Christopher Tin

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Christopher Chiyan Tin
File:Christopher Tin.jpg
Born California
Occupation Composer
Website christophertin.com
Christopher Tin
Chinese 田志仁

Christopher Chiyan Tin is an American composer whose work is primarily classical with a world music influence. He is a composer for films, video games, and commercials and has won two Grammy Awards for his classical crossover album, Calling All Dawns. Tin is best known for his composition "Baba Yetu", featured in the 2005 computer game Civilization IV.

Life and career

Career

Christopher Tin was born and raised in California and worked on his undergraduate education at Oxford and Stanford University.[1] At Stanford, he was active in the taiko group,[2] Stanford Taiko, and conducted the a cappella group, Stanford Talisman,[3] several musicals,[4] and choral concerts at the 1996 Summer Olympics in Atlanta, Georgia.[5] He graduated in 1998,[4] receiving a BA with Honors in Music Composition and English Literature. He continued to study at Stanford and received an MA in Humanities in 1999.[6] After a period as an exchange student in Oxford, he was awarded a Fulbright Scholarship, the first to be awarded one for film scoring, to study composition and conducting at the Royal College of Music in London.[7][8] There he graduated with an MMus with Distinction and the highest grades in his class and was the winner of the Horovitz composition prize.[8] While in London, he was commissioned by the United States Embassy to compose music for a string quartet.[4] In 2003, he became a Sundance Institute Film Music Lab Fellow.[9]

Tin returned to Los Angeles and continued his career by producing TV show music. His first internships were with Hans Zimmer, composer for The Lion King and Gladiator, and Joel McNeely, with whom he worked on Mulan II.[4] Tin's first opportunity to compose his own music came when John Ottman contacted him to work on X-Men 2, where he composed several original themes.[4][5] Independently, he has composed "Daydream" for Apple Inc.'s music software GarageBand, and the music for an international advertisement of Puma SE.[5] He has also worked on TV show music, notably for Nova, The History Channel, and Discovery Channel.[5]

"Baba Yetu"

Tin's biggest break came in 2005, when video game designer Soren Johnson, his former roommate at Stanford, asked him to compose the theme song for Civilization IV.[10] Tin responded with "Baba Yetu", a choral, Swahili version of the Lord's Prayer performed by Stanford Talisman.[11] It has garnered a huge critical response, with over 20 reviewers singling out the theme on IGN, GameSpy, and Game Shark,[12] and is a persistent favorite of blog posts.[lower-alpha 1] Tommy Tallarico called it "incredible",[13] and the piece is a staple of his concert tour, Video Games Live. It won Tin two awards at the GANG (Game Audio Network Guild) Awards in 2006.[5]

On December 5, 2010, it was reported that "Baba Yetu" was nominated for the 53rd Annual Grammy Awards in the "Best Instrumental Arrangement Accompanying Vocalist(s)" category, making it the first video game theme nominated for a Grammy Award.[14] On February 13, 2011, it was announced as the winner of its category, making it the first piece of music composed for a video game to win a Grammy Award.[15] At the 10th Annual Independent Music Awards, "Baba Yetu" was the winner in the "Song Used in Film/TV/Multimedia" and "World Beat Song" categories.[16]

"Baba Yetu" has been performed at various venues and events around the world, including The Dubai Fountain, the Kennedy Center, Royal Festival Hall, the Hollywood Bowl,[5] and the New Year’s Concert of the sixty-seventh session of the United Nations General Assembly.[17]

Calling All Dawns

In 2009, Tin released his classical crossover album Calling All Dawns. The album won two Grammys in the 53rd Grammy Awards for Best Classical Crossover Album and Best Instrumental Arrangement Accompanying Vocalist(s), and was nominated for the 'Contemporary Classical Album' category at the 10th Annual Independent Music Awards.

The album is a song-cycle in three uninterrupted movements: Day, Night, and Dawn (corresponding to life, death, and rebirth). The twelve songs are sung in twelve languages, including Swahili, Polish, French, Persian, and Maori. The lyrics are taken from diverse sources, including the Torah, the Bhagavad Gita, Persian and Japanese poetry, and lyrics by contemporary writers. Appropriate vocal traditions are used in the performance of each song, and include African choral music, opera, medieval chants, and Irish keening.

The album features performances from over 200 musicians on six continents, including Frederica von Stade, Anonymous 4, the Soweto Gospel Choir, Dulce Pontes, and Sussan Deyhim. It was never intended to be performed live, as Tin believed that a single choir would balk at the idea of learning the 12 languages. However, despite the challenge, many groups[18] have performed the entire album in concert, including Angel City Chorale who performed the piece's west coast premiere on June 7–8, 2013.[18]

The Drop That Contained the Sea

Christopher Tin's second song cycle, titled "The Drop That Contained the Sea", premiered at Carnegie Hall on April 13, 2014. It was performed by a chorus made up of several choral groups from around the United States, Canada, and England, as part of a concert produced by Distinguished Concerts International New York. The album's presale began on April 13, and it was released on May 8, 2014. It consists of ten songs, each sung in a different language, beginning with Proto-Indo-European and including Bulgarian, Turkisch, Mongolian, Xhosa, Ancient Greek and Sanskrit. The song cycle follows the Water Cycle much like "Calling All Dawns" followed the day and night cycle.

The US West Coast Premier of "The Drop That Contained The Sea" occurred on June 7 (and repeated on June 8, 2014) by the Angel City Chorale, one of the choral groups performing on the album itself.

Works

Tin's works include both concert pieces and incidental music for films, TV shows, video games, commercials, and other multimedia applications. His works, scores and clients include:[5]

Collaborative projects

In 2009, Christopher Tin and multi-instrumentalist and producer Shoji Kameda formed a Los Angeles based production duo, Stereo Alchemy. Their debut album, God of Love, was released February 14, 2012.[19]

Awards

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Notes

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References

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External links