From Infogalactic: the planetary knowledge core
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A novel is a long prose narrative written by a novelist that describes fictional characters and events, usually in the form of a sequential story. The genre has historical roots in antiquity and the fields of medieval and early modern romance and in the tradition of the novella. The latter, an Italian word used to describe short stories, supplied the present generic English term in the 18th century.
Further definition of the genre is historically difficult. The construction of the narrative, the plot, the relation to reality, the characterization, and the use of language are usually discussed to show a novel's artistic merits. Most of these requirements were introduced to literary prose in the 16th and 17th centuries, in order to give fiction a justification outside the field of factual history.
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Irish Thoroughbred, the debut novel by American author Nora Roberts (pictured), was first published in January 1981 as a category romance. Like other category romances, it was less than 200 pages and was intended to be on sale for only one month. It proved so popular that it was repackaged as a stand-alone romance and reprinted multiple times. Roberts drew on her Irish heritage to create an Irish heroine, Adelia "Dee" Cunnane. In the novel, Dee moves to the United States, where her sick uncle arranges for her to marry his employer, wealthy American horsebreeder Travis Grant. Although the early part of their relationship is marked by frequent arguments, by the end of the story Travis and Dee reconcile. According to one critic, the couple's transformation from adversaries to a loving married couple is one of many formulaic elements in the book. Although the protagonists adhered to many stereotypes common to 1980s romance novels, Roberts's heroine is more independent and feisty than most others of the time. Roberts wrote two sequels, Irish Rebel and Irish Rose.
- It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way— in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
A Tale of Two Cities
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