Ernest Dowson

Ernest Christopher Dowson
Ernest Dowson
Born	Ernest Christopher Dowson (1867-08-02)2 August 1867 Lee, London, UK
Died	Catford, England, UK
Nationality	English
Alma mater	The Queen's College, Oxford
Occupation	Poet, novelist, and short-story writer

Ernest Christopher Dowson (2 August 1867 – 23 February 1900) was an English poet, novelist, short-story writer, often associated with the Decadent movement.

Biography

Ernest Dowson was born in Lee, London, in 1867. His great-uncle was Alfred Domett, a poet and politician who became Premier of New Zealand and had allegedly been the subject of Robert Browning's poem "Waring." Dowson attended The Queen's College, Oxford, but left in March 1888 without obtaining a degree.

In November 1888, he started work with his father at Dowson and Son, a dry-docking business in Limehouse, east London, which had been established by the poet's grandfather. He led an active social life, carousing with medical students and law pupils, going to music halls and taking the performers to dinner. He was also working assiduously at his writing during this time. He was a member of the Rhymers' Club, which included W. B. Yeats and Lionel Johnson. He was a contributor to such literary magazines as The Yellow Book and The Savoy.

Dowson collaborated on two unsuccessful novels with Arthur Moore, worked on a novel of his own, Madame de Viole, and wrote reviews for The Critic. Later in his career, Dowson was a prolific translator of French fiction, including novels by Balzac and the Goncourt brothers, and Les Liaisons dangereuses by Choderlos de Laclos.

In 1889, aged 23, Dowson became infatuated with the 11 year old Adelaide "Missie" Foltinowicz, daughter of a Polish restaurant owner; in 1893 he unsuccessfully proposed to her. To Dowson's despair, Adelaide was eventually to marry a tailor.

In August 1894, Dowson's father, who was in the advanced stages of tuberculosis, died of an overdose of chloral hydrate. His mother, who was also consumptive, hanged herself in February 1895. Soon after her death, Dowson began to decline rapidly. The publisher Leonard Smithers gave him an allowance to live in France and write translations, but he returned to London in 1897 (where he stayed with the Foltinowicz family, despite the transfer of Adelaide's affections).

In 1899, Robert Sherard found Dowson almost penniless in a wine bar and took him back to the cottage in Catford, where Sherard was living. Dowson spent the last six weeks of his life at Sherard's cottage where he died at age 32. He had become a Catholic in 1892 and was interred in the Roman Catholic section of nearby Brockley and Ladywell Cemeteries. After Dowson's death, Oscar Wilde wrote: "Poor wounded wonderful fellow that he was, a tragic reproduction of all tragic poetry, like a symbol, or a scene. I hope bay leaves will be laid on his tomb and rue and myrtle too for he knew what love was". Wilde himself was dead before the end of the year.

Works

Dowson is best remembered for such vivid phrases as "Days of Wine and Roses":

They are not long, the days of wine and roses:
Out of a misty dream
Our path emerges for a while, then closes
Within a dream.

– Ernest Dowson, from "Vitae Summa Brevis" (1896).

and "Gone with the wind":

I have forgot much, Cynara! gone with the wind,
Flung roses, roses riotously with the throng,
Dancing, to put thy pale, lost lilies out of mind;
But I was desolate and sick of an old passion,
Yea, all the time, because the dance was long:
I have been faithful to thee, Cynara! in my fashion.

– Ernest Dowson, from Non Sum Qualis eram Bonae Sub Regno Cynarae, third stanza (1894).

This latter poem was first published in The Second Book of the Rhymer's Club in 1894, and was noticed by Richard Le Gallienne in his "Wanderings in Bookland" column in The Idler, volume 9. This is also the source of the phrase 'I have been faithful..in my fashion'.

Margaret Mitchell, touched by the "far away, faintly sad sound I wanted" of the third stanza's first line, chose that line as the title of her novel Gone with the Wind.

According to the Oxford English Dictionary, Dowson provides the earliest use of the word soccer in written language (although he spells it socca, presumably because it did not yet have a standard written form).

His prose works include the short stories collected as Dilemmas (1895), and the two novels A Comedy of Masks (1893) and Adrian Rome (each co-written with Arthur Moore).

Books

• A comedy of masks: a novel (1893) With Arthur Moore.
• Dilemmas, stories and studies in sentiment (1895)
• Verses (1896)
• The Pierrot of the minute : a dramatic phantasy in one act (1897)
• Decorations in Verse and Prose (1899)
• Adrian Rome (1899) With Arthur Moore.
• Cynara: a little book of verse (1907)
• Studies in sentiment (1915)
• The Poems and Prose of Ernest Dowson, With a Memoir by Arthur Symons (1919)
• Letters of Ernest Dowson (1968)
• Collected shorter fiction (2003)

Legacy

His collaborator Arthur Moore wrote several witty comic novels about the young adult duo of Anthony 'Tony' Wilder and Paul Morrow (one, 'The Eyes of Light' is mentioned by friend E. Nesbit in her book 'The Phoenix and the Carpet'). Tony is based on Dowson, while Paul is based on Moore.

Frederick Delius set a number of Dowson's poems, in his Songs of Sunset and Cynara.

John Ireland included a setting of "I Was Not Sorrowful (Spleen)" from Verses (1896) in his 1912 song cycle Songs of a Wayfarer.

T. E. Lawrence quotes from Dowson's poem, "Impenitentia Ultima," in Seven Pillars of Wisdom, chapter LIV.

In anticipation of the anniversary of Dowson's birth on 2 August 2010, his grave, which had fallen derelict and been vandalized, was restored. The unveiling and memorial service were publicised in the local (South London Press) and national (BBC Radio 4 and the Times Literary Supplement) British press, and dozens paid posthumous tribute to the poet 110 years after his death. In the Poems and Prose of Ernest Dowson, a 1919 memoir written by Arthur Symons, Symons described Dowson as, "... a man who was undoubtedly a man of genius ... There never was a poet to whom verse came more naturally ... He had the pure lyric gift, unweighed or unballasted by any other quality of mind or emotion..."

References

Citations

Sources

• Anon (1968) "Ernest Dowson", in Essays and Reviews from the Times Literary Supplement 1967, London: Oxford University Press, pp. 55–63. Originally published in the Times Literary Supplement, 2 November 1967.
• Plarr,Victor (1914). Ernest Dowson 1888-1897: Reminiscences, Unpublished Letters and Marginalia, with a bibliography compiled by H. Guy Harrison. New York: Laurence J. Gomme.
• Richards, Bernard (n.d.). "Dowson, Ernest Christopher (1867–1900), poet", in Oxford Dictionary of National Biography online, (subscription required), accessed 30 April 2014.

Further reading

Primary Works (modern scholarly editions)

• Ernest Dowson, The Stories of Ernest Dowson, ed. by Mark Longaker (Philadelphia: University of Pennsylvania Press, 1947)
• Ernest Dowson, The Poems of Ernest Dowson, ed. by Mark Longaker (Philadelphia: University of Pennsylvania Press, 1962)
• Ernest Dowson, The Letters of Ernest Dowson, ed. by Desmond Flower and Henry Maas (London: Cassell, 1967)
• Ernest Dowson, The Poetry of Ernest Dowson, ed. by Desmond Flower (Cranbury, NJ: Fairleigh Dickinson University Press, 1970)
• Ernest Dowson, The Pierrot of the Minute, restored edition with Aubrey Beardsley's illustrations (CreateSpace, 2012)
• Ernest Dowson, Le Pierrot de la Minute, bilingual illustrated edition with French translation by Philippe Baudry (CreateSpace, 2012)

Biographies

• Jad Adams, Madder Music, Stronger Wine: The Life of Ernest Dowson, Poet and Decadent (London: I.B. Tauris & Co., 2000)
• Mark Longaker, Ernest Dowson: A Biography (Philadelphia: University of Pennsylvania Press, 1945)
• Henry Maas, Ernest Dowson: Poetry and Love in the 1890s (London: Greenwich Exchange, 2009)

Critical Studies on Dowson and the 1890s

• William Bagshaw, "Ernest Dowson," The Manchester Quarterly, Vol. XXIII, No. 90 (1904)
• Elisa Bizzotto, La mano e l'anima. Il ritratto immaginario fin de siècle (Milano: Cisalpino, 2001)
• Jean-Jacques Chardin, Ernest Dowson et la crise fin de siècle anglaise (Paris: Editions Messene, 1995)
• Linda Dowling, Language and Decadence in the Victorian Fin de Siècle (Princeton: Princeton University Press, 1986)
• B. Ifor Evans, English Poetry in the Later Nineteenth Century (London: Methuen, 1966)
• Ian Fletcher, Decadence and the 1890s (London: Edward Arnold, 1979)
• Graham Hough, The Last Romantics (London: Duckworth, 1949)
• Holbrook Jackson, The Eighteen Nineties (London: Jonathan Cape, 1927)
• Agostino Lombardo, La poesia inglese dall'estetismo al simbolismo (Roma: Edizioni di Storia e Letteratura, 1950)
• Franco Marucci, Storia della letteratura inglese dal 1870 al 1921 (Firenze: Le Lettere, 2006)
• Murray G. H. Pittock, Spectrum of Decadence: The Literature of the 1890s (London: Routledge, 1993)
• Mario Praz, La carne, la morte e il diavolo nella letteratura romantica (Firenze: Sansoni, 1976)
• Bernard Richards, English Poetry of the Victorian Period (London: Longman, 1988)
• Thomas Burnett Swann, Ernest Dowson (New York: Twayne, 1964)
• Arthur Symons, The Memoirs of Arthur Symons, ed. by Karl Beckson (University Park: Pennsylvania State University Press, 1977)
• William Butler Yeats, Autobiographies (London: Macmillan, 1955)

External links

• Poems (1900)
• A few of Dowson's poems, through the University of Toronto.
• Arthur Symons' memoir of Dowson.
• Works by Ernest Christopher Dowson at Project Gutenberg
• Works by Ernest Dowson at LibriVox (public domain audiobooks)
• Dowson, Schoenberg and the birth of Modernism, Horizon Review
• Ernest Dowson at Find a Grave
• Text of Days of Wine and Roses