (2011, p. 48): c. 1474/1478
- Zöllner (2019, p. 218): c. 1478–1480
- ↑ Benois Madonna
- Kemp (2019, p. 21): c. 1478–1480
- Marani (2003, p. 338): probably after March 1481
- Syson (2011, p. 18): c. 1481 onwards
- Zöllner (2019, p. 217): c. 1478–1480
- ↑ The Adoration of the Magi
- Kemp (2019, p. 27): c. 1481–1482
- Marani (2003, p. 338): 1481
- Syson (2011, p. 56): c. 1480–1482
- Zöllner (2019, p. 222): 1481/1482
- ↑ Saint Jerome in the Wilderness
- Kemp (2019, p. 31): c. 1481–1482
- Marani (2003, p. 338): probably c. 1480
- Syson (2011, p. 139): c. 1488–1490
- Zöllner (2019, p. 221): c. 1480–1482
- ↑ Madonna Litta
- Kemp (2019, p. 39): c. 1495
- Marani (2003): not in checklist
- Syson (2011, p. 222): c. 1491–1495
- Zöllner (2019, p. 227): c. 1490
- ↑ Virgin of the Rocks (Louvre version)
- Kemp (2019, p. 41): c. 1483–1493
- Marani (2003, p. 339): between 1483 and 1486
- Syson (2011, p. 164): 1483–c. 1485
- Zöllner (2019, p. 223): 1483–1484/1485
- ↑ Portrait of a Musician
- Kemp (2019, p. 47): c. 1483–1486
- Marani (2003, p. 339): c. 1485
- Syson (2011, p. 95): c. 1486–1487
- Zöllner (2019, p. 225): c. 1485
- ↑ Lady with an Ermine
- Kemp (2019, p. 49): c. 1491
- Marani (2003, p. 339): 1489–1490
- Syson (2011, p. 111): c. 1489–1490
- Zöllner (2019, p. 226): 1489/1490
- ↑ La Belle Ferronnière
- Kemp (2019, p. 57): c. 1498
- Marani (2003, p. 339): c. 1490–1495 or 1495–1496
- Syson (2011, p. 123): c. 1493–1494
- Zöllner (2019, p. 228): c. 1496–1497
- ↑ Virgin of the Rocks (London version)
- Kemp (2019, p. 153): c. 1495–1508
- Marani (2003, p. 340): 1491/1494, finished by 1508
- Syson (2011, p. 164): c. 1491/1492–1499 and 1506–1508
- Zöllner (2019, p. 229): c. 1495–1499 and 1506–1508
- ↑ The Last Supper
- Kemp (2019, p. 67): c. 1495–1497
- Marani (2003, p. 339): between 1494 and 1498
- Syson (2011, p. 252): 1492–1497/1498
- Zöllner (2019, p. 230): c. 1495–1498
- ↑ Sala delle Asse
- Kemp (2019, p. 63): c. 1498
- Marani (2003, p. 339): c. 1497–1498
- Syson (2011, p. 43): c. 1498
- Zöllner (2019, p. 233): c. 1498–1499
- ↑ Virgin and Child with Saint Anne and Saint John the Baptist
- Chapman & Faietti (2010, p. 216, fig. 1): c. 1506–1508
- Kemp (2019, p. 157): c. 1507–1508
- Marani (2003, p. 339): c. 1499–1506
- Syson (2011, p. 89): c. 1499–1500
- Zöllner (2019, p. 234): 1499–1500 or c. 1508
- ↑ Portrait of Isabella d'Este
- Kemp (2019, p. 101): 1500
- Marani (2003, p. 339): end of 1499 / early 1500
- Syson (2011, p. 44): c. 1499–1500
- Zöllner (2019, p. 236): December 1499 – March 1500
- ↑ Madonna of the Yarnwinder (Buccleuch version)
- Kemp (2019, p. 103): c. 1501–1508
- Marani (2003, p. 339): no date given
- Syson (2011, p. 294): 1499 onwards
- Zöllner (2019, p. 239): c. 1501–1507
- ↑ Salvator Mundi
- Kemp (2019, p. 149): c. 1504–1510
- Marani (2003): not in checklist; lost at the time of publication.
- Syson (2011, p. 300): c. 1499 onwards
- Zöllner (2019, p. 250): c. 1507 onwards
- ↑ Madonna of the Yarnwinder (Lansdowne version)
- Kemp (2019, p. 103): c. 1501–1508
- Marani (2003, p. 339): no date given
- Syson (2011): no date given
- Zöllner (2019, p. 238): c. 1501–1507
- ↑ Virgin and Child with Saint Anne
- Kemp (2019, p. 161): c. 1508–1516
- Marani (2003, p. 340): c. 1510–1513
- Syson (2011, p. 70): c. 1501 onwards
- Zöllner (2019, p. 244): c. 1503–1519
- ↑ Mona Lisa
- Kemp (2019, p. 127): c. 1503–1515
- Marani (2003, p. 340): c. 1503–1504; 1513–1514
- Syson (2011, p. 48): c. 1502 onwards
- Zöllner (2019, p. 240): c. 1503–1506; 1510
- ↑ La Scapigliata
- Kemp (2019): Not listed
- Marani (2003, p. 340): c. 1508
- Syson (2011, p. 198): no date given
- Zöllner (2019): not in checklist
- ↑ Saint John the Baptist
- Kemp (2019, p. 189): c. 1507–1514
- Marani (2003, p. 340): c. 1508
- Syson (2011, p. 63): c. 1500 onwards
- Zöllner (2019, p. 248): c. 1508–1516
References
- ↑ 1.0 1.1 Marani 2003, pp. 338–340; Zöllner 2019, pp. 214–251.
- ↑ 2.0 2.1 2.2 2.3 2.4 Ottino della Chiesa 1967.
- ↑ Zöllner 2019, p. 215.
- ↑ Zöllner 2019, p. 218–219.
- ↑ Marani 2003, p. 338: "Attribution to Leonardo is unchallenged."
- ↑ Zöllner 2019, p. 222.
- ↑ Marani 2003, p. 338: "Attribution to Leonardo has never been seriously questioned."
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Marani 2003, p. 339: "Attribution to Leonardo is unchallenged."
- ↑ Zöllner 2019, p. 225.
- ↑ Zöllner 2019, p. 226.
- ↑ Zöllner 2019, p. 228.
- ↑ Marani 2003, pp. 175–178.
- ↑ Marani 2003, p. 339: "Attribution to Leonardo has never been contested."
- ↑ Marani 2003, p. 339: "Unanimously recognized as the only surviving fragments by Leonardo for this room."
- ↑ Marani 2003, p. 339: "Attribution to Leonardo is unanimous."
- ↑ Zöllner 2019, p. 239.
- ↑ Kemp 2011, 253
- ↑ Syson 2011, 294
- ↑ For a partial list of scholars who accept the attribution, see Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Syson 2011, 302
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Marani 2003, p. 340: "Although the painting's condition is poor, it should be considered a very damaged original by Leonardo."
- ↑ Marani 2003, p. 340: "Unanimously attributed to Leonardo, although there is little agreement on its date."
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Wallace 1972, p. 163.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Zöllner 2019, p. 248.
- ↑ Kemp 2007, pp. xxviii–xxix.
- ↑ Clayton 2006, p. 16.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Bambach 2003, p. 723.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 54.0 54.1 54.2 54.3 Marani 2003, p. 431.
- ↑ 55.0 55.1 55.2 Marani 2003, p. 431
- ↑ Rubin & Wright 1999, pp. 84 and 118, n. 25
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Shearman 1992, p. 33.
- ↑ Delieuvin 2012, cat. 80
- ↑ Delieuvin 2012, cat. 81
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 62.0 62.1 Marani 2003.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Kemp 2011; no date in Marani 2003, but accepted by him
- ↑ Kemp 2004, p. 251.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ "The Mark of a Masterpiece" by David Grann, The New Yorker, vol. LXXXVI, no. 20, July 12 & 19, 2010, ISSN 0028-792X
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 71.0 71.1 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 75.0 75.1 75.2 Stephane Fitch DaVinci's Fingerprints, 12.22.03 accessed 7 July 2009. Martin Kemp, the expert on Leonardo's fingerprints, had not examined the painting when the article was written.
- ↑ A similar image, without the tormentors, is in the Hermitage Museum, St Petersburg. [1][permanent dead link]
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found. (subscription required)
- ↑ Lua error in package.lua at line 80: module 'strict' not found. (subscription required)
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Self-portrait of Leonardo, Surrentum Online, accessed 2010-11-06
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Kemp 2011.
- ↑ Kemp 2004, p. 2011.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
Sources
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
- Lua error in package.lua at line 80: module 'strict' not found.
External links
Wikimedia Commons has media related to [[commons:Lua error in Module:WikidataIB at line 506: attempt to index field 'wikibase' (a nil value).|Lua error in Module:WikidataIB at line 506: attempt to index field 'wikibase' (a nil value).]]. |
- Leonardo's works on Universal Leonardo
- Leonardo's works on Web Gallery of Art
- The Codex Arundel on the British Library's Digitised Manuscripts Website
- Works by Leonardo on cavallinitoveronese.co.uk
- Articles with dead external links from January 2018
- Articles with permanently dead external links
- Pages containing links to subscription-only content
- Articles with short description
- Pages with broken file links
- Articles with unsourced statements from April 2019
- Commons category link from Wikidata
- Lists of works of art
- Works by Leonardo da Vinci