Lincoln Portrait

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Lincoln Portrait (also known as A Lincoln Portrait) is a classical orchestral work written by the American composer Aaron Copland. The work involves a full orchestra, with particular emphasis on the brass section at climactic moments. The work is narrated with the reading of excerpts of Abraham Lincoln's great documents, including the Gettysburg Address.

History

Copland was asked to write a musical portrait of an "eminent American" by the conductor Andre Kostelanetz. Copland used material from speeches and letters of Lincoln and quoted original folk songs of the period, including "Camptown Races" and "Springfield Mountain".[1] Copland finished Lincoln Portrait in April 1942.

The first performance was by the Cincinnati Symphony Orchestra on 14 May 1942, with William Adams as the narrator.[2]

Texts

Together with some descriptive comments on Lincoln ("Abe Lincoln was a quiet and a melancholy man"), the work contains the following excerpts from his speeches:

Fellow citizens, we cannot escape history. We of this congress and this administration will be remembered in spite of ourselves. No personal significance or insignificance can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor to the latest generation. We, even we here, hold the power and bear the responsibility. (Annual Message to Congress, December 1, 1862)

The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty and we must rise with the occasion. As our case is new, so we must think anew and act anew. We must disenthrall ourselves and then we shall save our country. (Annual Message to Congress, December 1, 1862)

It is the eternal struggle between two principles, right and wrong, throughout the world. It is the same spirit that says 'you toil and work and earn bread, and I'll eat it.' No matter in what shape it comes, whether from the mouth of a king who seeks to bestride the people of his own nation, and live by the fruit of their labor, or from one race of men as an apology for enslaving another race, it is the same tyrannical principle." (Lincoln-Douglas debates, October 15, 1858)

As I would not be a slave, so I would not be a master. This expresses my idea of democracy. Whatever differs from this, to the extent of the difference, is no democracy. (Unknown, though in Lincoln's Collected Works)

That from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion. That we here highly resolve that these dead shall not have died in vain. That this nation under God shall have a new birth of freedom and that government of the people, by the people, and for the people shall not perish from the earth. (Gettysburg Address)

Instrumentation

Lincoln Portrait is scored for a speaker and an orchestra:

Famous narrators

Famous narrators of Lincoln Portrait have included:

Popular culture

Lua error in package.lua at line 80: module 'strict' not found. The composition was lampooned by Peter Schickele ("P. D. Q. Bach") in his piece Bach Portrait on the album 1712 Overture and Other Musical Assaults. Another parody featuring quotes from Dan Quayle appeared on The Dr. Demento Show in the early 1990s.[vague]

Nine minutes of the composition, without narration (from a late 1960s recording by the London Symphony Orchestra), plays during the climactic one-on-one sequence between Jake and Jesus Shuttlesworth (played by Denzel Washington and Ray Allen) in the 1998 Spike Lee film, He Got Game. In the film, Jesus Shuttlesworth is a student at Abraham Lincoln High School in Brooklyn.

References

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  11. ↑ For Immediate Release: Archived December 15, 2005 at the Wayback Machine
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External links

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