Mostly Martha (film)
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| File:MostlyMartha.jpg
Theatrical release poster
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| Directed by | Sandra Nettelbeck |
| Produced by | <templatestyles src="Plainlist/styles.css"/>
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| Screenplay by | Sandra Nettelbeck |
| Starring | <templatestyles src="Plainlist/styles.css"/> |
| Music by | Manfred Eicher |
| Cinematography | Michael Bertl |
| Edited by | Mona Bräuer |
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| Distributed by | Paramount Classics |
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Release dates
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Running time
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109 minutes |
| Country | Germany |
| Language | German, Italian |
| Box office | <templatestyles src="Plainlist/styles.css"/>
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Mostly Martha (original German title: Bella Martha) is a 2001 German romantic comedy drama film written and directed by Sandra Nettelbeck and starring Martina Gedeck, Maxime Foerste, and Sergio Castellitto.[2] Filmed in Hamburg, Germany, and Italy,[3] the film is about a workaholic chef who is forced to adjust to major changes in her personal and professional life that are beyond her control. The film won the Créteil International Women's Film Festival Grand Prix Award, and was nominated for the Goya Award for Best European Film in 2002. It was also nominated for the German Film Awards Outstanding Feature Film.[2]
Contents
Plot
Martha Klein (Martina Gedeck) is a chef at Lido, a gourmet restaurant in Hamburg, Germany. A perfectionist who lives only for her work, Martha has difficulty relating to the world other than through food. Her single-minded obsession with her culinary craft occasionally leads to unpleasant confrontations with customers. Consequently, the restaurant owner, Frida (Sibylle Canonica), requires her to see a therapist (August Zirner) to work out her poor interpersonal skills. Martha's therapy sessions, however, turn into monologues on food, and her approach to stress management usually involves briefly retreating to the restaurant's walk-in refrigerator.
Martha's life takes a dramatic turn when she learns that her sister is killed in a car accident, leaving behind an eight-year-old daughter, Lina (Maxime Foerste). Martha must now look after her niece, who is understandably depressed, withdrawn, and refuses to eat. The girl's Italian father, Giuseppe Lorenzo, has been out of the picture for years living somewhere in Italy. While coping with her sister's death and raising the young girl, Martha's world is further complicated when Frida hires fun-loving and unorthodox Mario (Sergio Castellitto) as a sous-chef to replace Lea (Katja Studt), who is expecting a child any day. Martha looks on in horror as Mario transforms her kitchen of precision and logistics with his relaxed banter and eclectic jazz music.
Unable to find an acceptable babysitter, Martha starts to bring Lina to the restaurant with her. Lina begins to emerge from her depression in the presence of Mario's playfulness, and even begins to eat when Mario leaves her unattended with a plate of spaghetti he's prepared. Touched by Mario's kindness and concern for the child, Martha becomes more accepting of Mario. She even asks for his help in locating Lina's father in Italy and translating a letter she's written to him.
Just as Martha's strained relationship with Lina seems to be improving, she forgets to pick the girl up from school while helping Lea, her very-pregnant sous chef, get to the hospital to deliver her baby. Lina is angry at being forgotten at school, and the incident appears to cause a serious setback between her and Martha. To make amends, Martha offers to grant Lina any wish. For her wish, Lina wants Mario to cook for them. Mario agrees, and prepares a picnic-style dinner in Martha's living room. Despite the mess left behind in the kitchen, the evening of stories and games brings the three closer together.
The renewed warmth between Martha and Lina is immediately tested when Martha is told by the school principal that Lina has not been attending school regularly, and that when she does come to school, she falls asleep. He also tells Martha that when he asked the girl why she was always so tired, she told him that she was forced to work in a kitchen for her room and board. Angered by Lina's behavior, and also having been warned by the restaurant owner, Martha tells her she can no longer come to the restaurant. Lina storms off, nearly getting hit by a car, and later attempts to run away to Italy. Mario continues to support Martha emotionally, and their relationship becomes romantic.
Lina's father, in answer to Martha's letter, finally arrives and takes his daughter to Italy to live with his new wife and family. Distraught and conflicted by the separation, Martha rejects Mario's loving support, and after another confrontation with a customer, she quits her job. Soon after, Martha asks Mario to accompany her to Italy to retrieve Lina. After reuniting with the girl, Martha and Mario get married, and the three begin their lives together as a loving family.
Cast
- Martina Gedeck as Martha Klein
- Maxime Foerste as Lina Klein (Martha's niece)
- Sergio Castellitto as Mario; voice actor Frank Glaubrecht overdubbed Castellitto's voice.[4]
- August Zirner as Martha's Therapist
- Sibylle Canonica as Frida
- Katja Studt as Lea
- Antonio Wannek as Carlos
- İdil Üner as Bernadette
- Oliver Broumis as Jan
- Ulrich Thomsen as Samuel "Sam" Thalberg
- Gerhard Garbers as Herr Steinberg
- Angela Schmidt as Frau Steinberg
- Diego Ribon as Giuseppe Lorenzo
- W.D. Sprenger as Noisy Customer
Production
Filming locations
Mostly Martha was filmed from March to May 2000 in Hamburg, Germany, and Italy.[3]
Soundtrack
The soundtrack is composed mostly of music by artists from the ECM Records stable, including Keith Jarrett, Steve Reich, David Darling, and Arvo Pärt, with most compositions dating from the 1990s. Manfred Eicher, founder of ECM Records, is credited as music consultant.
- "Country" (Keith Jarrett) by Keith Jarrett, Jan Garbarek, Palle Danielsson, and Jon Christensen
- "Let's Do It in A-Flat" (Steve Reich) by M. Segal, S. Reich, J. Gunkel, and M. Fonfara
- "How Deep Is the Blues" (Steve Reich) by M. Segal, S. Reich, J. Gunkel, and M. Fonfara
- "Too Much of Your Love" (Steve Reich) by M. Segal, S. Reich, J. Gunkel, and M. Fonfara
- "Special Delivery" (Peter Blegvad) by Peter Blegvad
- "Darkwood VII: New Morning" (David Darling) by David Darling
- "Für Alina" (Arvo Pärt) by Alexander Malter
- "Tokyo, Encore" (Keith Jarrett) by Keith Jarrett
- "Angelina – Zooma Zooma" (Roberts, Fisher – Citarrelly, Prima) by Louis Prima
- "Volare" (Franco Migliacci, Domenico Modugno) by Dean Martin
- "Bregenz, Part I" (Keith Jarrett) by Keith Jarrett
- "Via Con Me" (Paolo Conte) by Paolo Conte
- "Attenti Al Lupo" (Ron) by Lucio Dalla
- "Relax-Ay-Voo" (Johns, Salvador) by Dean Martin
- "Never Let Me Go" (Ray Evans, Jay Livingston) by Keith Jarrett, Gary Peacock, and Jack de Johnette
- "U Dance" (Keith Jarrett) by Keith Jarrett, Gary Peacock, and Jack de Johnette[3]
Reception
Box office
Mostly Martha earned $5,691,547 in box office revenue in Europe, and $4,158,045 in the United States.[1] Admissions in Europe include 213,037 (Germany), 38,812 (Netherlands), 1,510 (Norway), and 202,150 (Spain).[1]
Critical response
In his review in The New York Times, film critic Elvis Mitchell wrote, "The movie itself has a trim, ticking precision, though Manfred Eicher (one of the founders of the ECM jazz label) adds a score that gives the picture a light-handed rhythm. Ms. Nettelbeck seems to have achieved a balance of control and autonomy so that Mostly Martha doesn't feel as if it was directed by its central figure. The final confection is extremely enjoyable, though a few degrees shy of perfection."[5]
In their review in Spirituality & Practice, Frederic and Mary Ann Brussat wrote, "Writer and director Sandra Nettelbeck beautifully orchestrates the transformation of the chilly, neurotic, and self-absorbed Martha as her heart begins to open under the tutelage of Lina and Mario."[6]
In his review in Reel Views, James Berardinelli wrote, "The acting is top-notch. Martina Gedeck is glorious as Martha. ... As Lina, Maxime Foerste gives a natural, unforced performance. ... And Sergio Castellitto is delightful as Mario. ... As much as any other motion picture that employs the preparation and consumption of food as a key element, Mostly Martha provides the perfect blend of cinematic nourishment and gratification."[7]
Manohla Dargis disliked the screenplay, writing "It's a drag how Nettelbeck sees working women—or at least this working woman—for whom she shows little understanding; there's a puritan, even punitive, cast to the way she sees her character, whose pathology she digs at with the tenacity of a truffle hound."[8]
Awards and nominations
- 2002 Créteil International Women's Film Festival Grand Prix Award (Sandra Nettelbeck)
- 2002 European Film Awards Best Actor (Sergio Castellitto)
- 2002 European Film Awards Nomination Best Actress (Martina Gedeck)
- 2002 German Film Awards Outstanding Individual Achievement Actress (Martina Gedeck)
- 2002 German Film Awards Outstanding Feature Film Nomination (Sandra Nettelbeck)
- 2002 Nantucket Film Festival Best Feature Screenplay (Sandra Nettelbeck)
- 2002 Lecce Festival of European Cinema Special Jury Award (Sandra Nettelbeck)
- 2002 Lecce Festival of European Cinema Students Jury Award (Sandra Nettelbeck)
- 2003 German Film Critics Association Awards Best Actress (Martina Gedeck)
- 2003 Goya Awards Best European Film (Sandra Nettelbeck) - nomination[2]
Home video
A region 2 DVD recording of the film was released in Europe in 2002, and several further editions have been released since.[9] A region 1 DVD recording of the film with English subtitles was also released in North America in 2002.[3]
Remakes
A feature film based on Mostly Martha, retitled No Reservations, was released in the United States in 2007 starring Catherine Zeta-Jones in the role corresponding to Martha. Aaron Eckhart takes on the role corresponding to Mario in Mostly Martha with an American (rather than German/Italian) cultural tension. The film also inspired the Spanish film Chef's Special.
References
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