Nalo Hopkinson

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Nalo Hopkinson
File:Nalo Hopkinson.JPG
Nalo Hopkinson in 2007
Born (1960-12-20) 20 December 1960 (age 63)
Kingston, Jamaica
Occupation Writer, editor
Language English
Nationality Canadian
Ethnicity Afro-Jamaican
Citizenship Canada
Education Master of Arts
Alma mater Seton Hill University
Genre Science fiction, fantasy
Notable works Brown Girl in the Ring
The Salt Roads
Skin Folk
Notable awards Prix Aurora Award,
Gaylactic Spectrum Award,
John W. Campbell Award for Best New Writer,
Locus Award,
Sunburst Award for Canadian Literature of the Fantastic,
World Fantasy Award
Website
www.nalohopkinson.com

Nalo Hopkinson (born 1960) is a Jamaican speculative fiction writer and editor. She currently lives and teaches in Riverside, California.[1] Her novels (Brown Girl in the Ring, Midnight Robber, The Salt Roads, The New Moon's Arms) and short stories such as those in her collection Skin Folk often draw on Caribbean history and language, and its traditions of oral and written storytelling.

Hopkinson has edited two fiction anthologies (Whispers From the Cotton Tree Root: Caribbean Fabulist Fiction and Mojo: Conjure Stories). She was the co-editor with Uppinder Mehan for the anthology So Long Been Dreaming: Postcolonial Visions of the Future, and with Geoff Ryman for Tesseracts 9.

Hopkinson defended George Elliott Clarke's novel Whylah Falls on the CBC's Canada Reads 2002. She was the curator of Six Impossible Things, an audio series of Canadian fantastical fiction on CBC Radio One.

Early life and education

Nalo Hopkinson was born December 20, 1960 in Kingston, Jamaica to Freda and Muhammed Abdur-Rahman Slade Hopkinson.[2] She grew up in Guyana, Trinidad, and Canada.[3] She was raised in a literary environment; her mother was a library technician and her father a Guyanese poet, playwright and actor who also taught English and Latin.[1] By virtue of this upbringing, Hopkinson had access to writers like Derek Walcott during her formative years, and could read Kurt Vonnegut’s works by age six.[1] Hopkinson’s writing is influenced by the fairy and folk tales she read at a young age, which included Afro-Caribbean stories like Anansi, as well as Western works like Gulliver’s Travels, the Iliad, the Odyssey;[4] she was also known to have read the works of Shakespeare around the time she was reading Homer.[5] Though she lived in Connecticut briefly during her father’s tenure at Yale University, Hopkinson has said that the culture shock from her move to Toronto from Guyana at age sixteen was something “to which [she’s] still not fully reconciled”.[4][6] She lived in Toronto from 1977 to 2011 before moving to Riverside, California.[7]

Hopkinson has a Masters of Arts degree in Writing Popular Fiction from Seton Hill University, where she studied with her mentor and instructor, science fiction writer James Morrow. She has learning disabilities.[8]

Career

Hopkinson held jobs in libraries, worked as a government culture research officer, and held the position of grants officer at the Toronto Arts Council.[1] She has taught writing at various programs around the world, including stints as writer-in-residence at Clarion East, Clarion West and Clarion South. Publishing and writing was stopped for six years due to a serious illness that prevented her from working. Severe anemia, caused by fibroids as well as a vitamin D deficiency, led to financial difficulties and ultimately homelessness for two years prior to being hired by UC Riverside.[1]

Since 2011, Hopkinson has been an associate professor in creative writing with an emphasis on science fiction, fantasy, and magical realism at University of California, Riverside.[1][2]

As an author, Hopkinson often uses themes of Caribbean folklore, Afro-Caribbean culture, and feminism.[4] She is historically conscious and uses knowledge from growing up in Caribbean communities in her writing, including the use of Creole and character backgrounds from Caribbean countries including Trinidad and Jamaica.[4] In addition, Hopkinson consistently writes about subjects including race, class, and sexuality.[1] Through her work, particularly in Midnight Robber, Hopkinson addresses differences in cultures as well as social issues such as child and sexual abuse.[4]

Hopkinson has been a key speaker and guest of honor at multiple science fiction conventions. She is one of the founding members of the Carl Brandon Society and serves on the board.[1][9]

Hopkinson’s favorite writers include Samuel R. Delany, Tobias S. Buckell, and Charles Saunders.[1] In addition, inspiration for her novels often comes from songs or poems with Christina Rossetti’s poem "Goblin Market" serving as the inspiration for Sister Mine.[1] Personal hobbies include sewing, cooking, gardening, and fabric design.[10] Hopkinson designs fabrics based on historical photos and illustrations.[11]

Awards

Hopkinson is the recipient of the 1999 John W. Campbell Award for Best New Writer[12] and the Ontario Arts Council Foundation Award for Emerging Writers.

Brown Girl in the Ring was nominated for the Philip K. Dick Award in 1998, and received the Locus Award for Best First Novel. In 2008 it was a finalist in Canada Reads, produced by the Canadian Broadcasting Corporation.

Midnight Robber was shortlisted for the James R. Tiptree Jr. Memorial Award in 2000[13] and nominated for the Hugo Award for Best Novel in 2001.[14]

Skin Folk received the World Fantasy Award and the Sunburst Award for Canadian Literature of the Fantastic in 2003.

The Salt Roads received the Gaylactic Spectrum Award for positive exploration of queer issues in speculative fiction for 2004, presented at the 2005 Gaylaxicon.

In 2008, The New Moon's Arms received the Prix Aurora Award (Canada's reader-voted award for science fiction and fantasy)[15] and the Sunburst Award for Canadian Literature of the Fantastic,[16] making her the first author to receive the Sunburst Award twice. This book was also nominated for the 2007 Nebula Award for Best Novel.

Works

Novels, collections, and anthologies

Short fiction (first publications only)

  • "Slow Cold Chick" in anthology Northern Frights 5 (1998)
  • "A Habit of Waste" in anthology Women of Other Worlds: Excursions through Science Fiction and Feminism (1999)
  • "Precious" in anthology Silver Birch, Blood Moon (1999)
  • "The Glass Bottle Trick" in anthology Whispers From the Cotton Tree Root: Caribbean Fabulist Fiction (2000)
  • "Greedy Choke Puppy" and "Ganger (Ball Lightning)" in anthology Dark Matter: A Century of Speculative Fiction From the African Diaspora
  • "Midnight Robber" (excerpt from novel) reprinted in Young Bloods: Stories from Exile 1972-2001 (2001)
  • "Delicious Monster" in anthology Queer Fear II (2002)
  • "Shift" in journal Conjunctions: the New Wave Fabulists.
  • "Herbal" in The Bakkanthology
  • "Whose Upward Flight I Love" reprinted in African Voices
  • "The Smile on the Face" in anthology Girls Who Bite Back: Witches, Mutants, Slayers and Freaks (2004)

See also

References

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 http://articles.latimes.com/2013/mar/21/entertainment/la-ca-jc-nalo-hopkinson-20130324
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  3. Hopkinson, Nalo. The Salt Roads. Warner Books. New York. 2003. ISBN 978-0446533027.
  4. 4.0 4.1 4.2 4.3 4.4 http://www.sfsite.com/03b/nh77.htm
  5. http://www.quillandquire.com/authors/profile.cfm?article_id=5114
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  10. http://www.strangehorizons.com/2013/20130225/SamatarNH-a.shtml
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  12. John W. Campbell Award for Best New Writer, Writertopia, retrieved 21 June 2011
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  15. [1] Archived 22 July 2011 at the Wayback Machine
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Further reading

  • "Making the Impossible Possible: An Interview with Nalo Hopkinson" in Alondra Nelson, ed. Afrofuturism: A Special Issue of Social Text. Duke University Press. ISBN 0-8223-6545-6.

External links

Bibliographies
Interviews