Dan Dailey (glass artist)

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Dan Dailey
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Born February 4, 1947
Nationality American
Field Sculpture, Site Specific, Installation, Drawing
Movement Modernism, Materialism
Training 'Philadelphia College of Art. Rhode Island School of Design
Awards Fulbright-Hays Fellowship, Venice, Italy, National Endowment for the Arts Fellowship - Glass, Libensky Award, Chateau Ste. Michelle, Pilchuck Silver Star Alumni Award, UArts

Dan Dailey, born in Philadelphia in 1947, is an artist who, with the support of a team of artists and crafts people, creates sculptures and functional objects in glass and metal.

Biography

Dan Dailey's career in glass has spanned more than 40 years. Emerging from the Studio Glass movement initiated by Harvey Littleton, Dailey's work has branched out from the mainstream by the incorporation of metal into many of the sculptures. Additionally, he has worked with several glass companies, in particular as an independent artist/ designer for Crisallerie Daum, France for more than twenty years. He has taught at many glass programs and is a professor at the Massachusetts College of Art where he founded the glass program. Since 1971, Dailey's work has been featured in more than 90 exhibitions and included in over 300 juried or invitational group shows.

He is married to Linda MacNeil, an artist also working with glass and metal, primarily in the studio or art jewelry field.

1960s

Dailey encountered glass as an artists' medium when helping construct a small glass blowing studio at the Philadelphia College of Art with Roland Jahn, a glass blower, ceramics teacher at the college, and former student Harvey Littleton. From building basic equipment and observing processes, Dailey soon began working with glass.

1970s

In 1970 Dailey received a teaching fellowship at Rhode Island School of Design, (RISD) in Providence, Rhode Island, where the well-known glass artist, Dale Chihuly, was teaching at the time. Dailey became Chihuly’s first graduate student. Along with other students, Dailey assisted in building the RISD glass studio and began to develop concepts for illuminated sculpture.

Series from the 1970s[1]
Title Dates No. of pieces
Engraved 1972–75 24
“M” 1975–76 3
Nail Vases 1976 12
“Skagit” 1977 11
Wire Glass 1978 9
City Vases 1979 14
Oceanic Vases 1979 12
Scenic Vases 1979–80 22
Distorted Vessels 1979–82 19
Vitrolite Wall Reliefs 1979–90 30
In 1972 Dailey received a Fulbright Felowship and was invited by Ludovico Diaz di Santillana, the director and owner of the Venini Factory in Murano, to work as an independent artist/designer. Dailey created a series of blown glass and brass sculptural lamps while in residence at the factory. This industrial experience became a model for Dailey’s future work in several glass factories later in his career.
In 1973 Dailey began teaching glass and ceramics at the Massachusetts College of Art and Design in Boston. The school was without facilities for glass and with the experience that marked the beginning of his career with glass, Dailey built the studio and equipment with the assistance of several students. Dailey also taught from 1985 to 2007, he often taught the introductory glassblowing class to beginner students who were unaware of his success as an artist. He is notably humble and very generous with students.
Dailey continued to create illuminated sculpture, vase forms and began to develop Vitrolite wall reliefs.
In 1975 Dailey taught at Pilchuck Glass School[2] in Stanwood, Washington, for the first time.
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Cafe 1979, Corning Museum of Glass,
Corning, NY.
In 1976 Dailey was invited by Jacques Daum, nephew of August Daum, to work as an independent artist at Cristallerie Daum in Nancy, France. Between 1978 and 2003 he produced seven editioned pâte de verre sculptures. This experience created a working relationship that continues today.
The numerous works created at Cristallerie Daum were produced as limited edition, pâte de verre works. Dailey is one of three Americans to have worked with Daum and holds the longest standing relationship of any artist after 32 years of work with the company. Other artists who have worked with Daum include Salvador Dalí, Fernand Léger, Jean-Michel Folon, César, Christian Poincignon, and many others.
Dailey’s editioned works include Le Vent, Le Joyeau, L’Eau, Le Vin, Le Soleil, and La Dame.[3]
Along with the limited editions, Daum melted selected colors of crystal for Dailey’s personal use. From 1987 to 1990, with the assistance of Mark Weiner, three Daum crystal vase series were produced.

1980s

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Sick as a Dog 1984, Toledo Museum
of Art, Toledo, OH
  • 1980 Massachusetts Council on the Arts Fellowship–Glass
  • 1980-85 MIT
In 1980 Dailey received a fellowship at the Massachusetts Institute of Technology’s Center for Advanced Visual Studies in Cambridge where he co-taught the class Glass, Gas and Electricity with German artist Otto Piene. This experimental sculpture class emphasized and explored the phenomenon of illumination.
In conjunction with the MIT Research Lab for Electronics, Dailey further studied the qualities of light and glass.
In 1984 Dailey produced a suite of designs for Steuben Glass in Corning, New York. At the request of Steuben, Dailey produced sports-themed designs to be produced on vases, with one design Ice Dancers being produced.
Series from the 1980s[1]
Title Dates No. of pieces
Title Dates No. of pieces
Head Vases 1980 21
Tripod Vessels 1980–81 23
People & Animal Vases 1981–82 11
Fish Vases 1981 24
Bird Vases 1982 28
Travel Vases 1982 9
Constructed Heads & Busts 1982–87 20
Automobile Vases 1983 20
People Holding Animals 1983 3
Constructed Animals 1983–95 16
Science Fiction Vases 1984–85 24
Portrait Vases 1986 18
Character Heads 1988–89 20
Nature Vases 1988 10
Face Vases 1988–97 196
Dailey/Tagliapietra Vases 1989–90 54
Mythology Head Vases 1989–90 22
Male/Female Figurative Vases 1989–94 38
In 1985 Dailey began working with Fenton Art Glass Company to produce cast glass components of a low relief mural. Over a period of 20 years, Dailey made 26 large scale murals, one of which was 16 feet (4.9 m) by 24 feet (7.3 m), weighing over 4,000 pounds (1,800 kg).
With numerous assistants, Dailey also blew glass to create various works, notably, the Science Fiction Series, 1985-86.
In 1987 Henry Geldzahler, Milton Glaser, and Hugh Hardy selected Dailey to make a cast glass relief mural titled Orbit, for the Rainbow Room at the Rockefeller Center. The mural is a 15-foot (4.6 m) by 8-foot (2.4 m) abstract representation of orbiting planets and artistic debris, illuminated from behind with changing colors coordinated with the mood lighting of the dining/dancing space.
Dailey also created wall sconces for various locations around the Rainbow Room complex.
Henry Geldzahler wrote an essay for the catalog, in which he noted, "Dan Dailey’s achievement is in the seamless marriage he effects in his work in every medium between the idiosyncratic convolutions of his inner landscape and the classic harmony and lucidity of the great tradition in glass, of whom Daum, Nancy and Lalique are giants. Dailey’s work joins in that tradition, but with a contemporary spin that causes the viewer to smile in complicity."[4]
  • 1987 Retrospective Exhibition of Dan Dailey’s work at the University of the Arts, Philadelphia, Rosenwald Wolf Gallery
The exhibition, curated by Eleni Cocordas, consisted of fifty works, including illuminated sculpture, Vitrolite wall reliefs, vases, and pastel drawings.
  • 1989 Masters Fellowship, Creative Glass Center of America

1990s

Series from the 1990s[1]
Title Dates No. of pieces
Title Dates No. of pieces
Characters from Literature 1990 2
Mask Vases 1990 5
Abstract Head Vases 1990–94 80
Figurative Lamps 1990–ongoing 111
Dailey/Tagliapietra Mini Vases 1992–93 53
Animal Vessels 1992–98 50
Boca Palm Vases 1993 26
Skyscraper New York Vases 1993–94 10
Art Deco Building Vases 1995 5
Circus Vases 1995–ongoing 134
Dailey work titled The Doctor from 1988 is accepted into their permanent collection.
  • 1994 commission: Boca Palms
26 special edition vases commissioned by the Boca Raton Museum of Art, Boca Raton, Florida.
Dailey was invited to work as an independent artist by Waterford Crystal, Kilbarry, Ireland, in 1998. Dailey visited three times between 1998-1999 to create chandeliers, wall sconces, and seven engraved vases, using particular processes unique to the history and specialty of Waterford Crystal.
  • 1998 awards
    • Fellow of the American Craft Council, ACC College of Fellows
    • Outstanding Achievement in Glass, UrbanGlass
    • Honorary Lifetime Membership Award, Glass Arts Society

2000 on

Series from the 2000s[1]
Title Dates No. of pieces
Title Dates No. of pieces
Fabricated Music 2001- ongoing
Individuals 2004–ongoing 15
Scenes 2012–ongoing 15
The Toledo Museum of Art, a museum whose major focus is on glass, asked Dailey to create a children's book explaining and illustrating the process of glassblowing. Dailey collaborated with Allison Dailey, who developed the characters and executed all of the final watercolor drawings for the book. The book is based on the making of a particular vase titled Alligator, from Dailey's Animal Vase series begun in 1992.
  • 2007 publication: Dan Dailey,[1] a 384-page volume on Dailey's work, published by Harry N. Abrams.
The book, a comprehensive view of Dailey's work from 1968 to 2007, includes 460 illustrations, 400 full-color images, and was designed and edited by Joe Rapone. Writing and essays are by Milton Glaser, Tina Oldknow, and William Warmus.
  • 2007 Silver Star Alumni Award, College of Art and Design at the University of the Arts, Philadelphia
  • 2008-09 Residency: G.A.P.P Glass Residency (Guest Artist Pavilion Project) Toledo Museum of Art, Toledo, Ohio
Dailey was asked to be a part of the G.A.P.P. The focus of the residency was to study and respond to the museum's collection, with a focus on landscape and paintings. Dailey's glass mural project for the museum was begun in 2008 and is now in progress.
Dailey conducted a series of artist interviews, in collaboration with Joe Rapone, which explore the notion of "Materialism", a term that includes a rethinking of movements of the 1970s, specifically the Studio Craft Movement.

Public collections

Data as of the end of 2013.[1]

USA

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Clown Vamps 1999, Museum of Art
and Design, New York, NY.
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Nude Walking in Tall Grass
1993, Museum of Fine Art
Boston, MA
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Imposter 2006
Dailey Archive

Australia

Canada

France

Germany

Japan

Switzerland

Gallery

Dan-Dailey-1972 Pistachio Lamp.jpg Dan-Dailey-SC 23-80 Stars and Skyline.jpg Dan-Dailey-1983 Anguish.jpg 150px
Pistachio Lamp 1972
Private Collection		 Stars and Skyline 1980
Metropolitan Museum of Art
New York, NY		 Anguish 1983
Milwaukee Art Museum
Milwaukee, WI		 Romance1987
Huntington Museum of Art
Huntington, WV
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Hawk & Dove Man 1995
Currier Museum of Art
Manchester, NH		 The Doctor 1988
Louvre Museum
Paris, France		 Fantasy 1988
LA County Museum of Art
Los Angeles, CA		 Opaque 1991
Royal Ontario Museum
Toronto, OB, Canada
Dan-Dailey-AH 60-92 Jest.jpg Dan-Dailey-AV 32-95 Alligator.jpg Dan-Dailey-AV 22-93 Gray Madrill.jpg Dan-Dailey-2003 Le Soleil.jpg
Jest 1992
Dailey Archive
 Alligator 1995
Corning Museum of Glass
Corning, NY		 Gray Mandril 1993
Dayton Art Institute
Dayton, OH		 Le Soleil 2003
Cristallerie Daum
Edition
Dan-Dailey-1999 Dance of Light.jpg Dan-Dailey-2004 Tribute.jpg Dan-Dailey-2005 Splendid.jpg Dan-Dailey-2009 Swiveler 3.jpg
Dance of Light 1999
Private Collection		 Tribute 2003
Providence Performing Arts
Center Providence, RI		 Splendid 2006
Private Collection		 Swiveler 2009
Edition 3/7

References

  1. ↑ 1.0 1.1 1.2 1.3 1.4 1.5 [Dan Dailey by William Warmus, Milton Glaser, Tina Oldknow Publisher: Harry N. Abrams, Inc. (March 1, 2007) ISBN 978-0-8109-9319-8]
  2. ↑ Pilchuck: A Glass School by Tina Oldknow 1996 ISBN 978-0-295-97559-7
  3. ↑ Glass: An Artist's Medium by Lucartha Kohler 1998 ISBN 978-0-87341-604-7
  4. ↑ 1987 exhibition catalogue titled: Dan Dailey: Simple Complexities in Drawings and Glass 1972-1987 Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington D.C.
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