Ruggero Deodato
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| Ruggero Deodato | |
|---|---|
| File:Ruggero Deodato Cannes 2008.JPG
Ruggero Deodato at the 2008 Cannes Film Festival
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| Born | 7 May 1939 Potenza, Basilicata, Italy |
| Died | Script error: The function "death_date_and_age" does not exist. Rome, Italy |
| Other names | Monsieur Cannibal |
| Occupation | Film director, screen writer, actor |
| Years active | 1959–2022 |
| Height | 1.70 m (5 ft 7 in) |
| Spouse(s) | Silvia Dionisio (m. 1971–79) |
| Partner(s) | Micaela Rocco |
| Children | 2 |
Ruggero Deodato (7 May 1939 – 29 December 2022) was an Italian film director, screenwriter, and actor.
His career spanned a wide-range of genres including peplum, comedy, drama, poliziottesco, and science fiction, yet he is perhaps best known for directing violent and gory horror films with strong elements of realism. His most notable film is Cannibal Holocaust, considered one of the most controversial and brutal in the history of cinema, which was seized, banned or heavily censored in many countries,[1] and which contained special effects so realistic that they led to Deodato being arrested on suspicion of murder. It is also cited as a precursor of found footage films such as The Blair Witch Project and The Last Broadcast.[1] The film strengthened Deodato's fame as an "extreme" director and earned him the nickname "Monsieur Cannibal" in France.[2]
Deodato was an influence on film directors like Oliver Stone, Quentin Tarantino and Eli Roth.[3][4]
Contents
Biography
Early life and career
Deodato was born in Potenza, Basilicata, and moved to Rome with his family as a child. He went to Denmark and started as a musician playing piano and conducting a small orchestra at 7 years old. Once back to Italy, he quit music after his private teacher sent him away for playing by ear.[5]
Deodato grew up on a farm and at eighteen grew up in the neighborhood where Rome's major film studios are located. Through a friendship with the son of Rossellini, it was there that he learned how to direct under Roberto Rossellini and Sergio Corbucci; he helped to make Corbucci's The Slave and Django as an assistant director. Later on in the 1960s, he directed some comedy, musical, and thriller films, before leaving cinema to do TV commercials. In 1976 he returned to the big screen with his ultra-violent police flick Live Like a Cop, Die Like a Man.
In 1977 he directed a jungle adventure called Last Cannibal World (also known as Jungle Holocaust) starring British actress Me Me Lai with which he 'rebooted' the cannibal film / mondo genre started years earlier by Italian director Umberto Lenzi.[6]
Success and controversies
Late in 1979 he returned to the cannibal subgenre with the incredibly controversial Cannibal Holocaust.[7] The film was shot in the Amazon Rainforest for a budget of about $100,000, and starred Robert Kerman, Francesca Ciardi, and Carl Gabriel Yorke. The film is a mockumentary about a group of filmmakers who go into the Amazon Rainforest and subsequently stage scenes of extreme brutality for a Mondo-style documentary. During production, many cast and crew members protested the use of real animal killing in the film, including Kerman, who walked off the set.[citation needed]
Deodato created massive controversy in Italy and all over the world following the release of Cannibal Holocaust, which was wrongly claimed by some to be a snuff film due to the overly realistic gore effects. Deodato was arrested on suspicion of murder, and was subsequently forced to reveal the secrets behind the film's special effects and to parade the lead actors before an Italian court in order to prove that they were still alive.[8] Deodato also received condemnation, still ongoing, for the use of real animal torture in his films. Despite the numerous criticisms, Cannibal Holocaust is considered a classic of the horror genre and innovative in its found footage plot structure.[9]
Deodato's film license was temporarily revoked and he would not get it back until three years later, which then allowed him to release his 1980 thriller The House on the Edge of the Park, which was the most censored of the 'video nasties' in the United Kingdom for its graphic violence. His Cut and Run is a jungle adventure thriller, containing nudity, extreme violence and the appearance of Michael Berryman as a crazed, machete-wielding jungle man.
Late career
In the 1980s, he made some other slasher/horror films, including Body Count, Phantom of Death and Dial Help. In the 1990s he turned to TV movies and dramas with some success. In 2007, he made a cameo appearance in Hostel: Part II in the role of a cannibal.
Deodato made about two dozen films and TV series, his films covering many different genres, including many action films, a western, a barbarian film and even a family film called Mom I Can Do It. He was also helping to develop a cannibal-themed video game called Borneo: A Jungle Nightmare.[10]
Personal life and death
Deodato was married to actress Silvia Dionisio from 1971 to 1979. He had a son from the marriage. His partner was Micaela Rocco.
In 2019, the filmmaker was honored with a documentary about his life and career called Deodato Holocaust.[11] Directed by Brazilian filmmaker Felipe M. Guerra, it was released in May of that year at the Fantaspoa Film Festival, in Brazil, with the presence of Ruggero. The documentary consists of a series of interviews that Guerra made with the Italian director, edited with images from Deodato's movies and personal photos. In 2021, Deodato Holocaust was released on Blu-Ray in Sweden and Germany.
Deodato died on 29 December 2022, at the age of 83.[12]
Unrealized projects
Throughout his career, Deodato was attached to a number of projects which either did not come to fruition or, for various reasons, were assigned to other directors. He was initially attached to The New York Ripper (Lucio Fulci), The Last Shark (Enzo G. Castellari), Casablanca Express (Sergio Martino) and Amazonia: The Catherine Miles Story (Mario Gariazzo).
Unmade projects included a snake thriller, Rattles, and a sequel to Cannibal Holocaust entitled Cannibal Fury, which was to enter production in 1983.
Filmography
As director
| Year | Title | Notes |
|---|---|---|
| 1964 | Hercules, Prisoner of Evil | Also known as Ursus, the Terror of the Kirghiz |
| 1968 | Phenomenal and the Treasure of Tutankhamen | |
| 1969 | Zenabel | Also known as Gräfin der Lust |
| 1975 | Waves of Lust | Also known as Una ondata di piacere (English: A Wave of Pleasure) and Loves of a Nympho |
| 1976 | Live Like a Cop, Die Like a Man | Also known as Uomini si nasce poliziotti si muore (English: Born a Man, Die a Cop) |
| 1977 | Jungle Holocaust | Also known as Ultimo mondo cannibale (English: The Last Cannibal World) |
| 1978 | Last Feelings | Also known as L'ultimo sapore dell'aria |
| 1979 | Concorde Affaire '79 | Also known as The Concorde Affair |
| 1980 | Cannibal Holocaust | |
| The House on the Edge of the Park | Also known as La casa sperduta nel parco and Trap for a Rapist | |
| 1983 | Raiders of Atlantis | Also known as I predatori di Atlantide and Atlantis Interceptors |
| 1985 | Cut And Run | Also known as Inferno in dirreta (English: Hell....Live!) Also known as Amazonia, The White Jungle |
| 1987 | Body Count | Also known as Camping del terrore and Camping Terror |
| The Barbarians | Also known as The Barbarians and Company | |
| 1988 | Phantom of Death | Also known as Un delitto poco comune (English: An Unusual Crime), and Off Balance |
| Dial Help | Also known as Ragno gelido (English: Frozen Spider) and Minaccia d'amore (English: Menace of Love) | |
| 1993 | The Washing Machine | Also known as Vortice Mortale |
| 1998 | Sotto il cielo dell'Africa | |
| 2004 | Padre Speranza | |
| 2016 | Ballad in Blood | |
| 2019 | Deathcember | segment Casetta Sperduta in Campagna[13] |
As actor
| Year | Title | Role |
|---|---|---|
| 2007 | Hostel: Part II | The Italian Cannibal |
| 2010 | Red Warlock - Awakening | Client |
| 2013 | Chimères | Butcher |
Video games
| Year | Title | Role |
|---|---|---|
| 2022 | Borneo: A Jungle Nightmare | Script Director |
References
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Bibliography
- Harvey Fenton, Julian Grainger, Gian Luca Castoldi, Cannibal Holocaust: And the Savage Cinema of Ruggero Deodato, FAB Press, 1999
