National Film Award for Best Non-Feature Film Editing

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National Film Award for Best Non-Feature Film Editing
Type National
Category Short films
Instituted 1990
First awarded 1990
Last awarded 2013
Total awarded 24
Awarded by Directorate of Film Festivals
Cash award ₹50,000 (US$740)
Medal Rajat Kamal (Silver Lotus)
First awardee(s) Rajasekharan

The National Film Award for Best Non-Feature Film Editing is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for non-feature films and awarded with Rajat Kamal (Silver Lotus).

The award was instituted in 1990 at the 38th National Film Awards and awarded annually for short films produced in the year across the country, in all Indian languages.

Winners

Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:

List of award recipients, showing the year (award ceremony), film(s), language(s) and citation
Year Recipient(s) Film(s) Language(s) Citation
1990
(38th)		 Rajasekharan[1] Mohiniyattam English <templatestyles src="Template:Hidden begin/styles.css"/>
For making use of the full potential of the dimensions of space and time with creative excellence.
1991
(39th)		 Rajesh Parmar[2] Sanchari English <templatestyles src="Template:Hidden begin/styles.css"/>
For his work, which beautifully creates a structure that responds to the rhythms of the dance.
1992
(40th)		 K. R. Bose[3] Kalarippayat English <templatestyles src="Template:Hidden begin/styles.css"/>
For deft cutting of difficult sequence which makes it possible to maintain the rhythm and tempo of the film.
1993
(41st)		 Rajesh Parmar[4] Colors of Absence English <templatestyles src="Template:Hidden begin/styles.css"/>
For smooth, precise and excellently edited work, which gives the film its unique rhythm, in keeping with its form and content.
1994
(42nd)		 Paresh Kamdar[5] Rasayatra  • Hindi
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For the elegant pace with which he discovers spatial correlatives for the inherent musicality.
1995
(43rd)		  • B. Lenin[6]
 • V. T. Vijayan		 Kutravali and Oodaha Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For rhythmic pace in relation to the appropriate mood of both the films.
1996
(44th)		 A. Sreekar Prasad[7] Nauka Charitramu English <templatestyles src="Template:Hidden begin/styles.css"/>
For knitting together harmoniously into an unbroken visual flow in the film.
1997
(45th)		 Ujjal Nandy[8] Jataner Jami Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For the seamless and rhythmic flow of visual images, juxtaposing hope and despair in a harmonious aesthetic.
1998
(46th)		 Reena Mohan[9] In The Forest Hangs a Bridge English <templatestyles src="Template:Hidden begin/styles.css"/>
For weaving a narrative imbued with lyricism of life.
1999
(47th)		 Ajit Kumar[10] Of Confucius, S-Spots and Toy guns  • English
 • Hindi
 • Marathi
 • Tamil		 <templatestyles src="Template:Hidden begin/styles.css"/>
For the creative and crisp juxtaposition of imagery which complements the theme of the film.
2000
(48th)		 Sankalp Meshram[11] Lokpriya Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For skilfully juxtaposing three streams of visuals into one rhythmic meaningful narrative.
2001
(49th)		 Ajith[12] Athman Universal <templatestyles src="Template:Hidden begin/styles.css"/>
For maintaining the pace and drama of the film without any spoken words.
2002
(50th)		 Prathapan P.[13] 00:00 English <templatestyles src="Template:Hidden begin/styles.css"/>
For its intelligent and engaging use of cinematic form and structure as it weaves itself in and out of hotel rooms and people's lives on New Year's Eve at a sea-side hotel.
2003
(51st)		 Beena Paul[14] Unni Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For the way she supports the eerie pace of a story that swings from here to beyond.
2004
(52nd)		 Prashant Naik[15] Harvest of Hunger  • English
 • Oriya		 <templatestyles src="Template:Hidden begin/styles.css"/>
For documenting with apathy of the drought stricken villagers, by fluent and flowing editing style, keeping the interest on the subject, very engaging.
2005
(53rd)		 Vibuti Nathjha[16] Naina Jogin  • Hindi
 • Maithili		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its skilful editing. It is difficult to make out where one sequence ends and the other begins!
2006
(54th)		  • Amitabh Chakraborty[17]
 • Amit Debnath		 Bishar Blues Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For creating a rhythm which is unhurried and profound and that is in tune with the life and world view of Fakirs in rural Bengal.
2007
(55th)		 Saikat Ray[18] Hope Dies Last in War  • English
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For its creative blending of various elements of the past and present, as also for its seamless flow of images that evoke genuine emotions.
2008
(56th)		 Manoj Kannoth[19] Stations  • Hindi
 • Marathi
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For a delicately interwoven edit of three sparsely connected contemporary urban tales of alienation. Developing a rhythm with parallel and simultaneous stories, the cutting sculpts an extremely powerful contemporary form.
2009
(57th)		 Tarun Bhartiya[20] In Camera English <templatestyles src="Template:Hidden begin/styles.css"/>
For being able to seamlessly juxtapose past and present experiences in the form of images.
2010
(58th)		 Tinni Mitra[21] Germ Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the abstract visualisation and endearing black &white tones are very effectively punctuated with fine editing, and in the process it maintains a very subtle and flowing rhythm and pace to carry forward the cinematic work.
2011
(59th)		 Iram Ghufran[22] There is Something in the Air  • Hindi
 • Urdu
 • English		 <templatestyles src="Template:Hidden begin/styles.css"/>
For infusing the film with a magical rhythm that underscores its inherent poetry.
2012
(60th)		 Irene Dhar Malik[23] Celluloid Man  • English
 • Hindi
 • Kannada
 • Bengali		 <templatestyles src="Template:Hidden begin/styles.css"/>
For the skilful interweaving of images from the past and present, juxtaposed seamlessly into a compelling, multi layered narrative.
2013
(61st)		 Arjun Gaurisaria[24] Gulabi Gang  • Hindi
 • Bundelkhandi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For imparting the film with its structure and rhythm, tempo and drama, movement and exposition.
2014
(62nd)		 Andi Campbell Waite[25] Tigress Blood English <templatestyles src="Template:Hidden begin/styles.css"/>
For seamlessly structuring the inner worlds of four tigress sisters through an incisive cinematic arrangement of their outer spaces.

References

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External links

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