Arnold Östman
| Arnold Östman | |
|---|---|
| Born | 24 December 1939 Malmö, Sweden |
| Occupation | Conductor |
| Years active | 1971–present |
Arnold Östman, born on December 24, 1939 in Malmö, is a Swedish conductor and music director.
Contents
Early life
Östman studied art history and musicology at Lund, Paris and Stockholm.[1] As a musician, he concentrated on the piano and the harpsichord, being largely self-taught.[2] During his years as a researcher, he focused on the subject of early opera, bringing to light a number of theretofore unknown or little-known baroque operas.[3]
Östman was a teacher at the Operahögskolan i Stockholm (then called the Statens musikdramatiska skola) in 1969. He was theatre and museum director at the Drottningholms Teatermuseum (later known as Sveriges Teatermuseum) in Stockholm starting in 1979.[4]
Conducting career
Östman was artistic director and conductor of the Vadstena-Akademien from 1971until 1981, while also serving as conductor and artistic director of the NorrlandsOperan in Umeå from 1974 until 1978.[4]
He was made artistic director of the Drottningholm Palace Theatre in 1980 and remained in that role until 1992.[2] He gained an international reputation as a champion of the period performance movement in classical music,[5][6][7] a movement that insists on the performance of repertoire from c. 1600 to 1820 (i.e., baroque, classical, and early romantic) using instruments (or modern replicas), techniques, and stylistic sensibilities from the appropriate period.[8] In particular, Drottningholm's productions of Mozart operas with period instruments caused a considerable stir in the early days of the historical-performance movement.[9][10][11] To Östman, use of historically appropriate instruments is vital to developing an understanding of the Mozartian style:
It's so important to use classical instruments. We make mistakes with them, but we keep trying because it is really important complementary information, which has a scientific value. Yet we don't use it as Scientists, we use it for artistic freedom. The more information you have, the more freedom you have.[12]
Outside Sweden, Östman has conducted a wide range of repertoire at the opera houses of Covent Garden, Vienna, Parma, Trieste, Cologne, Bonn, Toulouse, Nice, Wexford, Madrid, Washington, Lausanne, Paris (Garnier and Bastille) and at the Schwetzingen and Vienna Festivals, among others.[13]
As a symphonic conductor, Östman has worked with many major European orchestras, including the German radio orchestras in Hamburg, Frankfurt, Cologne, Stuttgart and Baden-Baden; the Gürzenich Orchestra Cologne; the Freiburg Baroque Orchestra; the Orchestre Philharmonique de Radio France; the Orchestre National de France; the Academy of Ancient Music; the Geneva Chamber Orchestra; the Royal Concertgebouw Orchestra of Amsterdam, the Netherlands’ Radio Chamber Orchestra, the Scottish Chamber Orchestra, the Gothenburg Symphony, the Oslo Philharmonic, the Mahler Chamber Orchestra, the Rotterdam Philharmonic Orchestra and the Philharmoniker Hamburg.[13]
Operatic recordings (audio)
| Composer | Work | Soloists | Chorus | Orchestra | Date | Notes |
|---|---|---|---|---|---|---|
| Mozart | Così fan tutte | Rachel Yakar (Fiordiligi) Alicia Nafe (Dorabella) Gösta Winbergh (Ferrando) Tom Krause (Guglielmo) Georgine Resick (Despina) Carlos Feller (Don Alfonso) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1985 | L'Oiseau-Lyre, 3 discs |
| Mozart | Le nozze di Figaro | Arleen Auger (Countess) Håkan Hagegård (Count) Petteri Salomaa (Figaro) Barbara Bonney (Susanna) Della Jones (Cherubino) Alicia Nafé (Cherubino) Carlos Feller (Bartolo) Della Jones (Marcellina) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1988 | L'Oiseau-Lyre, 3 discs, 186 minutes |
| Mozart | Don Giovanni | Håkan Hagegård (Don Giovanni) Arleen Auger (Donna Anna) Barbara Bonney (Zerlina) Della Jones (Donna Elvira) Gilles Cachemaille (Leporello) Bryn Terfel (Masetto) Kristinn Sigmundsson (Commendatore) Nico van der Meel (Don Ottavio) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1990 | L'Oiseau-Lyre, 3 discs, 171 minutes |
| Mozart | Die Zauberflöte | Barbara Bonney (Pamina) Kurt Streit (Tamino) Gilles Cachemaille (Papageno) Sumi Jo (Queen of the Night) Kristinn Sigmundsson (Zarastro) Håkan Hagegård (Speaker) Martin Petzold (Monostatos) Lillian Watson (Papagena) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1990 | L'Oiseau-Lyre, 2 discs |
| Gluck | Orfeo ed Euridice | Ann-Christine Biel (Orfeo) Maya Boog (Euridice) Kerstin Avemo (Amore) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1998 | Naxos, 1 disc, 67 minutes. Vienna (1762) version. |
| Gluck | Alceste | Teresa Ringholz (Alcestis) Justin Lavender (Admetus) Jonas Degerfelt (Evander) Miriam Treichl (Ismene) Lars Martinsson (Herald; Voice of Apollo) |
Drottningholm Court Theatre Chorus | Drottningholm Court Theatre Orchestra (on authentic instruments) | 1999 | Naxos, 3 discs, 147 minutes |
Operatic recordings (video)
| Composer | Work | Soloists | Director | Orchestra | Date | Notes |
|---|---|---|---|---|---|---|
| Mozart | Le nozze di Figaro | Per-Arne Wahlgren (Count) Sylvia Lindenstrand (Countess) Georgine Resick (Susanna) Mikael Samuelson (Figaro) Ann Christine Biel (Cherubino) Erik Saedén (Dottor Bartolo) |
Thomas Olofsson (video) Göran Järvefelt (stage) |
Drottningholm Court Theatre Orchestra | 1981 | Studio: Image Entertainment. 179 minutes |
| Mozart | Così fan tutte | Ann Christine Biel (Fiordiligi) Maria Höglind (Dorabella) Lars Tibell (Ferrando) Magnus Lindén (Guglielmo) Ulla Severin (Despina) Enzo Florimo (Don Alfonso) |
Thomas Olofsson (video) Willy Decker (stage) |
Drottningholm Court Theatre Orchestra | 1984 | Arthaus Musik, 160 minutes. |
| Handel | Agrippina | Günter von Kannen (Claudio) Barbara Daniels (Agrippina) David Kuebler (Nerone) Janice Hall (Poppea) |
Thomas Olofsson (video) Michael Hampe (stage) |
London Baroque Players | 1985 | Euroarts, 150 minutes |
| Mozart | La clemenza di Tito | Stefan Dahlberg (Tito) Lani Poulson (Sesto) Anita Soldh (Vitellia ) Pia-Marie Nilsson (Servilla) |
Thomas Olofsson (video) Göran Järvefelt (stage) |
Drottningholm Court Theatre Orchestra | 1987 | Arthaus Musik, 127 minutes |
| Mozart | Don Giovanni | Håkan Hagegård (Don Giovanni) Helena Döse (Donna Anna) Anita Soldh (Zerlina) Birgit Nordin (Donna Elvira) Erik Saedén (Leporello) Tord Wallström (Masetto) Bengt Rundgren (Commendatore) Gösta Winbergh (Don Ottavio) |
Thomas Olofsson (video) Göran Järvefelt (stage) |
Drottningholm Court Theatre Orchestra | 1987 | Virgin Video. 186 minutes |
| Mozart | La finta giardiniera | Stuart Kale (Don Anchise) Britt-Marie Aruhn (Sandrina) Richard Croft (Comte Belfiore) Eva Pilat (Arminda) Annika Skoglund (Ramiro) Ann Christine Biel (Serpetta) Petteri Salomaa (Nardo) |
Thomas Olofsson (video) Göran Järvefelt (stage) |
Drottningholm Court Theatre Orchestra | 1988 | Kultur Video. 149 minutes |
| Mozart | Die Zauberflöte | Ann Christine Biel (Pamina) Stefan Dahlberg (Tamino) Mikael Samuelson (Papageno) Birgit Louise Frandsen (Queen of the Night) László Polgár (Zarastro) Petteri Salomaa (Speaker) Magnus Khyle (Monostatos) Birgitta Larsson (Papagena) |
Thomas Olofsson (video) Göran Järvefelt (stage) |
Drottningholm Court Theatre Orchestra | 1989 | Image Entertainment, 160 minutes |
| Mozart | Die Entführung aus dem Serail | Aga Winska (Konstanze) Marianne Hellström (Blonde) Richard Croft (Belmonte) Bengt-Ola Morgny (Pedrillo) Tamás Szüle (Osmin) Emmerich Schäffer (Selima Pasha) |
Thomas Olofsson (video) Harald Clemen (stage) |
Drottningholm Court Theatre Orchestra | 1989 | Kultur Video, 133 minutes |
| Mozart | Idomeneo | Stuart Kale (Idomeneo) David Kuebler (Idamante) Ann Christine Biel (Ilia) Anita Soldh (Elettra) Jan-Erik Jakobsson (Arbace) |
Thomas Olofsson (video) Michael Hampe (stage) |
Drottningholm Court Theatre Orchestra | 1991 | Arthaus Musik, 142 minutes |
| Antonio Salieri | Falstaff | John Del Carlo (Sr John Falstaff) Teresa Ringholz (Mrs. Ford) Richard Croft (Mr. Ford) Delores Ziegler (Mrs. Slender) Jake Gardner (Mr. Slender) |
Agnes Meth (video) Michael Hampe (stage) |
Stuttgart Radio Symphony Orchestra | 1995 | Arthaus Musik, 144 minutes |
Awards and recognition
Arnold Östman was awarded the newspaper Expressen's Spelmannen in 1974. He was awarded an honorary doctorate at Umeå University in 1979[14] and he is a Chevalier of the Legion of Honour.[15] He was awarded the Litteris et Artibus 1990 and was elected to the Kungl. Musikaliska akademien May 14, 1992.[4] In 2010 he was awarded the Hans Majestät Konungens medalj, "for significant contributions to Swedish music".[16]
References
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