John Farrow

This article is about film director. For other uses, see John Farrow (disambiguation).

John Farrow
John Farrow and family in 1950
Born	John Villiers Farrow (1904-02-10)10 February 1904 Sydney, Australia
Died	Beverly Hills, California, U.S.
Occupation	Actor director, producer and screenwriter
Years active	1927–62
Spouse(s)	Felice Lewin (1924-1934) (divorced) (1 child) Maureen O'Sullivan (1936–1963; his death; 7 children)

John Villiers Farrow, KGCHS (10 February 1904 – 27 January 1963) was an Australian born American film director, producer and screenwriter. In 1957, he won the Academy Award for Best Writing/Best Screenplay for Around the World in Eighty Days and in 1942 he was nominated as Best Director for Wake Island. He was the father of actress Mia Farrow.

Early life

Farrow was born in Sydney, Australia, the son of Lucy Villiers (née Savage; 1881-1907), a dressmaker, and Joseph Farrow (1880-1925), a tailor's trimmer. His mother died when he was three years old. His parents were both of English descent. Farrow was educated at Newtown Public School and Fort Street Boys' High School and then started a career in accountancy. He claimed to have run away to sea in an American barquentine, sailed "all over the Pacific", and fought in revolts in Nicaragua and Mexico. Reaching the United States, he enrolled at the Jesuits' St Ignatius College in San Francisco in 1923, but left after one month. He traveled throughout the Pacific, including Fiji, Hawaii and Guam. On arrival in Hollywood, Farrow fabricated his education, saying he had attended Newington College in Sydney, Australia (he lived in a street below its ovals), Winchester College in England and the US Naval Academy. Many publications and websites still contain this information.

Career

Writing work

Farrow started writing while working as a sailor and became interested in screenwriting after a chance voyage in the South Seas with the film-maker Robert J. Flaherty.

Re-entering the United States, allegedly by jumping ship at San Francisco, he found his way to Hollywood where from 1927 his nautical expertise brought him work as a script consultant and technical adviser. He had already earned minor recognition as a poet and writer of short stories. He soon established himself as a notable screenwriter. He worked for DeMille Productions, Paramount Pictures and RKO Radio Pictures Inc. He also compiled an English-French-Tahitian dictionary and wrote a novel, Laughter Ends (1933), In 1932 he went to England where he worked as a writer and assistant director on G. W. Pabst's film of Don Quixote, and briefly visited Tahiti again.

Farrow returned to Hollywood and re-established himself as a screenwriter. On 27 January 1933, while dancing at the Cocoanut Grove nightclub, he was arrested for breach of his visa, as part of a general crackdown against illegal immigrants in the film industry. Farrow was charged with making a false statement while entering the US, having claimed he was Romanian. Although threatened with deportation, eventually he was given five years probation, before being acquitted of the charges the following year.

Farrow received a plum appointment to work on Tarzan Escapes (1936) but the film was subsequently rewritten and reshot.

Film director

In 1930, it was announced that Farrow would direct his own story First Love but this did not eventuate. He signed to Warner Bros in 1936 looking to direct and was linked with a number of projects, including a foreign legion story and an adaptation of The Pit and the Pendulum. Farrow finally made his directorial debut in 1937 with Men in Exile. Following this, he accompanied his wife to Europe, where she was making A Yank at Oxford (1938), lecturing on Father Damien, about whom Farrow had written a book, and receiving a Papal knighthood.

On his return to Hollywood, Farrow resumed working as a director for Warners. He made several movies with Kay Francis and discovered a young Peggy Ann Garner. Farrow left his contract for a number of months, ostensibly to finish a book he was writing on the history of the papacy, and also due to disputes over the script of Kay Francis's Women in the Wind. However he soon re-emerged as a contract director for RKO. While there he made a number of highly successful B movies, notably The Saint Strikes Back (1939) and Five Came Back (1939).

"I deliberately set out to become the damndest commercial director in the business," he said later. "The only way to get anywhere in hospital is to make money pictures. Then you can get some measure of respect and authority from the studio bosses, and little by little you get to do more of the things you want to do."

War service

Despite his flourishing career and recently having become a father for the first time, Farrow was keen to be involved in World War II. He went to Vancouver in November 1939 and enlisted in the Canadian Navy. Farrow was appointed lieutenant in March 1940 and assigned to Naval History and the Controller of Information Unit. He worked on anti-submarine patrols and in April 1941 was loaned to the Royal Navy and appointed to HMS Goshawk naval base in Trinidad, and served as assistant to the Senior British Naval Officer, Curaçao. He contracted typhus fever and returned to Naval Headquarters, Ottawa, in late 1941. It was announced he would direct a Canadian war film starring his wife Maureen O'Sullivan while on leave, but this did not eventuate.

Farrow was invalided out of the Canadian Navy with typhus in January 1942 at the rank of Commander but remained in the naval reserve. In July 1943 he served as technical consultant for the proposed Royal Canadian Navy show. In May 1945 he was briefly recalled to active duty, travelling to Britain for work in connection with the Director of Special Services.

Return to directing

Farrow resumed his directing career with Paramount for whom he made Wake Island (1942), which earned him an Oscar nomination. The success of this saw him make a series of war pictures including China. He signed a long term contract with Paramount in February 1943 and went on to become one of the leading filmmakers for the studio, working several times with Alan Ladd.

Farrow became an American citizen in July 1947.

Later years

Farrow's films became less distinguished towards the end of the 1950s. He received an offer from Samuel Bronston to make two films, a biography of John Paul Jones and a story of the life of Jesus Christ, which Farrow had been trying to make for years. He made the first one - John Paul Jones - and was replaced as director on the second by Nicholas Ray – King of Kings (1961).

Personal life

Farrow was a notorious playboy in his youth, being linked to Dolores del Río and Diana Churchill among others. He married Felice Lewin in 1924.

In 1934 he became engaged to actress Maureen O'Sullivan and they married on 12 September 1936. Farrow and O'Sullivan had seven children: four daughters, who became actresses, Mia (born 1945), Prudence (born 1948), Stephanie (born 1949), Tisa (born 1951); and three sons, Michael Damien (1939–1958), Patrick Joseph (1942–2009), and John Charles (born 1946). Maureen O'Sullivan was his second wife, after he converted to Catholicism and received an annulment of his first marriage.

Death

Farrow died from a heart attack in Beverly Hills, California at the age of 58 and was buried in the Holy Cross Cemetery, Culver City.

Awards and honours

• Knight Grand Cross of the Order of the Holy Sepulchre by Pope Pius XI in 1937.
• Oscar nomination and New York Film Critics Circle Award for directing Wake Island (1942).
• Order of St John of Jerusalem 1951
• Honorary Commander of the Order of the British Empire (CBE) in 1953.
• Oscar and Writers Guild of America Award for his adapted screenplay for Around the World in Eighty Days (1956).
• His star on the Hollywood Walk of Fame is located at 6304 Hollywood Blvd.

Australian connection

As one of the few high-profile Australians in Hollywood during the 1930s, Farrow's activities were well covered by the Australian media. He accepted the Oscar won by the Australian documentary Kokoda Front Line! (1943), met Australian Senator Richard Keane, the Minister for Trade and Customs, when he visited Hollywood during the war and offered to assist in the establishment of an Australian information service in the US. He also often expressed a desire to make a film back in Australia and later made two films with Australian connections, Botany Bay (1953) and The Sea Chase (1955), despite having ceased to be an Australian citizen in 1947.

In 1927 he was described as an Australian member of Hollywood, along with May Robson, the New Zealander Rupert Julian, Franklin Pangborn, Josephine Norman and E.O. Gurney.

Filmography

Writer only

• White Gold (1927) – titles
• The Wreck of the Hesperus (1927) – story
• A Sailor's Sweetheart (1927)
• Three Weekends (1928)
• The Woman From Moscow (1928)
• The First Kiss (1928)
• Ladies of the Mob (1928)
• The Blue Danube (1928) – story
• The Showdown (1928) – titles
• The Bride of the Colorado (1928) – story
• The Four Feathers (1929) – titles
• The Wheel of Life (1929) – adaptation
• A Dangerous Woman (1929)
• Wolf Song (1929)
• Inside the Lines (1930) – dialogue
• Shadow of the Law (1930)
• The Bad One (1930) – story
• Seven Days' Leave (1930) – continuity and dialogue
• The Common Law (1931)
• A Woman of Experience (1931) – dialogue & screenplay, based on his play 'A Registered Woman'
• The Impassive Footman (1932)
• Adventures of Don Quixote (1933) – w (English version)
• Mutiny on the Bounty (1935) (uncredited)
• Last of the Pagans (1935) – original story
• Around the World in 80 Days (1956)

Director

• The Spectacle Maker (1934) – also writer
• Tarzan Escapes (1936) (uncredited) – also writer
• Men in Exile (1937)
• She Loved a Fireman (1937)
• West of Shanghai (1937)
• Comet Over Broadway (1938) (uncredited)
• Broadway Musketeers (1938)
• My Bill (1938)
• Little Miss Thoroughbred (1938)
• The Invisible Menace (1938)
• Reno (1939)
• Full Confession (1939)
• Five Came Back (1939)
• Sorority House (1939)
• Women in the Wind (1939)
• The Saint Strikes Back (1939)
• A Bill of Divorcement (1940)
• Married and in Love (1940)
• Commandos Strike at Dawn (1942)
• Wake Island (1942)
• China (1943)
• The Hitler Gang (1944)
• You Came Along (1945)
• Two Years Before the Mast (1946)
• California (1947)
• Blaze of Noon (1947)
• Calcutta (1947)
• Easy Come, Easy Go (1947)
• Night Has a Thousand Eyes (1948)
• Beyond Glory (1948)
• The Big Clock (1948) – also producer
• Red, Hot and Blue (1949) – also writer
• Alias Nick Beal (1949)
• Copper Canyon (1950)
• Where Danger Lives (1950)
• Red Mountain (1951) - uncredited assistance
• Submarine Command (1951) – also producer
• His Kind of Woman (1951)
• Hondo (1953)
• Plunder of the Sun (1953)
• Ride, Vaquero! (1953)
• Botany Bay (1953)
• A Bullet Is Waiting (1954)
• The Sea Chase (1955) – also producer
• Back from Eternity (1956) – also producer
• The Unholy Wife (1957) – also writer, producer
• John Paul Jones (1959) – also writer

Screenplays for unrealized films

• A Friend of Napoleon (1927) – adapted from story by Richard Connell for director William K Howard and produced Cecil B de Mille
• Father Damien (1939), adapted from Farrow's book Damien the Leper (1937)

Books

• The Bad Ones (1930) – novel
• Laughter Ends (1933) – novel
• Damien the Leper (1937) – biography of Father Damien
• The Royal Canadian Navy 1908–1940 (1940) – history
• Pageant of the Popes (1950) – history of the papacy
• Seven Poems in Pattern (1955) – collection of poetry
• Story of Sir Thomas More (1956) – biography of Thomas More

Play

• A Registered Woman (1931)

External links

• http://www.farrow-osullivan.com
• John Farrow at the Internet Movie Database
• John Farrow at Find a Grave
• American Dictionary of Biography
• Complete text of The Story of Sir Thomas More
• An inventory of the John Villiers Farrow Papers at The American Catholic History Research Center and University Archives