Ben Howard (poet)

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Ben W. Howard[1] (born 1944 in Iowa[2]) , Emeritus Professor of English at Alfred University, is an American poet, essayist, and critic. He is the author of ten books, including two collections of essays on Zen practice, six collections of poems, a verse novella, and a critical study of modern Irish writing. For the past four decades he has contributed poems, essays, and reviews to leading journals in North America and abroad, including Poetry, Shenandoah, Poetry Ireland Review, Agenda, and the Sewanee Review. Until his retirement in 2006, he taught courses in literature and writing and an Honors course in Buddhist meditation at Alfred University. He also taught classical guitar and performed in faculty recitals. Since 1998 he has led the Falling Leaf Sangha, a Zen practice group in Alfred, New York. "One Time, One Meeting," his monthly column, explores aspects of Zen practice.

Bibliography

Anthologies

    • The Book of Irish American Poetry, University of Notre Dame Press, 2007
    • 180 More: Extraordinary Poems for Every Day, Random House, 2005
    • The POETRY Anthology: 1912-2002, Ivan R. Dee, 2002
    • A Green Place:Modern Poems, Delacorte, 1982.
    • The POETRY Anthology: 1912-1977, Houghton Mifflin, 1978
    • Strong Measures: Contemporary American Poetry in Traditional Form, Longman, 1997

Reviews

In his review of Leaf, Sunlight, Asphalt, Howard's fifth collection of poems, Ray Olson observes that the author "manages iambs as well as anyone since Christopher Marlowe. . . . Few other contemporary poets make ordinary living seem as rich and rewarding." (Booklist, 35, January 1 & 15, 2010).

Reviewing Dark Pool, Howard’s fifth collection of poems, for Booklist, Ray Olson notes that Howard "writes just about the most natural, musical iambic line around these days, primarily in a propulsive, precise, and vocal blank verse but also in sonnets, quatrains, and unrhymed forms. It’s as seductive of the inner ear as Irish storytelling is of the outer, gently drawing attention to large, subtle meanings."

Reviewing Midcentury for Irish Echo, Michael Stephens remarks that Howard’s verse is "elegant, elegiac, casual yet moving,” and he likens the structure of the book to “a great symphony, the kind that, moment to moment, is intimate, and yet its overall reach is almost beyond human grasp."

Awards

  • NEA Fellowship in Creative Writing
  • Milton Dorfman Prize in Poetry
  • Theodore Christian Hoepfner Award

References

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External links