Au fond du temple saint

"Au fond du temple saint" ("At the back of the holy temple") is a duet from Georges Bizet's 1863 opera Les pêcheurs de perles. The libretto was written by Eugène Cormon and Michel Carré. Generally known as "The Pearl Fishers' Duet", it is one of the best-known numbers in Western opera. It is sung by Nadir (tenor) and Zurga (baritone) in act 1.

Context

After a self-imposed absence, Nadir returns to the shores of Ceylon, where his friend Zurga has just been elected Fisher King by the local pearl fishermen. The two had once fallen in love with the same woman, but then vowed each other to renounce that love and remain true to each other. On meeting again, they sing this duet.

Later, the audience learns from a soliloquy by Nadir that he, despite his vows, had pursued the veiled woman and had returned only because of a rumour that she might be found there. By the end of act 1, Nadir and the woman, Leïla, have found each other and declared their passion. During act 2, their love is discovered by the fishermen who demand from Zurga that Nadir be executed. Only after Zurga recognises that the veiled woman is Leïla, he is overcome by jealousy and rage and orders both to be put to death. In act 3, Zurga realises that his love for Leïla is in vain and helps them flee from the funeral pyre by distracting the fishermen. After the loving couple have escaped, reprising the melody of this duet, the fishermen return and kill Zurga.

A key moment in the opera, this duet is the clearest depiction of the triangular relationships between the protagonists. The obvious situation at this point is that males will value their friendship higher than a heterosexual relationship. Peter Weir uses this duet in his 1981 film Gallipoli without the heterosexual aspect, purely to express male mateship and loyalty between a pair of doomed soldiers. A different view is possible by a reading of the duet as a "pair of parallel monologues", emphasizing the rivalry and deceit between the men.

Music

Nadir———Zurga File:Music ClefG.svgFile:Music 2f1.svgFile:Music 2b2-.svgFile:Music Bar.svgFile:Music 2d1.svgFile:Music 2e2-.svg transposed 1 octave up

The duet starts in the key of E-flat major and the time signature of common time (); after a general pause following the words "Elle fuit!", the score briefly omits all signature accidentals, and the time signature changes at "Non, que rien ne nous sépare" to ³
₄ before returning to the starting configuration on "Oui, c'est elle" in the final duet. Nadir's part ranges from F₃ to B♭₄ with the tessitura between A₃ and G₄. Zurga's part ranges from D₃ to E♭₄. Depending on the version and on cuts to the recitatives within the aria, it takes between 4 1/2 to 6 minutes to perform.

Lyrics

Zurga	C'était le soir ! Dans l'air par la brise attiédi, Les brahmines au front inondé de lumière, Appelaient lentement la foule à la prière !	It was in the evening! In the air cooled by a breeze, The brahmanes with faces flooded with light, Slowly called the crowd to prayer!
Nadir	Au fond du temple saint paré de fleurs et d'or, Une femme apparaît !	At the back of the holy temple, decorated with flowers and gold, A woman appears!
Zurga	Une femme apparaît !	A woman appears!
Nadir	Je crois la voir encore !	I can still see her!
Zurga	Je crois la voir encore !	I can still see her!
Nadir	La foule prosternée La regarde, étonnée, Et murmure tout bas : Voyez, c'est la déesse Qui dans l'ombre se dresse, Et vers nous tend les bras !	The prostrate crowd looks at her amazed and murmurs under its breath: look, this is the goddess looming up in the shadow and holding out her arms to us.
Zurga	Son voile se soulève ! Ô vision ! ô rêve ! La foule est à genoux !	Her veil parts slightly. What a vision! What a dream! The crowd is kneeling.
Both	Oui, c'est elle ! C'est la déesse Plus charmante et plus belle ! Oui, c'est elle ! C'est la déesse Qui descend parmi nous ! Son voile se soulève Et la foule est à genoux !	Yes, it is she! It is the goddess, more charming and more beautiful. Yes, it is she! It is the goddess who has come down among us. Her veil has parted and the crowd is kneeling.
Nadir	Mais à travers la foule Elle s'ouvre un passage !	But through the crowd she makes her way.
Zurga	Son long voile déjà Nous cache son visage !	Already her long veil hides her face from us.
Nadir	Mon regard, hélas ! La cherche en vain !	My eyes, alas! Seek her in vain!
Zurga	Elle fuit !	She flees!
Nadir	Elle fuit ! Mais dans mon âme soudain Quelle étrange ardeur s'allume !	She flees! But what is this strange flame which is suddenly kindled in my soul!
Zurga	Quel feu nouveau me consume !	What unknown fire is destroying me?
Nadir	Ta main repousse ma main !	Your hand pushes mine away!
Zurga	Ta main repousse ma main !	Your hand pushes mine away!
Nadir	De nos cœurs l'amour s'empare, Et nous change en ennemis !	Love takes our hearts by storm and turns us into enemies!
Zurga	Non, que rien ne nous sépare !	No, let nothing part us!
Nadir	Non, rien !	No, nothing!
Zurga	Que rien ne nous sépare.	Let nothing part us!
Nadir	Non, rien !	No, nothing!
Zurga	Jurons de rester amis !	Let us swear to remain friends!
Nadir	Jurons de rester amis !	Let us swear to remain friends!
Zurga	Jurons de rester amis !	Let us swear to remain friends!
Both	Oh oui, jurons de rester amis ! Oui, c'est elle ! C'est la déesse ! En ce jour qui vient nous unir, Et fidèle à ma promesse, Comme un frère je veux te chérir ! C'est elle, c'est la déesse Qui vient en ce jour nous unir ! Oui, partageons le même sort, Soyons unis jusqu'à la mort !	Oh yes, let us swear to remain friends! Yes, it is she, the goddess, who comes to unite us this day. And, faithful to my promise, I wish to cherish you like a brother! It is she, the goddess, who comes to unite us this day! Yes, let us share the same fate, let us be united until death!

External links

• "Au fond du temple saint": Scores at the International Music Score Library Project
• "Au fond du temple saint", Aria Database
• One of the most celebrated versions on YouTube, sung Jussi Björling and Robert Merrill