National Film Award for Best Female Playback Singer

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National Film Award for Best Female Playback Singer
Type National
Category Indian Cinema
Description Best Female Playback Singer for feature film for a year
Instituted 1968
First awarded 1968
Last awarded 2013
Total awarded 45
Awarded by Directorate of Film Festivals
Cash award ₹50,000 (US$740)
Medal Rajat Kamal (Silver Lotus)
First awardee(s) P. Susheela
Recent awardee(s) Uthara Unnikrishnan

The National Film Award for Best Female Playback Singer is an honour presented annually at the National Film Awards of India since 1968 to a female playback singer for the best renditions of songs from soundtracks within the Indian film industry. Throughout the years, accounting for ties and repeat winners, the Government of India has presented a total of 45 Best Female Playback Singer awards to 23 different female playback singers.

Until 1974, winners of the National Film Award received a commemorative plaque and certificate; since 1975, they have been awarded with a "Rajat Kamal" (silver lotus), certificate and a cash prize that amounted to ₹50,000 (US$740) in 2013. Although the Indian film industry produces films in more than 20 languages and dialects,[1] the playback singers whose renditions have won awards have worked in ten major languages: Assamese, Bengali, Hindi, Konkani, Malayalam, Marathi, Tamil and Telugu.

The first recipient was P. Susheela from Kollywood, who was honoured at the 16th National Film Award (1968) for her renditions from the Tamil film Uyarntha Manithan. The singer who won the most number of Rajat Kamal awards is K. S. Chithra with six wins, followed by P. Susheela with five. As of 2013, two singers—S. Janaki and Shreya Ghoshal—have won the award four times, and two—Lata Mangeshkar and Vani Jairam—have won it thrice. The award has been won twice by Asha Bhosle, Alka Yagnik and Arati Ankalikar-Tikekar. S. Janaki, K. S. Chithra and Shreya Ghoshal have won the award for their renditions in three different languages. Shreya Ghoshal and Rupa Ganguly are the only winners to have received the award for two different songs in the same year, with Ghoshal being the only one in this category to be a recipient of the award for two different songs in the same year in two different languages. Uthara Unnikrishnan is the youngest winner, picking up the award at the age of 10 for the rendition of a song from the Tamil film Saivam (2014). As of 2013, no joint award to two different artists in the same year has been given. No award was given for this category in 1973.

Winners

List of award recipients, showing the year (award ceremony), song(s), film(s), language(s) and citation
Year Image Recipient(s) Song(s) Film(s) Language(s) Citation
1968
(16th)		 P. Susheela[2]  – Uyarntha Manithan Tamil  –
1969
(17th)		 100px K. B. Sundarambal[3]  – Thunaivan Tamil  –
1970
(18th)		  – Sandhya Mukhopadhyay[4]  –  • Jay Jayanti
 • Nishi Padma		 Bengali  –
1971
(19th)		 P. Susheela[5]  – Savaale Samaali Tamil  –
1972
(20th)		 Lata Mangeshkar - still 29065 crop.jpg Lata Mangeshkar[6]  – Parichay Hindi  –
1973
(21st)		 No Award[7]
1974
(22nd)		 Lata Mangeshkar - still 29065 crop.jpg Lata Mangeshkar[8]  – Kora Kagaz Hindi  –
1975
(23rd)		 Vani Jairam[9]  – Apoorva Raagangal Tamil  –
1976
(24th)		 P. Susheela[5]  – Siri Siri Muvva Telugu  –
1977
(25th)		 100px S. Janaki[10] "Senthoora Poove" 16 Vayathinile Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For purity of diction and melodic excellence; for emotive suggestiveness and lyrical appeal; for a quality of expression which is intensely moving; for rendering the theme song "Senthoora Poove" with deep feeling, reflecting the romantic dreams of youth, slowly merging into the shadows of tragic destiny.
1978
(26th)		  – Chhaya Ganguly[11] "Aap Ki Yaad Aati Rahi Raat Bhar" Gaman Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For a hauting rendition of Makhdun Mohluddin's famous ghazal "Aap Ki Yaad Aati Rahi Raat Bhar". The chastity of style, the purity of enunciation and the freshness of voice contribute to make it into a memorable song.
1979
(27th)		 Vani Jairam[12]  – Sankarabharanam Telugu  –
1980
(28th)		 100px S. Janaki[13] "Ettumanoor Ambalathil Ezhunnallathu" Oppol Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For the serenity and pathos with which each rendering is imbued and for adding a new dimension to the theme of the film.
1981
(29th)		 Asha Bhosle - still 47160 crop.jpg Asha Bhosle[14]  – Umrao Jaan Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the style with which she invests the rendering of the ghazals that form a part of the texture of the film.
1982
(30th)		 P. Susheela[15]  – Meghasandesam Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For her immense contribution to the musical excellence of the film.
1983
(31st)		 P. Susheela[16] "Yendho Beeda Vaade Gopaludu" M. L. A. Yedukondalu Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For her fine flight of voice in the endearing of Gopal's magical childhood in the song "Gopaludu" from the film.
1984
(32nd)		 100px S. Janaki[17]  – Sitaara Telugu  –
1985
(33rd)		 Kschithra.jpg K. S. Chithra[18]  – Sindhu Bhairavi Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For melifluous rendering of songs, both in the folk and the classical moulds, bringing about a melodious synthesis between the two.
1986
(34th)		 Kschithra.jpg K. S. Chithra[19] "Manjal Prasadavum" Nakhakshathangal Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For her melodious rendering of songs.
1987
(35th)		 Asha Bhosle - still 47160 crop.jpg Asha Bhosle[20] "Mera Kuchh Saamaan" Ijaazat Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her rendition with high professional skill and expression, of the many nuances of emotion and meaning of the highly poetic lyrics.
1988
(36th)		 Kschithra.jpg K. S. Chithra[21]  – Vaishali Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For her clear and tuneful rendering of the song.
1989
(37th)		 100px Anuradha Paudwal[22] "He Ek Reshami Gharate" Kalat Nakalat Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For her clear and mellifluous rendering of the song.
1990
(38th)		 Lata Mangeshkar - still 29065 crop.jpg Lata Mangeshkar[23]  – Lekin... Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For singing with outstanding expressions with the rarest and purest of styles.
1991
(39th)		 Vani Jairam[24] "Aanati Neeyaraa" Swathi Kiranam Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For the texture and clarity of her voice, which enlivened the classical song sung for the child prodigy.
1992
(40th)		 100px S. Janaki[25] "Inji Iduppazhagi" Thevar Magan Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For melodious rendering of an innocent love song.
1993
(41st)		 100px Alka Yagnik[26] "Ghoonghat Ki Aad Se" Hum Hain Rahi Pyar Ke Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her ability to identify herself with the characters and render the delicate nuances of human feelings in complex situations.
1994
(42nd)		  – Swarnalatha[27] "Porale Ponnuthaaye" Karuththamma Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For her extraordinarily compassionate song upon which much of the crucial dramatic action in the film is enacted.
1995
(43rd)		  – Anjali Marathe[28] "Bhui Bhegalali Khol" Doghi Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
For her melodious and heart rendering song expressing the aridness of life.
1996
(44th)		 Kschithra.jpg K. S. Chithra[29] "Mana Madurai" Minsara Kanavu Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For her soulful rendering of the song.
1997
(45th)		 Kschithra.jpg K. S. Chithra[30] "Paayalein Chhun Mun" Virasat Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her effortless and playful rendering of the song.
1998
(46th)		 100px Alka Yagnik[31] "Kuch Kuch Hota Hai" Kuch Kuch Hota Hai Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
Her rendering of this theme song brings out the different moods and emotion and adds greatly to the impact of the film.
1999
(47th)		  – Jayshree Dasgupta[32] "Hriday Amar Prokash Holo" Paromitar Ek Din Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For soulful rendering by the singer expressing the inner world of a mentally challenged character in this film.
2000
(48th)		  – Bhavatharini Ilaiyaraaja[33] "Mayil Pola Ponnu Onnu" Bharathi Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For the song which is outstanding because it depicts the velvet voice of the diva.
2001
(49th)		 Sadhana Sargam.jpg Sadhana Sargam[34] "Pattu Cholli" Udayageethavin Azhagi Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For her lilting and touching rendering of the song.
2002
(50th)		 Shreya Ghoshal Indian Idol Junior episode.jpg Shreya Ghoshal[35] "Bairi Piya" Devdas Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her soulful rendering of the song.
2003
(51st)		  – Tarali Sarma[36] "Kakuti Gosha" Akashitorar Kothare Assamese <templatestyles src="Template:Hidden begin/styles.css"/>
For her tuneful rendition of a devotional song without instrumental accompaniment.
2004
(52nd)		 Kschithra.jpg K. S. Chithra[37] "Ovvoru Pookalume" Autograph Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For expressive and soulful rendition of the song with powerful voice throw suitable to the text and the scene.
2005
(53rd)		 Shreya Ghoshal Indian Idol Junior episode.jpg Shreya Ghoshal[38] "Dheere Jalna" Paheli Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her evocative rendition of a song that treads the fine balance between the classical and popular genre of Hindi film music.
2006
(54th)		 Arati Ankalikar Tikekarji.jpg Arati Ankalikar-Tikekar[39]  – Antarnad Konkani <templatestyles src="Template:Hidden begin/styles.css"/>
For the sonorous rendering that gives conviction to the central character of a classical vocalist.
2007
(55th)		 Shreya Ghoshal Indian Idol Junior episode.jpg Shreya Ghoshal[40] "Yeh Ishq Haaye"[41] Jab We Met Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her mellifluous voice and rich tonal quality. Her rendition evokes the beauty of nature through its subtle nuances.
2008
(56th)		 Shreya Ghoshal Indian Idol Junior episode.jpg Shreya Ghoshal[42]  • "Pherari Mon"
 • "Jeev Dangla Gungla Rangla Asa"		  • Antaheen
 • Jogwa		 Bengali
Marathi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For her wide ranging rendition of human emotions.
2009
(57th)		  – Nilanjana Sarkar[43] "Boye Jay Sudhu Bish"[44] Houseful Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For the haunting texture of a voice that blends the melody, words and rhythm.
2010
(58th)		 100px Rekha Bhardwaj[45] "Badi Dheere Jali" Ishqiya Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For a sensual and evocative rendering of a heart longing for the beloved.
2011
(59th)		 100px Rupa Ganguly[46]  • "Dure Kothao Dure Dure"
 • "Aaji Bijan Ghare"		 Abosheshey Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For her husky and haunting voice that brings a gentle, nostalgic tone and tenor to the film Abosheshey. The languid raw sensuality of her singing is heightened by the absence of musical accompaniment.
2012
(60th)		 Arati Ankalikar Tikekarji.jpg Arati Ankalikar-Tikekar[47] "Palakein Naa Moondon" Samhita Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
Gifted with an earthy and haunting voice the singer gives ample evidence of her classical moorings, without any instrumental embellishments.
2013
(61st)		 100px Bela Shende[48] "Khurkhura" Tuhya Dharma Koncha Marathi <templatestyles src="Template:Hidden begin/styles.css"/>
The singer has evoked the requisite emotions of the theme of the film. She has displayed a rare variety in the rendering of this composition.
2014
(62nd)		 Uthara Unnikrishnan[49] "Azhagu" Saivam Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For evoking an emotional resonance through the purity and innocence of her voice.

References

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External links

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