It lasted from around 3100 to 2000 BCE and is most famous for its gallery grave megalithic tombs which incorporate a port-hole slab separating the entrance from the main burial chamber. In the chalk valley of the River Marne rock-cut tombs were dug to a similar design. Some have examples of megalithic art with images of axes, breasts and necklaces carved on their walls.
Diagnostic artefacts include transverse arrowheads, antler sleeves and crude, flat-based cylindrical and bucket-shaped pottery decorated with appliqué cordons. The SOM culture had trade links with neighbouring cultures enabling the use of Callaïs and Grand Pressingy flint imported from Brittany and the Loire and later, the use of copper.
The culture seems to have had strong links with other areas and may have arisen from a composite of influences as indicated by the gallery grave design common across Europe and the pottery types which have comparators in Western France from 2600BC and also in Brittany, Switzerland and Denmark.
- Joussaume, Roger Dolmens for the Dead Batsford Ltd (Jan 1988) ISBN 978-0-7134-5369-0 p. 141–142