National Film Award for Best Costume Design

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National Film Award for Best Costume Design
Type National
Category Indian Cinema
Description Best costume design for the feature films for a year
Instituted 1984
First awarded 1984
Last awarded 2014
Total awarded 33
Awarded by Directorate of Film Festivals
Cash award ₹50,000 (US$740)
Medal Rajat Kamal (Silver Lotus)
First awardee(s)  • Harudas
 • Bapuldas
Recent awardee(s) Sabarni Das

The National Film Award for Best Costume Design is one of the National Film Awards presented annually by the Directorate of Film Festivals, the organisation set up by Ministry of Information and Broadcasting, India. It is one of several awards presented for feature films and awarded with Rajat Kamal (Silver Lotus).

The award was instituted in 1984, at 32nd National Film Awards and awarded annually for films produced in the year across the country, in all Indian languages.

Winners

*
 Indicates a joint award for that year

Award includes 'Rajat Kamal' (Silver Lotus) and cash prize. Following are the award winners over the years:

List of award recipients, showing the year (award ceremony), film(s), language(s) and citation
Year Recipient(s) Film(s) Language(s) Citation
1984
(32nd)		 Harudas and Bapuldas[1] Ghare Baire (film) Bengali  –
1985
(33rd)		 Saba Zaidi[2] Trikal Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For creatively designing the appropriate costumes for this period film, thereby lending authenticity to the milieu.
1986
(34th)		 Prabhat Jha[3] Parinati Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the authenticity in the use of costumes.
1987
(35th)		  • Ramilla Patel
 • Mani Rabadi[4]		 Pestonjee Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For recreating the costumes of the period and the Parsi community with meticulous attention to detail, enhancing the quality of the film.
1988
(36th)		 Sudharshan[5] Daasi Telugu <templatestyles src="Template:Hidden begin/styles.css"/>
For his tender handling of warped fabric and jewellery with correct hues and authenticity.
1989
(37th)		 P. Krishnamoorthy[6] Oru Vadakkan Veeragatha Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For his intimate knowledge, artistic competence and the brilliant execution of the costumes of a bygone era, recreating the reality of life in the past as few films have done.
1990
(38th)		 Bhanu Athaiya[7] Lekin... Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the texture and tone of the costumes, which heighten the visual quality of the film, breaking away from the traditional image of bright Rajasthani colours by using subdued pastel shades.
1991
(39th)		  • Neeta Lulla
 • Kachins
 • Leena Daru[8]		 Lamhe Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For faithfully recreating the color, variety and richness of the dresses worn in Rajasthan.
1992
(40th)		  • Mala Dey
 • Simple Kapadia[9]		 Rudaali Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For the authentic designs they created to blend with the desert backdrop of Rajasthan.
1993
(41st)		 Loveleen Bains[10] Muhafiz Urdu <templatestyles src="Template:Hidden begin/styles.css"/>
For recreating an entire spectrum of costumes, representing not only the protagonist, the ageing litterateur and his closeted world, but the entire milieu of the city and the small town.
1994
(42nd)		 Supriya Dasgupta[11] Amodini Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For an aesthetic recreation of 18th century costumes, evoking the traditions of Bengali painting and theatre.
1995
(43rd)		 Dolly Ahluwalia[12] Bandit Queen Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For her authentic creation of costumes in terms of the tone and texture of the rugged and harsh realities of ravines of Chambal and its people.
1996
(44th)		 M. Dandapani[13] Kulam Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For creating beautiful costumes that are authentic to the period depicted in the film.
1997
(45th)		 Vaishali Kasaravalli[14] Thaayi Saheba Kannada <templatestyles src="Template:Hidden begin/styles.css"/>
For her care and perception in designing the period costuming required for a film that covers a demanding range encompassing the upper class to the commom man.
1998
(46th)		 S. B. Satheesan[15] Daya Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For a fantasy without any concrete reference to known periods, locales or styles – the film achieves a high quality design integrity. The use of fabrics, weaves and prints are superbly executed and leave a lasting impression.
1999
(47th)		 Sarika[16] Hey Ram Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For recreating a range of period costumes worn by characters from regions as varied as Lahore, Calcutta, Madras and Delhi and coming down to present times.
2000
(48th)		 P. Krishnamoorthy[17] Bharati Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For recreating a whole range of period costume to depict the early twentieth century of Tamil/Banaras. The aesthetic selection of colours go well with the décor of the structure/sets and the costumes give the film and authentic look.
2001
(49th)		 Bhanu Athaiya[18] Lagaan Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For taking microscopic care in designing the costumes of pre independence era which gives the film an authentic look.
2002
(50th)		  • Neeta Lulla[19]
 • Abu Jani
 • Sandeep Khosla
 • Reza Shariffi		 Devdas Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For their researched, inventive, designing of costumes enhancing the persona of the various characters.
2003
(51st)		  • Bibi Ray[20]
 • Sushanto Pal		 Chokher Bali Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For evoking a period in harmony with the spirit of the film's art direction.
2004
(52nd)		 Ishrath Nissar[21] Hasina Kannada <templatestyles src="Template:Hidden begin/styles.css"/>
For the costumes that lent a realistic feel to the characters thereby adding to their credibility.
2005
(53rd)*		 Anna Singh[22] Taj Mahal: An Eternal Love Story Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For creating costumes true to the spirit of a period film.
2005
(53rd)*		 Sabyasachi Mukherjee[22] Black Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For his imaginative creations that enhanced the mood and added to ambience of the film.
2006
(54th)		 Manjeet Maan[23] Waris Shah: Ishq Daa Waaris Punjabi <templatestyles src="Template:Hidden begin/styles.css"/>
For accurate and convincing costumes, reflecting the socio-cultural fabric of a historic era.
2007
(55th)		 Ruma Sengupta[24] Krishnakanter Will Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For creating realistic characters during that historic period when lavish costumes and colourful court life, were the order of the day.
2008
(56th)		 Neeta Lulla[25] Jodhaa Akbar Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For its painstaking detail to recreate the costume costumes and jewellery of Mughal era.
2009
(57th)		 Indrans Jayan[26] Kutty Srank Malayalam <templatestyles src="Template:Hidden begin/styles.css"/>
For capturing the essence of period and characters with the right blend of colour, style and texture.
2010
(58th)		 Indrans Jayan[27] Namma Gramam Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
For realising effectively the texture of a period in the history of modern India through minuscule attention to detailing.
2011
(59th)*		  • Neeta Lulla[28]
 • Niharika Khan		  • Balgandharva
 • The Dirty Picture		  • Marathi
 • Hindi		 <templatestyles src="Template:Hidden begin/styles.css"/>
For creating a period with appropriate costumes embellished with the right colours and textures. Neeta Lulla of 'Balgandharva' and Niharika Khan in 'The Dirty Picture’ have both done meticulous research into those times, not merely to be authentic but also to appropriately contextualise the respective narratives and their times.
2012
(60th)		 Poornima Ramaswamy[29] Paradesi Tamil <templatestyles src="Template:Hidden begin/styles.css"/>
A keen eye for details in costume design has given the film a look of authenticity.
2013
(61st)		 Sabarni Das[30] Jaatishwar Bengali <templatestyles src="Template:Hidden begin/styles.css"/>
For realizing effectively the texture of colonial Bengal upto the modern period through a rigorous attention to details.
2014
(62nd)		 Dolly Ahluwalia[31] Haider (film) Hindi <templatestyles src="Template:Hidden begin/styles.css"/>
For capturing the essence of the characters and moods with creative flourish

References

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External links

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