Karl von Piloty
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Karl Theodor von Piloty (1 October 1826 – 21 July 1886) was a German painter.
Life and work
Von Piloty was born in Munich. His father, Ferdinand Piloty (d. 1844), enjoyed a great reputation as a lithographer. In 1840, Karl was admitted as a student of the Munich Academy, under the artists Karl Schorn and Julius Schnorr von Karolsfeld. A year later the acclaimed history paintings (referred to as the 'Belgian paintings'), i.e. the Compromise of the nobles and the The Abdication of Charles V by the two Belgian artists Edouard de Bièfve and Louis Gallait, were shown in Munich and their realistic depiction of a historic subject matter made a lasting impression on him.[1][2] After a journey to Belgium, France and England, he commenced work as a painter of genre pictures, and in 1853 produced a work, Die Amme (The Wet Nurse), which, on account of its originality of style, caused a considerable sensation in Germany at the time.[3]
But he soon forsook this branch of painting in favour of historical subjects, and produced in 1854 for King Maximilian II The Accession of Maximilian I to the Catholic League in 1609. It was succeeded by Seni at the Dead Body of Wallenstein (1855), which gained for the young painter the membership of the Munich Academy, where he succeeded Schorn (his brother-in-law) as professor in 1856.[3][4]
Among other well-known works by Piloty are the Battle of the White Mountain near Prague, Nero Dancing upon the Ruins of Rome (1861), Godfrey of Bouillon on a Pilgrimage to the Holy Land (1861), Galileo in Prison (1864) and The Death of Alexander the Great (unfinished), his last great work. He also executed a number of mural paintings for the royal palace in Munich.[3]
For Baron von Schach, he painted the famous Discovery of America. In 1874, he was appointed keeper of the Munich Academy, being afterwards ennobled by the king of Bavaria. Piloty was the foremost representative of the realistic school in Germany. He was a successful teacher, and among his more famous pupils were Hans Makart, Franz von Lenbach, Franz Defregger, Gabriel von Max, Georgios Jakobides and Eduard von Grützner.[3]
Gallery
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The Death of Wallenstein.
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Thusnelda in Germanicus' Triumph.
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The Death of Caesar.
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The Girondists. Wood-engraving after the oil painting from Harper's Weekly in 1881.
References
- ↑ John R. Hinde, Jacob Burckhardt and the Crisis of Modernity, McGill-Queen's Press - MQUP, 28 Jun, 2000, p. 249
- ↑ Realistische Malerei und das Ereignis der belgischen Bilder (German)
- ↑ 3.0 3.1 3.2 3.3 Chisholm, 1911
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
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External links
Media related to Lua error in package.lua at line 80: module 'strict' not found. at Wikimedia Commons
- Articles with German-language external links
- Wikipedia articles incorporating a citation from the 1911 Encyclopaedia Britannica with no article parameter
- 1826 births
- 1886 deaths
- People from Munich
- 19th-century German painters
- Academy of Fine Arts, Munich faculty
- 19th-century painters of historical subjects
