Jack Kerouac Reads On the Road
| Jack Kerouac Reads On the Road | ||||
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| Compilation album by Jack Kerouac | ||||
| Released | September 14, 1999 | |||
| Genre | Jazz, beat poetry, spoken word | |||
| Length | 74:38 | |||
| Label | Rykodisc | |||
| Producer | Lee Ranaldo, Jim Sampas | |||
| Jack Kerouac chronology | ||||
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Jack Kerouac Reads On the Road is a compilation album by American novelist and poet Jack Kerouac. The centrepiece of the record is a 28-minute recitation by Kerouac from his book On the Road that was recorded on an acetate disc in the 1950s but thought lost for decades, and had only recently been rediscovered at the time of release.[1] Other tracks feature Kerouac singing renditions of Jazz hits from the 1920s, 1930s and 1940s alongside songs and poems of his own composition.
The album closes with a cover of Kerouac's track "On the Road" (itself included earlier on the disc) performed by Tom Waits with Primus. Video footage of the recording of this track can be seen on the Primus release Videoplasty, and the track itself was later included on the Tom Waits collection Orphans: Brawlers, Bawlers & Bastards.
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Ain't We Got Fun?" | Fio Rito, Kahn, Russo, Whiting | 2:34 |
| 2. | "On the Road (Jazz of the Beat Generation)" | Kerouac | 28.45 |
| 3. | "On the Road" | Kerouac | 2:18 |
| 4. | "Come Rain or Come Shine" | Arlen, Mercer | 3:42 |
| 5. | "Orizaba 210 Blues" | Amram, Kerouac | 9:34 |
| 6. | "When a Woman Loves a Man" | Hanighen, Jenkins, Mercer | 2:57 |
| 7. | "Leavin' Town" | Handy, Segal | 3:04 |
| 8. | "Washington D.C. Blues" | Amram, Kerouac | 17:46 |
| 9. | "On the Road" | Kerouac, Waits | 3:58 |
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Total length:
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48:38 | ||
Critical reception
| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |   [1] |
Richie Unterberger, in his review for Allmusic, describes the album as "a worthy collection of Jack Kerouac's narratives and poetry", noting that it is particularly enjoyable to hear Kerouac recite his work "since his prose had much of a jazz rhythm, and since he was an engaging reader/performer himself." Unterberger goes on to say that Kerouac's singing is "unexpected, and amusing if not brilliant".[1]
Personnel
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References
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