Kashmiri literature

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Lua error in package.lua at line 80: module 'strict' not found. Template:Kashmiri arts Kashmiri literature (Kashmiri: कॉशुर अदब, کٲشُر اَدَب) has a history of at least 5,000 years, going back to its glory days of Sanskrit. Early names include Patanjali, the author of the Mahabhashya commentary on Pāṇini's grammar, suggested by some to have been the same to write the Hindu treatise known as the Yogasutra, and Dridhbala, who revised the Charaka Samhita of Ayurveda.

In medieval times the great Kashmir Valley School of Art, Culture and Philosophy Kashmir Shaivism arose. Its great masters include Vasugupta (c. 800), Utpala (c. 925), Abhinavagupta, and Kshemaraja. In the theory of aesthetics one can list the Anandavardhana and Abhinavagupta. Many generations later, in our modern times, a new lease of life given, to same "school of thought" was given by Swami Lakshman Joo of Ishbher/Gupta Ganga, Srinagar, India.

Kashmiri language literature

The use of the Kashmiri language began with the work Mahanayakaprakash (Light of the supreme lord) by Shitikantha (c.1250),[1] and was followed by the poet Lalleshvari or Lal Ded (14th century), who wrote mystical verses in the vakh or four-line couplet style.[2] Another mystic of her time equally revered in Kashmir and popularly known as Nunda Reshi wrote powerful poetry like his senior Lal Ded. Later came Habba Khatun (16th century) with her own style. Other major names are Rupa Bhavani (1621–1721), Arnimal (d. 1800), Mahmud Gami (1765–1855), Rasul Mir (d. 1870), Paramananda (1791–1864), Maqbool Shah Kralawari (1820–1876). Also, the Sufi poets like Shamas Fakir, Wahab Khar, Soch Kral, Samad Mir, and Ahad Zargar. Among modern poets are Ghulam Ahmad Mahjur (1885–1952), Abdul Ahad Azad (1903–1948), and Zinda Kaul (1884–1965).

During the 1950s, a number of well educated youth turned to Kashmiri writing, both poetry and prose, and enriched modern Kashmiri writing by leaps and bounds. Among these writers are Dinanath Nadim (1916–1988), Rahman Rahi, Ghulam Nabi Firaq, Ali Muhammed Shahbaz, Mushtaq Kashmiri, Amin Kamil (1923-2014),[3] Ali Mohd Lone,Autar Krishen Rahbar ( 1933- ), Akhtar Mohiuddin, Som Nath Zutshi, Muzaffar Aazim,[4] and Sarvanand Kaul 'Premi'. Some later day writers are Hari Krishan Kaul, Majrooh Rashid, Rattanlal Shant, Hirdhey Kaul Bharti, Omkar N Koul, Roop Krishen Bhat, Rafiq Raaz, Tariq Shehraz, Shafi Shauq, Nazir Jahangir, M H Zaffar, Shenaz Rashid,Shabir Ahmad Shabir, Nisar Azam, Shabir Magami,[5] Moti Lal Kemmu (playwright).

Contemporary Kashmiri literature appears in Sheeraza published by the Jammu & Kashmir Academy of Art, Culture and Languages, Anhar published by the Kashmirri Department of the Kashmir University, and an independent magazine Neab International Kashmiri Magazine[6] published from Boston, Vaakh (published by All India Kashmiri Samaj, Delhi) and Koshur Samachar( published by Kashmiri Sahayak Sammiti, Delhi).

Ancient writers in Sanskrit

Writers in Persian

After Sanskrit and before the coming Urdu, because of the adoration and patronising policy of foreign culture by the Mughals, Persian became the literary language also of the region. Kashmir was very richly represented in that tradition, as already before the end of the 18th century "Muhammad Aslah's tazkira of the Persian-writing poets of Kashmir, written during the reign of the Mughal emperor Muhammad Shah (1131-61/1719-48), alone lists 303 poets".[40] Late scholar from Pakistan, Pir Hassam-ud-Din Rashidi, edited, translated, and enlarged this work later, and had it published by the Iqbal Academy.

The most famous of them was Muhammad Tahir Ghani (d. 1669), better known as Ghani Kashmiri, whose poetry was recently translated into English, for the first time, by Mufti Mudasir Farooqi and Nusrat Bazaz as 'The Captured Gazelle' in the world-renowned Penguin Classics list. Ghani influenced many generations of Persian-and Urdu writing poets in South Asia including Mir Taqi Mir, Ghalib and most importantly, Iqbal. Ghani's "forte" lies in creating delightful poetic images, usually by stating an abstract idea in the first hemistich and following it up with a concrete exemplification in the other.He also stands out for his multi-layered poems, which exploit the double meaning of words.

Another name is the Sheikh Yaqub Sarfi (1521-1595), a 16th-century Sufi poet-philosopher who was internationally acknowledged and who had for students, amongst others, well-known religious scholar Ahmad Sirhindi (more particularly, he taught him hadith)[41][42] and Persian-language poet Mohsin Fani Kashmiri (d. 1671 or 1672) (himself the teacher of Ghani Kashmiri and author of the pivotal work of comparative religion, the Dabestan-e Mazaheb).

Other of the well-known and influential Persian-language poets of Kashmir would include Habibullah Ghanai (1556-1617), Mirza Dirab Big Juya (d. 1707), Mirza Beg Akmal Kamil (1645-1719), Muhammad Aslam Salim (d. 1718), Mulla Muhammad Taufiq (1765), Muhammed Azam Didamari (d. 1765), Mulla Muhammad Hamid (1848) or Birbal Kachru Varasta (d. 1865), amongst a myriad. Of course, Kashmiri Pandits too played a role in that school, and one exceptional case was Pandit Taba Ram Turki (1776–1847), who was a celebrity as far as Central Asia.

Writers in Urdu

Despite being a numerically reduced community (less than one million), the Kashmiri Pandits are over-represented in their contribution to Urdu literature. One important early example is Daya Shankar Kaul Nasim (1811–1845), a renowned Urdu poet of the 19th century, and hundreds of others followed his path.[43]

Some eminent Urdu literary personalities of Kashmiri origins (from both the Valley and the diaspora) include (in chronological order):

Writers in Hindi

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Writers in English

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See also

References

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  6. Neab International Kashmiri Magazine
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External links