Rodney Milnes

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Rodney Milnes Blumer OBE (26 July 1936 – 4 December 2015) was an English music critic, musicologist, writer, translator and broadcaster, with a particular interest in opera.[1] He wrote under the professional name of Rodney Milnes. Born in Stafford, where his father was a surgeon,[2] Milnes attended Rugby School and studied history at Christ Church, Oxford University, before working in publishing.[1]

Milnes was the opera critic for Harpers and Queen (1970–90), opera critic of The Spectator (1988–90), Evening Standard (1990–92), and Chief Opera Critic The Times (1992–2002).[3] He was associate editor of Opera from 1976, deputy editor from 1984, and editor between 1986–99. There he honed his reputation as a "trenchant and entertaining writer, with a strong background in literature and theatre, and wide musical sympathies".[1] In his final editorial for Opera, Milnes wrote:

"Thank you to all of those who have written in outrage cancelling their subscriptions, and then not done so. Thank you to all readers for being so patient with my bêtes noires. I know I’m wrong about surtitles (like hell I am) and they’re here to stay. So are sponsors and their lordly, impertinent ways. Call me old-fashioned, but I don’t really feel that a century that starts with Lilian Baylis and ends with Chris Smith is one that has seen a lot in the way of progress".[4]

Milnes translated various operas under his original name, including Rusalka, The Jacobin, Osud, Don Chischiotte, Pollicino, Undine, Giovanna d'Arco, Die drei Pintos and Tannhäuser.

Milnes contributed entries on Massenet and his operas in the Grove Dictionary of Music and Musicians. He was consultant editor for the Viking Opera Guide, and revised and updated A Concise History of Opera in 1987. He was a contributor to Opera on Record Vol 1 (Carmen), Vol 2 (Thais and Don Quichotte) and Vol 3 (The stage works of Weill).

For BBC radio he was a regular contributor to the Building a Library feature in Record Review; in Just the part[5] and In Repertory[6] he talked to opera singers about particular roles they have made their own, and in 2001 introduced a 14-part series Performing Verdi.

Milnes was a Knight of the Order of the White Rose; in January 2002 he was awarded an OBE for services to journalism and music. He spent his final years in Gloucestershire to live near his sister. He remained unmarried and left no survivors.[2]

References

  1. 1.0 1.1 1.2 Rodney Milnes. New Grove Dictionary of Opera. Macmillan, London and New York, 1997.
  2. 2.0 2.1 Lua error in package.lua at line 80: module 'strict' not found.
  3. Adam, Nicky (ed). Milnes, Rodney. In: Who's Who in British Opera. Scolar Press, Aldershot, 1993.
  4. Editorial "Ring in the new". Opera, December 1999, p1387.
  5. Radio listings for Just the Part series Accessed 29 May 2011
  6. Radio listings for In repertory series Accessed 29 May 2011