Paris under Louis-Philippe

The flower market on the Île de la Cité in 1832

File:P1140695 Carnavalet Canella Pont Neuf 1832 P1911 rwk.jpg

The Pont Neuf in 1832 (Carnavalet Museum)

Lua error in package.lua at line 80: module 'strict' not found. Paris during the reign of King Louis-Philippe (1830-1848) was the city described in the novels of Honoré de Balzac and Victor Hugo. Its population increased from 785,000 in 1831 to 1,053,000 in 1848, as the city grew to the north and west, but the poorest neighborhoods in the center became even more crowded.^[1]

The heart the city, around the Île de la Cité, was a maze of narrow, winding streets, and crumbling buildings from earlier centuries; it was picturesque but dark, crowded, unhealthy and dangerous. A cholera outbreak in 1832 killed twenty thousand people. Claude-Philibert Barthelot, comte de Rambuteau, prefect of the Seine for fifteen years under Louis-Philippe, made tentative efforts to improve the center of the city: he paved the quays of the Seine with stone paths, and planted trees along the river. He built a new street (now Rue Rambuteau) to connect the Le Marais district with the markets, and began construction of Les Halles, the famous central food market of Paris, finished by Napoleon III.^[2]

Louis-Philippe lived in his old family residence, the Palais-Royal until 1832, before moving to the Tuileries Palace. His chief contribution to the monuments of Paris was the completion of the Place de la Concorde in 1836, which was further embellished on 25 October 1836 by the placement of the Luxor Obelisk. In the same year, at the other end of the Champs-Élysées, Louis-Philippe completed and dedicated the Arc de Triomphe, which had been begun by Napoleon I.^[2]

The ashes of Napoleon were returned to Paris from Saint Helena in a solemn ceremony on 15 December 1840, and Louis-Philippe built an impressive tomb for them at the Invalides. He also placed the statue of Napoleon atop the column in the Place Vendôme. In 1840, he completed a column in the Place de la Bastille dedicated to the July 1830 revolution which had brought him to power. He also began the restoration of the Paris churches ruined by the French Revolution, carried out by the ardent architectural historian Eugène Viollet-le-Duc, beginning with the church of the Abbey of Saint-Germain-des-Prés. Between 1837-1841, he built a new Hôtel de Ville with an interior salon decorated by Eugène Delacroix.^[3]

The first railway stations (then called "embarcadères") in Paris were built under Louis-Philippe. Each belonged to a different company, they were not connected to each other, and they were outside the center of the city. The first, called embarcadère Saint-Germain, was opened on 24 August 1837 on Place de l'Europe. An early version of the Gare Saint-Lazare was begun in 1842, and the first lines between Paris and Orléans and Paris and Rouen were inaugurated 1–2 May 1843.^[4]

As the population of Paris grew, so did discontent in the working-class neighborhoods. There were riots in 1830, in 1831, 1832, 1835, 1839, and 1840. The 1832 uprising, following the funeral of a fierce critic of Louis-Philippe, General Jean Maximilien Lamarque, was immortalized in Victor Hugo in Les Misérables.^[5]

The growing unrest finally exploded on 23 February 1848, when a large demonstration was broken up by the army. Barricades went up in the eastern working-class neighborhoods. The King reviewed his soldiers in front of the Tuileries Palace, but instead of cheering him, many shouted "Long Live Reform!" Discouraged, he abdicated and departed for exile in England.

1 The Parisians
2 Governing Paris
- 2.1 The Police
3 The Cholera Epidemic
4 Monuments and architecture
5 Social reforms and education
6 Water and fountains
7 The railroad arrives
8 The Economy
9 Daily Life
10 The Press
11 Culture and the Arts
12 Amusement
13 Paris fashion under Louis-Philippe
14 Riots and Revolutionaries
15 The Revolution of 1848
16 Chronology
17 See also
18 References
- 18.1 Notes and citations
- 18.2 Bibliography

The Parisians

Population

The population of Paris grew rapidly from 785,866, recorded at the 1831 census, to 899,313 in 1836, and 936,261 in 1841. By 1846 it had grown to 1,053,897. Between 1831 and 1836, it grew by 14.4 percent within the city limits, and by 36.71 percent in the villages around the city, which in 1860 became part of Paris.^[6] The largest number of immigrants came from the twelve departments around Paris: forty percent came from Picardy and the department of the North; thirteen percent from Normandy; and thirteen percent from Burgundy. A smaller number came from Brittany and from Provence, and they had greater difficulties assimilating, since few of them spoke French. They tended to settle in the poorest neighborhoods between the Hôtel de Ville and Les Halles.^[7]

A substantial number of German immigrants, mostly students and printers at first, had begun arriving in the 15th century. A major community of Italian immigrants, mostly artists and craftsmen, had arrived in the 17th century to work on the palaces, mansions and gardens of the city. By 1848, foreign immigrants accounted for between five and ten percent of the Paris population. The largest number, from a quarter to a third, came from Germany, while there were also large communities of Swiss, Belgians, and the diverse countries of the Austrian Empire. A large wave of immigrants from Poland, including Frédéric Chopin, arrived following the failed Polish revolutions of 1830 and 1848.^[7]

The most densely populated neighborhoods were in the center where the poorest Parisians lived; those of les Arcis, les Marchés, les Lombards and Montorgueil, where the population density reached between one thousand to fifteen hundred persons per hectare. However, during the July Monarchy the middle class moved gradually away from the center toward the west and north of the Grands Boulevards. Between 1831 and 1836, the population of the twenty-three neighborhoods of the center saw their percentage of the city's population drop from 42.7 percent to 24.5 percent. The population of the outer neighborhoods grew from 27.3 of the city population to 58.7 percent. The population of the left bank remained steady at about 26 percent of the total.^[8]

The social classes

The nobility, composed of several hundred families, continued to occupy their palatial town houses in the Faubourg Saint-Germain, and had a prominent place in society, but they placed a much smaller role in the government and business of the city. Their place at the top of the social order was taken by the bankers, financiers and industrialists. The novelist Stendhal wrote: "The bankers are at the heart of the State. The bourgeoisie has taken the place of the Faubourg Saint-Germain, and the bankers are the nobility of the bourgeoisie."^[9] The new leaders of Paris lived on the right bank, between Palais Royal and the Madeleine, to the north and west of the city. The Rothschild family and the bankers Jacques Laffitte and Casimir Perier lived on the Chaussée d'Antin, north of Place Vendôme, just outside the boulevards; the industrialist Benjamin Delessert on rue Montmartre. The upper middle class, those who paid more than two hundred francs in direct taxes each year, numbered fifteen thousand families in a city of about a million inhabitants. The growing middle class also included owners of shops, merchants, artisans, notaries, doctors, lawyers, and government officials.

File:Visiting the poor, illustration from 'Le Magasin Pittoresque', Paris, 1844 by Karl Girardet.jpg

"Visiting the Poor", from the illustrated French magazine Le Magasin pittoresque (1844)

The July Monarchy also saw a large increase in the number of working-class Parisians, employed in the new factories and workshops of the Industrial Revolution. A skilled worker earned three to five francs a day. An unskilled worker, such as those employed to use wheelbarrows to move earth during the construction of new streets, earned forty sous, or two francs, a day.^[10] The workers were mostly from the Provinces, and rented rooms in crowded hôtels garnis, or lodging houses. The population of the lodging houses grew from twenty-three thousand to fifty thousand between 1831 and 1846. They were the most subject to the ups and downs of the economy, and the principal participants in the growing number of strikes and confrontations with the government during the reign of Louis-Philippe.^[8]

There was also a growing under-class in Paris of the unemployed or marginally-employed. These included such professions as the chiffonniers, who searched the trash at night for rags or old shoes that could be resold. They numbered eighteen hundred in 1832. and a very large number of orphans who lived by any means they could find in the streets of Paris. They were memorably described by Victor Hugo in Les Misérables.

The Bohemian

A Bohemian of Paris, by Honoré Daumier (1842)

A new social type appeared in Paris in the 1840s; le boheme, or the "Bohemian". They were usually students or artists, and were generally described as joyous, careless about the future, somewhat lazy, boisterous, and scornful of middle-class standards. They wore a distinct costume, careless and flamboyant, to stand out from the crowd. The name was taken from the Romani people from Bohemia, who were numerous in Paris at the time. The character was first introduced into literature by Henri Murger in a series of stories called La Vie de Boheme (Scenes of the Bohemian Life) published in Paris between 1845 and 1849, which in 1896 was made into the opera La Boheme by Puccini. The term spread from Paris to the rest of Europe, and came to be used for anyone who lived an artistic and unconventional life.^[11]

Prostitution

Prostitution was common in Paris; beginning in 1816 prostitutes were required to register with the police, They numbered 22,000 in 1816, and 43,000 in 1842, and were mostly young women from the French provinces who had come to Paris seeking regular work, but were unable to find it. At the beginning of the July Monarchy the prostitutes were usually found in the arcades of the Palais-Royal, but they were gradually moved by the police to the sidewalks of the rue Saint-Denis, rue Saint-Honore, rue Sainte-Anne, and the rue Faubourg Saint-Honore. Houses of prostitution, marked with red lanterns, were called maisons de tolerance or maisons closes. They were mostly found on the boulevards at the edges of the city, in Belleville, Menilmontant, La Villette, La Chapelle, Grenelle, Montparnasse, and at the Place du Trone. They numbered two hundred in 1850, just after the July Monarchy.^[12]

Governing Paris

King Louis-Philippe in 1841

File:Claude-Philibert Barthelot, comte de Rambuteau.jpg

Claude Philibert Barthelot, comte de Rambuteau, the Prefect of the Seine under Louis-Philippe

Louis-Philippe had a very different style than previous monarchs; he did not move from his residence in the Palais-Royal to the Tuileries Palace until 1 October 1831. Except on ceremonial occasions, he dressed like a banker or industrialist rather than a king, with a blue coat, white waistcoat and top hat, and carried an umbrella. Formal court dress was no longer required at receptions. The royal guards were replaced by soldiers from the National Guard. His children attended the best Paris schools, rather than having tutors. He spent as little time as possible in Paris, preferring the royal residences at Fontainebleau, Versailles and the Château de Neuilly.^[13]

As soon as he came to power, Louis-Philippe dismissed the old Prefect of the Seine, the Prefect of Police, the mayors of the arrondissements and their deputies, and the twenty-four members of the General Council of the Seine. On 29 July, he appointed a temporary municipal commission to run the city, under the authority of the Minister of the Interior. The new council was named on 17 September, and was made up mainly of bankers, industrialists, magistrates and senior government officials. The successive French governments since the Ancien Régime had feared the fury of the Parisians, and a repeat of the Reign of Terror. Parisians had not been allowed to elect a city government from 1800 until 1830; it was always directly under the rule of the national government. In 1831, Louis-Philippe organized the first municipal elections, but under conditions that assured that the Parisians would not get out of control. Under a law of 30 April 1831, the Chamber of Deputies created a new General Council of the Seine, with thirty six elected members from Paris, three per arrondissement, and eight from the neighboring arrondissements of Saint-Denis and Sceaux. Only Parisians who paid more than two hundred francs a year in direct taxes were allowed to vote, although they numbered less than fifteen thousand in a city with a population of more than eight hundred thousand persons. A few other selected categories of Parisians were also allowed to vote, including judges, notaries, members of the Institute, retired officers who received a pension of at least 1200 francs, and doctors who had practiced in Paris more than ten years. This added another two thousand to the number of eligible voters.^[14]

Even with all these limitations on who could vote, Louis-Philippe's government feared that Paris could run out of control. The president and vice president of the Council were named by the king, from among the members of the Council. Only the Prefect of the Seine, appointed by the king, could bring business before the Council. Furthermore, a new parallel council was created, made up of the mayors and deputy mayors, which served to bypass the Municipal Council when needed. Despite all the efforts to keep the Municipal council under control, it still managed to show its independence on occasion. It forced the resignation of the first new Prefect of the Seine, Pierre-Marie Taillepied, comte de Bondy, who rarely consulted the council and disregarded their opinions. The new prefect, Claude-Philibert Barthelot, comte de Rambuteau, learned the lesson and treated the council with great courtesy summoning them for meetings every week.^[14]

The other key figure in the governing of Paris was the Prefect of Police. There were two during the reign of Louis-Philippe: Henri Gisquet (1831-1836) and Gabriel Delessert (1836-1848). The Prefect of Police oversaw the municipal police, the gendarmes in the city, and the firemen; he administered the prisons, hospitals, hospices, and public assistance, was responsible for public health and stopping industrial pollution, was in charge of street lighting and street cleaning. He was also responsible for traffic circulation, making sure that building façades met city requirements, that unsafe buildings were demolished, and that the city's markets and bakeries were supplied with food and bread.^[15]

The Police

At the very beginning of the July Monarchy, on 16 August 1830, the royal police force of Paris, the gendarmerie royale, was abolished and replaced by the garde municipale de Paris, a force originally composed of two battalions of infantry and two squadrons of cavalry, numbering 1,510 men. They were responsible for suppressing the numerous uprisings and riots between 1831 and 1848. Their numbers were doubled during this time, but their harsh tactics earned them the hatred of the insurgent Parisians; a substantial number of police were massacred by the crowds during the 1848 Revolution The garde muncipale was abolished in 1848, and the replaced by the Garde Republicaine.^[16]

The second corps responsible for maintaining order in the city was the Garde-Nationale. At the end of the reign of Charles X, it had rebelled against the monarchy and helped overthrow the King. it was composed largely of the bourgeoise of Paris; and members provided their own weapons. It had sixty thousand members in Paris, though only twenty thousand had income high enough to be eligible to vote. The Garde Nationale helped suppress the armed uprisings of 1832 and 1834, but beginning in 1840 they were increasingly hostile to the government of Louis-Philippe. When the Revolution of 1848 broke out, they took the side of the insurgents and brought the regime to an end.^[17]

The Cholera Epidemic

The first great crisis to strike Paris during the July monarchy was an epidemic of cholera in 1832. It was the first such epidemic in France, and the disease was little known or understood; it arrived from Asia, affecting Russia, Poland, and Germany before reaching France. The first victim in Paris died on 19 February 1832: at first the disease was not believed to be contagious, and the epidemic was not officially recognized until 22 March. As the news spread, thousands of Parisians fled the city. 12,733 Parisians died in April, with a decrease in May and June, and a new surge in July, before receding in September. Between March and September it killed 18,402 Parisians, including Casimir Périer, the Chief of Cabinet of the July Monarchy's government, who visited patients in a hospital and caught the disease.

The disease was most fatal in the overcrowded neighborhoods of the center. In one lodging house at 26 rue Saint-Lazare, four hundred ninety-two persons lived in the same building, with less than one square meter per person. A rumor spread in the poor areas that the cholera had deliberately been spread to "assassinate the people." One of the victims of the epidemic was General Lamarque, a former general of Napoleon, who died on June 1. He was seen as a defender of popular causes, and his funeral was the scene of large anti-government demonstration, with some barricades going up in the streets. This event and the uprising were immortalized in Victor Hugo's novel Les Misérables.^[18]

The then Prefect of the Seine was dismissed largely because of his inept handling of the epidemic, and the new Prefect, the Count of Rambuteau, declared his intention of bring "air and light" to the center of the city, to prevent future epidemics. This was the beginning of the program to open up the center of the city, not fully realized until the time of Napoleon III and Baron Haussmann.

Monuments and architecture

File:Érection de l'obélisque de Louqsor sur la place de la Concorde.jpg

A huge crowd watched as the Luxor Obelisk was hoisted into place on the Place de la Concorde on 25 October 1836.

The great architectural project of the reign of Louis-Philippe was the remaking of the Place de la Concorde into its modern form. The moats of the Tuileries were filled, two large fountains, one representing the maritime commerce and industry of France, the other the river commerce and great rivers of France, designed by Jacques Ignace Hittorff, were put in place, along with monumental sculptures representing the major cities of France.^[19]

The statue of Strasbourg, by the sculptor James Pradier, was said to be modeled after Juliette Drouet, the companion of Victor Hugo. An equestrian statue of Louis XV had originally been the centerpiece of the square. It had been pulled down during the Revolution and been replaced by a statue of Liberty. On 25 October 1836, a new centerpiece was put in place; a stone obelisk from Luxor, weighing two hundred fifty tons, brought on a specially-built ship from Egypt, was slowly hoisted into place in the presence of Louis-Philippe and a huge crowd.^[20]

In the same year, the Arc de Triomphe, begun in 1804 by Napoleon, was finally completed and dedicated. Many old soldiers from the armies of Napoleon were in the crowd, and called out Vive l'Empereur, but Louis-Philippe was unperturbed. The ashes of Napoleon were returned to Paris from Saint Helena in 1840, and were placed with great ceremony in a tomb designed by Louis Visconti beneath the church of Les Invalides.

Another Paris landmark, the column on the Place de la Bastille, was inaugurated on 28 July 1840, on the anniversary of the July Revolution, and dedicated to those killed during the uprising.

Several older monuments were put to new purposes: the Élysée Palace was purchased by the French state and became an official residence, and under late governments the residence of the Presidents of the French Republic. The Basilica of Sainte-Geneviève, originally built as a church, then, during the Revolution, made into a mausoleum for great Frenchmen, then a church again during the Restoration, once again became the Panthéon, dedicated to the glory of great Frenchmen.

The beginning of architectural restoration

File:La Ste. Chapelle, Paris LACMA M.84.160.2.jpg

Sainte-Chapelle undergoing restoration (1839)

The reign of Louis-Philippe saw the beginning of a movement to preserve and restore some of the earliest landmarks of Paris, inspired in large part by Victor Hugo's hugely successful novel The Hunchback of Notre Dame (Notre-Dame de Paris), published in 1831. The leading figure of the restoration movement was Prosper Mérimée, named by Louis-Philippe as the inspector General of Historic Monuments. In 1842, he compiled the first official list of classified historical monuments, now known as the Base Mérimée. In addition to saving architectural landmarks, he participated with his friend the novelist George Sand in the discovery of The Lady and the Unicorn tapestries at the Château de Boussac in the Limousin in central France; they are now the best-known possessions of the Cluny Museum in Paris. He also wrote the novella Carmen on which the opera was based,

The first structure to be restored was the nave of the church of Saint-Germain-des-Prés, the oldest in the city. Work also began in 1843 on the cathedral of Notre Dame, which had been badly damaged during the Revolution, and stripped of the statues on its façade. Much of the work was directed by the architect and historian Viollet-le-Duc who, sometimes, admitted was guided by his own scholarship of the "spirit" of medieval architecture, rather strict historical accuracy. The other major restorations projects were Sainte Chapelle and the Hôtel de Ville, dating to the 17th century; the old buildings which pressed up against the back of the Hôtel de Ville were cleared away; two new wings were added, the interiors were lavishly redecorated, and the ceilings and walls of the grands salons were painted with murals by Eugène Delacroix. Unfortunately, all the interiors were burned in 1871 by the Paris Commune.^[20]

Rebuilding the city center and the boulevards

Rambuteau, during this fifteen years as Prefect of the Seine, made attempts to solve the blockage of traffic and the unhealthiness of the streets in the center, particularly after the cholera epidemic in the heart of the city. He opened the rue d'Arcole and rue Soufflot; and, as his major project, built what is now rue Rambuteau, thirteen meters wide, connecting Le Marais to the markets of Les Halles. He rebuilt what became known as the Pont Louis-Philippe, from the place de Gréve to the Île Saint-Louis, and completely rebuilt the Pont des Saints-Pères. The île Louviers, just east of the Île Saint-Louis, used as a lumber yard, was attached to the right bank, and boulevard Morland replaced the narrow branch of the Seine that had separated the island from the city. The Pont d'Austerlitz, renamed pont du Jardin du Roi during the Restoration, took back its Napoleonic name. The Quai de la Tournelle and the banks of the Seine at the Louvre and Quai des Grands-Augustins were walled with stone, and planted with trees.^[21]

At the beginning of the July Monarchy, the old ramparts and bastions of Louis XIV were still visible in many places around the city, with a footpath running along the top. Rambuteau had them leveled, in order to widen and straighten the Grands Boulevards. Only short sections of raised sidewalks on boulevard Saint-Martin and boulevard de Bonne-Nouvelle showed (and still show today) how the ramparts formerly appeared. Rambuteau also began rebuilding the old central market of Les Halles, but the new buildings, heavy and old-fashioned, did not please the Parisians. The project was later stopped by President Louis-Napoleon and new glass and iron buildings designed and built in their place by the architect Victor Baltard.

Sidewalks and public toilets

At the beginning of the July Monarchy, Paris sidewalks were very narrow when they existed at all in the center of the city. Travelers described the adventure of trying to walk through the streets of the Île-de-la-Cité on a narrow, crowded sidewalk, the danger of stepping into the street in the path of carts, wagons and carriages, and the noise of the carriage wheels echoing on the walls of the street.^[10] Sidewalks were common only in the new neighborhoods to the west and north, and on the Grands Boulevards. In 1836 Rambuteau launched a project to build sidewalks in more neighborhoods, replacing the old sidewalks made with lava stone from the Auvergne with asphalt. By the end of the July Monarchy a majority of Paris streets were paved. Under Napoleon III, Haussmann completed the sidewalks by adding a granite edge.^[22]

Rambuteau also addressed the absence of public urinals, which gave the side streets and parks a particular and unpleasant smell. The first public urinals had been installed during the Restoration, just before the July 1830 Revolution, but they were dismantled and used for barricades during the street fighting. In July 1839 Rambuteau authorized the construction of a new circular type of urinal, ten to twelve feet high, made of masonry with a pointed roof, and posters displayed on the outside. The first ones were placed on boulevard Montmartre and the boulevard des-Italiens. By 1843 there were 468 urinals in place. They became known as Vespasiennes after the Roman Emperor Vespasian, who was said to have installed public toilets in ancient Rome. They were all replaced during the Second Empire by a newer cast-iron design.^[23]

The Thiers Wall

File:L'enceinte de Thiers (Paris)- la muraille, le fossé, le talus de défense, et des petits zonards faisant paître leurs chèvres.jpeg

A late 19th century photo of the Thiers Wall

The city walls of Paris had been demolished by Louis XIV, and in 1814 the city was captured easily by the Allies, since it had no fortifications. Debates began in Paris as early as 1820 about the necessity of building a new wall. In 1840, as the result of tensions between France, Britain and the German states, the discussion was renewed, and a plan was put forward by Adolphe Thiers, the President of the Council and the Minister of Foreign Affairs. The Thiers Wall, approved on 3 April 1841, was thirty-four kilometers long, and was composed of a belt of ramparts and trenches one hundred and forty meters wide. The highest rampart was ten meters high and three meters wide, and a road six meters wide went the full length of the wall. It was forbidden to build any structure in a space two hundred fifty meters wide in front of the wall. The wall was reinforced at regular intervals with a series of bastions and by sixteen large forts around the city. In 1860, the route of the wall became the official city limits of Paris, and remains so, with a few changes, today. A number of the bastions still exist, and vestiges of the wall can still be seen at the porte d'Arcueil (in the 14th arrondissement), and where the canal Saint-Denis passed through the wall. The Boulevard Périphérique around the city follows the route of the old Thiers wall.^[24]

Social reforms and education

Rambuteau also made attempts to improve the social institutions of the city. He built a new prison, La Roquette, for criminals, while the mentally ill and sick were separated and left in Bicêtre. Women prisoners were sent to Enclos Saint-Lazare. Rambuteau began building the Lariboisière Hospital (in the 10th arrondissement). He reorganized the Mont-de-Piété, a charitable organization which gave low-cost loans to the poor, and increased the number of savings banks for workers and middle-class Parisians. Primary education had previously been the responsibility of the Church, and many children remained illiterate. Under Louis-Philippe's minister of education, Guizot, primary school was made obligatory on 28 June 1833. A system of communal and mutual schools was created, as well as two higher primary schools: the Collège Chaptal (now Lycée Chaptal) and the Turgot School (1839). All of the primary schools, both Catholic and secular, were put under the authority of a central committee on education, with the Prefect as president.^[25]

Water and fountains

The canals bringing drinking water to Paris, begun by Napoleon, were extended, and the Prefect of Paris, Rambuteau, increased the number of borne-fontaines, small water fountains fifty centimeters high with a simple spout, from 146 in 1830 to 2,000 in 1848;^[26] but, despite the rapid growth of the city, no new sources of water were developed. The wealthiest Parisians had wells in their residences, usually in the basement. Most Parisians obtained their drinking water in the traditional way, going to or sending servants to the city's fountains or buying water from the water porters, mostly men from Auvergne and Piedmont, who carried large buckets balanced on a pole on their shoulders.

During the July Monarchy, five new monumental fountains were erected in the center of the city: the two fountains by Hittorff in the place de la Concorde, the Fontaine Molière on rue de Richelieu by the architect Louis Visconti, who also designed the tomb of Napoleon; the Fontaine Louvois on square Louvois, also by Visconti, on the site of the old opera house; and the Fontaine Saint-Sulpice (also called Fontaine des orateurs sacrés, or Fontaine des quatre point(s) cardinaux), also by Visconti, on the center of place Saint-Sulpice.^[21]

Fontaine des Fleuves, by Jacques Ignace Hittorff, Place de la Concorde (1840)
Fontaine Molière Paris 1st arrd.jpg

The Fontaine Molière, by Louis Visconti (1844)
FontaineLouvois09.jpg

Fontaine Louvois, by Louis Visconti (1836-1839)
Fontaine Saint-Sulpice Paris 2008-03-14.jpg

Fontaine Saint-Sulpice, by Louis Visconti (1843-1848)

The railroad arrives

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An 1844 locomotive from the Paris-Rouen line, now in the railroad museum in Mulhouse

The most important and economic and social event of the July Monarchy was the arrival in Paris of the railroad. The first successful passenger railway line in France had opened between Saint-Étienne and Lyon in 1831. The financiers, the Péreire brothers, built the first line from Paris to Saint-Germain-en-Laye between 1835 and 1837, largely in order to persuade the banking community and the Parisians that such a means of transport was feasible and profitable. The line between Paris and Versailles was approved on 9 July 1836; it was the site of the first railroad accident in France on 8 May 1842, in which 55 passengers were killed and between 100 and 200 injured, although later contested to a higher number.^[27] The accident did not slow down the growth of the railroads: the Paris-Orléans line opened on 2 May 1843, and the line between Paris and Rouen was inaugurated the next day.^[28]

The first train stations in Paris were called embarcadéres (a term used for water traffic), and their location was a source of great contention, as each railroad line was owned by a different company, and each went in a different direction. The first embarcadére was built by the Péreire brothers for the line Paris-Saint-Germain-en-Laye, at the place de l'Europe. It opened on 26 August 1837, and with its success was quickly replaced by a larger building on rue de Stockholm, and then an even larger structure, the beginning of the Gare Saint-Lazare, built between 1841 and 1843. It was the station for the trains to Saint-Germain-en-Laye, Versailles and Rouen.

The Péreire brothers argued that Gare Saint-Lazare should be the unique station of Paris, but the owners of the other lines each insisted on having their own station. The first Gare d'Orléans, now known as the Gare d'Austerlitz, was opened on 2 May 1843, and was greatly expanded in 1848 and 1852. The first Gare Montparnasse opened on 10 September 1840 on avenue du Maine, and was the terminus of the new Paris-Versailles line on the left bank of the Seine. It was quickly found to be too small, and was rebuilt between 1848 and 1852 at the junction of rue de Rennes and boulevard du Montparnasse, its present location.^[29]

The banker James Mayer de Rothschild received the permission of the government to build the first railroad line from Paris to the Belgian border in 1845, with branch lines to Calais and Dunkerque. The first embarcadére of the new line opened on rue de Dunkerque in 1846. It was replaced by a much grander station, Gare du Nord, in 1854. First station of the line to eastern France, the Gare de l'Est was begun in 1847, but not finished until 1852. Construction of a new station for the line to the south, from Paris to Montereau-Fault-Yonne began in 1847 and was finished in 1852. In 1855 it was replaced by a new station, the first Gare de Lyon, on the same site.^[29]

The Economy

Industry

The Industrial Revolution steadily changed the economy and the appearance of Paris, as new factories were built along the Seine and in the outer neighborhoods of the city. The textile industry was in decline, but the chemical industry was expanding around the edges of the city, at Javel, Grenelle, Passy, Clichy, Belleville and Pantin. It was joined by mills and factories making steel, machines and tools, especially for the new railroad industry. Paris ranked third in France in metallurgy, after Saint-Étienne and the Nord department. Between 1830 and 1847, twenty percent of all the steam engines produced in France were made in Paris. Many of these were produced at the locomotive factory built by Jean-François Cail in 1844, first at Chaillot, then at Grenelle, which became one of the largest enterprises in Paris.

One example of the new factories in Paris was the cigarette and cigar factory of Philippon, between rue de l'Université and the quai d'Orsay. Napoleon's soldiers had brought the habit of smoking from Spain, and it had spread among all classes of Parisians. The government had a monopoly on the manufacture of tobacco products, and the government-owned factory opened in 1812. It employed 1,200 workers, a large number of them women, and also included a school and laboratory, run by the École Polytechnique, to develop new methods of tobacco production.^[30]

Despite the surge of industrialization, most Parisian workers were employed in small workshops and enterprises. In 1847, there were 350,000 workers in Paris employed in 65,000 businesses. Only seven thousand businesses employed more than ten workers. For example, in 1848 there were 377 small workshops in Paris making and selling umbrellas, employing a total of 1,442 workers.^[31]

Banking and Finance

Paris stock exchange, La Bourse (1831)

With the surge of industrialization, the importance of banking and finance in the Paris economy also grew. As Stendhal wrote at the time, the bankers were the new aristocracy of Paris. In 1837, Jacques Laffitte founded the first business bank in Paris, the Caisse générale du commerce et de l'industrie. In 1842, Hippolyte Ganneron founded a rival commercial bank, the Comptoir général du commerce. The banks provided the funding for the most important economic event of the July Monarchy, the arrival of the railroads. The brothers Émile and Issac Péreire, the grandchildren of an immigrant from Portugal, founded the first railway line to Paris.

James Mayer de Rothschild, the chief rival of the Péreire brothers, was the most famous banker of the July Monarchy. He gave loans to the government of Louis-Philippe and played a key role in the construction of the French mining industry and railroad network. For his Paris residence, in 1838 he purchased the house of Charles Maurice de Talleyrand at 2 rue Saint-Florentin on the Place de la Concorde. He became a leading figure in Paris society and the arts; his personal chef was Antonin Carême, one of the most famous names in French cuisine^[32] He patronized many of the leading artists of the time, including Gioacchino Rossini, Frédéric Chopin, Honoré de Balzac, Eugène Delacroix, and Heinrich Heine. Chopin dedicated to Rothschild's daughter Charlotte his Ballade No. 4 in F minor, Op. 52 in 1843, and his Valse in C-sharp minor, Op. 64, N° 2 in 1847. In 1848 Jean Auguste Dominique Ingres painted his wife's portrait.

Boutiques and luxury goods

Galerie d'Orléans of the Palais-Royal in 1840

The reign of Louis-Philippe became known as "the reign of the boutique". During the July Monarchy, Paris continued to be the marketplace of luxury goods for wealthiest of Europe, and the leader in fashion. The perfumer Pierre-François-Pascal Guerlain had opened his first shop on the rue de Rivoli in 1828. In 1840, he opened a larger shop at 145 rue de la Paix, which was also the first street in Paris to be lit with gaslight. The porcelain factory at Sèvres, which had long made table settings for the royal courts of Europe, began to make them for the bankers and industrialists of Paris.

The Passage des Panoramas and other covered shopping galleries were ancestors of the modern shopping center. Another new kind of store was the Magasin de Nouveautés, or novelty store. The Grand Colbert in the Galerie Colbert on rue Vivienne was decorated and organized like an oriental bazaar; it had large plate glass windows and window displays, fixed prices and price tags, and sold a wide variety of products for women, from cashmere and lace to hosiery and hats. It was an ancestor to the modern department store, which first opened in Paris in the 1850s. Other novel marketing techniques were introduced in Paris at this time: the illuminated sign, and advertising goods in newspapers. The arrival of the railroad made it possible for people from the provinces to come to Paris simply to shop.^[33]

Daily Life

Transportation

The first means of public transport, the omnibus, had been introduced in Paris in January 1828, and enjoyed great success. It used large horse-drawn coaches, entered from the rear, which could carry between twelve to eighteen passengers. The fare was twenty-five centimes. They operated between seven in the morning and seven in the evening, and until midnight on the Grands Boulevards, the busiest line in the city. In 1830, there were ten omnibus companies; by 1840, the number had increased to thirteen operating omnibuses on twenty-three different lines, though half of the passengers were carried by one company, Stanislas Baudry's Entreprise générale des omnibus de Paris (EGO).^[34]

The other common means of transport was the fiacre, the taxicab of its day. It was a small box-like coach that carried as many as four passengers; it could be hired at designated stations around Paris. A single journey cost thirty sous, regardless of distance; or they could be hired at the rate of 45 sous for an hour. The drivers expected a tip, and, according to a guidebook of 1842, became extremely unpleasant if they did not receive one.^[10]

Food and drink

The staples of the Parisian diet, unchanged since the 18th century, were bread, meat and wine, the quality depending upon the income of the family. Upper-class Parisians began the day with coffee and bread, then they had their déjeuner at mid-day, often at a café; they often started with oysters, followed by beefsteaks, vegetables, fruit, dessert and coffee. The meal was accompanied by wine, often diluted with water. They had their dinner at six or seven in the evening, with a larger number of dishes. They often went to the theater afterwards, then went to the café following the performance for coffee and drinks or a light supper.

For working-class Parisians, bread composed seven-eighths of their diet. They accompanied it with whatever fruit might be in season, some white cheese, and, in winter, some pieces of pork or bacon, along with stewed pears or roasted apples. They usually had some sort of soup each night, and on Sunday traditionally ate a stew called pot-au-feu. The meals were always accompanied by wine, usually with water added.^[10]

The economic difficulties for ordinary Parisians during the July monarchy were illustrated by their meat consumption; between 1772 and 1872, Parisians consistently ate about sixty kilograms of meat per year per person, but meat consumption between 1831 and 1850 fell to about fifty kilograms.^[35]

Bathing

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The Chinese Baths on Boulevard des Capucines (1848)

Only a small number of Parisians had indoor plumbing or bathtubs; for most, water for washing had to be carried from a fountain or purchased from a water-bearer and stored in a container, and was used sparingly. Paris had a number of bath houses, including some, such as the Chinese Baths on the boulevard des Italiens, which catered to upper-class customers.

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Floating bath and school of swimming for women on the quai d'Anjou (1846)

For the working class, in summer there were a row of floating baths along the Seine between the pont d'Austerlitz and the pont d'Iéna. These were basins of river water surrounded by fence and usually by floating arcades of changing rooms. They were open day and night, for an admission fee of four sous or twenty centimes. They had separate sections for men and women, and bathing costumes could be rented. They were often condemned by the church and in the press as an offense to public morality, but were always crowded with young working-class Parisians on hot summer days. Some of the floating baths were designed for wealthier patrons, were also used as schools to teach swimming, and were reserved for women; one was located in front of the Hôtel Lambert on the quai d'Anjou.^[36]

The Press

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The Paris newspaper market in 1848

At the beginning of the July Monarchy the city's newspapers were expensive, had very small circulations, contained very little news, and were read mostly at cafés. That changed dramatically on 1 July 1836, with the first appearance of La Presse, the first inexpensive daily newspaper in Paris. It soon inspired many imitators. Between 1830 and 1848, the circulation of newspapers in Paris doubled; in 1848, there were twenty-five newspapers in the city with a total circulation of 150,000. Despite official censorship, they played an increasing role in French politics, and in the events that culminated in the Revolution of 1848. The press also began to play a novel role in commerce: Paris stores and shops began to advertise their products in the newspapers.^[37]

A caricature of Louis-Philippe as Gargantua sent Honoré Daumier to prison for six months (1832)

Illustrated newspapers, often with satirical cartoons, also became popular and influential. The journalist Charles Philipon started an illustrated weekly magazine called La Caricature in 1830, using the new technique of lithography to reproduce cartoons, and employing a young caricaturist from Marseille, Honoré Daumier. Balzac, a friend of Philipon, also contributed to the magazine, using a pseudonym. In 1832, encouraged by the success of the magazine, he began a more popular daily four-page illustrated satirical newspaper, called Le Charivari, with caricatures by Daumier. It began with social satire, but soon veered into politics, ridiculing, among other targets, the king. In 1832, Daumier published a caricature of Louis-Phillippe as Gargantua eating the wealth of the nation, and another of the king's face in the shape of a pear. Daumier was arrested and served six months in prison. Philipon also served six months in prison for "contempt of the King's person." By 1835, the newspaper staff had been taken to court seven times and convicted four times. La Caricature ceased publication and Charivari switched from political to social satire, but the ridicule of the regime by the press continued to undermine the public support for Louis-Philippe.

Numerous revolutionary newspapers were published in Paris by exiled political activists, then smuggled into their own countries. From 1843 to 1845, Karl Marx lived in Paris as editor of two radical German newspapers: Deutsch–Französische Jahrbücher and Vorwärts!. It was in a café at the Palais-Royal that he met his future collaborator, Friedrich Engels. He was expelled from France in 1845 at the request of the Prussian government and moved to Brussels.

Culture and the Arts

Museums

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The Hotel Cluny in 1839. It became the Museum of the Middle Ages in 1843.

On 8 November 1833, a new museum of coins and medals was opened inside the Hôtel des Monnaies, the 18th century French mint on the Left Bank.

Interest in the Middle Ages increased greatly in Paris after the publication of Victor Hugo's Notre-Dame de Paris and the first restoration of the cathedral.Alexandre Du Sommerard was a former soldier in Napoleon's army who became a counselor at the Cour des comptes. He assembled and classified a large collection of art objects from the Middle Ages and Renaissance, and purchased the Hôtel de Cluny, which he made his residence and private gallery to display his collection. After Du Sommerard's death, in 1843, the French state bought the building and his collection, and the Hôtel de Cluny and the Roman baths adjacent to it became the Musée national du Moyen Âge.

Literature

Many of the greatest and most popular works of French literature were written and published in Paris during the July Monarchy.

Victor Hugo published four volumes of poetry, and in 1831 published Notre-Dame de Paris (the Hunchback of Notre-Dame), which was quickly translated into English and other European languages. The novel led to the restoration of the cathedral and other medieval monuments in Paris. In 1841, Louis-Philippe made Hugo a peer of France, a ceremonial position with a seat in the upper house of the French parliament. Hugo spoke out against the death penalty and for freedom of speech. While living in his house on the Place Royale (now Place des Vosges), he began working on his next novel, Les Misérables.
François-René de Chateaubriand refused to swear allegiance to Louis-Philippe, and instead secluded himself in his apartment at 120 Rue du Bac and wrote his most famous work, Mémoires d'outre-tombe, which was not published until after is death. He died in Paris on 4 July 1848, during the French Revolution of 1848.
After writing several novels, in 1832 Honoré de Balzac conceived the idea of a series of books that would paint a panoramic portrait of "all aspects of society;" eventually called La Comédie Humaine. He declared to his sister, "I am about to become a genius." He published Eugénie Grandet, his first bestseller, in 1833, followed by Le Père Goriot in 1835, the two-volume Illusions perdues in 1843, Splendeurs et misères des courtisanes in 1847, Le Cousin Pons (1847) and La Cousine Bette (1848). In each of the novels, Paris is the setting and a major participant.
During the July Monarchy, the highly prolific Alexandre Dumas published The Three Musketeers (1844); Twenty Years After (1845); The Vicomte de Bragelonne (1847); The Count of Monte Cristo (1845–1846); La Reine Margot (1845); La Dame de Monsoreau (1846); and many more novels, in addition to many theatrical versions of his novels for the Paris stage.
Stendhal published his first major novel, Le Rouge et le Noir, in 1830, and his second, La Chartreuse de Parme, in 1839.

Other major Paris writers of the July Monarchy included George Sand, Alfred de Musset, and Alphonse de Lamartine. The poet Charles Baudelaire, born in Paris, published his first works, essays of art criticism.

Paris authors of the July Monarchy
Chateaubriand (1820s)
Alexandre Dumas, père (1832)
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Victor Hugo and his son François-Victor (1836)
George Sand by Eugène Delacroix (1837)
Stendhal (1840)
Honoré de Balzac (1843)

Painting

The Paris Salon, held every year at the Louvre, continued to be the most important event in the French art world, establishing both prices and reputations of artists. It was dominated for most of the July Monarchy by the romantic painters. The most prominent figure in painting was Eugène Delacroix, whose romantic paintings portrayed historical, patriotic and religious subjects. His most famous painting of the period, Liberty Leading the People (La Liberté guidant le peuple), an allegory of the 1830 revolution, was purchased by the French state, but was considered to be too inflammatory to be shown in public until 1848. Other prominent artists whose work appeared in the Paris Salon included Théodore Chassérieau and Jean-Auguste-Dominique Ingres, who had been a prominent figure in French painting since the reign of Napoleon.

A new generation of artists made their appearance in the 1840s, led by Gustave Courbet, who exhibited his Self-Portrait with a black dog at the Paris Salon in 1844. His arrival as the leader of realist movement did not come until after the 1848 Revolution.

Artists and the Paris Salon during the July Monarchy
Liberty leading the People by Eugène Delacroix (1830)
Portrait of Louis Francois Bertin, by Ingres (1832 Salon)
The toilette of Esther by Théodore Chassériau (1841 Salon)
The two sisters by Théodore Chassériau (1843 salon)
Self-portrait with a black dog by Gustave Courbet (1844 Salon)
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Christ on the Cross by Eugène Delacroix (1846 Salon)

Music

Frédéric Chopin by Maria Wodzińska (1836)

Hector Berlioz, by Émile Signol (1832)

Paris was the home of some of the world's most renowned musicians and composers during the July Monarchy. The most famous was Frédéric Chopin, who arrived in Paris in September 1831 at the age of twenty-one, and did not return to Poland because of the crushing of the Polish uprising against Russian rule in October 1831. Chopin gave his first concert in Paris at the Salle Pleyel on 26 February 1832, and remained in the city for most of the next eighteen years. He gave just thirty public performances during those years, preferring to give recitals in private salons. On 16 February 1838, he gave a concert at the Tuileries for king Louis-Philippe and the royal family. He earned his living from commissions given by wealthy patrons, including the wife of James Mayer de Rothschild, from publishing his compositions, and from giving private lessons. Chopin lived at different times at 38 rue de la Chaussée-d'Antin, and at 5 rue Tronchet. He had a ten-year relationship with the writer George Sand between 1837 and 1847. In 1842, they moved together to the Square d'Orléans, at 80 rue Taitbout, where the relationship ended.

Franz Liszt also lived in Paris during this period, composing music for the piano and giving concerts and music lessons. He lived at the Hôtel de France on rue La Fayette, not far from Chopin. The two men were friends, but Chopin did not appreciate the manner in which Liszt played variations on his music. The violinist Niccolo Paganini was a frequent visitor and performer in Paris. In 1836, he made an unfortunate investment in a Paris casino, and went bankrupt. He was forced to sell his collection of violins to pay his debts.

The French composer Hector Berlioz had come to Paris from Grenoble in 1821 to study medicine, which he abandoned for music in 1824, attending the Conservatory in 1826, and won the Prix de Rome for his compositions in 1830. He was working on his most famous work, the Symphonie Fantastique, at the time of the July 1830 revolution. It had its premiere on 4 December 1830.

Charles Gounod, born in Paris in 1818, was studying composition during the July Monarchy, but had not yet written his opera Faust and his other best known works.

Photography

Boulevard du Temple, photographed by Louis Daguerre in 1838. It is one of the earliest photos to show a person; a man is standing still having his shoes shined.

Paris was the birthplace of modern photography. A process for capturing images on plates coated with light-sensitive chemicals had been discovered by Nicéphore Niépce in 1826 or 1827. After this death, the process was refined by the Paris artist and entrepreneur Louis Daguerre, who had invented the Paris Diorama. His new method of photography, called the Daguerrotype, was publicly announced to a joint meeting of the French Academy of Sciences and the Academy of Fine Arts in Paris on 19 August 1839. Daguerre gave the rights to the invention to the French nation, which offered them for free to any user in the world. In exchange Daguerre received a pension from the French state. The Daguerrotype became the most common method of photography during the 1840s and 1850s.

Amusement

Theater and the Boulevard du Crime

Jean-Gaspard Deburau as Pierrot at the Théâtre des Funambules c. 1830.

Parisians of all classes loved the theater during the July Monarchy, and lined up to see operas, dramas, comedies, melodramas, vaudeville and farce. Tickets ranged in price from ten francs for the best seats at the Italian Opera to 30 sous for a seat in the "paradis" the highest balcony, in one of the popular melodrama or variety theaters.

The Italian Opera performed at the Theâtre de la Renaissance on rue Mehul' and rue Neuve des Petits-Champs. It had two thousand seats, and all the singers and musicians were Italian.
The French Opera, or Académie royale de musique, was located on rue Pelletier, near the Italian Opera, and presented only operas in French.
The Comic Opera was located on rue Marivaux, at the Boulevard des Italiens, and presented lighter operatic works.

Portrait of Mademoiselle Rachel in the 1840s

The Comédie Française performed at the Théatre de France on rue Richelieu. Its most famous dramatic star during the July Monarchy was Mademoiselle Rachel (see below).
The Odéon theater presented classical drama and comedy, in competition with the Théâtre de France. In the 1840s its most famous star was Mademoiselle Georges who had been the leading actress of Paris theater during the Empire and the Restoration.
The Théâtre du Gymnase on Boulevard Bonne Nouvelle specialized in farce. Its most famous actor was Bouffé, considered the greatest comic actor of the period.
The Vaudeville Théâtre stood on Place de la Bourse, facing the stock exchange, and was known for light comedy.
The Porte Saint Martin on Boulevard Saint-Martin, known for melodrama and burlesque; its most famous star in 1842 was Frédérick Lemaître.
The Ambigu Comique on Boulevard Saint-Martin specialized in melodrama and vaudeville.

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Frédérick Lemaître as Don César de Bazan (1844)

In addition to these stages, there was a separate group of five theaters, mostly for working class audiences, together on the Boulevard du Temple; the Cirque Olympique, Folies Dramatiques, Théâtre de la Gaîté, Théâtre des Funambules, and the Théâtre Saqui. They were best-known for melodramas, giving that section of the street the nickname "The Boulevard of Crime". The most famous theater of that group was the Funambules, known for the performances of the Pierrot mime Jean-Gaspard Deburau, who performed there from 1819 until 1846. He and the street during that period were memorably portrayed in the 1945 film by Marcel Carné, Les Enfants du Paradis (The Children of the Paradise).

The most famous female dramatic star of the Paris theater was Rachel Félix (1821-1858), better known as Mademoiselle Rachel, a German actress who had come to the Comédie Française in Paris in 1830, and became celebrated for her dramatic roles in works of Jean Racine, Voltaire, and Pierre Corneille, particularly as Phèdre in Racine's play. The most famous male actor was Frédérick Lemaître (1800-1876), who gained fame by transforming a serious dramatic role, that of Robert Macaire, into a burlesque role. During the July Monarchy, he starred in Victor Hugo's play Ruy Blas, and in the Balzac's play Vautrin. The latter play was promptly banned by royal censors, because his wig closely resembled that of King Louis-Philippe.

Restaurants, cafes

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Parisians outside Tortoni's on the Boulevard des Italiens (1835)

File:Lami Boulevard des Italiens.jpg

the Boulevard des Italiens, the restaurant district, in the 1840s

At the beginning of the July Monarchy, the most celebrated restaurants were found in the arcades of the Palais-Royal, but by 1845 the Grands Boulevards, where the theaters were located had become the main restaurant district. The most famous and expensive restaurants in the city were lined up along the Boulevard des Italiens: Café Anglais at number 13; Café Riche at number 16; Maison dorée at number 20, and Café de Paris at number 22. It was also the home of Tortoni, known for its Italian ice creams and pastries. The Café Anglais was a frequent meeting place of the characters in Balzac's famous series of novels, La Comédie humaine.^[38]

The Guinguette

The Guinguette was a popular diversion for all classes of Parisians, especially on Sundays. These were taverns or cabarets mostly located just outside the city limits, where taxes on wine and spirits were lower; the greatest concentrations were in Montmartre, Belleville, Montrouge, and the city customs tollhouses of Barrière d’Enfer, Maine, Montparnasse, Courtille, Trois Couronnes, Menilmontant, les Amandiers, and Vaugirard. They usually had musicians and dancing on Sundays, and Parisians often brought their whole family. There were 367 in 130, of which 138 were in the city itself and 229 in the faubourgs; l496 in 1834, of which 235 were in Paris and 261 outside the city limits.^[39]

Amusement parks and pleasure gardens

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The Jardin Turc in 1831

Amusement parks had been very popular during the Restoration, but went into a decline during the July Monarchy. They were summer gardens which offered food, drinks, music, dancing, acrobats, fireworks and other entertainments for an entry fee. They went into a decline as real estate prices rose and the valuable land was sold for building lots. The best known, the Nouveau Tivoli, at 88 rue de Clichy, closed in 1842. The Jardin Turc on the rue du Temple, a popular café and summer garden, continued until the early 20th century.

The Panorama and the Diorama

The panorama was a very large realistic painting of a city or natural wonder, displayed in a circular building so that viewers, on a platform in the center, felt they were seeing real thing. The first panoramas had been introduced by the American engineer and entrepreneur Robert Fulton in the Passage des Panoramas on rue Montmartre in 1799. In 1831, the French inventor Jacques Daguerre invented the diorama, a display of two similar paintings lit by a moving lamp in such a way as to create the illusion of three dimensions. The building where the diorama was located burned in 1839, and Daguerre turned his attention to developing the new technology of photography. A new theater for panoramas was built in 1839 by the architect Jacques Ignace Hittorff, at the Carré Marigny on the Champs-Élysées to display Jean-Charles Langlois's monumental historical painting, The Burning of Moscow in 1812. The building, still standing, is now a theater located next to the Grand Palais.^[40]

Paris fashion under Louis-Philippe

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Paris dandies in 1831
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Boulevard des Italiens (1833)
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Fashion plate from Le Follet in 1839
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Women on terrace of Tortoni (1847)
892 from Modes de Paris - The Metropolitan Museum of Art.jpg

from the Journal des Tailleurs (1848)

Riots and Revolutionaries

Despite his popularity with a large part of Parisians at the beginning of the reign, Louis-Philippe almost immediately faced fierce opposition from those who wanted a republic, the abolition of the monarchy, and radical social reforms; opposition was strongest among students, the working class and members of the new socialist movement. The first riot took place in December 1830, after the trial of the ministers of Charles X; the crowd was furious that they were given life sentences, and were not sentenced to death. More riots took place in 1831 to protest against a memorial service, which was held at the church of Saint-Germain-l'Auxerrois for the duc de Berry, assassinated on 14 February 1820, during the reign of Louis XVIII. The interior of the church was pillaged, and the next day the rioters attacked the church of Notre-Dame de Bonne-Nouvelle and the palace of the Archibishop of Paris, next to the cathedral of Notre-Dame. The Archbishop's residence was badly damaged and ultimately demolished.^[41] In 1832, a conspiracy to burn the cathedral was discovered, and the plotters arrested. On June 4, 1832, the funeral procession of General Lamarque, who had died of the cholera, was turned into a massive demonstration against the government; the protesters chanted ""Long live the Republic!" and "Down with the Bourbons!". About four thousand students, workers and their supporters put up barricades in the narrow streets of the quarters of Les Lombards, Arcis, Sainte-Avoye and the Hôtel de Ville, and took control of the area of the city between Bastille and Les Halles, but there was little public support outside these neighborhoods. The students and workers resisted fiercely, but the rebellious area was gradually reduced by the army to the streets around cloister of Saint-Merri, and crushed on June 6. The state of emergency lasted until 29 June. Five thousand persons were arrested, but only eighty two were sentenced; seven were sentenced to death, with the sentences finally reduced to deportation. This event became a dramatic episode in Victor Hugo's Les Misérables. There were more demonstrations the following year, with the red flag raised on the Pont d'Austerlitz, more barricades in the Saint-Merri neighborhood, and two days of fighting between the sergents-de-ville, dragoons and the revolutionaries. There were more riots and barricades in the same neighborhood in the spring of 1834; soldiers attacked a building from which they said shots had been fired, and killed many of the demonstrators inside.^[41]

File:Attentat durch Joseph Fieschi auf König Louis-Philippe I.jpg

The 1835 attempt to assassinate Louis-Philippe on the boulevard du Temple

The most dramatic attack on the government took place on 28 July 1835, the anniversary of the July Revolution. Louis-Philippe and his generals conducted a grand review of the army and National Guard lined up along the Grand boulevards. At one o'clock in the afternoon, as the Louis-Philippe and his entourage were passing the Café Turc on the boulevard du Temple, an "infernal machine" of multiple gun barrels was fired from a window. Maréchal Mortier, duc de Trévise riding with the king was killed, and six generals, two colonels, nine officers and twenty-one spectators were wounded, some mortally. The king was grazed by a projectile, but gave the order to continue the parade. The organizer of the attack, Giuseppe Marco Fieschi, and his two accomplices were arrested and later guillotined.^[41] These were not the last attacks on the Louis-Philippe: there was another attempt to shoot him in 1836, two in 1840, and two more in 1846, including one shooting attempt by a gunman while he was greeting the crowd in the Tuileries gardens from the balcony of the palace.

An attempted coup d'état took place in May 1839 in the center of the city, led the radical republican Armand Barbés and socialist Auguste Blanqui. On the afternoon of 12 May, about a thousand revolutionaries took up weapons and set out to seize the prefecture of police, the Châtelet, the Palais de Justice, and the Hôtel de Ville. They failed to capture the prefecture of police, and by the end of the afternoon the regular army, municipal police and national guard had arrested most of the revolutionaries. The leaders were imprisoned until the end of the regime.^[42]

Paris under Louis-Philippe also became a magnet for revolutionaries from other countries: Karl Marx moved to Paris in October 1843, and lived at 23 rue Vaneau, where his daughter Jenny was born,and later at number 38 on the same street. He became the editor of radical leftist German newspapers Deutsch–Französische Jahrbücher and Vorwärts!. The famous Russian anarchist and revolutionary, Mikhail Bakunin, was also an editor of the Jahrbücher. On 28 August 1844, Marx met for the first time his future collaborator, Friedrich Engels, at the Café de la Régence at the Palais-Royal, a café renowned for the international chess masters who regularly played there. At the request of Frederick William IV, King of Prussia, Marx was expelled from France in April 1845. He then moved to Brussels.

The Revolution of 1848

File:Les Poires, Honoré Daumier (1831).jpg

Caricature of Louis-Philippe turning into a pear, by Honoré Daumier (1831) Political caricatures were banned in 1835.

The workers of Paris, especially those who had come from the provinces seeking work, were also increasingly dissatisfied with the government of Louis-Philippe. They complained of rising prices, low wages, and unemployment, and began to organize, and to go on strike. The workers on the new sewers were the first to strike, on 4 August 1832, followed by carpenters, then those working in wallpaper and garment factories. A period of economic growth calmed the unrest for a time but, in 1846-1847, a new economic crisis hit France, a shortage of credit and money for investment caused by the excessive speculation in the new railroads. Unemployment and the number of strikes increased, and confidence in the government's promises of prosperity fell.

The dominant issue that brought many Parisians into conflict with the government was the right to vote, which was limited to only the wealthiest citizens. Only a third of the members of the National Guard (Garde nationale), the main defense force of the regime in Paris, had the right to vote. The conservative government, with Louis-Philippe's support, refused to broaden the number of voters. Nonetheless, in the elections for the Chamber of Deputies in July 1842, the conservatives and monarchists kept a majority in the country but, in Paris, ten of the twelve new members belonged to the opposition, two of them being republicans. In the elections of 1846, out of 14,000 votes cast in Paris, more than nine thousand went to opposition candidates. Increasingly, the Parisians were more critical of Louis-Philippe's government than the rest of the country.^[43]

File:Banquet du Château-Rouge (9 juillet 1847).JPG

the first opposition banquet in the park of Château-Rouge (9 July 1847)

On 9 July 1847, the members of the opposition launched a new tactic to demand change in the electoral system; they held a large banquet in the park of the Château Rouge (now in the quartier du Château Rouge, in the 18th arrondissement), rue Clignancourt. The banquet was attended by twelve hundred persons, including eighty-six deputies. After this event, other opposition banquets were held in each of the arrondissements, and in cities around the country. One banquet was followed by a march of two to three thousand students under rain from the Madeleine and the place de la Concorde. The government, under Guizot, the Minister of the Interior, banned any further banquets and similar demonstrations, and called on the Garde nationale to enforce the order. The Garde nationale, sympathetic to the opposition, refused to move, and instead chanted "Long live reform!" and "Down with Guizot!"

The poet Lamartine proclaims the Second Republic at the Hôtel de Ville (25 February 1848)

In the evening of 23 February 1848, a large crowd supporting the opposition gathered at the corner of rue Neuve des Capucines (since 1861 rue des Capucines) and boulevard des Capucines, in front of the now demolished Hôtel de Wagram, which housed the Ministry of Foreign Affairs. At ten o'clock, at the sound of a gunshot, the battalion of soldiers of the 14e Régiment d'infanterie de ligne guarding the building opened fire, killing 52 persons. At the news of the shooting, the leaders of the opposition called for an immediate uprising. On 24 February, one thousand five hundred barricades went up all over Paris, many of them manned by soldiers of the Garde nationale. The commander of the regular army in Paris, Maréchal Bugeaud, refused to give the order to open fire on the barricades. Louis-Philippe abdicated in favor of his nine-year-old grandson, Prince Philippe, Count of Paris. But at the same time, a large crowd had invaded the Chamber of Deputies and called for a provisional government. A republican, Louis-Antoine Garnier-Pagès, was named new mayor of Paris. On 25 February 1848, the poet Alphonse de Lamartine proclaimed the Second Republic, and urged the crowd to keep the tricolor, rather than adopting the red flag as the national symbol. Another crowd invaded the Tuileries Palace, seized the royal throne, carried it to place de la Bastille, and burned it at the foot of July Column. Louis-Philippe (under disguise, and as "Mr. Smith") and his family left the palace on foot through the garden of the Tuileries, and reached the place de la Concorde. There they climbed into two carriages, and, with Louis-Philippe driving one carriage with three of his sons, fled Paris via the quay of the Seine and took refuge in Dreux. On 2 March, the ex-king embarked at Le Havre for England where he lived in exile with his family until his death on 26 August 1850.^[44]

Chronology

1830
- 25 February – Pandemonium in the audience at the Théâtre Français, between the supporters of the classical style and those of the new romantic style, during the first performance of Victor Hugo's romantic drama Hernani.
- 16 March – Two hundred twenty deputies send a message to king Charles X criticizing his governance.
- July – First vespasiennes, or public urinals, also serving as advertising kiosks, appear on Paris boulevards.
- 25 July – Charles X issues ordinances dissolving the national assembly, changing the election law and suppressing press freedom.

File:L'avènement de Louis-Philippe.jpg

Louis-Philippe welcomed at the Hôtel de Ville (31 July 1830)

- 27–29 July – The Trois Glorieuses, three days of street battles between the army and opponents of the government. The insurgents install a provisional government in the Hôtel de Ville. Charles X leaves Saint-Cloud, his summer residence.
- 31 July – Louis-Philippe comes to the balcony of the Hôtel de Ville and is presented to the crowd by the Marquis de Lafayette
- 9 August – the Duke of Orléans, Louis-Philippe, is sworn as King of the French (Roi des Français).
1831
- Population – 785,000^[45]
- 27 July – First stone laid of the July Column at the center of Place de la Bastille, honoring those killed during the 1830 revolution.
- 31 October – Louis Philippe moves from the Palais-Royal to the Tuileries Palace.
- Victor Hugo's novel Hunchback of Notre-Dame published, reviving interest in medieval Paris.
1832
- 19 February. First deaths from cholera epidemic. Between 29 March and 1 October, the disease kills 18,500 persons.^[46]
- Femme Libre, a feminist pamphlet, published in Paris.
- The illustrated Le Charivari, a satirical newspaper begins publication.
1833
- Society of Saint Vincent de Paul founded.
1834
- 30 October – The pont du Carrousel is inaugurated.
1835
- 28 July – Assassination attempt on Louis-Philippe by Giuseppe Marco Fieschi, using an "infernal machine" of twenty gun barrels firing at once, as the king is riding on the Boulevard du Temple, in the celebration of his coming to power in July 1830. The king and his sons are unharmed, but eighteen persons are killed, among them Maréchal Mortier, duc de Trévise
1836