Buffy Sainte-Marie

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
Buffy Sainte-Marie
CC
File:Buffy Ste. Marie - Truth and Reconciliation Commission Concert - Ottawa - 2015 (cropped).JPG
Sainte-Marie in 2015
Background information
Birth name Beverly Jean Santamaria
Born (1941-02-20) February 20, 1941 (age 83)[1]
Stoneham, Massachusetts, U.S.[2]
Genres
Occupation(s)
  • Musician
  • singer-songwriter
  • composer
  • record producer
  • visual artist
  • educator
  • social activist
  • actress
  • humanitarian
Instruments
  • Vocals, guitar, keyboard, piano
Years active 1963–2023
Labels
Associated acts Pete Seeger, Leonard Cohen, Patrick Sky
Website buffysainte-marie.com

Buffy Sainte-Marie, CC (born Beverly Jean Santamaria; February 20, 1941)[1] is an American–Canadian singer-songwriter, musician, composer, visual artist, educator, pacifist, and social activist.[3] While working in these areas, her work has focused on issues facing Indigenous peoples of the Americas. A 2023 investigation by CBC News found that Sainte-Marie, who previously claimed to have Indigenous Canadian (Piapot Cree Nation) ancestry, was born in the United States and has European ancestry.[2]:{{{3}}}

Her singing and writing repertoire also includes subjects of love, war, religion, and mysticism. She has won recognition, awards and honours for her music as well as her work in education and social activism. In 1983, her song "Up Where We Belong", co-written for the film An Officer and a Gentleman, won the Academy Award for Best Original Song at the 55th Academy Awards.[4][5] The song also won the Golden Globe Award for Best Original Song that same year.[6] In 1997, she founded the Cradleboard Teaching Project, an educational curriculum devoted to better understanding Native Americans.[7]

Personal life

According to her website biography,[8] Sainte-Marie was born in 1941[9] on the Piapot 75 reserve in the Qu'Appelle Valley, Saskatchewan, Canada, to Cree parents,[10][11] and at the age of two or three she was taken from her parents as part of the Sixties Scoop—a government policy where indigenous children were taken from their families, communities and cultures for placement in non-First Nations families.[12]

However, a 2023 investigation by CBC News found that Sainte-Marie was born at the New England Sanitarium and Hospital in Stoneham, Massachusetts, to biological parents Albert Santamaria and Winifred Irene Santamaria, née Kendrick.[2]:{{{3}}} The Santamarias, who she has claimed she was adopted by, were an American couple, from Wakefield, Massachusetts. Her father Albert's parents were born in Italy while her mother Winifred was of English ancestry.[2]:{{{3}}} Her family changed their surname from Santamaria to Sainte-Marie due to "anti-Italian sentiment" following the Second World War.[2]:{{{3}}} Though "visibly white", her mother, Winifred, "self-identified as part Mi'kmaq."[12][13][14] She attended the University of Massachusetts Amherst earning degrees in teaching and Oriental philosophy;[15] she graduated as one of the top ten members of her class.[16][10]

In 1964, on a trip to the Piapot Cree reserve in Canada for a powwow, she was welcomed and (in a Cree Nation context) adopted by the youngest son of Chief Piapot, Emile Piapot and his wife, Clara Starblanket Piapot, who added to Sainte-Marie's cultural value and place in native culture.[17]

In 1968, she married a Hawaiian surfing teacher named Dewain Bugbee and they divorced in 1971. She married Sheldon Wolfchild from Minnesota in 1975; they have a son, Dakota "Cody" Starblanket Wolfchild. They divorced. She married Jack Nitzsche, her co-writer of "Up Where We Belong" on March 19, 1982; they were married for seven years. Sainte-Marie has characterized the relationship as abusive and controlling; she left their home in Los Angeles out of fear for her and her son's safety. She also blames Nitzsche for the stagnation of her career during this time.[18]

Although not a Baháʼí herself, she became an active friend of the Baháʼí faith and has appeared at concerts, conferences and conventions of that religion. In 1992, she appeared in the musical event prelude to the Baháʼí World Congress, a double concert "Live Unity: The Sound of the World" in 1992 with video broadcast and documentary.[19] In the video documentary of the event Sainte-Marie is seen on the Dini Petty Show explaining the Baháʼí teaching of progressive revelation.[20] She also appears in the 1985 video Mona With The Children by Douglas John Cameron. However, while she supports a universal sense of religion, she does not subscribe to any particular religion.

I gave a lot of support to Baháʼí people in the '80s and '90s … Baháʼí people, as people of all religions, is something I'm attracted to … I don't belong to any religion. … I have a huge religious faith or spiritual faith but I feel as though religion … is the first thing that racketeers exploit. … But that doesn't turn me against religion …[21]:16:15–18:00min

Career

Lua error in package.lua at line 80: module 'strict' not found. Sainte-Marie taught herself to play piano and guitar in her childhood and teen years. In college some of her songs, "Ananias", the Indian lament "Now That the Buffalo's Gone", and "Mayoo Sto Hoon" (a cover of a Hindi Bollywood song "Mayus To Hoon Waade Se Tere" sung by the Indian singer Mohammed Rafi from the 1960 movie Barsaat Ki Raat) were already in her repertoire.[15]

1960s

In her early twenties she toured alone, developing her craft and performing in various concert halls, folk music festivals, and First Nations communities across the United States, Canada, and abroad. She spent a considerable amount of time in the coffeehouses of downtown Toronto's old Yorkville district, and New York City's Greenwich Village as part of the early to mid-1960s folk scene, often alongside other emerging Canadian contemporaries, such as Leonard Cohen, Neil Young, and Joni Mitchell. (She also introduced Mitchell to Elliot Roberts, who became Mitchell's manager.)[17]

In 1963, recovering from a throat infection, Sainte-Marie became addicted to codeine and recovering from the experience became the basis of her song "Cod'ine",[16] later covered by Donovan, Janis Joplin, the Charlatans, Quicksilver Messenger Service, Man,[22] the Litter, the Leaves, Jimmy Gilmer, Gram Parsons,[23] Charles Brutus McClay,[24] the Barracudas (spelled "Codeine"),[25] the Golden Horde,[26] Nicole Atkins and Courtney Love. Also in 1963, she witnessed wounded soldiers returning from the Vietnam War at a time when the U.S. government was denying involvement[27] – which inspired her protest song "Universal Soldier",[28] released on her debut album It's My Way on Vanguard Records in 1964, and later became a hit for both Donovan and Glen Campbell.[29]

She was subsequently named Billboard magazine's Best New Artist. Some of her songs addressing the mistreatment of Native Americans, such as "Now That the Buffalo's Gone" (1964) and "My Country 'Tis of Thy People You're Dying" (1964, included on her 1966 album), created controversy at the time.[14] In 1967, she released Fire & Fleet & Candlelight, which contained her interpretation of the traditional Yorkshire dialect song "Lyke Wake Dirge". In 1968 she released her song "Take My Hand for a While" which was also later recorded by Glen Campbell and at least 13 other artists.[30] Sainte-Marie's other well-known songs include "Mister Can't You See", (a Top 40 U.S. hit in 1972); "He's an Indian Cowboy in the Rodeo"; and the theme song of the movie Soldier Blue. She appeared on Pete Seeger's Rainbow Quest with Pete Seeger in 1965 and several Canadian Television productions from the 1960s to the 1990s,[17] and other TV shows such as American Bandstand, Soul Train, The Johnny Cash Show and The Tonight Show Starring Johnny Carson; and sang the opening song "The Circle Game" (written by Joni Mitchell[17]) in Stuart Hagmann's film The Strawberry Statement (1970) Then Came Bronson; episode 20 "Mating Dance for Tender Grass" (1970) sang and acted.

In the late 1960s, she used a Buchla synthesizer to record the album Illuminations, which did not receive much notice. It was the first totally quadraphonic electronic vocal album.[citation needed]

She appeared in "The Heritage" episode of The Virginian, that first aired on October 30, 1968. She played a Shoshone woman who had been sent to be educated at school.[31]

1970s

Sainte-Marie in 1970

In late 1975, Sainte-Marie received a phone call from Sesame Street producer Dulcy Singer to appear on the show for a one-shot guest appearance. Sainte-Marie told Singer she had no interest in doing a children's TV show, but reconsidered after asking "Have you done any Native American programming?" According to Sainte-Marie, Singer wanted her to count and recite the alphabet but Buffy wanted to teach the show's young viewers that "Indians still exist".[citation needed] She regularly appeared on Sesame Street over a five-year period from 1976 to 1981. Sainte-Marie breastfed her first son, Dakota "Cody" Starblanket Wolfchild, during a 1977 episode. Sainte-Marie has suggested that this is the first representation of breastfeeding ever aired on television.[32][33] Sesame Street aired a week of shows from her home in Hawaii in January 1978.

In 1979, Spirit of the Wind, featuring Sainte-Marie's original musical score, including the song "Spirit of the Wind", was one of three entries that year at the Cannes Film Festival. The film is a docudrama about George Attla, the "winningest dog musher of all time", as the film presents him, with all parts played by Native Americans except one by Slim Pickens.

1980s

Sainte-Marie began using Apple II and Macintosh computers as early as 1981 to record her music and later some of her visual art.[34][15] The song "Up Where We Belong" (which Sainte-Marie co-wrote with Will Jennings and musician Jack Nitzsche) was performed by Joe Cocker and Jennifer Warnes for the film An Officer and a Gentleman. It received the Academy Award for Best Original Song in 1982.[5] On January 29, 1983, Jennings, Nitzsche and Sainte-Marie won the Golden Globe Award for Best Original Song.[6] They also won the BAFTA film award for Best Original Song in 1984.[35] On the Songs of the Century list compiled by the Recording Industry Association of America in 2001, the song was listed at number 323.[36] In 2020, it was included on Billboard magazine's list of the "25 Greatest Love Song Duets".[37]

In the early 1980s one of her native songs was used as the theme song for the CBC's native series Spirit Bay. She was cast for the TNT 1993 telefilm The Broken Chain. It was shot entirely in Virginia. In 1989 she wrote and performed the music for Where the Spirit Lives, a film about native children being abducted and forced into residential schools.

In 1986, British pop band Red Box covered her song "Qu'Appele Valley, Saskatchewan" (shortened to just "Saskatchewan") on their debut album The Circle & the Square.[38] The song originally appears on Sainte-Marie's 1976 album Sweet America.

1990s

Buffy Sainte-Marie playing the Peterborough Summer Festival of Lights on June 24, 2009

Sainte-Marie voiced the Cheyenne character, Kate Bighead, in the 1991 made-for-TV movie Son of the Morning Star, telling the Indian side of the Battle of the Little Bighorn, where Sioux Chief Sitting Bull defeated Lt. Col. George Custer.

In 1992, after a sixteen-year recording hiatus, Sainte-Marie released the album Coincidence and Likely Stories.[39] Recorded in 1990 at home in Hawaii on her computer and transmitted via modem through the Internet to producer Chris Birkett in London, England,[17] the album included the politically charged songs "The Big Ones Get Away" and "Bury My Heart at Wounded Knee" (which mentions Leonard Peltier), both commenting on the ongoing plight of Native Americans (see also the book and film with the same name). Also in 1992, Sainte-Marie appeared in the television film The Broken Chain with Wes Studi and Pierce Brosnan along with First Nations Baháʼí Phil Lucas. Her next album followed up in 1996 with Up Where We Belong, an album on which she re-recorded a number of her greatest hits in more unplugged and acoustic versions, including a re-release of "Universal Soldier". Sainte-Marie has exhibited her art at the Glenbow Museum in Calgary, the Winnipeg Art Gallery, the Emily Carr Gallery in Vancouver and the American Indian Arts Museum in Santa Fe, New Mexico. In 1995, she provided the voice of the spirit in the magic mirror in HBO's Happily Ever After: Fairy Tales for Every Child, which featured a Native American retelling of the Snow White fairy tale.

Also in 1995, the Indigo Girls released two versions of Sainte-Marie's protest song "Bury My Heart at Wounded Knee" on their live album 1200 Curfews. The song appears toward the end of Disc One in a live format, recorded at the Atwood Concert Hall in the Alaska Center for the Performing Arts in Anchorage, Alaska. "Every word is true", Emily says in the introduction. The second, found at the end of Disc Two, is a studio recording.

In 1996, she started a philanthropic non-profit fund Nihewan Foundation for American Indian Education devoted to improving Native American students’ participation in learning. The word "Nihewan" comes from the Cree language and means "talk Cree", which implies "Be Your Culture".

Sainte-Marie founded the Cradleboard Teaching Project in October 1996 using funds from her Nihewan Foundation and with a two-year grant from the W. K. Kellogg Foundation of Battle Creek, Michigan. With projects across Mohawk, Cree, Ojibwe, Menominee, Coeur d'Alene, Navajo, Quinault, Hawaiian, and Apache communities in eleven states, partnered with a non-native class of the same grade level for Elementary, Middle, and High School grades in the disciplines of Geography, History, Social Studies, Music and Science and produced a multimedia curriculum CD, Science: Through Native American Eyes.[40]

2000s

Sainte-Marie performing at The Iron Horse in Northampton, Massachusetts on June 15, 2013

In 2000, Sainte-Marie gave the commencement address at Haskell Indian Nations University.[41] In 2002 she sang at the Kennedy Space Center for Commander John Herrington, USN, a Chickasaw and the first Native American astronaut.[42] In 2003 she became a spokesperson for the UNESCO Associated Schools Project Network in Canada.[43]

In 2002, a track written and performed by Sainte-Marie, titled "Lazarus", was sampled by Hip Hop producer Kanye West and performed by Cam'Ron and Jim Jones of The Diplomats. The track is called "Dead or Alive". In June 2007, she made a rare U.S. appearance at the Clearwater Festival in Croton-on-Hudson, New York.

In 2008, a two-CD set titled Buffy/Changing Woman/Sweet America: The Mid-1970s Recordings was released, compiling the three studio albums that she recorded for ABC Records and MCA Records between 1974 and 1976 (after departing her long-time label Vanguard Records). This was the first re-release of this material. In September 2008, Sainte-Marie made a comeback onto the music scene in Canada with the release of her studio album Running for the Drum. It was produced by Chris Birkett (producer of her 1992 and 1996 best of albums). Sessions for this project commenced in 2006 in Sainte-Marie's home studio in Hawaii and in part in France. They continued until spring 2007.[citation needed]

2010s

In 2015, Sainte-Marie released the album Power in the Blood on True North Records. She had a television appearance on May 22, 2015, with Democracy Now! to discuss the record and her musical and activist career. On September 21, 2015, Power in the Blood was named the winner of the 2015 Polaris Music Prize.[44]

Also in 2015, A Tribe Called Red released an electronic remix of Sainte-Marie's song, "Working for the Government".[45]

In 2016, Sainte-Marie toured North America with Mark Olexson (bass), Anthony King (guitar), Michel Bruyere (drums), and Kibwe Thomas (keyboards).[46]

In 2017, she released the single "You Got to Run (Spirit of the Wind)", a collaboration with fellow Polaris Music Prize laureate, Tanya Tagaq.[47] The song was inspired by George Attla who is a champion dog sled racer from Alaska.[48]

On November 29, 2019, a 50th-anniversary edition of Sainte-Marie's 1969 album, Illuminations, was released on vinyl by Concord Records, the company that bought Vanguard Records, the original publisher of the album.[49]

2020s

Saint-Marie is the subject of Buffy Sainte-Marie: Carry It On, a 2022 documentary film by Madison Thomas.[50] In the same year the National Arts Centre staged Buffy Sainte-Marie: Starwalker, a tribute concert of musicians performing Sainte-Marie's songs.[51]

On August 3, 2023, Saint-Marie issued a statement announcing her retirement from live performances, due to health concerns.[52]

Controversies

Alleged blacklisting

Sainte-Marie said in a 2008 interview at the National Museum of the American Indian[53] that she had been blacklisted by American radio stations and that she, Native Americans, and other Indigenous people in the Red Power movements were pushed out of the industry during the 1970s.[54]

In a 1999 interview at Diné College with a staff writer with Indian Country Today, Sainte-Marie said, "I found out 10 years later, in the 1980s, that President Lyndon B. Johnson had been writing letters on White House stationery praising radio stations for suppressing my music" and "In the 1970s, not only was the protest movement put out of business, but the Native American movement was attacked."[55]

As a result of being blacklisted which Sainte-Marie claims was led by (among others) Presidents Lyndon Johnson and Richard Nixon, FBI Director J. Edgar Hoover, and Nashville disc jockey Ralph Emery (following the release of I'm Gonna Be a Country Girl Again), Sainte-Marie said, "I was put out of business in the United States".[56]

Indigenous identity

Lua error in package.lua at line 80: module 'strict' not found.

In October 2023, Sainte-Marie clarified her indigenous identity in light of allegations that she is a pretendian. Her 2018 authorized biography states she was "probably born" on the Piapot First Nation reserve in Saskatchewan. She claims she was adopted, and does not know where she was born or who her biological parents are. However, there is no known official record of her adoption. Early in her career, various newspapers referred to her as Algonquin, full-blooded Algonquin, Mi’kmaq, and half-Mi’kmaq. The first reference to Sainte-Marie being Cree that CBC News could locate during its investigation of her identity came in December 1963, when the Vancouver Sun referred to “Cree Indian folk singer Buffy St. Marie”.[57] Sainte-Marie reiterated that she has community ties with the Piapot First Nation and that she was "adopted" by Chief Emile Piapot and Clara Starblanket. Emile's great-granddaughter Ntawnis Piapot has corroborated this, saying Sainte-Marie was adopted according to traditional Cree customs over "days and months and years."[58]

Descendants of Piapot and Starblanket also issued a statement defending Sainte-Marie's ties to the Piapot First Nation: "We claim her as a member of our family and all of our family members are from the Piapot First Nation. To us, that holds far more weight than any paper documentation or colonial record keeping ever could."[59]

On October 27, 2023, CBC News published Sainte-Marie's official birth certificate. It indicates that she was born in Stoneham, Massachusetts, to her white, supposed adoptive parents, Albert and Winifred Santamaria.[2]:{{{3}}} Her son with Dakota activist Sheldon Wolfchild has stated she obtained her claims to Native identity through "naturalization" and not by birth.[60] To verify Sainte-Marie's early Mi'kmaq identity claims, her younger sister took a DNA test that showed she had "almost no" Native American ancestry and she says she's genetically related to Sainte-Marie's son, which would not be possible if Buffy was adopted as she claimed.[60]

The CBC documentary included documentation showing her Sainte-Marie family had attempted to clarify her European ancestry in the 1960s and 1970s, and were later threatened with legal action for doing so.[57] In December 1964, Arthur Santamaria, Sainte-Marie’s paternal uncle, wrote to the Wakefield Daily Item, who published his editorial that Sainte-Marie “has no Indian blood in her” and “not a bit” of Cree heritage.[57] Her brother, Alan Sainte-Marie also wrote to newspapers, including the Denver Post in 1972, to clarify that his sister was born to Caucasian parents and that "to associate her with the Indian and to accept her as his spokesman is wrong".[57] Alan's daughter, Heidi Sainte-Marie, claims in 1975, he met Buffy and a PBS producer for Sesame Street, while on working as a commercial pilot. She claims the producer would later ask her father if he was Indigenous because he did not look like it and her father would clarify they were from European ancestry and not Indigenous.[57] On November 7, 1975, he received a letter from a law firm representing Buffy Sainte-Marie, which said, "We have been advised that you have without provocation disparaged and perhaps defamed Buffy and maliciously interfered with her employment opportunities" and the letter stated no expense would be spared in pursuing legal remedies.[57] Included with the law firm letter was a handwritten note from Buffy Sainte-Marie claiming she would expose her brother for allegedly sexually abusing her as a child if he continued speaking about her ancestry.[57] He decided to back off from his letter writing campaign afterwards and a month later, on December 9, 1975, Buffy made her first appearance on Sesame Street.[57]

Current Piapot Chief Ira Lavallee responded to the CBC News findings and noted that despite her false claims of being Indigenous, Sainte-Marie remained accepted, saying, "We do have one of our families in our community that did adopt her. Regardless of her ancestry, that adoption in our culture to us is legitimate".[61]

Honours and awards

Lua error in package.lua at line 80: module 'strict' not found.

Other

  • In 1979, the Supersisters trading card set was produced and distributed; one of the cards featured Sainte-Marie's name and picture.[72]

Discography

Albums

Year Album Peak chart positions
CAN AUS[73] US UK[74]
1964 It's My Way! N/A
1965 Many a Mile N/A
1966 Little Wheel Spin and Spin N/A 97
1967 Fire & Fleet & Candlelight N/A 126
1968 I'm Gonna Be a Country Girl Again N/A 171
1969 Illuminations
1971 She Used to Wanna Be a Ballerina 47 182
1972 Moonshot 134
1973 Quiet Places
1974 Buffy
1975 Changing Woman
1976 Sweet America
1992 Coincidence and Likely Stories 63 39
1996 Up Where We Belong
2008 Running for the Drum N/A
2015 Power in the Blood N/A
2017 Medicine Songs N/A

[39]

Collaborations
Year Album Peak chart positions
CAN AUS[73] US UK[74]
1985 Attla: A Motion Picture Soundtrack Album (with William Ackerman) N/A N/A

[75]

Singles

Year Single Peak chart positions Album
CAN CAN AC US UK[74] AUS[73]
1965 "Until It's Time for You to Go" Many a Mile
1970 "The Circle Game" 76 109 83 Fire & Fleet & Candlelight
1971 "Soldier Blue" 7 She Used to Wanna Be a Ballerina
"I'm Gonna Be a Country Girl Again" 86 98 34 I'm Gonna Be a Country Girl Again
1972 "Mister Can't You See" 21 38 70 Moonshot
"He's an Indian Cowboy in the Rodeo" 98
1973 "I Wanna Hold Your Hand Forever"[76] N/A
1974 "Waves" 27 Buffy
1992 "The Big Ones Get Away" 24 14 39 Coincidence & Likely Stories
"Fallen Angels" 50 26 57
1996 "Until It's Time for You to Go" 54 Up Where We Belong
2008 "No No Keshagesh" Running for the Drum
2017 "You Got to Run (Spirit of the Wind)" (feat. Tanya Tagaq) Medicine Songs

[39]

Soundtrack appearances

Year Song(s) Album
1970 "Dyed, Dead, Red" and "Hashishin" with Ry Cooder Performance

Compilation albums

Year Album Peak chart positions
CAN US UK[74]
1970 The Best of Buffy Sainte-Marie 142
1971 The Best of Buffy Sainte-Marie Vol. 2
1974 Native North American Child: An Odyssey
1976 Indian Girl (European release)
A Golden Hour of the Best Of (UK release)
2003 The Best of the Vanguard Years
2008 Buffy/Changing Woman/Sweet America
2010 The Pathfinder: Buried Treasures - The Mid-70's Recordings

See also

References

  1. 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. 2.0 2.1 2.2 2.3 2.4 2.5 Lua error in package.lua at line 80: module 'strict' not found.
  3. More than 26.5 million copies sold world-wide as per Buffy Saint-Marie biography/profile Archived May 31, 2008, at the Wayback Machine
  4. Lua error in package.lua at line 80: module 'strict' not found.
  5. 5.0 5.1 5.2 Lua error in package.lua at line 80: module 'strict' not found.
  6. 6.0 6.1 Sheward 1997, p. 159.
  7. Cradleboard Project FAQ.
  8. Lua error in package.lua at line 80: module 'strict' not found.
  9. Lua error in package.lua at line 80: module 'strict' not found.
  10. 10.0 10.1 Lua error in package.lua at line 80: module 'strict' not found.
  11. Bennett, Tony, and Valda Blundell. 1995. Cultural studies. Vol. 9, no. 1, First peoples: cultures, policies, politics. London: Routledge. pg. 111; ISBN 0-203-98575-3
  12. 12.0 12.1 Lua error in package.lua at line 80: module 'strict' not found.
  13. Lua error in package.lua at line 80: module 'strict' not found.
  14. 14.0 14.1 Encyclopedia of the Great Plains entry by Paula Conlon, University of Oklahoma, edited by David J. Wishart
  15. 15.0 15.1 15.2 Lua error in package.lua at line 80: module 'strict' not found.
  16. 16.0 16.1 45 Profiles in Modern Music by E. Churchill and Linda Churchill, pgs. 110–2
  17. 17.0 17.1 17.2 17.3 17.4 Buffy Sainte-Marie: A Multimedia Life (Director's Cut) DVD, distributed by Filmwest Associates of Canada and the US, [1] Archived June 30, 2019, at the Wayback Machine, 2006
  18. The relationship is explored in great detail in the 2018 book, Buffy Sainte-Marie: The Authorized Biography, by Andrea Warner ISBN 978-1-77164-358-0, chapter 12 "Up Where We Belong"
  19. Baháʼís and the Arts: Language of the Heart Archived October 26, 2012, at the Wayback Machine by Ann Boyles, also published in 1994–95 edition of The Baháʼí World, pgs. 243–72
  20. Live Unity:The Sound of the World A Concert Documentary, VCR Video, distributed by Unity Arts Inc., of Canada, © Live Unity Enterprises, Inc., 1992
  21. Lua error in package.lua at line 80: module 'strict' not found.
  22. On their album Maximum Darkness
  23. On Another Side of This Life: The Lost Recordings of Gram Parsons 1965–1966
  24. Charles Brutus McClay – "Bottled in France", released 1970 by CBS France, cat.nr.64478
  25. The Barracudas – "Drop Out with The Barracudas", released 1981 by Zonophone, cat.nr.ZONO103
  26. Lua error in package.lua at line 80: module 'strict' not found.
  27. Lua error in package.lua at line 80: module 'strict' not found.
  28. Folk and Blues: The Premier Encyclopedia of American Roots Music by Irwin Stambler, Lyndon Stambler, pp. 528–530
  29. Lua error in package.lua at line 80: module 'strict' not found.
  30. Take My Hand for a While. https://secondhandsongs.com/work/13720/all
  31. Lua error in package.lua at line 80: module 'strict' not found.
  32. Lua error in package.lua at line 80: module 'strict' not found.
  33. Lua error in package.lua at line 80: module 'strict' not found.
  34. Names under the sun: Buffy Sainte-Marie – multi-awarded native American singer makes a comeback, Los Angeles Business Journal, May 1992 by Michael Logan
  35. British Film Institute 1985, p. 282.
  36. Whitburn 2009, p. 1041.
  37. Lua error in package.lua at line 80: module 'strict' not found.
  38. Lua error in package.lua at line 80: module 'strict' not found.
  39. 39.0 39.1 39.2 Lua error in package.lua at line 80: module 'strict' not found.
  40. Lua error in package.lua at line 80: module 'strict' not found.
  41. New generation of Haskell family honored, Topeka Capital-Journal, May 13, 2000 by Andrea Albright
  42. Lua error in package.lua at line 80: module 'strict' not found.
  43. Lua error in package.lua at line 80: module 'strict' not found.
  44. "Buffy Sainte-Marie wins Polaris Music Prize". The Globe and Mail, September 21, 2015
  45. "Buffy Sainte-Marie: "Working for the Government" (A Tribe Called Red remix)". Exclaim!, July 2, 2015
  46. Lua error in package.lua at line 80: module 'strict' not found.
  47. "Buffy Sainte-Marie and Tanya Tagaq Share New Collaboration". Exclaim!, February 21, 2017
  48. Queens of Indigenous Music Buffy Ste-Marie and Tanya Tagaq Unite for “You Got To Run (Spirit Of The Wind)” Archived December 23, 2019, at the Wayback Machine. RPM.fm, February 22, 2017
  49. Lua error in package.lua at line 80: module 'strict' not found.
  50. Becca Longmire, "‘Buffy Sainte-Marie: Carry It On’ To Premiere At TIFF 2022" Archived August 20, 2022, at the Wayback Machine. ET Canada, August 10, 2022.
  51. Garret K. Woodward, "The Tragically Hip’s Surviving Members Reunite to Pay Tribute to a Canadian Icon, Tease New Projects". Rolling Stone, September 30, 2022.
  52. Lua error in package.lua at line 80: module 'strict' not found.
  53. Lua error in package.lua at line 80: module 'strict' not found.
  54. Lua error in package.lua at line 80: module 'strict' not found.
  55. Lua error in package.lua at line 80: module 'strict' not found.
  56. Lua error in package.lua at line 80: module 'strict' not found.
  57. 57.0 57.1 57.2 57.3 57.4 57.5 57.6 57.7 Lua error in package.lua at line 80: module 'strict' not found.
  58. Lua error in package.lua at line 80: module 'strict' not found.
  59. Lua error in package.lua at line 80: module 'strict' not found.
  60. 60.0 60.1 Lua error in package.lua at line 80: module 'strict' not found.
  61. Lua error in package.lua at line 80: module 'strict' not found.
  62. Lua error in package.lua at line 80: module 'strict' not found.
  63. Lua error in package.lua at line 80: module 'strict' not found.
  64. Lua error in package.lua at line 80: module 'strict' not found.
  65. Lua error in package.lua at line 80: module 'strict' not found.
  66. "Buffy Sainte-Marie to get Governor General’s Award". Toronto Star, Jennifer Ditchburn April 29, 2010
  67. Lua error in package.lua at line 80: module 'strict' not found.
  68. Lua error in package.lua at line 80: module 'strict' not found.
  69. Lua error in package.lua at line 80: module 'strict' not found.
  70. "2020 Slaight Family Polaris Heritage Prize Winners Named". FYI Music News, November 16, 2020
  71. Lua error in package.lua at line 80: module 'strict' not found.
  72. Lua error in package.lua at line 80: module 'strict' not found.
  73. 73.0 73.1 73.2 Lua error in package.lua at line 80: module 'strict' not found.
  74. 74.0 74.1 74.2 74.3 Lua error in package.lua at line 80: module 'strict' not found.
  75. Lua error in package.lua at line 80: module 'strict' not found.
  76. Lua error in package.lua at line 80: module 'strict' not found.

Further reading

  • Lua error in package.lua at line 80: module 'strict' not found.
  • Lua error in package.lua at line 80: module 'strict' not found.
  • Lua error in package.lua at line 80: module 'strict' not found.
  • Lua error in package.lua at line 80: module 'strict' not found.

External links

Script error: The function "top" does not exist.

Script error: The function "bottom" does not exist.