They Made Me a Fugitive

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They Made Me a Fugitive
File:Theymade.jpg
American release poster
Directed by Alberto Cavalcanti
Produced by Nat Bronstein
Written by Noel Langley
Jackson Budd (novel)
Starring Trevor Howard
Sally Gray
Music by Marius-François Gaillard
Cinematography Otto Heller
Edited by Marjorie Saunders
Reginald Beck (sup)
Production
company
A. R. Shipman Productions/
Alliance Films
Distributed by Warner Bros.
Release dates
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  • 24 June 1947 (1947-06-24) (UK)
  • 6 March 1948 (1948-03-06) (U.S.)
Running time
99 min.
Country United Kingdom
Language English

They Made Me a Fugitive (released in the US as I Became a Criminal) is a 1947 British film noir set in postwar England.[1][2]

Based on the Jackson Budd novel A Convict has Escaped, the black-and-white film was directed by Alberto Cavalcanti (credited as just Cavalcanti), with brooding and atmospheric cinematography by noted cameraman Otto Heller. The script was written by playwright Noel Langley, one of the screenwriters of The Wizard of Oz.

Plot

Clem Morgan, demobilised from the Royal Air Force and unemployed after the war, is drawn into the world of crime. His psychopathic crime boss Narcy (short for Narcissus) deals in the black market, transporting goods in coffins to his headquarters in a funeral parlour. Clem finds the activity harmless enough, until one day he finds drugs in the latest coffin. Clem objects and tells his girlfriend that he will quit after one last job that night, the looting of a warehouse. Narcy betrays him, triggering the burglar alarm while he is inside. Clem manages to get back in the car before his associates drive off. When Narcy orders the driver to run down a policeman, Clem grabs the wheel in an unsuccessful attempt to save the man's life and the car crashes into a lamppost. Narcy knocks him unconscious and has him moved to the driver's seat before fleeing.

Clem is convicted and imprisoned, but escapes and evades a country-wide man hunt as he seeks revenge.

Cast

Reception

According to trade papers, the film was a "notable box office attraction" at British cinemas in 1947.[3]

References

  1. Variety film review; 2 July 1947, page 13.
  2. Harrison's Reports film review (14 February 1948), page 26
  3. Robert Murphy, Realism and Tinsel: Cinema and Society in Britain 1939-48 2003 p209

External links


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