Rainer Crone

Rainer Crone is University Professor emeritus of Contemporary Art and History of Film at Ludwig Maximilian University in Munich and a specialist in the art of Andy Warhol. He has previously taught at Yale University, the University of California, Berkeley, Columbia University, and New York University.

Andy Warhol

He is known for writing the first catalogue raisonné of the artist which was published in July 1970. This was based on the research for his doctorate at University of Hamburg, and was funded by a two-year doctoral grant from the German government, without commercial backing or financial support from any individuals or galleries. Crone began working with Andy Warhol in 1968, and continued working with Warhol on numerous books and projects until the artist’s death in 1987. Crone's first catalogue raisonné and his PhD thesis still only available in German are regarded as the first European scholarly response to the work of Andy Warhol.

In January 1970 Warhol and Crone discussed which painting should be used for the cover of the raisonné of his work. The artist suggested a Red Self-Portrait, which had been recently acquired by Warhol's largest European dealer and Interview magazine co-owner Bruno Bischofberger and signed, dated and dedicated to "Bruno B." Warhol provided an Ektrachrome of this work which used for the cover of the 1970 raisonne and its 1972 revised edition, and 1976 edition which listed this Red Self Portrait as entry #169. The Andy Warhol Foundation has refused to authenticate this work as it was produced by someone else on Warhol's instructions. Warhol signed the work and authorized its inclusion in the first catalogue raisonné. Crone argues that it should be considered an authentic Warhol.

In 1985 Crone, along with James Beck and Meyer Schapiro, was cofounder of the International Associates for Contemporary Art (I.A.C.A). Other founding members of the I.A.C.A included Eli Broad. The artists committee of the I.A.C.A included Georg Baselitz, John Baldessari, Richard Hamilton (artist), Jasper Johns, Donald Judd, Anish Kapoor, Alex Katz, Roy Lichtenstein, Robert Mapplethorpe, Claes Oldenburg, Robert Rauschenberg, Julian Schnabel, Frank Stella and Richard Serra. The I.A.C.A was replaced by ICCARUS in 1992.

More about I.A.C.A.

The International Associates for Contemporary Art - I.A.C.A. (1985 to 1991) was the first curatorial program, recognized globally, as part of a major educational institution, the Department of Art History and Archeology, with its own exhibition spaces, the Miriam and Ira D. Wallach Art Gallery, at Columbia University in New York. I.A.C.A. was founded in 1985 by Rainer Crone - today University Professor, Ludwig Maximilian University, Munich - then Associate Professor of Art History, Chair of Contemporary Art, James Beck, then Professor and Chaiman of the Department of Art History and Archeology. Honorary founding member was late Meyer Schapiro, then University Professor Emeritus of Art History.

During these years, Rainer Crone integrated in his theoretically oriented seminars a direct contact and discourse with emerging and prominent personalities of the world in contemporary art of New York City and beyond. Crone supported with these initiatives his students’ approaches towards the contemporary art scene.

For his students Crone organized visits in many artists’ studios as Roy Lichtenstein, Donald Judd, Richard Serra, Claes Oldenburg, Richard Prince, Roni Horn, Philip Taaffe, Eric Fischl, David Salle, Julian Schnabel, Peter Halley and many others as well as lectures by same artists for Columbia's academic and interested community in the lecture on Campus. Through I.A.C.A.’s program, Crone guided students through museums, biennales and artfairs, as well arranged visits to major private collections on the East and West coast.

One of its major significant result of Crone’s curatorial and pedagogic initiatives can be seen in the legendary thematic exhibition Similia/Dissimilia, conceived and organized by Crone in collaboration with his students (1986–87), presenting an early contemporary section (1960 to 1966) of leading formative artists as Donald Judd, Joseph Beuys, Alighiero Boetti, John Chamberlain, Eva Hesse, Robert Ryman, Jasper Johns, Yves Klein et al. with yet unexhibited examples of their early work, along with younger talents, who then became eventually recognized personalities as Francesco Clemente, Peter Halley, Roni Horn, Anish Kapoor, Imi Knoebel, Tim Rollins & K.O.S., Philip Taaffe, Rosemarie Trockel, Georg Herold et al.

The theoretically inclined and very contemporary discourse this exhibition was trying to address and to respond to was inspired by the most recent developments in contemporary art of the early Eighties (like Cindy Sherman, Richard Prince, Jeff Koons, Anish Kapoor, Robert Gober, Joseph Kosuth, Terry Winters, John Chamberlain et al.)

This international show was first hosted in the US - Miriam and Ira D. Wallach Art Gallery at Columbia University, Ileana Sonnabend Gallery and Leo Castelli Gallery in New York - and subsequently in Europe at Kunsthalle Düsseldorf, Germany.

HONORAY FOUNDING MEMBER
Meyer Schapiro, University Professor Emeritus

FOUNDING MEMBERS
Richard Brown Baker
Flora M. Biddle
Nelson Blitz, Jr.
Mr. and Mrs. Eli Broad
Charles Cowles
Douglas S. Cramer
Mr. and Mrs. W. Dannheisser
Asher B. Edelman
Ronald Feldman
Frederick D. Hill
Caroll Janis
Linda Janovic
Raymond Learsy
Vera G. List
Ned S. Low
Lewis Manilow
Mrs. Barnett Newman
Mr. and Mrs. Richard Plehn
Cynthia Hazen Polsky
Mr. and Mrs. Milton S. Rosenthal
Dr. and Mrs. Donald Rubell
Mr. and Mrs. Rudolph Schulhof
Miriam G. Wallach

EXECUTIVE COMMITTEE
James Beck, Chairman, Department of Art History and Archeology, Columbia University
Rainer Crone, Executive Director
Arthur C. Danto
Julian Hochberg
Joseph Kuhn
Andreas Huyssen
Barbara Novak

Bibliography

Academic books

• Crone, Rainer. Andy Warhol. New York: Praeger, 1970. (translated from the German by John William Gabriel) OCLC 105846. in 438 libraries according to
• Crone, Rainer, and Wilfried Wiegand. Die revolutionäre Ästhetik Andy Warhol's. Darmstadt: Melzer, 1972. OCLC 2693966
• Crone, Rainer. Bildnerische Werk Andy Warhols. Berlin: Wasmuth, 1976 OCLC 7398701
• Crone, Rainer, and Andy Warhol. Andy Warhol: d. frühen Werke, 1942-1962. [Stuttgart]: Cantz, 1987. ISBN 9783922608783
• Crone, Rainer, and Petrus Schaesberg. Louise Bourgeois: The Secret of the Cells. Munich ; New York : Prestel, c1998 ISBN 9783791316109. In 373 libraries according to
• Crone, Rainer, Kazimir Severinovich Malevich, and David Moos. Kazimir Malevich: The Climax of Disclosure. Chicago: University of Chicago Press, 1991. in 498 libraries according to
  • • Review in TLS, the Times literary supplement. no. 4957, (1998): 33
    • Review by Darra Goldstein; Slavic Review, Winter, 1992, vol. 51, no. 4, p. 853-854
    • Review by John Milner; The Slavonic and East European Review, Jul., 1992, vol. 70, no. 3, p. 544-545
    • Review by John E Bowlt; Russian Review, Jul., 1993, vol. 52, no. 3, p. 424-425
    • Review by Jeremy Howard; The Burlington Magazine, Aug., 1998, vol. 140, no. 1145, p. 569-570
• Crone, Rainer. Similia/Dissimilia. New York: Rizzoli, 1988. ISBN 9780847809226
• Crone, Rainer, and Joseph Leo Koerner. Paul Klee: Legends of the Sign. New York: Columbia University Press, 1991. in 498 libraries according to
  • Translated into Japanese as Pauru Kurē kigō o meguru densetsu ISBN 9784002601779
    • Review by Brown, Maurice, 1992. "Review of Paul Klee: Legends of the Sign". Journal of Aesthetic Education. 26, no. 3: 120-121.
• Crone, Rainer. Rodin: Eros and creativity. Munich: Prestel, 2006. ISBN 379133719X
• Crone, Rainer, Nikolaus Hipp, Petrus Schaesberg, and Gabriela von Habsburg. Lyrical Worlds : the Painting of Nikolaus Hipp / Michael Foster. Regensburg: Schnell & Steiner, 1998. ISBN 9783795412111
• Crone, Rainer. Stanley Kubrick, Drama & Shadows: Photographs 1945-1950. Berlin: Phaidon Press Ltd., 2005. ISBN 9780-7-1484-438-1

Exhibition catalogues

• Crone, Rainer, and David Moos. Objet/objectif: relecture des choses dans la sculpture contemporaine. Paris: Daniel Templon, 1989.