Women in the art history field

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

Women were professionally active in the academic discipline of art history already in the nineteenth century and participated in the important shift early in the century that began involving an "emphatically corporeal visual subject", with Vernon Lee as a notable example.[1] It is argued that in the twentieth century women art historians (and curators), by choosing to study women artists, "dramatically" "increased their visibility".[2] In fact, women art historians are one of two groups (besides authors of high-school texbooks) "who say there have been great women artists" in the first place, according to the authors of a study of the representations of women artists in US textbooks.[3]

Education and employment

In the United States professional, academic employment for women art historians was, by the early 1970s, not commensurate with the number of female PhDs in art history. Between 1960 and 1969, 30.1% of PhDs were awarded to women but those numbers increased significantly during that period: between 1960 and 1965 it was 27%, but between 1966 and 1967 it had gone up to 43.5%. But in 1970-1971, women art historians in art departments in the US made up 23.1% of instructors, 21.6% of assistant professors, 17.5% of associate professors, and only 11.1% of full professors. Comparison with the numbers for the same years for women in the languages, from a study done by the Modern Language Association, showed that "women in C.A.A. [College Art Association] professions face[d] rather more severe discrimination than women in M.L.A. fields". Similar tendencies were reported for salary and employment in studio teaching ("preliminary statistics...indicate that women artists receive a disproportionately small share of full-time studio jobs") and in museums ("particularly significant was a tendency to hire women with BAs to be secretaries and men with BAs for trainee programs which rapidly advanced them to more challenging positions).[4]

The history of women in the profession also suggests that art education itself has benefited from the increased presence of professional women art historians, since women students sometimes found it necessary to "redo" an education in which only a male point of view had been provided given. Paula Harper, "one of the first art historians to bring a feminist perspective to the study of painting and sculpture",[5] and Moira Roth shared the same experience of a "one-sided training", of feeling left out.[6] Discrimination against "women in college and university art departments and art museums" was, in the early 1970s, the immediate cause for the foundation of the Women's Caucus for Art (see below).[4]

In a statistical study of US employment among art faculties published in 1977, Sandra Packard notes that "in art departments women have been decreasing in number since the 1930's", and that the number of women in art faculties at institutes of higher education "decreas[ed] from 22% in 1963 to a low of 19.5% in 1974", and cites statistics suggesting that "although women are concentrated at the lower ranks in art faculties, they have more Ph.D. degrees than their male colleagues."[7]

Representation

The Women's Caucus for Art (WCA), a caucus for woman art historians, artists, and curators was founded at the 1972 meeting of the College Art Association (CAA), but re-established itself as an independent organization in 1974 after the CAA told them they could not use the CAA name anymore. According to Judith Brodsky, the CAA was, at the time, very much a male-dominated organization; she notes, though, in a 1977 article that the Caucus is given space and time at the annual CAA conference and in the CAA's journal, Art Journal.[8] A Lifetime Achievement Award was installed in 1979. The organization's objectives include "providing women with leadership opportunities and professional development" and "expanding networking and exhibition opportunities for women", and to that purpose publishes a newsletter, organizes sessions at conferences, and runs databases for "art and activism". In 2012 the WCA celebrated its 40th anniversary, and published a pamphlet for the annual awards ceremony that also includes a number of historical essays and reflections from the past presidents.[9]

Women art historians and feminist art theory

Feminist scholars have argued that the role of women art historians is connected to the study of women (as artists and as subjects) by art historians.[10] In 1974, Lise Vogel noted that there were few feminist art historians, and that women art historians in general seemed unwilling to ask "the more radical critiques" a feminist scholar should engage in.[11] In a 1998 essay, Corine Schleif argued that women and feminist scholars need to challenge the "Great Master" canon, and that they need to focus less on "style as evidence of authorship", seen as a traditionally masculine way of viewing the history of art, but rather on style as "one of many sites on the production of meaning". The topic of women scholars in art history is thus intricately connected with what scholars have called feminist art theory;[10] Kerry Freedman, for example, claims that "women art historians often interpret art that is about and by women differently than their male colleagues".[12] However, Carol Armstrong and Catherine de Zegher, in Women artists at the millennium (2006), argue that by the 1980s many "women art history scholars" had begun to think of feminism as irrelevant to the discipline.[13]

Notable women art historians

Name Nationality Dates Specialization Profession
Svetlana Alpers American 1936 Dutch Golden Age Painting Art historian
Paola Antonelli Italian 1963 Modern Art, Design Curator
Doula Mouriki Greek 1934 - 1991 Byzantinologist, Historian of Art Professor
Caroline Arscott English Victorian art, 19th century art Art historian
Dore Ashton American 1928 Modern Art, Contemporary Art Writer, professor, art critic
Nurhan Atasoy Turkish 1934 Ottoman art and architecture Art historian
Barbara Baert Belgian 1967 medieval iconology Art historian
Mieke Bal Dutch 1946 Modern Art, Contemporary Art Cultural theorist, video artist
Anna Banti Italian 1895–1985 Italian Baroque, female artists Writer, art historian, art critic, translator
Ruth Barnes British 1956 Material culture, South and Southeast Asian Textiles Art historian, curator
Wendy Beckett (aka 'Sister Wendy') British 1930 Catholic art Art historian, Catholic nun
Mary Berenson [14][15] American 1864–1945
Laurence Bertrand Dorléac French 1957 Modern and contemporary Art historian, professor, curator
Margarete Bieber [16] German 1879–1978 Theatre, sculpture, and clothing of ancient Rome and Greece Art historian, professor
Gertrud Bing [17] German 1892–1964
Jean Sutherland Boggs [18] Canadian 1922 Nineteenth-century French art, Degas Curator, art historian, and first female director of the National Gallery of Canada
Evelina Borea Italian 1931 Italian art history
Adelyn Dohme Breeskin 1896–1986 American works by Mary Cassatt curator, museum director, and art historian at Baltimore Museum of Art
Anita Brookner [19] English 1936
Lillian Browse British 1906–2005 Art dealer, art historian
Coosje van Bruggen [20] Dutch-American 1942–2009 Artist, art historian
Anneliese Bulling German, American 1900–2004 Sinologist, Chinese Art and Arch. Art lecturer, art historian
Teresa Gisbert Carbonell Bolivian 1926 Andean art history Art historian
Mary Ann Caws American 1933 Modern Art, Contemporary art Author, literary critic, art historian
Betty Churcher[21] Australian 1931–2015 Art historian, first female director of the National Gallery of Australia)
Mildred Constantine American 1913–2008 Poster Art, Graphic Design Art historian and curator at Museum of Modern Art in the 1950s and 1960s
Lynne Cooke Australian Modern art, Contemporary art Curator
Anne d'Harnoncourt American 1943–2008 Curator, and Director of the Philadelphia Museum of Art
Leah Dickerman American Modern art, Contemporary art Curator, art historian
DilkeEmilia, Lady Dilke[22] English 1840–1904
Joan Evans British 1893–1977 Art historian
Antje von Graevenitz German 1940- Art historian, Art critic
Paula Harper American 1930-2012 Feminist art, Pissarro, contemporary art Art historian, art critic, art lecturer, author
Ursula Hoff German, Australian 1909–2005
Meike Hoffmann German 1962
Michael Ann Holly American Historiography of Art History Art historian
Amelia Jones American 1961
Charlotte Klonk German Modern Art, Contemporary Art, Museology Art historian
Rosalind Krauss American 1941
Annette Lemieux American 1957-present Contemporary art Professor, artist
Samella Lewis American 1924 African-American art Art historian, art critic, and artist (printmaker)
Lucy Lippard American 1937 Contemporary Art Art critic, curator
Jennifer Montagu British 1931 Italian Baroque sculpture Art historian
Claudia Müller-Ebeling German 1956
Laura Mulvey English 1941 feminist film theorist
Mika Natif Israeli Islamic painting: Central Asia, Iran, India, and the Mediterranean Art historian
Sirarpie Der Nersessian Armenian 1896-1989 Armenian and Byzantine studies Art Historian and Museum Director
Linda Nochlin [23] American 1931 Art historian
Lotte Brand Philip German 1910–1986
Griselda Pollock [24] English/Canadian 1949–
Elizabeth Prettejohn American 1961– Victorian Art, Pre-Raphaelites Art historian, Professor, curator, author
Arlene Raven American 1944–2006 Feminist art movement in the United States Art historian, art critic, and founder of the Los Angeles Woman's Building)
Hilla Rebay 1890-1967
Trina Robbins American 1938 History of comics Artist and writer
Barbara Rose American 1938
Anda Rottenberg Polish 1944–
Johanna Schopenhauer [25] German 1766–1838 Artist, author
Nada Shabout American 1962 Modern Iraqi art Art historian
Kaja Silverman American 1947– Film theorist, art historian
Barbara Maria Stafford American Art historian
Kate Steinitz [26] German-American 1889–1975 Artist, art historian
Kristine Stiles American 1947– Art historian, curator
Margaret Stokes [27] Irish 1832–1900 Antiquarian
Marilyn Stokstad [28] American 1929–
Mary Hamilton Swindler [29] American 1884–1967
Ann Temkin American
Dorothy Burr Thompson [30] American 1900–2001
Erica Tietze-Conrat [31] Austrian, American 1883–1958 Contemporary Viennese Art, Renaissance art, the Venetian school Academic lecturer
Marjorie Tipping [32] Australian 1917–2009 Historian
Jocelyn Toynbee [33] English 1897–1985
Marcia Tucker [34] American 1940–2006
Cecylia Vetulani Polish 1908–1980
Anne Wagner American 1949- Modern and contemporary art Art historian,

Professor emerita

Renate Wagner-Rieger [35] Austrian 1921–1980 Architecture, historicism Academic lecturer
Evelyn Welch
Edith Wharton [36] American 1862–1937 Architecture Writer
Margaret Whinney [37] English 1897–1975 English art history Academic lecturer
Sylvia Williams American 1936–1996 African art Curator, museum director
Sarah Wilson English
Rachel Wischnitzer German 1885–1989 Jewish art history architect,

art historian

Margot Wittkower German-American 1902-1995 Neo-Palladian Architecture, Italian Renaissance, Baroque Writer, Interior Design
Joanna Woodall British Portraiture, Netherlandish Art
Mary Woodall British 1901–1988 Thomas Gainsborough scholar Museum director, curator
Frances Yates [38] English 1899–1981 Renaissance
Stefania Zahorska Polish 1890–1961 Polish prosaist

References

  1. Lua error in package.lua at line 80: module 'strict' not found.
  2. Lua error in package.lua at line 80: module 'strict' not found.
  3. Lua error in package.lua at line 80: module 'strict' not found.
  4. 4.0 4.1 Lua error in package.lua at line 80: module 'strict' not found.
  5. Lua error in package.lua at line 80: module 'strict' not found.
  6. Lua error in package.lua at line 80: module 'strict' not found.
  7. Lua error in package.lua at line 80: module 'strict' not found.
  8. Lua error in package.lua at line 80: module 'strict' not found.
  9. Lua error in package.lua at line 80: module 'strict' not found.
  10. 10.0 10.1 Lua error in package.lua at line 80: module 'strict' not found.
  11. Lua error in package.lua at line 80: module 'strict' not found.
  12. Lua error in package.lua at line 80: module 'strict' not found.
  13. Lua error in package.lua at line 80: module 'strict' not found.
  14. Lua error in package.lua at line 80: module 'strict' not found.
  15. Lua error in package.lua at line 80: module 'strict' not found.
  16. Lua error in package.lua at line 80: module 'strict' not found.
  17. Lua error in package.lua at line 80: module 'strict' not found.
  18. Lua error in package.lua at line 80: module 'strict' not found.
  19. Lua error in package.lua at line 80: module 'strict' not found.
  20. Lua error in package.lua at line 80: module 'strict' not found.
  21. Lua error in package.lua at line 80: module 'strict' not found.
  22. Lua error in package.lua at line 80: module 'strict' not found.
  23. Lua error in package.lua at line 80: module 'strict' not found.
  24. Lua error in package.lua at line 80: module 'strict' not found.
  25. Lua error in package.lua at line 80: module 'strict' not found.
  26. Lua error in package.lua at line 80: module 'strict' not found.
  27. Lua error in package.lua at line 80: module 'strict' not found.
  28. Lua error in package.lua at line 80: module 'strict' not found.
  29. Lua error in package.lua at line 80: module 'strict' not found.
  30. Lua error in package.lua at line 80: module 'strict' not found.
  31. Lua error in package.lua at line 80: module 'strict' not found.
  32. Lua error in package.lua at line 80: module 'strict' not found.
  33. Lua error in package.lua at line 80: module 'strict' not found.
  34. Lua error in package.lua at line 80: module 'strict' not found.
  35. Lua error in package.lua at line 80: module 'strict' not found.
  36. Lua error in package.lua at line 80: module 'strict' not found.
  37. Lua error in package.lua at line 80: module 'strict' not found.
  38. Lua error in package.lua at line 80: module 'strict' not found.