Mashrou' Leila
| Mashrou' Leila | |
|---|---|
Mashrou' Leila during their album release concert in December 2009 at the DEMCO steel warehouse in Bourj Hammoud, Lebanon[1]
|
|
| Background information | |
| Origin | Beirut, Lebanon |
| Genres | Indie rock |
| Years active | 2008–present |
| Website | http://www.mashrouleila.com |
| Members | Hamed Sinno Haig Papazian Carl Gerges Firas Abou Fakher Ibrahim Badr |
| Past members | Andre Chedid Omaya Malaeb |
Mashrou’ Leila (Arabic: مشروع ليلى Lebanese pronunciation: [maʃˈɾuʕ ˈlajla]; sometimes transliterated as Mashrou3 Leila or Leila's Project) is a Lebanese five-member alternative rock band. The band formed in Beirut, Lebanon in 2008 as a music workshop at the American University of Beirut. The band has released three studio albums, Mashrou' Leila (2008), El Hal Romancy (2011), and Ibn El Leil (2015) and an EP, Raasük (2013) while causing many controversies due to their satirical lyrics and themes.
Contents
History
Background and name
The band was formed in February 2008 at the American University of Beirut, when violinist Haig Papazian, guitarist Andre Chedid, and pianist Omaya Malaeb posted an open invitation to musicians looking to jam to vent the stress caused by college and the unstable political situation.[2][3][4] Out of the dozen of people who answered the call, seven would remain to form Mashrou' Leila.[2][3] Band members were encouraged by friends to perform in front of a live crowd; they put on a show as the opening act for a concert on the AUB campus. During the event, Mashrou' Leila proved to be the only band that composed and performed their original compositions.[4] The band continued to play small venues and gain ground on the underground music circuit[2] until they emerged onto the indie music scene during the Lebanese 2008 "Fête de la Musique" event (the yearly Music festival held by the Beirut municipality) sparking controversy for their unabashed and critical lyrics on Lebanese society, failed love, sexuality and politics.[5]
Mashrou' Leila's members enjoy the wordplay and ambiguity surrounding their band's name. In English, the name can be interpreted as either “One Night Project” or “Leila’s Project”; Leila being a very common given name in Lebanon.[5] When asked during an early interview about the origin of the name Mashrou' Leila, band members teasingly retorted that the band is a project started to collect money for a girl they knew called Leila.[6] According to the band’s official Facebook page, Mashrou’ Leila means “An Overnight Project”, named for the nocturnal nature of the project characterized by all-night jam sessions.[3][4][6]
Mashrou' Leila
In 2009, Mashrou’ Leila participated at Radio Liban's 'Modern Music Contest' held at Basement (club) winning both the jury and popular awards in part due to their breakthrough single "Raksit Leila" (Leila's dance). The first prize was a record deal.[3][5] Mashrou' Leila’s self-titled debut album produced by B-root Productions was released in December 2009 at a steel factory in Bourj Hammoud (a suburb of Beirut) where an unprecedented number attendees crowded the factory yard.[7] The gig turned out to be Beirut's biggest non-mainstream event in recent years and has been a big hit among Indie and Rock fans in Lebanon.[2] Shortly after the release of their first album, the band burst into the spotlight of the Lebanese music mainstream when they were announced to be headlining the Byblos International Festival on July 9, 2010. The concert was one of the most anticipated events of the summer and was attended by scores of fans as well as the Lebanese prime minister Saad Hariri.[3][6][8]
El Hal Romancy
In 2011, Mashrou' Leila released the 'El Hal Romancy' EP, a recording the band describes as "tackling lyrically more intimate, personal, and theatrical subject matter that is less about the city and its politics proper, and more about the social residue of the city'. This is a collection of songs that happen in a weathered bedroom with ruffled bed sheets, stained carpeting, and a book shelf of references, while a string section plays on a rusty vinyl player to a couple of young lovers trying to survive the city".[9] One week before the release concert in Beirut Hippodrome, Mashrou' Leila announced that the album was available for free download on the band's website.
In 2012, the band headlined Baalbeck International Festival.[10] The concert was filmed and released as a live concert.[11]
Raasuk
Mashrou' Leila's anticipated 3rd release Rassuk was recorded at Hotel2Tango in Montreal. Described as 'an arresting, heady mixture of retro-Beirut music – the signature sound being Haig Papazian's razor-sharp violin.[12] The album was released in August 2013.[13] The video of the lead single Lil Watan ("for the nation") was awarded the gold prize at the Dubai Lynx 2015 festival.[14] To promote the album, the band managed to crowd fund over $60,000; an unprecedented feat for a middle east art project.[15] On April 6, Mashrou' Leila became the first Middle Eastern artist to be featured on the cover of Rolling Stone magazine.[16]
On the 25th of November 2013, Mashrou' Leila played the Red Bull Soundclash with Who Killed Bruce Lee in the Forum de Beyrouth.[17]
Ibn El Leil
The first hint of new material arrived when the band started a campaign asking the members of their social media pages to submit lyrics and video ideas to be incorporated in the band's upcoming single. '3 minutes' was released on the 17th of March 2015.
Contrary to their common method of writing and producing songs, the band decided not to test their new material in live concerts, opting instead for secrecy and mystery about their fourth album. The band recorded the 13 tracks in studio La Frette in France over the summer with French- Lebanese producer Samy Osta, and worked on orchestral and brass arrangements with the Macedonian Radio Orchestra in F.A.M.E's Studios in Macedonia. The band has said that this album is their most 'pop' album to date, and deals with topics that range from the euphoric to the destructive and depressive, all taking place in the politically, socially, and sexually charged spaces of Beirut's night.
The band experimented with drum machines, loops, samples, and several synthesisers in a new method of composition, trying to accommodate for the departure of keyboard player Omaya Malaeb. "'Maghawir' narrates a possible version of a club shooting in Beirut, drawing on references to real Lebanese case histories from two different shootings that took place within the same week, both of which resulted in the deaths of extremely young victims, each of who was out celebrating their birthday." - Noisey [18]
The album is heavily loaded with allusions and references, both to contemporary figures of 'pop', and to mythological figures of Gods and Demons.
On the 28th of November the band released Ibn El Leil at the Barbican in London with live broadcasting on MTV Lebanon available to the entire world to positive reviews. "In the seven years since Mashrou’ Leila formed at the American University of Beirut, the quintet – whose name, in fact, means 'overnight project' – have won comparisons to everyone from Arctic Monkeys and Radiohead to Roxy Music and Wild Beasts." [19]
On the 1st of December, Ibn El Leil debuted at the number one spot on local iTunes channels, and has charted as number 11 on the international world Billboard Charts. "It’s such an impressive performance that stadiums seem not only possible but imminent."- The Guardian[20]
Band members
|
|
Themes and style
Mashrou’ Leila's entertaining themes and satirical Lebanese lyrics reflect the many faces and flaws of Lebanese society which are not addressed by mainstream Arabic music. The band is critical of the problems associated with life in Beirut and they are known for their liberal use of swear-words in some of their songs.[5] Their debut album's 9 songs wittily discuss subject matters such as lost love, war, politics, security and political assassination, materialism, immigration and homosexuality. "Latlit" one of the Mashrou' Leila album tracks is a caricature of the Lebanese society overridden by gossip.[2][22] "Shem-el Yasmine" (literally Smell the jasmine), a song reminiscent of Jay Brannan's "Housewife" was described as an ode to tolerance for same-sex love where a young man wants to introduce his bride to his parents but the bride turns out to be a groom.[2][23] "Fasateen" (literally meaning "dresses") is a ballad that tackles the issue of marriage. The song's music video shows the band members deconstructing nuptial symbols and defying the pressure of romantic relationships.[24] Some of the distinctive features of the band's music is the prominence of the violin in passages redolent of Armenian folk music and the use of a megaphone in some songs to alter lead vocalist Hamed Sinno's voice.[5][7]
After syncing for a while, the public started to dissect the band, member by member. Hamed got his first solo magazine theater cover in 2012[25] when he fronted the December issue of the 1st LGBTQI magazine in the MENA region, My.Kali[26] A year after, Haig fronted the same publication for the same month, landing his first theater cover in 2013.[27] Carl Gerges landed his first solo cover on the November issue of L'Officiel Hommes-Levant, 2013.
Controversy
Mashrou' Leila's satirical lyrics and themes regarding politics, religion, sexuality and homosexuality has sparked several controversies, which once led to an unofficial ban on performing in Jordan on the 26th of April 2016. The band claimed on their Facebook page that their planned concert was denied approval by the Amman Governorate.[28] However, the ban was reverted by the relevant authorities two days later.[29]
Discography
Studio albums
All songs written and composed by Mashrou' Leila.
| Mashrou' Leila (2009) | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Fasateen" | 3:03 |
| 2. | "Obwa" | 3:30 |
| 3. | "Min el Taboor" | 3:28 |
| 4. | "'Al Hajiz" | 3:32 |
| 5. | "Shim el Yasmine" | 5:10 |
| 6. | "Im-Bim-Billilah" | 2:32 |
| 7. | "Latlit" | 3:06 |
| 8. | "Khaleeha Zikra" | 4:18 |
| 9. | "Raksit Leila" | 8:43 |
|
Total length:
|
38:09 | |
| El Hal Romancy (2011) | ||
|---|---|---|
| No. | Title | Length |
| 1. | "El Moukadima" | 2:03 |
| 2. | "Habibi" | 3:43 |
| 3. | "Inni Mnih" | 3:23 |
| 4. | "Imm El Jacket" | 3:00 |
| 5. | "Wajih" | 3:30 |
| 6. | "El Hal Romancy" | 3:45 |
|
Total length:
|
19:33 | |
| Raasük (2013) | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Prologue" | 1:20 |
| 2. | "Abdo" | 3:17 |
| 3. | "Ala Babu" | 4:36 |
| 4. | "Taxi" | 2:44 |
| 5. | "Skandar Maalouf" | 4:01 |
| 6. | "Lil Watan" | 3:36 |
| 7. | "Bishuf" | 4:33 |
| 8. | "Ma Tetrikini Heik" | 2:26 |
| 9. | "Raasük" | 4:02 |
| 10. | "Wa Nueid" | 5:05 |
| 11. | "Bahr" | 3:27 |
|
Total length:
|
39:12 | |
| Ibn El Leil (2015) | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Aoede" | 4:37 |
| 2. | "3 Minutes" | 4:20 |
| 3. | "Djin" | 3:17 |
| 4. | "Icarus" | 4:38 |
| 5. | "Maghawir" | 5:31 |
| 6. | "Kalam (S/He)" | 4:06 |
| 7. | "Tayf (Ghost)" | 4:28 |
| 8. | "Falyakon" | 4:43 |
| 9. | "Bint Elkhandaq" | 3:27 |
| 10. | "Asnam (Idols)" | 3:09 |
| 11. | "Sadalsuud" | 1:55 |
| 12. | "Ashabi" | 5:10 |
| 13. | "Marrikh" | 4:25 |
|
Total length:
|
53:46 | |
Live albums
| Title | Album details |
|---|---|
| Peak chart positions |
|
| Live in Baalbeck |
|
References
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 3.0 3.1 3.2 3.3 3.4 3.5 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 4.0 4.1 4.2 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 5.0 5.1 5.2 5.3 5.4 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 6.0 6.1 6.2 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ 7.0 7.1 Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ http://noisey.vice.com/es/blog/mashrou-leila-Maghawir-premiere
- ↑ http://www.theguardian.com/music/2015/nov/29/mashrou-leila-review-barbican-london
- ↑ http://www.theguardian.com/music/2015/nov/29/mashrou-leila-review-barbican-london
- ↑ Gay Lebanese singer Hamed Sinno navigates Middle Eastern taboos through music
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ https://www.facebook.com/mykalimag/photos/a.195619710449436.52011.149318815079526/526630724014998/?type=1&
- ↑ My.Kali magazine
- ↑ [1]
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ https://www.facebook.com/CITARRAme/posts/970460682990905
