Wren Day

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Wren Day, also known as Wren's Day, Day of the Wren, or Hunt the Wren Day (Irish: Lá an Dreoilín), is celebrated on 26 December, St. Stephen's Day. The tradition consists of "hunting" a fake wren and putting it on top a decorated pole. Then the crowds of mummers, or strawboys, celebrate the wren (also pronounced wran)[1] by dressing up in masks, straw suits, and colourful motley clothing. They form music bands and parade through towns and villages. These crowds are sometimes called wrenboys.


Wrenboys on St. Stephen's Day in Dingle, Ireland.

In past times and into the 20th century, an actual bird was hunted by wrenboys on St. Stephen's Day. The captured wren was tied to the wrenboy leader's staff. It would be kept alive, as the popular mummers' parade song states, "A penny or tuppence would do it no harm". The song, of which there are many variations, asked for donations from the townspeople. Often the boys gave a feather from the bird to patrons for good luck. The money was used to host a dance for the town that night. The pole, decorated with ribbons, wreaths and flowers, and the wren, was the centre of the dance. Over time, the live bird was replaced with a fake one that is hidden rather than chased. The band of young boys has expanded to include girls, and adults often join in. The money collected from the townspeople is usually donated to a school or charity. A celebration is still held around the decorated pole.

Similar traditions of hunting the wren have been performed on the Isle of Man on Boxing Day and in Pembrokeshire, Wales on Twelfth Day (6 January)[2] and, on the first Sunday of December in parts of Southern France, including Carcassonne. [3] The custom has been revived in Suffolk by Pete Jennings and the Old Glory Molly Dancers and has been performed in the village of Middleton every Boxing Day evening since 1994.[4]


The Celtic theory

The wren celebration may have descended from Celtic mythology.[5] Ultimately, the origin may be a Samhain or midwinter sacrifice and/or celebration, as Celtic mythology considered the wren a symbol of the past year (the European wren is known for its habit of singing even in mid-winter, and its name in the Netherlands, "winter king," reflects this); Celtic names of the wren (draouennig, drean, dreathan, dryw etc.) also suggest an association with druidic rituals.

Lleu Llaw Gyffes, a Celtic hero, wins his name by hitting or killing a wren. He strikes a wren "between the tendon and the bone of its leg", causing Arianrhod, his mother, to say "it is with a skillful hand that the fair-haired one has hit it". At that Gwydion, his foster father, reveals himself, saying Lleu Llaw Gyffes; "the fair-haired one with the skillful hand" is his name now".

The Norse theory

The tradition may also have been influenced by Scandinavian settlers during the Viking invasions of the 8th to 10th centuries. Various associated legends exist, such as a wren being responsible for betraying Irish soldiers who fought the Viking invaders by beating its wings on their shields, in the late 1st and early 2nd millennia, and for betraying the Christian martyr Saint Stephen, after whom the day is named. This mythological association with treachery is a possible reason the bird was hunted by wrenboys on St. Stephen's Day, and/or why a pagan sacrificial tradition was continued into Christian times. Despite the abandonment of killing the wren, devoted wrenboys continue to ensure that the Gaelic tradition of celebrating the wren continues, although it is no longer widespread.[6]

In Europe


In Galicia, Spain, the Caceria del rey Charlo (Chase of King Charles) was performed. The inhabitants of Vilanova de Lourenza would chase down a wren and, after tying it to a pole, would parade it and show it to the abbot of the local monastery, who would then to offer them food and drink and appoint two leaders of the local town council out of the four candidates proposed by townsmen. This tradition has been recorded since the 16th century.[7] The sources are somewhat misleading about the day, since they call it "New Year`s Day" but might mean "The day after Christmas", which was regarded then as the end of the year.[8] It is also commonly practised in Ireland by children aged from (8-15)


Fraser describes in his Golden Bough a wren hunting ritual in southern France (at Carcasonne). The Fête du Roi de l'Oiseau, also recorded since 1524 at Puy-en-Velay, is still active.


In 1955 Liam Clancy recorded "The Wran Song" ("The Wren Song"), which was sung in Ireland by wrenboys.[9] In 1972 Steeleye Span recorded "The King" on Please to See the King, which also reflects the tradition. They made another version, "The Cutty Wren", on their album Time. "Hunting the Wren" is on John Kirkpatrick's album Wassail!. The Chieftains made a collection of wrenboy tunes on The Bells of Dublin. In the song "The Boys of Barr na Sráide", which is based on a poem by Sigerson Clifford, the wren hunt is also prominent.

"The Wren [Wran] Song" is also on the Clancy Brothers and Tommy Makem's 1995 album Ain't It Grand Boys: A Collection of Unissued Gems, as the last song in "Children's Medley".[10] The spoken introduction tells how as boys they would go out on Christmas Day and kill a wren, and on the next day, St. Stephen's Day, they would go from house to house singing this song and asking for money "to bury the wren".

See also


  1. "Christmas and New Year in Ireland Long Ago".<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  2. Something for everybody (and a garland for the year) by John Timbs, 1861. pp. 152-155
  3. The Golden Bough by James George Frazer, NuVision Publications, LLC, 2006, ISBN 1-59547-959-7, ISBN 978-1-59547-959-4. pp.294-295
  4. "old Glory & The Cutty Wren" by Pete Jennings.
  5. The British and European symbolic hunting of the Eurasian wren is investigated by Elizabeth Atwood Lawrence, Hunting the Wren: Transformation of Bird to Symbol (University of Tennessee) 1997.
  6. http://irelandsown.net/wrenday.html
  7. http://anuariobrigantino.betanzos.net/Ab2001PDF/2001%20083_102.pdf
  8. "La cacería del reyezuelo: análisis de una cacería ancestral en los países célticos" by Fernando Alonso Romero at Anuario Brigantino, issue 24, 2001
  9. Example:"The Wren The Wren", Celtic Tradition , Amiga, 1987.
  10. "Ain't it Grand Boys: A Collection of Unissued Gems", the Clancy Brothers and Tommy Makem, Columbia Records, 1995. Children's Medley, ibid.

External links