Cranes (band)

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"The Cranes" redirects here. For the football team nicknamed "the Cranes", see Uganda national football team.
Cranes
File:CranesVocalist2008.jpg
Cranes singer Alison Shaw
Background information
Origin Portsmouth
Genres Dream pop, gothic rock
Years active 1989–1997, 2000–present
Labels Bite Back
Dedicated/RCA
Arista
Dadaphonic
Members Alison Shaw
Jim Shaw
Paul Smith
Ben Baxter
Jon Callender
Past members Mark Francombe
Matt Cope
Manu Ross

Cranes are a British music group formed in 1989,[1] whose style has been described as "gothic minimalism".

History

Formed in 1989 in Portsmouth, England by siblings Alison and Jim Shaw[2] and named after the many mechanical cranes around the city's docks, Cranes are best known for the childlike, high-pitched vocals of lead singer Alison.

The band's first release was the self-financed Fuse cassette.[2] They recorded the Self Non Self mini-LP in 1989, which led to them recording their first of two sessions for John Peel's BBC Radio 1 show.[3][4] They moved to the BMG offshoot Dedicated Records in 1990.[2] With the addition of Mark Francombe and Matt Cope (both guitar), they released a series of EPs in 1990 and 1991 that preceded their debut full-length album, Wings of Joy, which reached number 52 on the UK Albums Chart.[2] Following a general softening of their sound, the introduction of pop elements to their music, and a world tour with The Cure in 1992, the band's popularity increased, and peaked with the release of the album Forever (UK No. 40), which contained their biggest hit single, "Jewel" (UK No. 29).[2]

The band fell silent for a period of approximately four years after the release of Population 4 in 1997, and the subsequent closure of Dedicated, with the original line-up breaking up.[5] In 2000, the Shaws formed a new line-up and began writing music again, and released Future Songs and Particles and Waves on their own label, Dadaphonic.[5] These albums signified a change in the overall style of their music, emphasising its ambient, ethereal qualities. Despite heading in a more electronic direction, however, the band's music continued to revolve around Alison Shaw's distinctive singing. In 2002 the band again supported The Cure, at Hyde Park and several European festivals.[5]

Musical style

File:Cranes hd.JPG
Cranes performing live

The band's music has been described as "gothic minimalism", although the band themselves disputed the 'gothic' tag.[2][6] They have also been described as dream pop.[6] In the early 1990s they were briefly included as part of the "shoegazing" movement of the era.[2]

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“The Cranes have been tagged with more than their share of inaccurate labels over the years, such as "Gothic", "Ethereal" and even "Industrial", but just as often, they are more accurately described as a band with a furiously creative drive which allows even their simplest songs to sound beautifully honest and original. But as simple as their music seems, the Cranes have always kept things interesting by giving their music an element of edginess and unpredictability. Some of their songs make their point with no more than three notes played repeatedly on a piano, while others rely on screeching, wailing walls of sound provided by guitarists Matt Cope and Mark Francombe, while still others rely on a clever, sometimes surprising combination of the two. All of these elements are complemented perfectly by Shaw's unmistakable vocal style and her brother Jim Shaw's precise and powerful percussion.”
          – Andy Dolan, The Michigan Daily, 1995[7]

Much has been made of Alison Shaw's vocals, with descriptions ranging from "the helium tones of a small child",[8] "baby-doll-voiced",[9] and "a mewling, childish wisp of a voice".[10] One reviewer described the band: "Imagine a small child singing lullabies at the bottom of the well with a background of grinding guitars".[11]

Band members

Discography

Albums

  • Fuse (MC, 1986)
  • Self-Non-Self (1989), Bite Back
  • Wings of Joy (1991), Dedicated/RCA – UK No. 52[12]
  • Forever (1993), Dedicated/RCA – UK No. 40[12]
  • Loved (1994), Dedicated/Arista
  • La tragédie d'Oreste et Électre(1996), Dedicated/Arista (Limited Edition)
  • Population 4 (1997), Dedicated/Arista
  • EP Collection, Vol. 1 & 2 (1997), Dedicated
  • Future Songs (2001), Dadaphonic
  • Live in Italy (2003), Dadaphonic
  • Particles & Waves (2004), Dadaphonic
  • Live at Paradiso 1991 (2007) (for download only)
  • Cranes (2008), Dadaphonic

Singles and EPs

  • Inescapable (1990), Dedicated – 4 non-album tracks
  • Espero (1990), Dedicated – 3 non-album tracks
  • Adoration (1991), Dedicated – 2 tracks including a non-album B-side
  • Tomorrow's Tears (1991), Dedicated – 4 tracks including 2 non-album tracks
  • Adrift (1993), Dedicated – 3 tracks including 1 non-album track
  • Jewel (1993), Dedicated/RCA – UK No. 29,[12] 3 different releases with remixes. One of them includes a non-album track
  • Forever Remixes (1993) – 6 remixes of a few tracks from the Forever album
  • Shining Road (1994), Dedicated – UK No. 57,[12] 2 different releases each of them with 4 tracks including 2 (different) non-album tracks
  • Can't Get Free (1997), Dedicated – 5 tracks including 4 non-album tracks
  • Submarine (2002) – 8 remixes of a few tracks from the Future Songs album
  • The Moon City/It's a Beautiful World (7", 2002), Elefant – 2 non-album tracks

Notes

The track Astronauts from the 2004 album Particles and Waves has been used as music for the American Express commercial with actress Kate Winslet.

Alison Shaw recorded a new song "Endormie" with the group Twine on their last album, Violets.

The track "Shining Road" was played in the film Eye for an Eye.

The television series Californication uses the track "Don't Wake Me Up" during the outro sequence and credits of Season 4, Episode 5.

References

  1. ↑ Media Coverage – Interviews. Starblood.org. Retrieved on 12 February 2013. Archived 29 August 2013 at WebCite
  2. ↑ 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Bottomly, Mo (1991) "Cranes", Lime Lizard, March 1991, p. 4-6
  4. ↑ "Cranes", Keeping it Peel, BBC, retrieved 1 January 2011
  5. ↑ 5.0 5.1 5.2 Strutt, Anthony (2004) "Cranes : Interview with Alison Shaw", pennyblackmusic.co.uk, 24 September 2004, retrieved 28 December 2010 Archived 5 March 2014 at the Wayback Machine
  6. ↑ 6.0 6.1 Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ Andy Dolan: Interview with Cranes, The Michigan Daily, p. 8, March 1, 1995
  8. ↑ Price, Simon (2010) "Paolo Nutini, Royal Albert Hall, London; Cranes, Jazz Café, London", The Independent, 11 April 2010, retrieved 28 December 2010 Archived 28 February 2014 at the Wayback Machine
  9. ↑ Hochman, Steve (1993) "England's Cranes Soar at the Whisky", Los Angeles Times, 18 September 1993, p. 10
  10. ↑ Pareles, Jon (1992) "Cranes and Belly, Limelight", New York Times, 23 April 1992, retrieved 28 December 2010
  11. ↑ VanNoy, Emily (1994) "Cranes Trade Gothic Pianos for Guitars", Cavalier Daily, 10 November 1994, p. 7, retrieved 28 December 2010
  12. ↑ 12.0 12.1 12.2 12.3 "Cranes", Chart Stats, retrieved 28 December 2010 Archived 21 October 2012 at the Wayback Machine

External links

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  • Lua error in package.lua at line 80: module 'strict' not found. by Alexander Laurence
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