Ecce Homo (Martínez and Giménez, Borja)

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Ecce Homo
File:Ecce Mono - restoration of Ecce Homo by Elias Garcia Martinez.jpg
The painting in moderate condition, when degraded, and after the restoration attempt.
Artist Elías García Martínez
Type Fresco
Dimensions 50 cm × 40 cm (20 in × 16 in)
Location Sanctuary of Mercy church, Borja
Owner Diocese of Tarazona

The Ecce Homo (Behold the Man) in the Sanctuary of Mercy church in Borja, Spain, is a fresco painted circa 1930 by the Spanish painter Elías García Martínez depicting Jesus crowned with thorns. Both the subject and style are typical of traditional Catholic art.[1] While press accounts agree that the original painting was artistically unremarkable,[2][3][4] its fame derives from an attempt to restore the fresco by Cecilia Giménez, an untrained amateur, in 2012.[5][6]

The original mural

The artist, a professor at the School of Art of Zaragoza, gave the painting to the village where he used to spend his holidays, painting it directly on the wall of the church about 1930.[7][8] He commented that "this is the result of two hours of devotion to the Virgin of Mercy".[9] His descendants still reside in Zaragoza and were aware that the painting had deteriorated seriously; his grand-daughter had made a donation toward its restoration shortly before they discovered that the work had been radically altered in an incomplete attempt to restore it.[1][10]

Failed restoration attempt and Internet phenomenon

The authorities in Borja said they had suspected vandalism at first, but then determined that the alterations had been made by an elderly parishioner, Doña Cecilia Giménez, who was in her 80s. She said on Spanish national television that she had started to restore the fresco, because she was upset that parts of it had flaked off due to moisture on the church’s walls. Giménez defended herself, saying she could not understand the uproar because she had worked in broad daylight and had tried to salvage the fresco with the approval of the local clergyman. “The priest knew it,” she told Spanish television. “I’ve never tried to do anything hidden.”[10]

News of the disfigured painting spread around the globe in August 2012 on mainstream and social media, which promptly led to the status of an internet phenomenon. BBC Europe correspondent Christian Fraser said that the result resembled a "crayon sketch of a very hairy monkey in an ill-fitting tunic".[5] The restored version has been jokingly dubbed "Ecce Mono" ('Behold the Monkey,' ecce is Latin, whereas mono is Spanish for 'monkey'; in Latin, it is simius) in an "online rush of global hilarity",[11][12][13] and compared to the plot of the film Bean.[14] Because of the negative attention, the priest of the church, Father Florencio Garces, thought the painting should be covered up.[15]

Artistic significance

Tongue-in-cheek critiques have interpreted the piece as a multifaceted comment on both sacred and secular themes. A Forbes commentator suggested that the "inept restoration" represented "one woman’s vision of her savior, uncompromised by schooling."[16][17] In September 2012 the artistic group Wallpeople presented hundreds of reworked versions of the new image on a wall near the Centre de Cultura Contemporània de Barcelona. An organizer commented that "Cecilia has created a pop icon".[18]

Tourist success

The interest from tourists was such that the church began charging to see the fresco.[19] In the year following the failed restoration, tourist activity generated 40,000 visits and more than €50,000 for a local charity.[20][21] Giménez has sought a share of the royalties. Giménez's lawyer said that she wanted her share of the profits to help muscular dystrophy charities, because her son suffers from the condition.[22][23] By 2016, tourist numbers to the town had increased from 6,000 to 57,000; in addition to spending money with local businesses, visitors have donated some €50,000 to the church. The money has been used to employ additional attendants at the church and to fund an old people’s home.[24] On 16 March 2016, an interpretation centre dedicated to the artwork was opened in Borja.[25]

See also

References

  1. 1.0 1.1 "Un hecho incalificable" (in Spanish). Noticias y actividades. Centro de Estudios Borjanos (Institución Fernando El Católico). 7 August 2012.
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  8. Albarium Conservación y Restauración. Informe sobre el Ecce Homo de la iglesia del Santuario de la Misericordia de Borja (Zaragoza). September 2012. Archived 1 April 2013 at the Wayback Machine
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  18. Anthony Coyle, Barcelona (7 September 2012). "Ya está aquí: el ‘eccehomenaje’" (in Spanish). Cultura. El País. "Una acción en la que cientos de personas han diseñado su particular fotomontaje del eccehomo [sic] de Borja, asignándole tan particular rostro a todo tipo de iconos del imaginario popular; desde celebridades a obras del Renacimiento o pósters de cine. Wallpeople ha recibido más de un centenar de dibujos de todo el mundo desde que anunció la convocatoria hace dos semanas. Uno de sus responsables, Pablo Quijano, explica que la idea es 'fomentar el arte y la creatividad' y 'apoyar a Cecilia Giménez', quién incluso ha padecido ataques de ansiedad desde el suceso. 'Cuando vimos la repercusión de este fenómeno pensamos que teníamos que hacer algo. Cecilia ha creado un icono pop', comenta el joven de 30 años [...]"
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  21. Detenido Florencio Garcés, el cura de Borja: abusos sexuales y robo de 210.000 euros. En la Iglesia de esta localidad zaragozana se encuentra el famoso 'Eccehomo' restaurado por Cecilia Giménez. 30 November 2013. http://www.lavozlibre.com/noticias/ampliar/845989/florencio-garces-el-cura-de-borja-abusos-sexuales-y-robo-de-210000-euros accessed 30 Nov 2013.
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  24. Botched restoration has visitors flooding to sleepy Spanish village. Euro Weekly News, Spain. 17 March 2016. http://www.euroweeklynews.com/3.0.15/news/on-euro-weekly-news/spain-news-in-english/137587-botched-restoration-has-visitors-flooding-to-sleepy-spanish-village accessed 1 April 2016
  25. El eccehomo de Borja ya tiene quien lo explique. Se inaugura el Centro de Interpretación centrado en la pintura retocada en 2012 por la restauradora aficionada Cecilia Giménez. Aitor Bengoa. El Pais 16 MAR 2016. http://cultura.elpais.com/cultura/2016/03/16/actualidad/1458155898_147342.html accessed 5 April 2016

External links

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