Zenyatta Mondatta

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Zenyatta Mondatta
File:Police-album-zenyattamondatta.jpg
Studio album by The Police
Released 3 October 1980
Recorded 7 July–7 August 1980
Studio Wisseloord Studios, Hilversum, Netherlands
Genre
Length 38:16
Label A&M
AMLH 64831
Producer
The Police chronology
Six Pack
(1980)Six Pack1980
Zenyatta Mondatta
(1980)
Ghost in the Machine
(1981)Ghost in the Machine1981
Singles from Zenyatta Mondatta
  1. "Don't Stand So Close to Me"
    Released: 19 September 1980
  2. "De Do Do Do, De Da Da Da"
    Released: 5 December 1980

Zenyatta Mondatta (spelled as Zenyattà Mondatta on the album cover artwork) is the third studio album by English rock band The Police, released in 1980. It features the two hit singles: "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". It reached number one on the UK Albums Chart.[1]

The album won The Police two Grammy Awards including Best Rock Performance by a Duo or Group with Vocal for "Don't Stand So Close to Me" and The Police's second consecutive win for Best Rock Instrumental Performance for "Behind My Camel".[2]

History

The album was written during the band's second tour and recorded in four weeks (minus several days for concerts in the UK – Milton Keynes festival – and Ireland). The band members have often expressed disappointment over it, going so far as to re-record two songs during a brief, unsuccessful reunion in 1986. Drummer Stewart Copeland said about the time pressures: "We had bitten off more than we could chew. ... we finished the album at 4 a.m. on the day we were starting our next world tour. We went to bed for a few hours and then traveled down to Belgium for the first gig. It was cutting it very fine."[3]

The band had wanted to record the album at Surrey Sound, the recording site of their first two albums, but could not record at any British studio for tax reasons.[3] They were, however, able to retain Nigel Gray as their co-producer, bringing him with them to Wisseloord Studios in the Netherlands. Feeling that he'd played a significant part in The Police's first two albums, Gray negotiated for a £25,000 fee, which brought the album's total budget to £35,000 (more than twice the combined budgets of their first two albums, but still exceptionally cheap for a band who were established stars).[4]

As mentioned by Copeland, the Police embarked on a tour of the world the day of the album's completion, beginning in Belgium and finishing in Australia.

The album is the last of the Police's early era, influenced by reggae and punk and featuring few musical elements on top of the core guitar, bass, and drums. The record has two instrumentals, "The Other Way of Stopping" (named from a line in Bob Newhart's "The Driving Instructor" routine) and the Grammy-winning "Behind My Camel" (a third song, "Voices Inside My Head", is instrumental except for the words "Voices inside my head/Echoes of things that you said", which are repeated three times in the middle of the song). "Behind My Camel" was guitarist Andy Summers' first entirely self-penned composition. As Sting refused to play on it, Summers recorded the bass line himself, overdubbing the guitar parts. According to Sting, "I hated that song so much that, one day when I was in the studio, I found the tape lying on the table. So I took it around the back of the studio and actually buried it in the garden."[5] Nigel Gray believes that the title was an in-joke by Summers: "He didn't tell me this himself but I'm 98% sure the reason is this: what would you find behind a camel? A monumental pile of shit." The song went on to win the 1982 Grammy for Best Rock Instrumental Performance.[6]

Zenyatta Mondatta also saw the band's lyrics turning towards political events, with Sting's "Driven to Tears" commenting on poverty and Copeland's "Bombs Away" referring to the Soviet invasion of Afghanistan. These themes became more prevalent in the Police's next album, Ghost in the Machine.

Six years later the band re-recorded "Don't Stand So Close to Me" and "De Do Do Do, De Da Da Da". The former was released on Every Breath You Take: The Singles, while the latter was released on the DTS version of Every Breath You Take: The Classics.

A&M Records first remastered the album for release in the United States in 1990, as CD #CD-3720.[7] Frank DeLuna and Marv Bornstein mastered the original 1980 vinyl LP, but it's unclear if they also remastered the compact disc.[8]

Title

Copeland has claimed that the group arrived at the album's title after deciding it should roll off the tongue. Zenyatta Mondatta are invented portmanteau words, hinting at Zen, at Jomo Kenyatta, at the French word for the world ("le monde") and at Reggatta, from the previous album's name, Reggatta de Blanc.

"It means everything. It's the same explanation that applies to the last two. It doesn’t have a specific meaning like 'Police Brutality' or 'Police Arrest', or anything predictable like that. Being vague it says a lot more. You can interpret it in a lot of different ways. It's not an attempt to be mysterious, just syllables that sound good together, like the sound of a melody that has no words at all has a meaning. Miles (Stewart Copeland’s brother and group manager) came up with "Trimondo Blondomina". Very subtle. Geddit? Like three blondes and the world. Then somebody thought of "Caprido Von Renislam". That rolls off the tongue. It was the address of the studio."[9]

Jerry Moss, co-founder of A&M Records, named the champion racehorse Zenyatta (b. 2004) after this album.[10]

Reception

Professional ratings
Review scores
Source Rating
AllMusic 5/5 stars[11]
Chicago Tribune 3.5/4 stars[12]
Christgau's Record Guide B[13]
The Rolling Stone Album Guide 4.5/5 stars[14]

Zenyatta Mondatta reached #1 in both Australia and the U.K.[1] In the U.S., the album spent almost three years on the charts and peaked at #5.[15]

In a contemporary review of the album, David Fricke of Rolling Stone favorably described its offering of "near-perfect pop by a band that bends all the rules and sometimes makes musical mountains out of molehill-size ideas" and complimented the band's "elastic" interplay.[16] It would later receive glowing reviews from re-assessments in Rolling Stone and Q, among others. Despite being the only Police album not to obtain a spot on Rolling Stone's list of the 500 greatest albums of all time, it is also the only one of their albums to be rated five out of five stars by AllMusic.

Track listing

All songs written and composed by Sting, except where noted[17][18]

Side one
No. Title Length
1. "Don't Stand So Close to Me"   4:04
2. "Driven to Tears"   3:20
3. "When the World Is Running Down, You Make the Best of What's Still Around"   3:38
4. "Canary in a Coalmine"   2:26
5. "Voices Inside My Head"   3:53
6. "Bombs Away" (Stewart Copeland) 3:06
Side two
No. Title Length
7. "De Do Do Do, De Da Da Da"   4:09
8. "Behind My Camel" (Andy Summers) 2:54
9. "Man in a Suitcase"   2:19
10. "Shadows in the Rain"   5:04
11. "The Other Way of Stopping" (Copeland) 3:22

Personnel

Additional personnel

Singles

Year Single Chart Peak position
1980 "Don't Stand So Close to Me" UK Singles Chart 1[19]
"De Do Do Do, De Da Da Da" UK Singles Chart 5[19]
Billboard Pop Singles 10 [20]
1981 "Don't Stand So Close to Me" Billboard Mainstream Rock tracks 11[21]
Billboard Pop Singles 10 [21]
"Driven to Tears" Billboard Mainstream Rock tracks 35 [21]
"Voices Inside My Head"/
"When The World Is Running Down, You Make the Best of What's Still Around"
Billboard Club Play Singles 3 [21]

Awards

Grammy Awards

Year Winner Category
1981 "Behind My Camel" Best Rock Instrumental Performance
1981 "Don't Stand So Close to Me" Best Rock Performance by a Duo or Group with Vocal

Covers and remixes

  • "When the World Is Running Down" was remixed in 2000 and released as a single under the moniker "Different Gear Vs The Police". It reached number 28 in the UK Singles Chart,[1] but it does not feature on any of The Police albums.
  • "Man in a Suitcase" was covered by AFI as a hidden track on initial pressings Answer That and Stay Fashionable. Pressings after 1997 lack the cover.
  • Sting would later perform his own version of "Shadows in the Rain" on his debut solo album The Dream of the Blue Turtles.
  • Primus included a cover of "Behind My Camel" on the Rhinoplasty EP.
  • Pearl Jam covered "Driven To Tears."

Charts

Certifications

Region Certification Sales/shipments
Canada (Music Canada)[40] Platinum 100,000
France (SNEP)[41] Platinum 603,900[42]
Germany (BVMI)[43] Gold 250,000
United Kingdom (BPI)[44] Platinum 300,000
United States (RIAA)[45] 2× Platinum 2,000,000

^shipments figures based on certification alone

References

  1. 1.0 1.1 1.2 "The Police Chart history". Official Charts Company. Retrieved 28 November 2014
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  3. 3.0 3.1 Sutcliffe, Phil & Fielder, Hugh (1981). L'Historia Bandido. London and New York: Proteus Books. ISBN 0-906071-66-6. Page 77.
  4. Sutcliffe, Phil & Fielder, Hugh (1981). L'Historia Bandido. London and New York: Proteus Books. ISBN 0-906071-66-6. Page 79.
  5. Garbarini, Vic (Spring 2000). "I think if we came back ...", Revolver.
  6. Campion, Chris, 'Walking On The Moon: The Untold Story Of The Police And The Rise Of New Wave Rock, Hoboken, N.J.: Wiley, 2009 ISBN 978-0-470-28240-3
  7. Discogs Mondatta, All Versions.
  8. CD back cover insert, A&M CD-3720 / DIDX 583
  9. Interview with Stewart Copeland, Chris Welch, Musicians Only, October 1980.
  10. DeRosa, Ed (February 8, 2011). "Driven To Tears suggested as name for Bernardini-Zenyatta foal", Thoroughbred Times.
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  15. Whitburn, Joel. The Billboard Book of Top Pop Albums 1955–1985, Record Research Inc., 1985, p. 290, 493.
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  17. The Police. Zenyatta Mondatta. A&M Records, 1980.
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  20. The Police Billboard Charts History, Billboard.com.
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Preceded by UK Albums Chart number one album
11 October–7 November 1980
Succeeded by
Guilty
by Barbra Streisand