Ivan Pyryev

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Ivan Aleksandrovich Pyryev (Russian: Ива́н Алекса́ндрович Пы́рьев; 17 November [O.S. 4 November] 1901, Kamen-na-Obi – 7 February 1968, Moscow) was a Soviet-Russian film director and screenwriter remembered as the high priest of Stalinist cinema.[1] He was awarded six Stalin Prizes (1941, 1942, 1946, 1946, 1948, 1951), served as Director of the Mosfilm studios (1954–57)[2] and was, for a time, the most influential man in the Soviet motion picture industry.

Pyryev was born in Kamen-na-Obi, Altai Krai, Russia. His early career included acting on stage directed by Vsevolod Meyerhold in The Forest («Лес») and by Sergei Eisenstein in the Proletcult Theatre production The Mexican. Pyryev also acted in Eisenstein's first short film Glumov's Diary.[2] Pyryev's early career included production jobs behind the camera, such as work for director Yuri Tarich.[3] He débuted as a director in the age of silent film, with Strange Woman (Посторонняя женщина, 1929).[4]

During the 1930s and 1940s Pyryev rivaled Grigori Aleksandrov as the country's most successful director of musical comedies, all of which starred his then-wife, Marina Ladynina.[5] Even during wartime, when the Soviet film industry had been evacuated to Alma-Ata, Pyryev made popular and light-hearted features.[6] In Six O'Clock after the War is Over the Romantic characters (played by Ladynina and Yevgeny Samoilov), when separated by war, arrange a date at 6 PM on the Victory Day, and the victory celebrations are shown towards the end of the film (which was released in November 1944).

Such films as The Swine Girl and the Shepherd (1941), Ballad of Siberia (1947) and Cossacks of the Kuban (1949) have often been broadcast on national television and proved effective in showcasing the idealized Soviet way of life. The former, shown in the US as They Met in Moscow, was the last film made in the Soviet Union before the German invasion. The protagonists, a Russian swineherd and a Chechen shepherd (played by Ladynina and Vladimir Zeldin) meet at the All-Union Agricultural Exhibition and fall in love with each other. The movie is noted for a memorable score by Isaak Dunaevsky and Tikhon Khrennikov. Cossacks of the Kuban, which launched the star of Klara Luchko, presents a highly glamorized picture of life in a southern kolkhoz.

Following Joseph Stalin's death, Pyryev turned his attention to adaptations. He produced two acclaimed adaptations of Fyodor Dostoevsky's novels, The Idiot (1958, starring Yuri Yakovlev) and The Brothers Karamazov (1969), which was nominated for the Academy Award for Best Foreign Language Film and won him a Special Prize at the 6th Moscow International Film Festival.[7][8] Pyryev died at the age of 66 in Moscow. Since The Brothers Karamazov was unfinished at the time, the film stars Kirill Lavrov and Mikhail Ulyanov are usually credited with having brought the project to a conclusion. His widow Lionella Pyryeva, who took the part of Grushenka in The Brothers Karamazov, went on to marry Oleg Strizhenov.


The bust of Pyriev, on the bank of the Ob River in Kamen-na-Obi
  • Postoronnyaya zhenshchina (Посторонняя женщина) / The Foreign Woman (1929)
  • Gosudarstvennyy chinovnik (Государственный чиновник) / The Civil Servant (1930)
  • Konveer smerti (Конвейер смерти) / The Conveyor of Death (1933)
  • Partiynyy bilet (Партийный билет) / Anna (1936)
  • Bogataya nevesta (Богатая невеста) / The Country Bride (1938)
  • Traktoristy (Трактористы) / Tractor-Drivers (1939)
  • Lyubimaya devushka (Любимая девушка) / The Beloved (1940)
  • Svinarka i pastukh (Свинарка и пастух) / They Met in Moscow (1941)
  • Sekretar raykoma (Секретарь райкома) / We Will Come Back (1942)
  • V shest chasov vechera posle voyny (В шесть часов вечера после войны) / Six O'Clock in the Evening After the War (1944)
  • Skazanie o zemle sibirskoy (Сказание о земле Сибирской) / Symphony of Life (1947)
  • Kubanskie kazaki (Кубанские казаки) / Cossacks of the Kuban (1949)
  • Ispytanie vernosti (Испытание верности) / Devotion (1954)
  • Idiot (Идиот) / The Idiot (1958)
  • Belye nochi (Белые ночи) / White Nights (1959)
  • Nash obshchiy drug (Наш общий друг) / Our Common Friend (1961)
  • Svet dalyokoy zvezdy (Свет далекой звезды) / The Light of a Distant Star (1965)
  • Bratya Karamazovy (Братья Карамазовы) / The Brothers Karamazov (1969)


  1. Beumers, Birgit (2015). Directory of World Cinema: RUSSIA 2. Intellect Ltd. pp. 40–41. ISBN 978-1-7832-0010-8.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  2. 2.0 2.1 Ирина Гращенкова, Пырьев Иван Александрович, Кинобраз. Accessed 18 July 2008.
  3. Jay Leyda. Kino: A History of the Russian and Soviet Film. Princeton University Press, 1983. p.214.
  4. Leyda, p.273.
  5. Dina Iordanova, Ladynina, Marina, International Dictionary of Film and Filmmakers, 2000.
  6. Leyda, p.370.
  7. "6th Moscow International Film Festival (1969)". MIFF. Retrieved 2012-12-17.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
  8. "The 42nd Academy Awards (1970) Nominees and Winners". oscars.org. Retrieved 2011-11-16.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>

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