Wandjina

For the ABC-TV series, see Wandjina!

Wandjina rock art

In Aboriginal mythology, the Wandjina were cloud and rain spirits who, during the Dreamtime, created or influenced the landscape and its inhabitants. When they found the place they would die, they painted their images on cave walls and entered a nearby waterhole. The Wandjina style dates from around 3800 B.P., following the end of a millennium long drought that gave way to a wetter climate characterised by regular monsoons.

Today, certain Aboriginal people of the Mowanjum tribes repaint the images to ensure the continuity of the Wandjina's presence. Annual repainting in December or January also ensures the arrival of the monsoon rains, according to Mowanjum belief. Repainting has occurred so often that at one site the paint is over 40 layers deep. The painting style evolves during this process: the figures of recent years are stockier and some now possess eyelashes.

The Wandjina paintings have common colors of black, red and yellow on a white background. They appear alone or in groups, vertically or horizontally depending on the dimensions of the rock, and can be depicted with figures and objects like the Rainbow Serpent or yams. Common composition is with large upper bodies and heads that show eyes and nose, but typically no mouth. Two explanations have been given for this: they are so powerful they do not require speech and if they had mouths, the rain would never cease. Around the heads of Wandjina are lines or blocks of color, depicting lightning, clouds or rain. The Wandjina can punish those who break the law with floods, lightning and cyclones. The paintings are still believed to possess these powers and therefore are to be approached and treated respectfully. Each site and painting has a name.

In 2007, graffiti depictions of Wandjina appeared in Perth, Western Australia. Styles ranged from stencil-work to a spray painted Wandjina driving a pink car. Using Flickr and blogs, several people engaged in 'Wandjina watching', documenting the Wandjina graffiti they found. These 'wandering Wandjina' angered and upset some Aboriginals who said that only certain of their people are permitted to depict the Wandjina, without saying who these people are. A short film, Who Paintin' Dis Wandjina, discussed the Aboriginal reaction.

Images of the Wandjina are displayed on the walls of the Ringwood Magistrates Court in Victoria, these are referenced as the National Gallery of Victoria

We tend to believe ancient myths because we aren’t given an argument otherwise. Here are some disagreements as to why Wandjina Petroglyphs and the belief that they are extraterrestrials are unrealistic. Since the belief that Wandjina were supreme spirits many people automatically belief this is real. According to, Santiago Guimares people have associated “big heads”, whether through paintings, petroglyphs, and writings, to the identification of aliens. Since all the petroglyphs have large upper bodies and heads people assume they are aliens because of the representations aliens have in film and literature. The reason these drawings could be drawn as so, is the idea of a religious belief system. Many aboriginals, may have been told to believe that the Wandjina have large heads. This could have potentially been fabricated by the higher ranked inhabitants of the community. Besides a religious belief system, there are many reasons why the Wandjina could have been fabricated. This including; nationalism with other european countries, fame, and money.

See also

• Indigenous Australian art
• List of Stone Age art