Portal:Textile arts

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

Template:/box-header

Portrait illustrates the practical, decorative, and social aspects of the textile arts
The textile arts are those arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles cover the human body to protect it from the elements and to send social cues to other people. Textiles are used to store, secure, and protect possessions, and to soften, insulate, and decorate living spaces and surfaces.

The word textile is from Latin texere which means "to weave", "to braid" or "to construct". The simplest textile art is felting, in which animal fibers are matted together using heat and moisture. Most textile arts begin with twisting or spinning and plying fibers to make yarn (called thread when it is very fine and rope when it is very heavy). Yarn can then be knotted, looped, braided, knitted or woven to make flexible fabric or cloth, and cloth can be used to make clothing and soft furnishings. All of these items – felt, yarn, fabric, and finished objects – are referred to as textiles.

Textiles have been a fundamental part of human life since the beginning of civilization. The history of textile arts is also the history of international trade. Tyrian purple dye was an important trade good in the ancient Mediterranean. The Silk Road brought Chinese silk to India, Africa, and Europe. Tastes for imported luxury fabrics led to sumptuary laws during the Middle Ages and Renaissance. The industrial revolution was a revolution of textiles technology: cotton gin, the spinning jenny, and the power loom mechanized production and led to the Luddite rebellion.

More about Textile arts...

Template:/box-footer

Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.       
Traditional loom work by a woman in Konya, Turkey
Credit: Randy Oostdyk

A loom is a machine or device for weaving thread or yarn into textiles. Looms can range from very small hand-held frames, to large free-standing hand looms, to huge automatic mechanical devices. A loom can also refer to an electrical cable assembly or harness i.e. wiring loom. In practice, the basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.

Eli Whitney (December 8, 1765 – January 8, 1825) was an American inventor best known as the inventor of the cotton gin. This was one of the key inventions of the industrial revolution and shaped the economy of the antebellum South. Whitney's invention made short staple cotton into a profitable crop, which strengthened the economic foundation of slavery. Despite the social and economic imact of his invention, Whitney lost his profits in legal battles over patent infringement, closed his business, and nearly filed bankruptcy. Afterward Whitney became a firearms manufacturer who supplied muskets to the United States government. He spent the remainder of his career promoting the idea of interchangeable parts for the manufacture of firearms. Although he was not the first to propose the concept of interchangeable parts and never developed a working system of interchangeable parts, he popularized the idea as a useful manufacturing concept. In order to justify the sale price of his contracted firearms to the government he developed improvements in cost accounting that included fixed costs that had gone overlooked in federal estimates for price comparison.

Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.

Byzantine silk with quadriga (four-horse chariot)


Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.       
Detail of a Byzantine silk with a pattern of quadrigas (four-horse chariots) in roundels, from the tomb of Charlemagne, Aachen.  Musée National du Moyen Age, Cluny, Paris
Byzantine silk is silk woven in the Byzantine Empire (Byzantium) from about the 4th century until the Fall of Constantinople in 1453.

The Byzantine capital of Constantinople was the first significant silk-weaving center in Europe. Silk was one of the most important commodities in the Byzantine economy, used by the state both as a means of payment and of diplomacy.[1] Raw silk was bought from China and made up into fine fabrics that commanded high prices throughout the world. Later, silkworms were smuggled into the empire and the overland silk trade gradually became less important. After the reign of Justinian I, the manufacture and sale of silk became an imperial monopoly, only processed in imperial factories, and sold to authorized buyers.[1] Byzantine silks are significant for their brilliant colours, use of gold thread, and intricate designs that approach the pictorial complexity of embroidery in loom-woven fabric.[2] Byzantium dominated silk production in Europe throughout the Early Middle Ages, until the establishment of the Italian silk-weaving industry in the 12th century and the conquest and break-up of the Byzantine Empire in the Fourth Crusade (1204).

Template:/box-header

Template:/box-footer

Template:/box-header

Parent project

Wikipedia:WikiProject Arts

WikiProjects
Main project

Textile Arts WikiProject

Participants
Related projects

WikiProject Fashion  • WikiProject Knots  • WikiProject Sculpture  • WikiProject Visual arts

What are WikiProjects?

Template:/box-footer

Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.

As for my money, I gave it all to my mistress-nurse, as I called her, and told her she should have all I got for myself when I was a gentlewoman, as well as now. By this and some other of my talk, my old tutoress began to understand me about what I meant by being a gentlewoman, and that I understood by it no more than to be able to get my bread by my own work; and at last she asked me whether it was not so.
I told her, yes, and insisted on it, that to do so was to be a gentlewoman; 'for,' says I, 'there is such a one,' naming a woman that mended lace and washed the ladies' laced-heads; 'she,' says I, 'is a gentlewoman, and they call her madam.'
"Poor child,' says my good old nurse, 'you may soon be such a gentlewoman as that, for she is a person of ill fame, and has had two or three bastards.'

Template:/box-header

Featured article star.png

User:JL-Bot/Project content

Featured articles

<templatestyles src="Div col/styles.css"/>
2

Good articles

<templatestyles src="Div col/styles.css"/>
2


Template:/box-footer

Template:/box-header

Textile arts
Main topics

Fundamentals:CrochetEmbroideryKnittingLaceNeedleworkSewingSpinningTextileWeavingYarn

Additional topics: BeadworkCarpetClothingDyeingFeltFiberHistory of clothing and textilesLinenMacraméPatchworkQuiltingRug makingSewing needleTapestryTimeline of clothing and textiles technologyTraditional rug hookingWool

Template:/box-footer

Template:/box-header {{Wikipedia:WikiProject Textile Arts/to do}} Template:/box-footer

Template:/box-header

Portal:Arts
Portal:Culture
Portal:Fashion
Portal:Visual arts
Arts Culture Fashion Visual arts

Template:/box-footer

Template:/box-header

Textile Arts on Wikinews     Textile Arts on Wikiquote     Textile Arts on Wikibooks     Textile Arts on Commons
News Quotations Manuals & Texts Images
Wikinews-logo.svg
Wikiquote-logo.svg
Wikibooks-logo.svg
Commons-logo.svg

Template:/box-footer

  1. 1.0 1.1 Laiou, Angeliki. "Exchange and Trade". In Laiou (2002), p. 703
  2. Schoeser (2007), p. 27