The Jeff Beck Group

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The Jeff Beck Group
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The band in 1967, (front): Jeff Beck
(rear, l-r): Aynsley Dunbar, Rod Stewart, Ronnie Wood
Background information
Origin London, England
Genres
Years active 1967–69, 1970–72
Labels
Associated acts
Past members

The Jeff Beck Group was a British rock band formed in London in January 1967 by former Yardbirds guitarist Jeff Beck. Their innovative approach to heavy-sounding blues, rhythm and blues and rock was a major influence on popular music.

First group

The first Jeff Beck Group formed in London in early 1967 and included guitarist Jeff Beck, vocalist Rod Stewart, and rhythm guitarist Ronnie Wood, with bass players and drummers changing regularly. Early bass players were Jet Harris and Dave Ambrose, with Clem Cattini and Viv Prince trying out on drums. The line-up went through months of personnel changes, notably no fewer than four drummers before settling on Aynsley Dunbar and switching Wood to bass. This line-up spent most of 1967 playing the UK club circuit and appeared several times on BBC Radio. Beck signed a personal management contract with record producer and manager Mickie Most, who had no interest in the group, only in Beck as a solo artist.

During 1967 the band released three singles in Europe and two in the United States, the first, "Hi Ho Silver Lining", being the most successful, reaching No. 14 on the UK singles chart; it included the instrumental "Beck's Bolero" as the B side, which had been recorded several months earlier. The line-up for that session included guitarist Jimmy Page on rhythm guitar, John Paul Jones on bass, Keith Moon on drums, and Nicky Hopkins on piano.[1] Frustrated that the band were not playing a strict enough blues set for his taste, drummer Dunbar left and was replaced by Roy Cook for one show, before Stewart recommended Micky Waller, a bandmate of his from Steampacket. Waller went on to play with the band all through 1968 and early 1969, and was their longest-lasting drummer.[2]

Peter Grant, a road manager at the time, had been to the US with the New Vaudeville Band, and was aware of the new concert and album-oriented rock FM radio format developing there. It was now possible to break out a band without using the "hit single" formula. Grant realised that Beck's band was ideal for this market and tried several times to buy Beck's contract from Mickie Most, who refused to let Beck go. By early 1968 the band was ready to throw in the towel, and again to his credit, Grant convinced them not to break up, and booked a short US tour for them. Beck is quoted as saying "We were literally down to one change of clothing each". Grant's first stop for them was in New York City, for four shows at Fillmore East, where they played second on the bill to the Grateful Dead. They apparently took the town by storm. The New York Times ran the Robert Shelton article: "Jeff Beck Group Cheered in Debut", with the byline "British Pop Singers Delight Fillmore East Audience" proclaiming that Beck and his group had upstaged the Grateful Dead. The reviews from The Boston Tea Party were as good or better: "By the time he got to his last number ... (the fans) were in a state of pandemonium the likes of which hadn't been witnessed since the Beatles hit town." By the time they wrapped up the tour at San Francisco's Fillmore West, Peter Grant had secured them a new album contract with Epic Records.

Beck with the Jeff Beck Group, 1968

The band quickly returned to England to record the album Truth (as Jeff Beck) which reached No. 15 in the US charts.[3] The tracks were recorded within two weeks, with overdubs added the following month. Most was busy with other projects at the time and delegated most of the work to Ken Scott, who basically recorded the band playing their live set in the studio. Beck's amplifier was apparently so loud,[citation needed] it was recorded from inside a closet. The extra line-up for these sessions included John Paul Jones on Hammond organ, drummer Keith Moon and Nicky Hopkins on piano. The core group, billed as the "Jeff Beck Group", returned to the US for a tour to promote the release of Truth. Long-time Beck fan Jimi Hendrix jammed with the band at Cafe Wha during this and their following tours.[2]

They embarked on their third tour in December 1968 with Hopkins who, although in poor health, decided he wanted to play live. He accepted Beck's invitation, even though he had been offered more money by Led Zeppelin. Later, he lamented that "We lost one of the greatest bands in Rock history."[citation needed] Even with his best intentions, the last leg of the tour was curtailed by illness. Beck then postponed a fourth, February 1969 US tour. This was also because he felt they shouldn't keep playing the same material with nothing new to add to it. New material was written, Waller was replaced by power drummer Tony Newman and Wood was dismissed, only to be re-hired almost immediately. The success of Truth ignited new interest from Most and they recorded an album: Beck-Ola at De Lane Lea Studios, engineered by Martin Birch. They released the single "Plynth" and laid down three Donovan backing tracks as a favour to Most. Two of them were used for his single "Barabajagal (Love Is Hot)".[4]

In May 1969, the Jeff Beck Group embarked on their fourth U.S tour, this time with Hopkins as a full-fledged member. The tour went smoothly, Beck-Ola was received extremely well, reaching No. 15 on the Billboard 200 album chart,[citation needed] but it was reported that there was now terrible in-fighting within the band.[5] To illustrate, Rod Stewart's plans to leave the band may have been under consideration by this time; in July 1969, he brought current bandmate Wood and former bandmate Waller into the studio to record his debut full-length solo album, An Old Raincoat Won't Ever Let You Down for Mercury Records.

The Jeff Beck Group finished the tour and returned to England, only to return to the States in July 1969 for their fifth and final time. It was a short tour, mostly along the East Coast, including Maryland, their final Fillmore East appearance, and the Newport Jazz Festival. Beck broke up the band on the eve of the Woodstock Music Festival, at which they had been scheduled to perform, a decision Beck later stated that he regretted.[2]

Second group

Jeff Beck with Fender Stratocaster

Late in 1970, Jeff Beck reformed the Jeff Beck Group with vocalist Alex Ligertwood, keyboardist Max Middleton, drummer Cozy Powell and bassist Clive Chaman. During June 1971, Beck signed a record deal with CBS and was looking for a new singer. After hearing Bobby Tench perform with his band Gass, "Upstairs" at Ronnie Scott's club in Soho London,[6] Beck employed him as vocalist and second guitarist.

Tench was given only a few weeks to write new lyrics and add his vocals to the album Rough and Ready, before mixing resumed on tracks previously recorded in London by Beck and the other band members. The album was finished in July 1971 and they toured Finland, Holland, Switzerland and Germany. Rough and Ready was released in UK on 25 October 1971,[7] with the US release following during February 1972. A sixteen-day promotional tour in the US followed[8] and the album eventually reached No. 46 in the album charts.[citation needed]

In January 1972, the band travelled to US to join Beck at TMI studios in Memphis, Tennessee. This is where they recorded the album Jeff Beck Group,[9] using Steve Cropper as producer.[10] Jeff Beck Group was released in UK on 9 June 1972. The promotional tour which followed included an appearance on the BBC Radio 1 "In Concert" series, which was recorded on 29 June 1972. During this session they played "Definitely Maybe" which featured Bobby Tench playing guitar,[11] a rare occasion whilst Tench was associated with Beck.[12]

On 24 July 1972, the Jeff Beck Group was officially disbanded and Beck's management put out this statement: "The fusion of musical styles of the various members has been successful, within the terms of individual musicians, but they didn't feel it had led to the creation of a new musical style with the strength they had originally sought."[12]

Timeline

Discography

Notes

  1. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ 2.0 2.1 2.2 Hjort & Hinman 2000.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Rolling Stone Magazine, "Rod: The Autobiography" excerpt
  6. ↑ Hjort & Hinman 2000, p. 111.
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Hjort & Hinman 2000, p. 112.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ Hjort & Hinman 2000, p. 115.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ 12.0 12.1 Hjort & Hinman 2000, p. 122.

References

  • Bob Brunning (1986) Blues: The British Connection, London: Helter Skelter, 2002, ISBN 1-900924-41-2
  • Bob Brunning (2004) The Fleetwood Mac Story: Rumours and Lies – Omnibus Press, foreword by B.B.King
  • Annette Carson Jeff Beck – Crazy Fingers Backbeat Books ISBN 978-0-87930-632-8
  • Dick Heckstall-Smith (2004) The safest place in the world: A personal history of British Rhythm and blues, Clear Books, ISBN 0-7043-2696-5 – First Edition : Blowing The Blues – Fifty Years Playing The British Blues
  • Christopher Hjort (2007) Strange Brew: Eric Clapton and the British blues boom, 1965–1970, foreword by John Mayall, Jawbone ISBN 1-906002002
  • Chris Hjort and Doug Hinman (2000) Beck's Book: A Chronology of Jeff Beck's Career 1965–1980: From the Yardbirds to Jazz-Rock, Rock 'n' Roll Research Press. 2000 ISBN 0-9641005-3-3 and ISBN 978-0-9641005-3-4
  • Paul Myers Long John Baldry and the Birth of the British Blues, Vancouver 2007 – GreyStone Books
  • Harry Shapiro Alexis Korner: The Biography, Bloomsbury Publishing, London 1997, Discography by Mark Troster
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